Tödliche Nebel (1966) Online

One of the four GAMMA series SF films from Italy's Antonio Margheriti. Not as "wild" as WILD WILD PLANET, but still fun in colorful low-budget vein. This time, the space crew has to battle a race of aliens who turn men into mindless slaves via a green gas. Reminiscent of stuff going back to INVADERS FROM MARS and IT CONQUERED THE WORLD, not to mention the loosely concurrent STAR TREK pilot "THE CAGE", it has a visual flair that helps it move past a very slow middle act.

But, all cult film fans will at least want to tune into the First act with what is certainly cinema's most bizarre New Year's Eve celebration with space-walking astronauts literally spinning and floating in formation! And wait 'til you see the big finale! All this to Italian 60's lounge rock courtesy of Angelo Francesco Lavagnino. The film shares with other Euro SF films of the period decidedly 'mod' music sequences (the famous STAR WARS 'Cantina' sequence has nothing on this stuff) - I.E. Germany's SPACE PATROL and even something as sober as the Czech classic VOYAGE TO THE END OF THE UNIVERSE.

Far from classic, but it was a fun period in Italian SF. Though one has to be careful when attributing dialog to the dubbed USA versions, this one has a doozy -- An astronaut has been "taken over" by the aliens, which sparks the comment: "He's gone Galactic!" Too bad the TCM print you are most likely to see isn't Letterboxed (as so much of their vault is). (the closing credits are letterboxed)

It's not even close to being the best spaghetti science-fiction film ever made - far from it, in fact - but Antonio Margheriti's War of the Planets is another refugee from TNT's 100% Weird that recently popped up commercial free (and sadly pan and scan) on Turner Classic Movies. Starring American expat Tony Russel - who got his screen start as a bartender in Elvis' King Creole - as the commander of Earth's space forces, War of the Planets is a very low-budget story of alien invaders attacking our solar system from their base on Mars. The aliens, ever mindful of the filmmakers' need to keep costs down, are represented by dry ice and flashing green lights. The great Franco Nero co-stars and there's a suitably spacey Angelo Francesco Lavagnino score.

Antonio Margheriti's second entry in the GAMMA ONE QUADROLIGY series of Italian Spaghetti Science Fiction movies is a marvel of form over substance. I love the ultra low budget production design, at times histrionic or wooden acting, the funky 1960s color schemes, and the brooding, mind-boggling sense of pending cosmic doom that infuses nearly every minute of the production. It is almost a perfect translation of the Spaghetti Western to SciFi terms: A good looking film composed of individual moments, some of which are actually quite evocative.

The story is a different matter. I have absolutely no idea what is going on here in terms of the specifics, but as far as the broader premise I will hazard to try: Mankind is threatened by disembodied phantom beings from another galaxy who want to inhabit the bodies of "perfect specimens" of humanity in an ongoing effort to dominate the cosmos. United Democracies space soldiers Tony Russell, Franco Nero and good old Enzo Fiermonte do battle with them on an abandoned space station invaded by the Diafanoids during a New Year's eve celebration.

So far so good, but there is almost a dizzying myriad of subplots, background stories, romantic interludes, poignant discussions, awkward spacewalk scenes, intense space battles, shootouts with flaming pistols, space meals with space food served in modular containers and dined on from ergonomically designed eating stations, hard-nosed space commanders barking orders at pretty female subordinates, and lots of footage of Margheriti's trademark spaceships with their propane special effects afterburners.

It gets a bit too much to keep track of, which is also a quality shared by Spaghetti Westerns, and if Margheriti & his scriptwriters can be faulted for anything it is perhaps being more ambitious with their plotting than their production is capable of fulfilling. Contemporary viewers without a background in ultra low budget genre films will probably be annoyed by the miniature work with models in particular, which are more complicated but not much more advanced in their execution than what is seen in Margheriti's first two SciFi movies, 1960's ASSIGNMENT: OUTER SPACE and 1961's BATTLE OF THE WORLDS. The spacewalk scenes are also somewhat limited in their effectiveness by their depiction in the form of actors in wire harnesses being swung back & forth on a sound stage by off-camera technicians.

Considerations like those weren't important to Margheriti, however, who simultaneously made four films that together amount to far more than the sum of their parts. 1964 was actually a remarkable year for Margheriti, who made no less than eight movies including his undisputed masterpiece CASTLE OF BLOOD (DANSE MACABRE) and the Peplum classic GIANTS OF ROME in addition to the four Gamma One films. However he found the energy he had the verve to extend himself and take chances, creating a diverse body of work in only 12 months that put him at the forefront of the emerging Italian B movie circuit.

Mario Bava may have been more of a visionary director (and his 1965 film PLANET OF THE VAMPIRES remains the single most impressive bit of Italian science fiction from the period) but Margheriti was a craftsman who was able to churn out product that pleased audiences in abundance. Perhaps it can be stated that where Bava was the more consummate artiste, Margheriti ran a production line studio which went for a bulk-rate approach. Instead of making just one movie with careful didactic attention he made four that together have more imagination, guile and sheer celebration of the act of making movies than all of the 3 contemporary Star Wars movies films put together.

6/10, for being what it is.

I have seen this film just once - back in 1969 when it got a second release as a morning show in one of the local cinemas in my hometown, Bangalore. All right, it is blatantly outlandish and extremely B-movie from the Italian stable, but as with many European films of its genre, has its moments. I thought that some of the special effects were very impressive - particularly the HAPPY NEW YEAR formation spacewalk by the astronauts in the beginning of the film. The 'invasion' of humans by the green Martian 'space mist' is decidedly silly from modern standards, but that and several other scenes in the film do raise unintentional laughs. Tony Russell is the obligatory American lead intended for the Western market but it is nice to see a young Franco Nero in one of his early roles. The sets are occasionally creaky but not as bad as some reviews make out. In all, a worthwhile addition to anyones camp-movie collection if it is ever released on DVD.

Tony Russel returns to his role of brave astronaut Commander Mike Halstead, in this follow- up to "Wild, Wild Planet", which had been the first entry in this "Gamma One" series of groovy Spaghetti Sci-Fi productions. Mike and associates such as Ken (Carlo Giustini) and Jake (the always welcome Franco Nero) must do battle with an alien race. Their natural form is of a green light / mist, and they possess other humans in order to enslave them and fulfill some unknown purpose.

"War of the Planets" is okay. This viewer clearly sees it more favorably than some people, but he still admits that it's something of a comedown. There's just not as much of the general weirdness and neat ideas as in "Wild, Wild Planet". There is also not a great deal in terms of genuinely surreal and colorful environments. The story (by Ivan Reiner and Renato Moretti) is more by the numbers, overall.

The actors, too, don't appear too enthused. One standout is Michel Lemoine, who plays the possessed Captain Dubois. He has a most amusing look on his face the entire time. Handsome Russel is still a decent hero, but Lisa Gastoni as his love interest / fellow astronaut Connie isn't given anything truly substantial to do. It's also a hoot to see Mike taking orders from a general, who is his father, to boot!

There may not be a lot to praise with this one, but if you're like me and fancy this sort of entertainment, you could do worse.

Six out of 10.

While this is a rather poor sci-fi film, for the time it wasn't all that bad. While compared to the artistry of "2001" which debuted just two years later it comes up severely lacking, all sci-fi from around 1966 was pretty shabby compared to the groundbreaking "2001". So, cut this cheesy Italian film a bit of slack when it comes to special effects! Now I am not saying it's all that good a film. But, at least it is watchable.

"The War of the Planets" begins in the near future. Space travel is routine and things look a bit like "The Jetsons" in this film. However, when a strange greenish cloud-like 'thing' appears in the sky, BAD things will follow! A group of astronauts are transformed into zombie-like people--who are A LOT like the "Star Trek" notion of The Borg. In other words, the infected people all think as one and are emotionless jerks. Can they be stopped or will everyone become duller than Dick Cavett on Valium?! The film has the usual 60s fare--the usual sort of spacey outfits , silly paranoid plot and sexist banter. It's all a bit silly but for fans of cheesy sci-fi (and I am one), it's all enjoyable silliness. Not all bad--and the plot idea wasn't bad at all.

(aka: WAR OF THE PLANETS)

Caught this one on TCM and it's typical for Italian space operas of the time, with the notable exception of Mario Bava's PLANET OF THE VAMPIRES (1966).

The main problems are that the script is so poorly thought out, that it was probably written as they filmed each scene on the spot. And the sets look so low budget that even Ed Wood did a more credible job with PLAN 9 FROM OUTER SPACE. At least Ed's film was 'entertaining', unlike this boredom.

Aliens in the form of green smoke and flashing lights take over orbiting space stations around the Earth. It brainwashes some people into committing acts of sabotage while others are just left immobile with a little green tinge to their skin. I guess they did this to keep the film budget down.

It's up to the Earth space forces led by Tony Russell to save the world from the aliens and with pretty Lisa Gastoni (as well as dumb #2, Franco Nero) by his side, we are treated to one of the cheapest looking space battles in cinema history.

I also notice that this film has the MGM logo at the beginning of it. They must have been so desperate for product in 1965 that they had to resort to importing Euro turkeys like this one. Besides which, Anthony Margheriti did much so much better in the horror genre that he should have stuck to it.

So if you're into MST3K-type effluent (which I'm not), then this is the film for you.

2 out of 10

C'mon! It's so bad that it's almost funny! Those costumes would be great for a fantasy party! Hairdryers for communicators, flame pistols and gas propelled spaceships... It's a miracle that they did not set fire to the stage! It's a pity that we never get to see those evil aliens, except in the form of that green spray. I'm sure it would have been fun! nd that plot... If it wasn't for the large amounts of bad acting, I would almost feel sorry for those actors! Also be ware of some outrageously sexist scenes. The special effects would be already outdated in 1955 not to mention in 1965... Oh! The spacewalks are hilarious, not to mention the planets and the spaceships! All together it might have cost around $35... Watch it for the fun!

Steadfast, but dreary and second-rate low-budget b-grade sci-fi matinée by Italian director Antonio Margheriti (better known for such films as; "Cannibal Apocalypse" and "Naked You Die"). Anyhow "The War of the Planets" (the second addition to the Gamma One series) is typical fodder, that can't escape its over melodramatic sub-plotting with stodgy dialogues and the direction is limply brought across. Its budget shows with the obviously fashionable miniature sets and models… as well as all-out plain and spotty effects (where the aliens are a glowing green mist or light of energy that possesses its victims). Some of the junky space sequences are rather laughable too (like astronauts floating in space, which is clearly by rope). The idea is workable, but the lacklustre execution is less accommodating despite some spaced-out atmospheric visuals and colourful set decors. Textbook performances (with the likes of Tony Russel and Franco Nero) come across shallowly flat, but there seems to be too many characters that at times it got hard to tell which space station / ship the action was focusing on. On the other hand the patchy score remains effectively uncanny. Not entirely awful, but still an utter drag.

I have no idea if my title above constitutes a spoiler.

As a serious movie, I give it a 1. As a comedy-farce, it's so much better. Now, I'll admit part of the reason I found it funny was because my hubby sat here doing his own Mystery Science Theater 3000 commentary.

I swear the "for the good of the whole" riff and so forth was inspiration for the ST:NG Borg. Of course, "taking over the human race" plots are not remotely new, but the "for the good of the universe; no war, no pain, you must join with us" deal is so reminiscent of the Borg that it's even funnier to me.

Rated 9 for the Kitsch factor!! I do have a problem, it says that the role of Jake (what's his name) is played by Franco Nero, but I do believe it's played by Terence HIll, who lately can be seen on MHz Networks in Don Matteo. And he was also in the 'Trinity' movies in the 1970's. One thing I do love about these Italian movies is that the music (opening/closing themes) is nicely done. Franco Nero was in Wild Wild Planet. I could be wrong because they're both handsome blue-eyed Italians but I'm pretty sure about that. I think Wild WIld Planet is my favorite. It's SO pre-Stepford Wives. It's the height of corn, but it cracks me up every time I watch it. Very contemporary for the mid 60's....I love all the sleek design costumes, cars, and furniture. And of course, who wouldn't have a crush on Captain Mike!!

in this Italian, American sci-fi 'thriller',our intrepid crew sets about outer space and some of them are brainwashed into believing that if they do as they're told, it will be "all for the good of all"(or some such gobbledygoop). the "aliens" in this case are pretty much made of green smoke...there are no actual solid monsters or creatures per se. the miniatures, lighting and camera work all come off incredibly toy-like and unrealistic even by 1965 standards. their rifles, which they refer to as "lasers", look like refurbished Tommy guns..which spit out fire..and their space pistols, they refer to as "38's"!!! the Italian actors (like in many dual-country offerings) are obviously speaking Italian with the English dubbed in and the American actors speaking English. the producers evidently thought this movie was so good they followed it up with "wild wild planet"..which i haven't seen and don't plan to. i actually love bad sci-fi that's somewhat original and unintentionally funny...this wreck was neither.