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The Money Pit (1986) Online

The Money Pit (1986) Online
Original Title :
The Money Pit
Genre :
Movie / Comedy
Year :
1986
Directror :
Richard Benjamin
Cast :
Tom Hanks,Shelley Long,Alexander Godunov
Writer :
David Giler
Budget :
$10,000,000
Type :
Movie
Time :
1h 31min
Rating :
6.3/10
The Money Pit (1986) Online

Walter Fielding and Anna Crowley have to start looking for a new house- but there's not much they can afford! This soon changes when they meet a lonely old con artist who sells them a beautiful mansion at a ridiculously low price. Only there's a catch. The second they move into the house it falls apart, starting with the stairway collapsing to the bathtub falling through the floor to eventually the chimney falling into the house! Finally, they have to renovate the house before the frame collapses but the renovations also prove to be a disaster.
Cast overview, first billed only:
Tom Hanks Tom Hanks - Walter Fielding
Shelley Long Shelley Long - Anna Crowley
Alexander Godunov Alexander Godunov - Max Beissart
Maureen Stapleton Maureen Stapleton - Estelle
Joe Mantegna Joe Mantegna - Art Shirk
Philip Bosco Philip Bosco - Curly
Josh Mostel Josh Mostel - Jack Schnittman
Yakov Smirnoff Yakov Smirnoff - Shatov
Carmine Caridi Carmine Caridi - Brad Shirk
Brian Backer Brian Backer - Ethan
Billy Lombardo Billy Lombardo - Benny
Mia Dillon Mia Dillon - Marika
John Van Dreelen John Van Dreelen - Carlos (as John van Dreelen)
Douglass Watson Douglass Watson - Walter Fielding, Sr.
Lucille Dobrin Lucille Dobrin - Macumba Lady

During breaks in filming, Tom Hanks liked to drive around in the vintage Lincoln Model L Series classic car which is featured in the movie.

For the scene with the bathtub falling two floors down after being filled with water, Tom Hanks does an obnoxious laugh. This clip of him laughing is commonly used for the Universal back-lot tour when the tour guides joke with the visitors.

The first collaboration of Tom Hanks and Steven Spielberg the latter of whom acted as Executive Producer. The two would go on to collaborate on numerous other ventures.

The "Money Pit" house, owned by the Ridder family in real life, was on the market to be sold when the movie was shooting.

Co-owner of the house, Mrs. Ridder, was apparently absolutely shocked to see her home being semi-demolished. Reportedly, director Richard Benjamin persuaded her to appear in the movie's closing scenes after the house had been fully restored by the production.

The key location issue during development and pre-production that faced producers Frank Marshall and Kathleen Kennedy was to find a real life gigantic mansion that its owners would consent to allow to be partially demolished.

Apparently, real Hell's Angels bikers from a real Hell's Angels chapter portrayed the Hell's Angels bikers in the movie.

The house used in the film is currently (7/2016) up for sale. Priced at about six million dollars. See the listing here: http://www.zillow.com/homedetails/2098737238_zpid

The real life address of the mansion seen at the end of the movie, known as the Villa Vlzcaya, is 3251 South Miami Avenue, Coconut Grove, South of Miami, Florida.

The movie was the first remake of Mr. Blandings Builds His Dream House (1948). The second was seven years later, with Sweden's Drömkåken (1993), while the third, which was the second Hollywood remake, was twenty-one years later, with Are We Done Yet? (2007).

The start of principal photography on this picture was delayed due to Shelley Long's pregnancy. After Long's daughter Juliana was born, Long began work which included all the physical stunts and acting that was required.

The band White Lion performs twice in this movie, with a line-up that was before their debut album. The bass player joined Black Sabbath between this movie and White Lion's first album.

A replica frontage of the "Money Pit House" was built at the back of the dwelling so when viewers see the front of the house, in reality, it is a set construction tacked onto the back of the building.

Alexander Godunov conducts the orchestra at the end, as they perform Ode to Joy by Ludwig van Beethoven. It was also played at the safe opening scene in Die Hard (1988), which also starred Godunov.

The classic car seen in the movie was an off-white 1929-30 Lincoln Model L series four-door Sport Phaeton automobile. In the film's story, the vintage vehicle came with the purchase of the house.

Michael Jeter played a small role as one of the construction workers. He and Tom Hanks would later star together again in The Green Mile (1999).

Kathleen Turner was considered for the female lead. At the time, Turner was in a dispute with 20th Century Fox, as she did not want to do The Jewel of the Nile (1985), and tried to use the offer of playing in this movie as a negotiating ploy, although some thought at the time, that it was simply an attempt to get paid more money.

The movie was filmed during April, May, June, and July 1985.

The scene with the airborne turkey was rehearsed with an American football.

One of three 1986 movies starring Tom Hanks released in that year. The other two films were Nothing in Common (1986) and Hüvastijätud (1986).

The closing credits have a special section called "The Construction Crew" for several actors who played tradesmen in the film, but had no character name billing.

The film's title in Germany was "Geschenkt ist noch zu teuer" ("Free Is Still Too Expensive").

This remake was made and released 38 years after it's source film, Mr. Blandings Builds His Dream House (1948).

As seen in the stair fixing scene, Tom Hanks can fit nearly his entire fist in his mouth.

The size of the property that the house was situated on was nine acres.

According to website Wikimapia, The Money Pit House once had a real life name which was "Northway House". The site states that the house was "built for H.W. Warner in 1906. Federal in style. Called Northway House when William McNair owned the place. In the 1980s during the filming of the movie The Money Pit (1986) with Tom Hanks and Shelley Long, the house was owned by Eric Ridder, Sr. (publisher). Ridder was a gold medal winner in 1952 as a member of the American yachting team. In 1964 he co-captained the Constellation in successful defense of the America's Cup".

Joe Mantegna (Art Shirk) was once on the television show Bosom Buddies (1981), which starred Tom Hanks. Joe's character was "the Sheik". They have not worked together since this movie.

The film was intended to be one of Universal's tent pole movies for Christmas 1985, but the film was pushed back to March of 1986.

Walter's friend wants to change the name of his band to "Meryl Streep." Thirty-one years later Hanks would co-star with Meryl Streep in The Post (2017).

At 1:00:57 "Rush Rush" from "Scarface: the original motion picture soundtrack" can be heard

Tom Hanks also made a movie with Jackie Gleason later that year after the Money Pit, where his character Walter had a terrible fight with his wife Anna. Walter hits the staircase with his hand and goes "Bang! Zoom!" and flies his fist to the sky (or the Moon), just like Ralph Kramden would do in The Honeymooners (1955).

Third of only three Amblin Entertainment productions where the production house's logo is played to music composed by John Williams with the others being firstly Young Sherlock Holmes (1985) and secondly The Color Purple (1985).

Screenwriters Lowell Ganz and Babaloo Mandel wrote an uncredited draft of the script. But in the film's original trailer, they were credited along with the film's writer David Giler.

The make and model of Art Shirk's (Joe Mantegna's) red sports car was a 1984 Chevrolet Corvette. Its customized license plate read "AS-1".

The real life address of the house seen in the movie is, according to the 'Between Naps on the Porch' website, "199 Feeks Lane, Locust Valley, New York and was owned by the Ridder family at the time of the filming".

Bethhoven's 'Ode to Joy' was used in the both the Money Pit and Die Hard with Alexander Godunov.

Film debut of Nestor Serrano.

This movie was the first produced screenplay of screenwriter David Giler in five years. Giler's last at the time had been Southern Comfort (1981).

Third consecutive film that was edited by Jacqueline Cambas and directed by Richard Benjamin.

When Walter is out in the garden and asks the cherub water feature if he has prostate trouble, interestingly, 12 years later in The Green Mile, Tom Hanks' character suffers from a urinary tract infection.

The title card seen at both the beginning and towards the end of the movie read "Rio de Janeiro".

The nickname of Max Beissart (Alexander Godunov) was "The Maestro".

The Shirk brothers names are appropriately titled because their name derives from the word "shirk" which means to avoid or evade which they do throughout the movie and they never appear again.


User reviews

Shan

Shan

I know, the critics ripped at "The Money Pit" when it got released. They apparently didn't realize that it wasn't pretending to be a masterpiece; it was a big excuse to be funny, and they succeed. Some of the gags her seem to forecast the equally funny "Mousehunt". Personally, I think that Tom Hanks needs to act in some more comedies, and Shelley Long needs to get more roles in movies. My favorite scene? Well, I get the giggles whenever I think of the whole chain reaction. Just the kinds of things about which anyone should worry when moving into a new house (although my family didn't have such experiences when we moved into our house).

All in all, it shows that Richard Benjamin is as great a director as he is an actor. My generation ought to give him the recognition that my parents' generation gave him. Also starring Alexander Godunov (one of the Amish guys in "Witness"), Maureen Stapleton, Joe Mantegna and Josh Mostel.
Marirne

Marirne

This is the rarest of the rare: a one-joke comedy where the one-joke is able to sustain the whole film. It all begins when Hanks and Long buy a big, grand, dream house in the New York countryside. It is, of course, too good to be true, after the sob-story old lady has sold it to them it begins to crumble into disaster. But because there are so many angles for the filmmakers to come from---collapse of stairs, wild animals lurking, bad wiring---it manages to hold itself together for around ninety minutes. A big credit goes to Hanks, who's facial expressions are priceless at times. Such as when he accidentally hammers his thumb. Too stunned to curse, he does what we all do, as he begins to beat the hell out of the object he was hammering. Even his charm in the earlier scenes, like dealing with a bratty kid-star, are funny. Long is good as his sort of straight-(wo)man, but Godunov steals all his scenes as her self-absorbed ex husband. Bosco is great as the grandfather of the entire construction crew, and even the sub-sub-characters are engaging as everyone always has a goofy line to chime in with, i.e. the infamous "Two weeks". But the coup de gras of the entire thing is a slapstick set-piece that brings down the house, literally. All I'll say is that involves Hanks going on a proverbial roller-coaster ride in and around the house for a good two minutes. The choreography and timing, starting with Hanks and going all the way down the extras, is amazing. Even if you aren't into the film, at least stay until that moment. There's an extra-marital subplot, that usually in a comedy, never fits. But because we like Hanks and Long so much, we get into it. And it leads to one of Hanks' funnier line readings ever. To the longtime fans of the movie: "YOU WH*RE!"
Vut

Vut

i have seen this movie so many times and it is still hilarious. regardless of what others have said i think this movie is great. the plot is not that well written but who cares this movie wants to make u laugh and it succeeds admirably. I think that this movie is great and is one of my favorite all time movies. It is absolutely hilarious. Many think that Tom Hanks is a dramatic actor, but his roots are in comedy. This movie proves that, he is absolutely perfect and hillarious. Shelley Long although not great, is the best she has ever been in a movie. Her timing and emotions are well fit for this movie. You will laugh and be touched, please vote afterwards and make this rating go up.
White gold

White gold

I loved this movie. Granted, I was a teen when I first saw it, but even so, I laughed often and that is my standard of judgment. Shelley Long is as good as she was in Cheers (which is gooood). Tom Hanks shows off the early "Bosom Buddies" hopes of physical comedy genius here in a way that he never did again. The bee-attack scene to the flight of the Bumblebee violin solo is fabulous. the whole "We're Sitting on a Dream" sequence with the stairs and doorbell and raccoon and the bathtub is hilarious but PEOPLE. Come on. The entire collapsing stairs bit is the best, capped off by Hanks sweet little blown kiss at the end ... slayed me. My brother and I still reference it whenever everything is more crap than bearable, and we always will. I think this is an overlooked gem and will always have it in my video catalogue. Finally, a quote: Paint. Don't tickle. Alexander Gudonow will be missed.
Jediathain

Jediathain

This film when it first came out was not given credit, it fell into the categories with the "Ghostbusters sequel" and other silly 80's movies. But, if you watch it again, it may have you laughing.

Shelley Long, while not a favorite, is good, and Tom Hanks, as a young couple finally buying that country mansion dream house every American should want. Maureen Stapleton is selling it; she is classic.

Joe Mantegna as Art Shirk, one of the many contractors and plumbers who take the young couple for a ride. Richard Benjamin has done a good job directing (You may want to watch "Goodbye, Columbus" again; he was excellent in that film).

The story is predictable, but will lighten your mood; it is not just a romantic comedy with a ridiculous premise. Anyone who has ever had to deal with house repairs and contractors will find this to be a good tonic. 8/10.
Zolorn

Zolorn

It continually amazes me that Tom hanks will go down as one of the best dramatic actors of our generation and little will be spoken of how good a physical comedian he was before "Philadelphia" changed his career. Hanks made a string of movies in the 80s relying on his physical comedy ability, most notable "Big", "the burbs", "dragnet", "turner & hooch" etc. But I think that with the POSSIBLE exception of "Big" - "The Money Pit" is his best. Some of the scenes involving Hanks in this movie made me laugh so hard I couldn't breathe. This movie is intended to be a farce and it succeeds totally. The rest of the cast is not very strong - I have never, and I assume never will be, a Shelley Long fan - she doesn't do anything but provide a sounding board for Hanks anyway. But then again, she really doesn't need to.

This movie is definitely worth taking a look at if you haven't seen it - the first time you watch it, it is genuinely hilarious. I just watched it again after about three years without seeing it and found it to still hold up. The scene when the chimney falls apart is my favorite. I wish hanks would do another comedy, but he's all serious now. oh well.
Daron

Daron

Tom Hanks and Shelley Long star in this hilarious film about a couple who buy a million dollar home for $200,000 - only to find out it's going to cost close to a million to repair it! Wood rot, raccoons in the dumbwaiter, a bad roof, bad plumbing, bad electricity - you name it, this house has it. Hard to choose the funniest scene - the staircase collapse or Hanks getting dumped in cement.

The entire cast is excellent, from Maureen Stapleton, the former homeowner whose boyfriend is being deported, Hanks' clients (he's an entertainment attorney), the many workers who populate the house, or Douglass Watson, Hanks' embezzler father who now lives in Rio.

It would also be hard to choose the funniest line, but for anyone who has owned a home, probably the Shirks Brothers line when their team comes to repair the house - "Your name came up in a drawing - we work today!"
Keth

Keth

This is truly the era when Tom Hanks was a comedian. He really made me laugh in this movie. Especially when the bath tub falls through the flooring. The best parts happen when something goes wrong. Tom Hanks has moved on since this time period to make Oscar winning movies such as Forrest Gump and the Green Mile, but this is truly when he was at his best. I have to admit, I never thought that Tom Hanks could be funny until I saw this film. I inspire anyone to give this movie a try. I guarantee that it will make you laugh at least once or twice. So go on and try the Money Pit. It is when Tom Hanks was not in it for the awards.
Kanrad

Kanrad

I have lost count of the amount of times I have watched this film. It's one of those films you put on when you need cheering up. So many scenes were funny to watch, love the one where Tom Hanks gets his fingers stepped on, because the stairs is "out"!!!!

You really feel for them, as everything they touch falls apart...and the saying: how long will this take to finish? TWO WEEKS, TWO WEEKS!! Yeh...right the job to mend/repair the house lasts months.

There are so many funny scenes...which I love, Tom Hanks is a legend, what a talent, funny or sad he's magic. Loved Shelley Long in this film, she's very good doing comedy.

Great movie xxx xx
Alsalar

Alsalar

Another film, I love from 86, sees Hanks, again impressing us, with great comic timing, and soon to be wife, Shelly Long (always good in any role) buy the lemon from hell. There are laughs here and there, but the fun is in just watching this place come apart and crumble. Not sounding morbid or dastardly here. Here, anything and everything comes apart, you have to ask yourself, "How the hell did they stage all of the faults". It must of taken hours. Some of the defects are bloody dangerous to watch, mostly concerning wires blowing apart and power outlets. Poor Hanks getting sucked in through a hole in the second story floor, was one of the fun moments. No other actor could fit this role, and I wouldn't want to see any other actor in this role. Joe Mantegna as a randy carpenter who makes the moves on Long, I liked. Shelly's ex-Alexander Gordonuv provided a likable character of flair, despite being shallow, and narcissistic. After not seeing this film in a very long time, I still enjoyed it today as I did then. By the way, in the house is amazingly, revamped, where in the end, for first home buyers, hope is possible. Lets face it, at the start, this crumbling house made the one in Emoh Ruo, look like a dream, it's faults, coming in small pittance.
Felolv

Felolv

Richard Benjamin directs this comedy about a young couple and their misery trying to turn a dilapidated house into their dream home. Situational comedy makes up for the flimsy story line. Two young stars on their way up...Tom Hanks and Shelley Long work absolutely great together. Funny script with even funnier one-line rebuttals. Very good support from Joe Mantegna, Philip Bosco and Yakov Smirnoff.
Pumpit

Pumpit

The Money Pit is directed by Richard Benjamin and written by David Giler. It stars Tom Hanks, Shelley Long, Alexander Godunov and Maureen Stapleton. Music is by Michael Colombier and cinematography by Gordon Willis. Plot finds Hanks and Long as a young couple who buy what they think is their dream house, only to find the house falling apart around them.

Mozart is dead, his troubles are over.

He went on to be a big mover in the acting world did Tom Hanks, so much so it's always a little weird revisiting his comedy output in the 1980s because he's a vastly different actor now. Yet for many of us, that decade holds many treasures, where nostalgic fever takes a hold and a warm glow does come with watching the young Hanks bound about with comedic glee. The Money Pit doesn't have the cult worship of Splash or the internet respect of Big, yet it's a wonderfully funny picture that finds Hanks on optimum energised form. The plot might be thin and Long kind of gets pushed to one side, but this has much to enjoy with a bottle of vino and snacks. That is, of course, if you don't mind laughing at the misfortune of new home owners?! I am sinking fast into the money pit.

A number of sequences are pure farce, but in the good way, stairs collapse, as does the chimney, doors, floors and a leaking roof bring the mirth, as does a laugh out loud bath moment. It sounds a little chaotic, and it is at times, but the screenplay allows Hanks & Long, and the wonderful Godunov, time to breath life into the characters. There's a lovely romance at the core of the story, one that inevitably will be tested by the chaos of the house renovations and Godunov's third party ex. They are a very likable couple and easy to root for. Helps that Hanks is full of effervescent boyishness and Long is so homely and pretty, the latter of which I don't think has ever looked better than during a red dress sequence here.

If the foundation is OK? Then everything else can be fixed.

It doesn't have any surprises in store, it goes exactly where you expect it too, which naturally renders the final third as being all about the sentiment and the message. With the comedy gone, picture struggles a touch to put the final coat of paint on the project. But it's nicely underplayed by the actors and really this is about love triumphant against adversity. With the laughs that came previously more than making this a blues lifter for the nostalgic amongst us. 7.5/10
Мох

Мох

Tom Hanks and Shelley Long star in this disappointing comedy as a couple who discover the home of their dreams, then get more than they bargained for when almost everything they touch gets destroyed. Unpleasant excuse for a comedy that tries to impress its audience with cheap screwball jokes, but the jokes here aren't funny. I'm just glad that this movie was made before Hanks became famous, because it's a ridiculous vehicle for him and also one of Steven Spielberg's most forgettable yawners.

1 out of 5
Jek

Jek

Maltin's right. A good premise, but as the execution becomes progressively more heavy-handed, the humor becomes thinner and thinner. Appears to appeal to the sense of humor of a 10 year old. This one made the exalted ranks of the few movies I have stopped and rewound before finishing, because shortly after ceasing to laugh I ceased to care. A genuine bowser.
Arcanefire

Arcanefire

I thought this was a rather good effort at making the worst romantic comedy ever. Even being used to films treating me like an idiot, I was mildly surprised by The Money Pit ('Spielberg Presents').

The 'film' presents a beautifully symmetric structure. It is framed by a ludicrous prelude and a preposterous postlude. At the centre stands one- long gag, repeated over and over. Lacking any kind of plot or character development this lovely mindless RomCom is brutally brought to a brutally lovely end by the most painful of narrative clichés.

--- NO MUCH TO SPOIL SPOILER ---

So, here are a little more details if you are curious about Hanks's worst film but have wisely decided not to watch it. If it's surreal fun what you're after, you might be better off going back to Lynch.

The central part of the film is one long gag about a house literally - oh yes so very delightfully literally - falling apart. Hanks's character keeps injuring his spinal cord and getting electrocuted but, alas, he does not die. Eheh, that's funny.

Then, 20 minutes to the end, when I was almost getting used to the total lack of narrative drive, and was learning how to sink deep into my sofa to enjoy the film as mere abstract visual pleasure, something started to happen. It was like - the film-makers suddenly realising that this was meant to be a romantic comedy. So yes, they come up with the twist: She has dinner with her ex-husband and wakes up in her bed! Ah! Her husband tells her they had sex! Ah! She does not remember but believes him! Ah! OBSTACLE to the ROMANCE! Just now that Hanks had learnt how not to get electrocuted. Oh dear. Hanks is hurt, the two split up. But then, 5 minutes to the end... oh well I am not going to spoil this for you... but you're up for a big surprise!
DABY

DABY

You will laugh so hard!!! The scene in which the bathtub falls through the rotting floor and shatters is the funniest scene in a ton of funny scenes!!! I remember this in the theatre when I was 15 and I almost peed my pants during that tub scene!!!

Tom Hanks is the greatest!!!
Fecage

Fecage

I looked over all the reviews here and so many people just LOVED this film, it was so FUNNY! What could possibly tie these reviewers together. Surely the film is too old to have the studio bribe them. They can't ALL be the writers of this whimsical farce, can they? What could it be? Then I saw it! They were all kids when The Money Pit was released. They remember their hand-clapping joy at watching a bathtub fall through several floors or seeing a staircase collapse. They were kids and kids love slapstick. Adults used to love slapstick, back when film was young and Buster Keaton was a genius.

This contrived Hollyweird potboiler is a throwback to the studio contract player days when they had to regularly crank out formulaic drivel for the masses. You know, like TV. What a piece of unwatchable crap. What a star-studded lineup of talent (look at the credits) gone to waste. What a chance to do something better with your time, like scoop out the litter box and wash the kitchen trash pail; something you can actually enjoy doing.
Molotok

Molotok

I actually rented 'The Money Pit' a few years ago. After all, a movie with Tom Hanks, how could it go wrong?? Maybe because I have been a home-owner for so many years, and have this irrational fear that something really bad and expensive will happen to mine. But this is a difficult movie for me to watch, and I don't find it funny at all. It is ironic that as much as I like Hanks, two of the movies I find very difficult to watch are his. The other one is 'The 'Burbs.' Anyway, the critic Ebert has a good review of 'The Money Pit', I won't repeat any of it here. Suffice to say I believe the IMDb votes have been unusually kind to this movie, I would rate it '3' on the 10-point scale.
Huston

Huston

It's amazing that two such talented actors as Shelley Long and Tom Hanks can produce something that--at its best moments--rises to mediocrity, but spends most of its time lurking in sheer awfulness.

If you liked Diane Chambers (on Cheers), you will not like this heroine. She is neither intelligent, nor caring, nor committed, in short there is nothing likable about her. We never have a sense of why she hooked up with Tom in the first place, or why she sticks it out through the long ordeal of the re-construction.

There are a number of minor sub-plots, none of which amount to anything and leave you scratching your head at the end, thinking "why was that there?" The transvestites, for instance, what did that contribute? Or Tom's father? Why was he even in this story? On the positive side, there are a few pratfalls and slapstick scenes that will make you chuckle here and there. But it's lost amid the morass of bad writing and predictability.
Kulalas

Kulalas

A lemon of a movie..Hanks and Long play a couple who run into every problem imaginable when buying a new house..as the house falls apart so does the relationship..and the movie..Not one of Hanks best and not one of Long's best (which isn't saying much for her) Avoid..you have been warned On a scale of one to ten... 0
Goktilar

Goktilar

This is an out and out example of plagiarism, at its worst. The story is based upon the earlier film from the late 1940's called "Mr Blandings Builds His Dreamhouse" that starred Cary Grant, Myrna Loy and Melvin Douglas. That film is chock full of sophisticated humor and even slapstick comedy as only the incomparable Cary Grant could perform. Myrna Loy is constant as his seductive but loyal wife and Melvin Douglas as her old college boyfriend who was beat out by Cary. This later adaptation, if you care to call it that for the purpose of keeping it clean, is a writer's and director's mulligan stew of ineptness, not to mention the sophomoric performances of the leading "actors". For me it's like comparing a fine vintage wine with sewer water. Why don't these "indies" really act like indies and write their own stories to screw up instead of messing around with something that was done perfectly the first time around? Miss this one like the plague!
Der Bat

Der Bat

Actually, two films from the '40s must have served as a guide for the writers to invent jokes around a couple who buy what they hope will be their dream house in the country, only to find that everything they touch has a way of collapsing. The films were MR. BLANDINGS BUILDS HIS DREAM HOUSE (a sophisticated, witty comedy about all the pitfalls of country living for city dwellers), and GEORGE WASHINGTON SLEPT HERE, in which Jack Benny and Ann Sheridan buy a ramshackle old house which, by screen magic, they finally succeed in turning into something that belongs on the cover of "House Beautiful". And the wonderful Percy Kilbride was so hilarious in his dry monotone voice that Benny and Sheridan cracked up every time they shared a scene with him.

A combination of those two flicks has been updated to reflect the Yuppie sensibilities of the '80s. At first, the humor here is pretty savvy and the jokes come fast and furious. But then, by the time TOM HANKS has fallen in cement and endured hundreds of pratfalls at the expense of a weak script, we've had enough. It gets to be a one-joke thing, with a couple of sub-plots thrown in as a means to divert the audience before the set-up for the next house joke that drives the film toward its conclusion.

TOM HANKS and SHELLEY LONG are gifted at light comedy and, fortunately, they both have moments to shine as the young couple who put all their money into a house sold to them by MAUREEN STAPLETON. But the jokes wear thin pretty after too many pratfalls and the humor runs out of steam about mid-way through the film.

Treat yourself to either MR. BLANDINGS or GEORGE WASHINGTON SLEPT HERE for better takes on this sort of thing. And there's something quaint about the real estate prices mentioned in these films at a time when mansions could be bought for $20,000!!
Uscavel

Uscavel

It all started with the play "George Washington Slept Here" based on the true story of the need for a bigger home in the country and the problems that would follow. It was subsequently made into an hilarious film starring Jack Benny and Ann Sheridan. Cary Grant and Myrna Loy starred in the remake called "Mr. Blandings Builds His Dream House." It wasn't quite as funny, and the story line was somewhat abbreviated from the original, but Grant and Loy are perfectly cast and always entertaining. Television made "Mr. Blandings" a classic though video should give "George Washington" it's due. A pre-Oscar Tom Hanks (in his "The Burbs," "Turner and Hooch" days) and a post-Cheers Shelley Long bring the comedy down a knotch or two and pretty much eliminate any of the points made in the first two films. I have heard that many people have enjoyed this film, but if you watch the first two in order, and then this one, you probably will end up tossing this one out of your collection.
Jonide

Jonide

Tom Hanks rises well above the material, as does Shelley Long and Maureen Stapleton, and it's a shame their talents are not used more to make the film funnier. The screenplay just takes the stars to extremes that are unnecessary. It would have been so much funnier if they just had normal problems with buying a house instead of such unrealistic ones. It's not without a few laughs, but it should have been so much better. It has a good score at least. There is a much better story with a similar theme, 1948's Mr. Blandings Builds His Dream House, watch that one instead. Supposedly this is based on that film, but only the very basic plot is familiar.
Doulkree

Doulkree

It's pretty interesting to see Tom Hanks the screwball comedian, but I can't really say it's funny. More of a time document really. This movie has one gag, whenever you do anything to the house, something will break/fall apart/collapse. That got a couple of laughs, but it gets so tiresome and they do not know when to stop. And once they bail out on the slapstick ideas they just give up humor in its entirety. There's not a single joke in the ending half hour or so. Just the two leads(who have none of the obligatory "chemistry") bickering like you see in every comedy that somehow involves a relationship. And then obviously things go back to the way it was and a helpful builder wraps it up with an amazingly cheesy metaphor about marriage. But I didn't hate this movie. It's one of those kind-hearted attempts, and it actually looks like some people were trying their best. But failed. I should mention failed. It did make me notice that "Bachelor Party" was actually pretty good. That's something