Jesse James' Women (1954) Online

Famed outlaw Jesse James is on the dodge and holding up in a small town in Mississippi. Before heading back to Missouri, James manages to complicate the lives of several women-mostly in low-cut gowns. This was star Don Barry's only stab at direction, and from the looks of it,all will be glad that he stopped here.**UPDATE**My earlier review of this picture was based on a viewing many years (decades?) prior. I recently obtained a copy of this movie, and I must say, that it is extremely BETTER than I remembered.

Not filmed in Hollywood, this one has a different feel than most of Barry's B Westerns, almost a nostalgic quality...it was to be his last starring role, of course. The acting isn't as bad as I recalled and Barry plays the Jesse role almost tongue-in-cheek. The story moves along at a nice pace and the bare knuckle fight between Barry and a boxing champ is good fun. Yes, the LOW budget shows, but it isn't any worse than some of what Barry did for Lippert a few years earlier. If you love B Westerns, or Don "Red" Barry, I would highly recommend this one.

A couple of southern theatre exhibitors decided they could make a western (or, in this case, a Southeastern) just as bad as the worse of those coming from Hollywood and proceeded to prove they could be not only as bad, they could be much worse. They ensured their success at obtaining this goal by hiring Don Barry as the director. Barry was the best choice, as only the egotistical-and-sad Barry could direct (or believe) a film in which he starred as a lady-killer whose charms women could not resist.(The Susan Hayward real-life swimming-pool incident not withstanding.) Jesse James (Don Barry), leaves Missouri for Mississippi, and immediately charms all the women in the cast out of their bloomers and garters, even though three of them towered over him. His first conquest is the banker's daughter who helps him loot the bank in exchange for a promise of marriage; he wanders over to the saloon and runs the crooked partner of the proprietress out of town, takes all of his-and-her money and leaves her, between kisses, hounding him for her share; the third one, the saloon singer, actually makes a mark out of him as she cons him into a boxing match against a professional fighter and he loses the fight and his money, but he holds the singer and the fighter up as they leave town and gets his money back; and then he romances and swindles Cattle Kate, a replay of what he had done somewhere before to Kate and the "gotcha-again" Kate even ends up behind bars. But no film that contains a cat-fight between Peggie Castle and Lita Baron can be called a complete waste of time

It's no wonder that most posters of "Jesse James' Women" have the catfight that occurs in the middle of the film front and center; it seems to be the set-piece that the entire first half of the film is building to, and when it's over the second half seems to have nowhere to go. The catfight itself is relatively long and raw, however it could have been even longer and rawer; in any case, it's considerably better than a male boxing match near the end of the picture, as even the spectators of both events admit themselves! Peggy Castle is quick both with a gun and with her fists, and the newcomer who plays her opponent is quite the match for her. Star-director-co-writer Donald Barry plays Jesse, and he's the object of desire for these beautiful women and more; you can call this a bit of a vanity project, but then again, you'd probably do the same thing if you were in his place. An aimless but watchable Western - though the DVD prints are badly in need of remastering. ** out of 4.

Well somewhere, some time, someone must have thought this was a good idea for a Western film treatment. Instead of terrorizing banks and stagecoaches, Jesse James (Don Barry) turns into a Don Juan and uses his dubious charms to romance a passel of gals out of their money. I guess since the title states "Jesses James' Women", there had to be a bunch of them, and so there was. Peggie Castle led the cast here as Golden Bell saloon gal Waco Gans, conducting a reasonable tryout for her 'Lawman' TV series run as Lily Merrill. Castle takes part in two of the picture's highlights - a knock down, drag out catfight with Betty Brueck, and later on an actual gunfight showdown with the same opponent going by Cattle Kate Kennedy. That one was a bit of a let down to my thinking, but still a creative effort on the part of the principals.

The other contenders for Jesse James' affection include Lita Baron as saloon singer Delta, and Joyce Barrett as Caprice Clark. Probably outshining them all just by her sheer innocence was the sheriff's daughter Angel, winsomely played by Laura Lea, who managed to get the outlaw Jesse to show his human side. Ironically, they had their final conversation right in front of a wanted Poster offering ten thousand dollars for Jesse and his gang.

For a quick change of pace, there's also a nifty boxing sequence in the latter half in which Jesse attempts to pull off a thousand dollar payday against barnstorming boxer Champ O'Toole (Alton Hillman). Not to be outdone by a resounding knockout, Jesse simply decides to rob the champ's entourage as they head out of town the next day. I guess if you want something offbeat and don't mind tampering with your Western outlaw legends, this could fit the bill. Just don't raise your expectations too high and you'll probably be OK.

Don Barry was a heck of an actor; he probably could have been a good director, with a better script and a bigger budget.

As it was, he showed some inventiveness with camera angles in this generally not very good movie.

The title could be rather off-putting, sounding like some kind of exploitation film. As it turned out, the title actually made sense, or at least as much sense as the story could provide.

Peggie Castle was lovely, and actually quite good in a role that could have been ruinous if played differently.

Some of the cast members seemed to have been recruited from bystanders, but ultimately most of them did as well as they could with the script.

Jack Buetel showed he could perform and should be known as more than Jane Russell's leading man in "The Outlaw." Several others did little or nothing other than this film, but one, Mac McAllister, showed enough professionalism and personality I think it's a shame he didn't do more.

In some ways this is a standard Western, but the saloon brawl was definitely non-stereotypical. If you see this film, be sure to pay attention to the sheriff during the fight.

My copy of this film is a DVD in Volume 36 of The Great American Western series from Echo Bridge Home Entertainment. It is not a very good quality picture, and, in too many places, the film was broken and spliced resulting in a jumpiness.

Still, all in all, this is a movie for Western fans and Don Barry fans to see at least once.

Added 18 July 2015: There are now some versions available at YouTube.com. Maybe at least one will be better quality.

Al Hillman is Champ O'Toole, not Clem Botts the Sheriff. Please check credits on film. Al Hillman died in 1965 at age 42 from cancer. In his memory, please correct the misprint on the IMDb profile. He did not play the role of the sheriff, but was the colorful boxer, Champ O'Toole, and this can be verified by the credits on the film itself. I found the movie to be fun and full of mischief. The Mississippi setting gives the film an authentic feel for the nature of the far from plush lifestyle of outlaws on the run. The female stars are vivacious and did not mind letting go of their vanity for a little cat fight, which in the 1950's was brazen!

Donald Barry stars in, co-wrote, co-produced, directed and probably did the catering, landscaping and janitorial work on this cheesy, badly shot, ineptly written, amateurishly acted and poorly made low-budget-- VERY low-budget--western purporting to be about infamous western outlaw Jesse James. If you're going to make a movie about a real person, it would probably help if you stuck at least a few actual facts in it, and that's what you get in this stinker--few actual facts. Other than showing that Jesse had a brother Frank and that he and fellow outlaw Bob Ford didn't get along, there isn't much about this movie that has any basis in fact. The short and paunchy Barry wrote Jesse as being completely irresistible to women--and makes sure that his henchmen mention that fact every so often--and plays him like a Vegas lounge-lizard in the vein of Wayne Newton (but even smarmier) who has scads of beautiful women just throwing themselves at him. To give Barry credit he did pick some absolutely gorgeous women like Peggie Castle, Lita Baron and Joyce Barrett to fight over him, but whatever efforts they try to make at giving this film some kind of professional touch are ruined by the juvenile and pedestrian script and Barry's completely botched attempt at directing. He smirks his way through the picture and doesn't really have much chemistry with his cast, most of whom are amateurs whose "performances" consist of haltingly reciting their lines and trying to stay on their marks (a few of them even have trouble trying to stay on their horses). The whole project reeks of someone getting a little money together and telling his friends, "Let's make a movie!". Castle and Betty Brueck have a rather long catfight in a saloon, which is actually done fairly well, and there's a sequence with Barry engaged in a boxing match with a traveling prizefighter that is handled tongue-in-cheek and is mildly amusing, but other than those small pluses Barry, Castle (who is far and away the best thing about this picture) and Baron have done far better work, and I wouldn't doubt that at least those two women didn't bring up this picture in any discussion of their careers, as well they shouldn't have.

This is an undiscovered treasure and deserves to be considered right up there with "Plan 9 from outer Space" as the worst movie ever made. Outside the four or five professional actors this low budget could afford to hire, the cast is filled out with Mississippi amateurs who would embarrass a small town little theater production with their stiff, wooden acting. It is a real hoot.

You will not believe the sets where someone's idea of art direction was to dab spots of paint all over the walls. Along with the most painful acting, this has to also be the worst photographed film where the idea of lighting is to turn on some overhead floods. And the staging could serve as a textbook on how to NOT stage where you can see the "actors" walk to hit their mark and stomp on it like a bug.

The only explanation for the positive reviews above is that these people must be getting a share of the DVD sales. "Jesse James' Women" is to bad films what "Citizen Kane" is to great films.

If Jesse James had not been shot by Bob Ford according to Jesse James' Women some enraged husband might have done the deed. This film is an account of a fictional hiatus that Jesse James and his gang have in the state of Mississippi. Jesse is using his middle name of Woodson and traveling incognito as it were.

The rest of the gang including brother Frank played here by Jack Beutel just want Jesse either go home to Missouri or start doing what outlaws do. But Jesse who is presented here as a love 'em and leave 'em Lothario is just having too much fun.

Actually in real life the one thing you can say about Jesse James was that he was a good husband and father to his family. Star Don Barry who also produced this film created his Jesse James totally out of whole cloth. This one is total fiction.

But what fiction when you have women like Peggie Castle, Lita Baron, and Judith Barrett fighting over you. Castle and Baron having a gunfight like they do in Dodge City is a great old hoot.

Don Barry and Bob Steele had similar career paths. Both were short guys who were both B picture heroes and villains and both played good roles in mainstream films as well. With the right breaks they could have had careers like James Cagney.

Jesse James' Women could use some restoration, but it's a fun film.

Where does one begin ? Anyone who attempts to take on the mantles of producer, director, writer, and star of a film is either an extremely versatile talent or someone with delusions of grandeur biting off much more than he can chew. In the case of Jesse James' Women it is decidedly the latter. Don "Red" Barry has given us a very low budget, highly fictionalized look at what purports to be a slice of the life of the famous western outlaw / hero. Granted he isn't up to any of the tasks he performs here but he also manages to give us an effort that is so dominated by his presence that the very few other professional performers here can make little impact. I have seen a number of films and TV appearances featuring the efforts of Peggy Castle and she is, at least for my money, the best performer here though scant evidence is provided to back that up. The best thing one can say is that at least she looks good here. Lita Baron has a rather thankless role and provides two vocal performances, one of which is pretty much in keeping with the poor quality of the film. Other than Jack Buetel's decent turn as Frank James I must assume that most of the other "actors" rarely if ever worked again in film - at least I hope not for once was surely enough. The films' sole reason for being remembered, apparently, was the titillation aspect complete with a daring-for-its-time catfight which gives Castle an opportunity to throw some punches, roll around on the floor, and end up with beer poured over her and her co-combatant by the "star", Barry, She also takes part in a "climactic" gunfight with the same female which has its ending suffer the same fate as the film, botched. Trust me, your time could be much better spent watching ... well, ... nearly anything else and this comes from a true lover of old westerns. Peggy Castle supposedly once showed up on the set of a film and after taking in the cast, budget, and script said "Who do I have to sleep with to get out of making this picture ?" I do not know if that anecdote is true but. if so, one has to wonder if this is the film referred to.

This is one of the worst films I have ever seen. And I have watched Dwain Esper films, and loads of shitteos and exploitation films. But this is boring, dull and yet it really does seen to qualify under the label of 'EXPLOITATION'.

In this film, Jesse James is a slimy creature that tricks women to get his money. Not at all what the legend depicts the famous outlaw as. Not only that, but these women all fall for him, and fight over him, and it's all just demeaning and incredibly sexist.

Furthermore, there is a whole sequence where you can see one after the other be knocked down by his 'charm'. No kidding, I thought all that was missing was the sex scene that would have made this an early porn feature, predating that likes of Deep Throat and Vixen...or even Lonesome Cowboy. (The most notable sequence is a cat fight between two women, which Jesse James ends...hear ye hear ye...by pouring beer over them). Oh yeah! I must admit, towards the end, the accents made me smile. I won't spoil the ending for anyone - which would be a real shame - but I will say that the screaming woman at the end I thought was so funny, trying to convince the sheriff that that man is Jesse James. But in all honesty, this is an awful, awful film that should not be watched by anyone - ever!

What a fun film this turned out to be! I stumbled on it hidden away on Platinum's Great American Western DVD Volume 36. JESSE JAMES' WOMEN was Dan "Red" Barry's magnum opus, the one film that he wrote, produced, directed and starred in.

I'll admit up front that I'm weak on the real story of Jesse James and the Youngers, so can't say how much of this is fact or fiction. One point of history does come up when someone asks about the train robbery in "Adair, Ioway." This hold-up on July 21, 1873 was indeed the first train robbery west of the Mississippi River and there's a monument to it along Highway 6 just southwest of Adair (about 50 miles west of Des Moines).

Barry's is the white-washed Jesse James of legend; in fact I was reminded of the BRADY BUNCH episode where Bobby idolizes Jesse and learns the hard way that he is not the stuff of heroes. Barry's Jesse knows that and anticipates that sitcom's message here when he meets the young girl Angel, who's hero is Jesse James. Little does she know she has befriended him in his incognito guise of Jay Woodsen (Woodson being Jesse's real life middle name). But despite his telling Angel to find another hero, Red Barry's Jesse James is one you could almost idolize in good conscience. He's a lovable rogue who charms multiple beautiful women and who like Robin Hood shares his spoils with those oppressed by the town plutocrat Banker Clark, who berates the hapless sheriff and who is too stingy to give the church he attends a loan for needed repairs. James' beneficence will allow the Sheriff to live his dream of retiring on a ranch and on his way out of town he even stops by the church to give the poor parson a bag of money.

The film seems to end with the James Gang riding off to new exploits, but there's suddenly splashed on the screen an 1882 newspaper front-page announcing that Jesse James was shot in the back by Bob Ford. Then we see Angel and her siblings heading into church (I guess she took her hero's advice to seek the parson's counsel on establishing a new hero). I wondered if this ending was tacked on to get the film approved. After all, the James Gang did get away with an awful lot of loot here with no comeuppance, which could leave impressionable young moviegoers with the notion that crime does pay (and that being a baddie is a babe magnet).

Red Barry had a big ego, was difficult to work with and thus he saw his star fall in the fifties to where he was doing low-budget films. JESSE JAMES' WOMEN was a low budget picture, but I think it holds its own against the bigger budget pictures of its time, like the Warner Bros. westerns Randolph Scott was churning out in the mid-fifties. Yes, most of the cast were unknowns and in clicking on their names I see that for many this film was their only acting credit. It was disappointing, because I would have liked to have seen more work from Betty Brueck (Cattle Kate Kennedy), Al Hillman (Sheriff Botts) and especially Jimmy Hammons (Champ O'Toole) who really brought an infectious enthusiasm to his role.

Another film that came to mind watching JESSE JAMES' WOMEN was TERROR IN A Texas TOWN, which is known for featuring an unorthodox gunfight. Barry's film was the first time I've ever seen two women square off for a gunfight, and it was very well done (even if ultimately anticlimactic). Waco Gans and Cattle Kate had already treated the audience to a rousing catfight earlier in the picture.

What a fun movie and one well worth the five or six bucks these Platinum Great American Western packages cost. The color is bright, the picture crisp; the only detractions being the occasional missing frames and minor print damage. Dan Barry's JESSE JAMES' WOMEN is clearly a labor of love and dare I say more fun to watch than my hero John Wayne's similar labor THE ALAMO?

A few closing thoughts as a P.S.: (1) It was interesting to see the dawn of photography and how James rightly saw it as a potential threat to outlaws like himself. (2) James' eventual killer Bob Ford is featured here as the disgruntled Judas of the gang. I wondered if he eventually teamed up with Delta, whose face after Jesse gave her a swift kick in the rear implied she was going to seek vengeance; and finally, (3) I suspect the naming of the bumbling but lovable Sheriff Clem Botts was inspired by the similarly bumbling but lovable Alexander Botts, the tractor salesman of many a fun Saturday Evening Post story.