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Типа крутые легавые (2007) Online

Типа крутые легавые (2007) Online
Original Title :
Hot Fuzz
Genre :
Movie / Action / Comedy / Mystery
Year :
2007
Directror :
Edgar Wright
Cast :
Simon Pegg,Nick Frost,Martin Freeman
Writer :
Edgar Wright,Simon Pegg
Budget :
£8,000,000
Type :
Movie
Time :
2h 1min
Rating :
7.9/10

A skilled London police officer is transferred to a small town with a dark secret.

Типа крутые легавые (2007) Online

Top London cop, PC Nicholas Angel is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman, who endlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is called an accident, but Angel isn't going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent "accidents".
Cast overview, first billed only:
Simon Pegg Simon Pegg - Nicholas Angel
Martin Freeman Martin Freeman - Met Sergeant
Bill Nighy Bill Nighy - Met Chief Inspector
Robert Popper Robert Popper - 'Not' Janine
Joe Cornish Joe Cornish - Bob
Chris Waitt Chris Waitt - Dave
Eric Mason Eric Mason - Bernard Cooper
Billie Whitelaw Billie Whitelaw - Joyce Cooper
Nick Frost Nick Frost - PC Danny Butterman
Peter Wight Peter Wight - Roy Porter
Julia Deakin Julia Deakin - Mary Porter
Tom Strode Walton Tom Strode Walton - Underage Drinker #1
Troy Woollan Troy Woollan - Underage Drinker #2
Rory Lowings Rory Lowings - Underage Drinker #3
Bill Bailey Bill Bailey - Sergeant Turner

The first draft of the script included a love interest for Nicholas named Victoria. She was cut from subsequent drafts, but a good amount of her dialogue was given to Danny, often without any changes.

The judges for the Best Kept Village competition near the end of the film are played by Peter Wild and the mothers of Edgar Wright and Simon Pegg.

Nick Frost only agreed to do the film if he could get to name his character. He was also asked to watch over twenty action films to warm up for the role. He only watched one, Pahad poisid 2 (2003).

The filming of Angel and Skinner's first meeting at the supermarket was filmed over the course of two days. The conversation was filmed entirely from Timothy Dalton's perspective first. The next day, early in the morning, they were to film the conversation with Angel's perspective and close-ups. Dalton, much to the surprise of the crew, showed up early the next morning, and even though he wasn't going to be on camera for that particular portion of the filming, he sat off-camera in Skinner's chair and played the role so that Simon Pegg would be able to have him to work with while filming his part as Angel. Pegg stated it really showed Dalton's professionalism.

In their DVD commentary, Edgar Wright and Simon Pegg revealed that they fully expected the intentional misspellings of newspaper headlines to turn up in the IMDb's "Goofs" section.

At a Q&A session, following a screening of the film in Newcastle-Upon-Tyne, Edgar Wright revealed that the film featured disguised cameos by two Oscar winners: Cate Blanchett and Peter Jackson. Jackson appears as the Santa Claus (Father Christmas) who stabs Nick Angel through the hand during the opening montage, and Blanchett appears masked as Angel's ex-girlfriend who is a Scene of Crime Officer (S.O.C.O.), which is the Metropolitan Police's term for an officer who collects and processes forensic evidence at the scene of a crime (roughly analogous to a C.S.I.).

When in costume, Nick Frost and Simon Pegg often were assumed to be police officers. Many strangers asked them for directions, and instead of telling the truth they went along with it. They claimed it made them feel powerful.

Edgar Wright originally wanted to name the movie "Hott Fuzz". Simon Pegg objected to the suggestion, fearing he would have to explain the additional "t" in "Hott" in every single interview about the film.

Simon Pegg's favorite film of his own to date.

As this is the second part of the Cornetto Trilogy, the blue wrapper makes its appearance in the film. Nick and Danny are seen eating vanilla flavor ice cream. According to Edgar Wright, blue represents the police, which is the main motif in the film. For Wright's other films, Shaun of the Dead (2004), it was red and strawberry flavor, representing blood and zombies, while the final part, Maailmalõpu pubi (2013), it was green and peppermint with chip, representing science fiction and extraterrestrial elements.

The names of the townspeople of Sandford are almost all words for occupations or activities: Cooper, Porter, Turner, Shooter, Prosser, Hatcher, Paver, Butcher, Skinner, Fisher, Walker, Thatcher, Weaver, Roper, Tiller, Reaper, Messenger, Staker, Treacher, Cocker, Blower, Draper, Merchant, Cartwright, Wainwright.

Sampson the dog (who played Saxon the dog) was not allowed to become a real police dog, as he was considered too friendly.

Simon Pegg had weapons training in preparation for his role as Nick Angel, and also learned how to skid a bicycle properly along the way.

While Nicholas is chasing a shoplifter through the supermarket, Danny is reading the taglines of the cheap action films in the half-price bin. "Ging chaat goo si III: Chiu kup ging chaat (1992), Meet the cop that can't be stopped". When he realizes the chase is on, he throws the DVD back into the bargain bin where we see it land beside a DVD copy of Shaun of the Dead (2004), but called "Zombies Party", the release title of "Shaun of the Dead" in certain countries.

When Edgar Wright and Simon Pegg went to Brixton Police Station hoping to get some anecdotes from serving officers, even offering to take them to the pub, every officer refused to speak to them. The liaison officer had wrongly told the officers that Mr. Wright and Mr. Pegg were journalists. The liaison officer has never been forgiven.

According to his certificates, among the nine special commendations Sergeant Angel received were awards for Operations Shakedown, Crackdown, Showdown, and Takedown.

When Angel gets annoyed at the supermarket, the voice over the intercom is Director Edgar Wright.

Simon Pegg and Edgar Wright spent eighteen months writing the script.

Simon Pegg lost over two stone (twenty-eight pounds, thirteen-ish kilograms) in preparing for the role of Nicholas Angel.

Simon Pegg and Edgar Wright interviewed many real police officers while doing research for the film. Many lines in the film such as "I prefer to think my office is out on the street" came directly from those interviews. The stylized scenes of Nick doing paperwork were inspired by the officers noting that paperwork is a huge part of the job, but it is never depicted in cop shows and films. The visual style was inspired by Tony Scott's films. Roger Ebert's "Bigger" Little Movie Glossary was also used as a reference source.

The line, "the greater good", is never said just once. Every time a character says it, at least one other character repeats it.

The picture of a young Danny is a real picture of Nick Frost as a child.

Somerfield used to be a real UK supermarket chain, and all of the exterior scenes were shot at one of their stores. Edgar Wright chose to use it as he worked there as a shelf-stacker as a teenager, and in a nod to this, he makes a blink-and-miss-it cameo as a shelf-stacker in the Somerfield store.

Sandford is the name given to the town used for most UK police training scenarios, the street plan of which is based on the street plan of Dundee, Scotland.

After the huge success of Shaun of the Dead (2004), Simon Pegg and Edgar Wright were given free rein to do whatever they wanted on their next film.

Danny's DVD collection is made up of the entire combined collection of Edgar Wright, his brother Oscar Wright, and his friend Joe Cornish.

Before filming the lay-by scene, Simon Pegg and Nick Frost reportedly had an argument. Pegg claimed Frost was getting cocky and making the Assistant Directors get him coffee, whereas Pegg wanted him to get his own. As a result, they took four hours to do that scene, and they didn't talk to each other at all, except when acting.

Edgar Wright said that the role of Simon Skinner was written with Timothy Dalton in mind, so they were thrilled when he signed on to play the character. Simon Pegg says that he and Wright shared a thumbs-up when Dalton first played the character in the read-through, as they both knew they'd gotten the perfect person for the part.

To indicate how behind the times Sandford police station is, the sound of a very old Apple Macintosh start-up tone is heard in the background. This start-up tone hasn't been played by any Mac for more than ten years.

When wearing his Reverend's costume, Paul Freeman was approached many times by strangers, assuming he was from the cathedral.

Police Constable Doris Thatcher was so named, because prior to political correctness in the UK police service, female officers were all referred to as "Doris", regardless of their name.

Lead character "Nicholas Angel" was named in homage to Nick Angel, who worked as Music Supervisor for this film, as well as Shaun of the Dead (2004).

Jim Broadbent was a big fan of Simon Pegg and Edgar Wright's Shaun of the Dead (2004) and asked them for a role in their next film. They wrote the part of Inspector Butterman for him.

While doing research for the film, Edgar Wright and Simon Pegg discovered that a disproportionate number of police officers were named either Nick or Andy, which led to the character names of Nicholas Angel and the two Andys. The Angel part of Nicholas Angel was named after the film's Music Director, and the joke where the local paper misspelled Angel's name as "Angle" was based on several incidences where this happened to him.

Nicholas Angel's service number is 777, this is often seen as the mark of God, just as 666 is seen as the mark of the devil. The only character to call him by that number is Timothy Dalton, who played Agent 007 in 007: Ohutsoonis (1987) and 007: Luba tappa (1989).

In the movie, Edgar Wright's hometown of Wells, Somerset, England, doubled as Sandford. The alley down which Nicholas Angel pursues the shoplifter, is where Wright used to walk to school, and where he had his first kiss. The shot, during the chase, where Angel spots the swan, was shot outside the house of one of Wright's friends.

Just before the climax, two sight gags are visible briefly, an ad for Romeo and Juliet, featuring the replacement actors for Blower and Draper, and a headline from the Sandford Citizen reading "A Fete Worse Than Death" regarding the church picnic (fete).

In all of the Cornetto Trilogy (Shaun of the Dead (2004), this film, and Maailmalõpu pubi (2013)), there is always the same gag about them running through and over a fence.

Although Bill Bailey plays two different Sergeant Turners, they both wear a uniform with service number 101, even when they are appearing in the same scene.

In contrast to being used during the movie as the stereotypical first name in the phone book, the character named "Aaron A. Aaronson" is in fact the last one listed in the credits.

It took over two hours for Simon Pegg and Nick Frost to get home and to get to work on time. After a while they didn't see the point in it, and just decided to sleep in their trailers.

According to Edgar Wright, Paddy Considine (Andy Wainwright) snuck two Robert De Niro impressions into the movie, the first, a facial mug in the incident room during Angel's "murder rant", the second, during the final stand-off in the pub.

The fictional "Norris Avenue" is named after Chuck Norris.

Bill Bailey plays two different characters in the film. One of the characters reads "Complicity" by Iain Banks, while the other reads two novels by Iain M. Banks. They are in fact all written by the same author (Iain Banks), the "M" simply shows that the books are science-fiction rather than normal fiction. (One of the Iain M. Banks books is "The State Of The Art"). This split is clearly supposed to symbolize differences in the two characters' personalities.

Twenty-seven different sirens, including a wailer, a bell, and a whistle were mixed together for the siren at the start of the film.

The Sandford Police Station has a poster on its bulletin board in the front entrance that foreshadows the cloaked killers with an image of a person all in black and the tagline; KEEP THEM OUT.

Simon Pegg also became attached to his Mossberg shotgun, and named it "Sarah".

Nick Frost got so attached to his Winchester shotgun during filming, he named it "Emma".

The code name "Dead Right", which the film was shipped to British cinemas with, is actually the name of a short amateur film that Edgar Wright wrote and directed, when he was a student.

Edgar Wright got to shoot most of the film in his hometown. And the fête scenes were shot outside the St. Cuthbert's Parish Church in the city of Wells.

In the script, Frank's wife's name was Iris, but since Jim Broadbent had recently won an Oscar for playing the husband of a woman named Iris in Iris (2001), he thought viewers might see it as a reference to that, so he asked for her name to be changed, to Irene.

The combination for the lock of the Evidence Room is 999, the same as the telephone number of the police (and other emergency services) in Britain.

Simon Pegg worked out for four weeks to prepare for the role.

The desk sergeant is reading "Complicity" by Iain Banks, which is about a series of cruel, if rather fitting, killings.

Nick Frost is in fact a West Ham fan and apparently hated wearing the Bristol Rovers shirt.

Sandford police station has a staff of ten officers. These consist of one Inspector, five Sergeants, and only four Constables.

Out of all the words written on the swear box, "cunt" (probably the most offensive word) is ironically the only word that hasn't been censored in any way.

Danny (Frost) shoots Dr. Hatcher in the leg with an air rifle. In Shaun of the Dead (2004), Frost's character Ed is told he shouldn't use the gun, because he shot his sister in the leg with an air rifle.

For its premiere at the AFI DALLAS film festival, the film was introduced by Dolph Lundgren, who was in town directing his movie Missionary Man (2007).

Like Shaun of the Dead (2004), the starring roles were written for Simon Pegg and Nick Frost.

This is the only movie in The Cornetto Trilogy where Simon Pegg's character doesn't fall off a fence. In Shaun of the Dead (2004), Shaun tried jumping over it and it fell once he was on top. In Maailmalõpu pubi (2013), Garry jumps on the fence and knocks it over. However, in this film, Nicholas (Simon Pegg) jumps over all of them successfully, and Danny (Nick Frost) knocks the fence down.

According to the DVD's trivia track, the N.W.A. is a reference to 80's rap group N.W.A. which featured Dr. Dre, Ice Cube, and Eazy-E.

"N.W.A.", Sandford's Neighborhood Watch Association, is also the name of the seminal rap group "N.W.A.," whose most famous song is "Fuck Tha Police", a sentiment with obvious relevance to the film's plot.

The song that the theatre company sings, at the end of the Romeo and Juliet play, is an Unplugged version of "Lovefool" by The Cardigans, which became popular by Romeo + Juliet (1996), which is the version they are portraying.

Elements of the film are taken from a film Edgar Wright made when he was eighteen or nineteen, called "Dead Right". The film is featured on the 3-Disc Collector's Edition of this film.

Despite their homespun image, many members of the N.W.A., are actually veterans of the action genre. Paul Freeman was in Indiana Jones kadunud laeka jälil (1981), Stuart Wilson was in Surmarelv 3 (1992) and No Escape (1994), and Timothy Dalton played James Bond in 007: Ohutsoonis (1987) and 007: Luba tappa (1989). The head of the N.W.A., Edward Woodward, was voted the greatest British action star for his roles as Secret Agents in the television series Callan (1967) and Kutsuge McCall (1985).

According to the front of his test booklet, Sergeant Nicholas Angel took his Police Constable's exam in 1995, twelve years before the film is set.

Several members of the cast have appeared in the recent Doctor Who (2005) series. Simon Pegg, Bill Nighy, Timothy Dalton, Olivia Colman, Ron Cook, Anne Reid, David Bradley, and Bill Bailey. In addition, Jim Broadbent played The Doctor in a Comic Relief spoof "The Curse of Fatal Death". Nick Frost played Santa in the 2014 Christmas special.

References to the "Popwell" character are a tribute to Albert Popwell, who played many different characters in the Dirty Harry film franchise.

Final film of Billie Whitelaw.

Bill Nighy filmed his scenes in a day.

When Edgar Wright discovered that Chris Waitt's (Dave's) line needed to be redubbed, Wright did the looping himself, because he was short on time, and it was quicker than scheduling a session with Waitt.

Simon Skinner (Timothy Dalton), the manager of the local Somerfield supermarket, was partly based on Edgar Wright's old boss Mike Stockwell, who was manager of the same Somerfield supermarket that is used in this film, where Wright used to work. But Wright decided not to name the character after him because he thought 'Stockwell' sounded too much like a punny name for a supermarket manager.

During the scene at the castle, Joyce says "Janice Barker has decided to name her twins Roger and Martin." This could be a direct reference to the main characters in the Lethal Weapon franchise, Roger Murtaugh and Martin Riggs. Additionally, Stuart Wilson, who plays Dr. Hatcher, played the primary antagonist, Jack Travis, in Surmarelv 3 (1992).

When Danny (Nick Frost) looks through the bargain bin of DVDs, for a split second you can see the DVD for Shaun of the Dead (2004) (the first movie in the Cornetto trilogy) with the alternative title "Zombie Party" on it. The price tag covers Simon Pegg's face, to keep from breaking the fourth wall.

The "gingernut" child at the end of the film is not called Aaron Errand, his name is Aaron A. Aaronson, in a nod to the Andys' earlier "childish" comment about calling everyone in the phone book, starting with Aaron A. Aaronson.

Throughout the film, Sergeant Angel uses a Vauxhall Astra Diesel and a Subaru Impreza WRX. The Subaru's markings are "HF", referring to the film title.

When Sergeant Angel is chasing the shoplifter, he asks Danny, "Never taken a shortcut before?" This line is used in Shaun of the Dead (2004), and is parodied in the entire Cornetto trilogy.

Running at one hundred twenty-one minutes, this is Edgar Wright's longest film as of 2017.

The second in Simon Pegg's and Edgar Wright's unofficial "Blood and Ice Cream" trilogy. The first was Shaun of the Dead (2004), and the third is Maailmalõpu pubi (2013).

Simon Pegg and Edgar Wright also prepared for the film by studying Roger Ebert's "Bigger" Little Movie Glossary.

Quite a few actors from Shaun of the Dead (2004) crop up in this movie (for example, Simon Pegg, Nick Frost, and Bill Nighy). Also, they're both directed by Edgar Wright. As well as similar sequences and familiar sights (for example, both films have a pub in them. Cornettos. Wright uses the same rapid zooms and cross-cuts, and the scene where Shaun jumped over a fence and collapsed it, is given a comic spin in this film, where Angel perfectly clears them and even somersaults over one at the end. He even uses a similar line.

The phrase Nick Frost uses, "By the Power of Grayskull... (I Have the Power!)", was made famous by the fictional character He-Man from the animated series He-Man and the Masters of the Universe (1983). The same character portrayed by Dolph Lundgren on film, in 1987.

Before Somerfield was chosen to feature in the film, writers originally made a fictional store chain called "Summeraisles" referring to the island in The Wicker Man (1973) also starring Edward Woodward.

In the final scene, as Nicholas Angel is walking through the churchyard to meet Danny, he is wearing a gun, which would be very unusual for an English police officer.

Had an eleven week shooting schedule.

During the scene when Nicolas and Danny respond to "some hippy types messing with the recycling bins", their police car's gear shift knob is emblazoned with "HF".

Jim Broadbent, David Bradley, and Bill Nighy appeared in the Harry Potter film franchise. Rafe Spall is the son of Timothy Spall, who also appeared in the Potter films.

When the two detectives Andy Wainwright and Andy Cartwright (Paddy Considine and Rafe Spall) are referred to together, they are called "the Andes," spelled in the captions like the South American mountain range, because of a brief reference to those mountains in the dialogue.

There was debate of what age restriction this movie was going to be released, due to the amount of strong language and violence in it. In the U.S., the movie was released with an R-rating, and was released as a "15" in the UK, and most of Europe.

A clue to Joyce Cooper's motivations can be found in the scene where she first meets Sergeant Angel. When he provides her with the answer to the crossword clue "Fascism" she responds "Wonderful!"

This is Joseph McManners (Gabriel) first feature film. Unfortunately, the minor backstory behind his character was left out of the final cut, and can only be found in the deleted scenes on the DVD.

Edward Woodward is known for his roles in the television series Callan (1967) and Kutsuge McCall (1985). His characters were both government Agents. Robert McCall, Woodward's character in "The Equalizer" is a former government agent, turned vigilante.

The music playing when the police officers go to arrest Simon Skinner (Timothy Dalton), is from The Kentucky Fried Movie (1977).

In one scene in the movie (HOT FUZZ), when the police are asked if they have caught the KILLERS, the album cover for HOT FUSS by THE KILLERS can be seen in the background.

Edgar Wright was exhausted after four weeks of shooting. Compared to Shaun of the Dead (2004), when exhaustion set in only at the end of the shoot.

During an interview for The Bill Podcast (2017), actor Ralph Brown revealed that he regretted turning down a role in Valusad võmmid (2007) due to feeling stereotyped for playing police officers.

As a further sign of how behind the times the Sanford police department is, the Bobby's helmet that Frank can be seen wearing in a climactic scene has VR on it - Ever since the reign of Queen Elizabeth it would have ER on it, VR would have been for Queen Victoria from generations past.

The crazy mall Santa (Father Christmas), who stabs Sergeant Angel in the hand, is played by "The Lord of the Rings" Director Peter Jackson.

It was three weeks before any scenes were shot, with most of the cast on the same set.

Shane Black, a veteran screenwriter of action films, thought very highly of this movie.

Paul Freeman, Jim Broadbent, and Cate Blanchett have all appeared in the Indiana Jones film franchise.

Some of the shoot was delayed by torrential rain.

Features four cast members from various Lord of the Rings adaptations. Peter Jackson played Santa (Father Christmas) in the opening montage. Bill Nighy played Sam Gamgee in the BBC Radio broadcast. Cate Blanchett played Galadriel in Peter Jackson's films. Martin Freeman played Bilbo Baggins in Jackson's The Hobbit trilogy.

During the church festival scene, members of the Air Cadets (the largest cadet force in the UK) can be seen in the background. Six cadets and two Non-Commissioned Officers from the 1955 (City Of Wells) Squadron featured in the film.

In the opening scenes detailing Nick Angel's exemplary police record, the song playing is "Goody Two-Shoes" by Adam Ant.

Simon Pegg and Steve Coogan previously appeared together in the third episode of I'm Alan Partridge (1997). This was one of Pegg's first television and movie appearances.

Olivia Colman (PC Doris Thatcher) & David Bradley (Arthur Webley) also worked together on five episodes of Broadchurch (2013) as Ellie Miller & Jack Marshall respectively.

The place where Angel is going to live is located on "Spencer Hill", which is probably a reference to Bud Spencer and Terence Hill, a comedy movie duo, who featured in many films during the 1970s and 1980s.

Rory McCann, David Bradley, Jim Broadbent and Kevin Eldon have all appeared in Troonide mäng (2011).

On the Video Diary extra on the 2-disc DVD bonus features, Simon Pegg jokingly says he could only spend up to seven minutes a day in his trailer.

The two Andys also have surnames that are synonyms, Cartwright and Wainwright, both terms for someone who builds or repairs carts and wagons.

Cast requirements were fifty people for speaking and non-speaking parts.

Released two years before Edward Woodward's death in 2009.

The film takes place in 2006.

When Nicholas first arrives in Sandford he is very fond of maintaining (and discussing) his Japanese peace lily. That species of plant is famous for being low-maintenance, requiring minimal sunlight and water approximately once a week.

In the scene in which Nick chases the shoplifter at the supermarket, if you look carefully, you can see a DVD of Shaun of the Dead (2004) (with its alternate title, "Zombie Party") among the DVDs for sale. It was also directed by Edgar Wright, and starred Simon Pegg and Nick Frost.

Lurch is named after the manservant of the Addams family in The Addams Family (1964).

During the early scene with the Chief Inspector (Bill Nighy) if you watch his face closely after he says 'Yes I can, I'm the chief inspector,' he gives Nicholas a sharp evil glare for a brief moment.

In the scene where Nicholas Angel interrogates Skinner in the supermarket, you can see an exact resemblance of Skinner's facial appearance on a picture in the background wall just as he says spool through and smiles.

Timothy Dalton is famous for playing British secret agent James Bond. Anne Reid (Leslie Tiller) starred opposite Daniel Craig, whom succeeded Pierce Brosnan in the role of James Bond, in The Mother (2003).

Some of the cast have had guest roles in the revived series of Doctor Who (2005).

Edward Woodward is famous for playing Robert McCall in the 80s American action series Kutsuge McCall (1985).

Steve Coogan appears in a small role in this film. His character Alan Partridge is known to be a James Bond fan. Former Bond actor Timothy Dalton plays Simon Skinner in this film.

Actors Jim Broadbent and Steve Coogan were adversaries in the movie Around the world in 80 days (2004).

The movie features an organization called the Neighborhood Watch Alliance, aka NWA. NWA was also a rap group (Niggaz With Attitudes), and one of their most famous songs is called "Fuck Tha Police".

At one point Angel is called Miss Marple. The film has many cast members who appeared in film and TV versions of Agatha Christie's novels. In addition, Timothy Dalton played Christie's husband Archie in Agatha (1979).

The Lord of the Rings trilogy director Peter Jackson and Cate Blanchett whom played Galadriel in the films make uncredited cameos in the film. Peter Jackson as man dressed as Santa Claus and Cate Blanchett as Janine. Martin Freeman later went on to play young Bilbo Baggins in The Hobbit trilogy, which is a prequel to The Lord of the Rings trilogy.

Cate Blanchett: Nicolas' ex-girlfriend Jeanine at the crime scene. Blanchett asked to be in the film because of her fondness for Shaun of the Dead (2004).

Peter Jackson: Deranged Santa (Father Christmas) who stabs Nicolas.

Stephen Merchant: As Peter Ian Staker.

Steve Coogan: Playing a Metropolitan Police Inspector; appears on-screen to speed the transfer of Nicolas Angel out of London, and reappears near the end with Bill Nighy as Metropolitan Chief Inspector, to plead with Angel to return to London.

When Timothy Dalton raises his glass to the "memory" of Eve and Martin, Dalton very briefly looks into the camera. Edgar Wright liked it so much he synchronized the sound of a cash register "ching" at the same time.

Timothy Dalton has said this film, particularly the sequence where Skinner and Angel are shooting at each other during the chase, was the most fun he's ever had on a film. Jim Broadbent stated it was a thrill for him to be driving "James Bond" around during that sequence. Simon Pegg also stated the sequence and the fistfight between Angel and Skinner was the same type of thrill for him to shoot, stating it was very much in the front of his mind that he was being shot at, and fighting with "James Bond".

The Latin phrase "bonum commune communitatis" chanted by the N.W.A. at the castle, means "for the common good of the community".

In preparation in writing the script for this film, Edgar Wright and Simon Pegg read a book by film critic Roger Ebert which includes all the clichés from action movies, so they could include them all. They include: having a character wake up in a dark hotel room and flick on the light switch without having to fumble for it (Nicholas Angel does this), having a shot of the median lines on a road from a moving camera (used in the sequence when Angel is driving back to London), and having a genial person in charge, actually being the bad guy. Other clichés were taken from Mad Max (1979), Surmarelv (1987), Tules (2004), Pahad poisid (1995), and Chinatown (1974).

When Inspector Frank Butterman appears at the town's council after Nick discovers them, his police uniform is a Victorian one (notice the letters VR - Victoria Regina - on his helmet). This details reinforces the idea of Sandford as a town "frozen in time", and their inhabitants reluctant to change.

During the early scene of Nicholas Angel jogging in his first morning in Sanford, all of the N.W.A. members can be seen standing in the same positions they later stand in for the final showdown.

Despite the excessive gun fighting and violence in the final act, no character dies by being shot. It is unclear if any of the victims in the underground crypt were killed with a gun.

On the day of filming the fight between Michael Armstrong (Rory McCann) (one of Skinner's thugs), and Nicholas Angel, Simon Pegg's stunt double broke his collarbone, and Pegg had to do the fight himself, though he had to be pretty careful.

It's said that a swan can break a person's arm with its wing. At the end of the movie, having been made to crash by the swan in the car, you can see Jim Broadbent's arm in a sling as he's loaded onto the ambulance.

Throughout the first half of the film, Danny asks Angel several annoying questions, like "Have you ever shot two guns at once while diving through the air?" to which Angel responds "No - you've been watching too many cop movies! The job isn't like that." Then in the second half of the film, every single thing that Danny has asked about, Angel does. He does shoot two guns while leaping through the air, et cetera. The only thing that Angel doesn't do is shooting into the air while screaming. Danny does that. Also, when the police crew are in the pub (on Nicholas' first day), the Andys mention that in small towns, everybody carries a firearm, especially farmers and their mothers. Not only are they correct (at least in Sandford), but the first people who shoot at Angel are a farmer and his mum.

When Angel and Butterman are discussing the first four victims, trying to figure out how they might be connected, Angel actually says what the ultimate motive was in each killing. The head of the Drama club was a terrible actor, his young lover had a "distinctive laugh", the reporter was a bad speller, and the rich land developer had an ugly house.

The character of Simon Skinner having a mustache was Timothy Dalton's idea, and was not specifically written for the character. Dalton thought that it would add an extra bit of sleaze to the character, and it hearkened back to his days of playing Prince Barin in Flash Gordon (1980).

Although Angel shoots his firearms many times, he actually hits only two people. The rest of the people are either hit by an object that Angel shoots, or they are shot by Danny.

During the climactic confrontation between Sergeant Nicholas Angel and the Sandford citizens, Angel walks in slow motion while surrounded by birds. This is a trademark used by action director John Woo in such films as Võimatu missioon II (2000), Kahe/Võitlus (1997), and Yi dan qun ying (1989), as well as the action of diving through the air while firing two guns.

The blackboard on the bar during the shoot-out at the pub says, "2 shooters 4 the price of one", while the couple that run the bar are behind shooting at Angel and Danny.

When Skinner (Timothy Dalton) drives up to Angel (Simon Pegg) after the "traffic collision", involving the actor and actress who appeared the night before in William Shakespeare's "Romeo and Juliet", his car stereo is playing the Dire Straits song "Romeo and Juliet".

When Angel fights Skinner, manager of the Somerfield supermarket, in the model village, Skinner drops his gun. It is briefly seen crashing into the front entrance of the model Somerfield supermarket. Few shots later, when Skinner attacks with a box cutter, he steps on a model Somerfield delivery-van and slips as it's rolling away.

Skinner falling and getting his chin impaled on the model of the village church is a nod to a scene from No Escape (1994), in which the chief villain Walter Marek (Stuart Wilson) falls, and is impaled on a spike. Stuart Wilson stars in this film as Dr. Robin Hatcher.

The role of Simon Skinner (played by Timothy Dalton) comes with a package of classic James Bond villain-sidekicks: a foxy female assistant, a big strong man who attacks on the criminal boss' command. Timothy Dalton played James Bond.

When Simon Skinner passes the blown-up house, "Fire" by Arthur Brown is playing in his car.

In this film, Edward Woodward plays a conspirator against a naive police officer. In The Wicker Man (1973), he played a naive police officer, who was experiencing a conspiracy against him. In both films, his character meets a fiery end. In The Wicker Man (1973), he is burned alive inside a giant effigy. In this film, he's blown up by a sea mine.

Further adding to the cultish and conspiratorial nature of the film is the casting of Billie Whitelaw (Joyce Cooper), who played Damien's guardian in The Omen (1976).

Despite Nicholas telling others to always have their notebook on them, the one time he doesn't have his, is when Leslie is murdered while he goes to his car to get it.

Unlike the antagonists in the film, Michael "Lurch" Armstrong (a henchman) is the only one who shows remorse for his actions, and is seen crying when he has his photo taken at the police station.

There is some foreshadowing at the festival air rifle scene. Dr. Hatcher is accidentally shot by Danny in his foot, and Nick says "He's a doctor, he can deal with it". This happens again later in the film, when Nick returns to Sandford near the start of the climax.

The film bears some plot similarities to Outland (1981), which was a remake of the classic western High Noon (1952). Nicholas Angel is transferred to Sanford and begins investigating the gruesome deaths of members of the community, believed to be accidents, and he begins to believe that the deaths were no accidents, but murders, and uncovers a conspiracy behind it, and discovers Inspector Frank Butterman and other residents of the village are behind it.

There are four Oscar winners appearing in this film. Olivia Colman, Jim Broadbent, Peter Jackson (Crazed Santa/Father Christmas), and Cate Blanchett (Nick's girlfriend).

Near the beginning of the film, Inspector Butterman says that he is "something of a Wild West nut." Near the end of the film, he confronts Nicholas and Danny dual-wielding revolvers, a common trope in Wild West movies.

This is the second time Jim Broadbent has played a dodgy cop who eventually gets arrested. The first was in Only Fools and Horses.... (1981) where he played DCI Slater, who got arrested for diamond smuggling.

This is the first time that Olivia Colman (Police Constable Doris Thatcher) played a cop. The second time is in the television series Broadchurch (2013). She played Detective Sergeant Ellie Miller with David Tennant, who played Detective Inspector Alec Hardy. David and Olivia also played in Doctor Who (2005), as the Tenth Doctor and Prisoner Zero respectively, even though they weren't in the same season as Olivia was in Matt Smith (the Eleventh Doctor)'s first main episode.

With the exception of Armstrong and Butterman, everyone pictured having a mugshot taken has a surname ending in "er".

The wood-handled knife Danny (Nick Frost) uses to stab Nicholas (Simon Pegg) is a French-made Opinel.

In the film, when Martin Blower and Eve Draper are murdered, the murderer makes it look as if they were killed in traffic collision and yet, in the pub scene which Nick and Danny decide to get drunk, Danny tells Nicolas that his mother was killed in a traffic collision. This foreshadows Frank Butterman being revealed as the mastermind and chief conspirator behind the murders.

The film has a similar plot to Outland (1981): In that film, Sean Connery stars a policeman whom is transferred to the mining colony on Io, one of Jupiter's Moon. Which he soon investigates the deaths of miners whom are dying from an addictive narcotic. As he investigates deeper, which he is soon targeted by hit-men and he discovers the administrator of the colony hired the hit-men to kill him and that he is behind the drug ring that is illegally supplying the narcotic to the miners. Sean Connery was the 1st actor to play James Bond in the James Bond film series (1962 - 1967, 1971). Timothy Dalton (Simon Skinner) was the 4th actor to play James Bond which he played from 1987 - 1989.

A possible alternate ending would had seen Danny succumbing to his gunshot wound, and dying in Nick's arms, and Nick visiting his grave a year later.

The ending scene which Nicholas visits Danny's mother grave at the graveyard which Danny appears was written to fool the audience and to make the audience think that Nicholas was visiting Danny's grave and that Danny died from his gunshot wound.


User reviews

WtePSeLNaGAyko

WtePSeLNaGAyko

Hot Fuzz satirizes American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don't simply spoof the plot threads and the car chases. They know the smaller details of Hollywood's formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, "S*** just got real." Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. The film is brilliantly in precise tune with the American mainstream action adventure.

The irony in this film is that it takes place in the serenely beautiful English countryside. In some ways, the film is very important for Americans to see. It delves very deeply into the conscious social mannerisms of the English, and parodies the timid insular English village life. Perhaps the most brilliant element of Hot Fuzz is the intertwining of a big-budget action film with gimmicks and a desperately fast pace and a quaint, atmospheric English village given the secrets-of-its-own flavor and a Agatha Christie-style expository structure.

The film-making style in and of itself is complicit in the satire. The cinematography and editing is a product of the school of Tony Scott and Guy Ritchie. It's filled with jump cuts accompanied by loud and constantly changing sound effects, occasional strobe, and montages of grainy, bleached out, extravagantly lit shots edited together at machine gun speed. The soundtrack is that of any super-cool action film from Hollywood. This works so well not only as a dead-on impression of Hollywood film-making but also as a hilarious opposition to the English countryside.

Simon Pegg's performance is a work of comic genius. His character is so well-developed as a man of invincible and authentic confidence and incredible drive, a workaholic, a zealot, and also an action hero stereotype. Nick Frost is a great second banana because not only is he the punchline to Pegg's straight line, he's also funny in such a direct, adolescent way, an unlikely comic relief sidekick.

The film's great surprise is a comeback performance from Timothy Dalton. Not only is it a reappearance from the abyss he's been lost in since his two-year stint as James Bond, but also a vindication against all who've continually dismissed his credibility as an actor and doubted his comic ability. He's very funny and one of the film's great highlights.

I've rarely seen a comedy so cleverly written, beautifully directed, atmospheric, or intelligently ridiculous.
Moronydit

Moronydit

Saw this last night at a special screening followed by a Q&A with Simon Pegg and Nick Frost. I liked "Shaun of the Dead" but wasn't a huge fan but I liked what I'd heard about "Hot Fuzz". I still wasn't prepared to be quite as blown away by it as I was.

This film works both as an out-and-out comedy but also as a high paced action film and also manages to showcase the directing talents of Edgar Wright and the acting of Simon Pegg (who can really *act*) The first half is a gentle build up but is generally and genuinely amusing, but once we put the pedal to the floor for the second half the pace is relentless.

The plot is substantial enough but isn't really what we've all come to see - it's about the snappy dialogue and the gags. To describe it as a spoof is unfair - they just corrupt the genre a little and turn up the comedy.

Great fun from start to finish.
heart of sky

heart of sky

I was lucky enough to see a preview of this film for free after I attended a random screening of Scorcese's the Departed. Naturally hearing that the makers of Shaun of the Dead were behind this I had to go see it - if a group of people can make a romantic comedy with zombies, then a buddy cop film HAD to inventive and original.

I can safely say that it was. I haven't laughed as hard in a film as I did with Hot Fuzz. The parts are all cast brilliantly - in particular Pegg and Frost as the two lead police officers.

Pegg bringing the smart, intelligent, action hardened London cop to the sleep north England village works in a classic fish out of water scenario. It surprised me with it's direction and I will confess I couldn't have predicted how everything would pan out.

When this is fully released I urge you to go and see it.
Tejora

Tejora

Hot Fuzz is the story of Sergeant Nicholas Angel (Simon Pegg), hardboiled super-cop. Intimidated by his arrest record, his cameo-appearance superior officers (Martin Freeman, Steven Coogan, and Bill Nighy) transfer him from the busy streets of London to the sleepy village of Sandford to keep him out of the way and balance the books, because, to be honest, he's making the rest of them look bad. A big cop in a small town, Angel sees murders and conspiracies where the cameo cast of cops and locals see accidents, but, with the help of his partner Danny Butterman (Nick Frost), it's not long before he discovers that not everything in Sandford is quite what it seems.

Sound clichéd? Good. That's the point. Once settled in Sandford, Hot Fuzz becomes a vehicle designed to send up every action film that has ever taken itself even slightly seriously from Police Story to Point Break, and it does this brilliantly by simply taking everything from these films and pushing them that bit further, making them appear both ridiculous and awesome at the same time. The characters are massively exaggerated (especially Pegg's super-cop and Timothy Dalton's fantastically over-the-top super-villain). The action sequences are outrageous, exciting, and feature a surprising degree of rough justice, perhaps most notably in the form of an old woman getting karate-kicked in the face (or maybe a pub landlord getting his head bear-trapped…). The dialogue ranges from obvious parody ("Did you tell him to cool off?") to clever Pegg-Frost exchanges, and even the music is perfectly balanced between action-scene rock songs and mock-epic slow guitar pieces.

However, that's not to say that Hot Fuzz is non-stop comic action. The first half an hour or so seems a little slow, but there's no reason to worry; the cast are simply setting up jokes to be knocked down later on, and it is definitely worth the brief wait for the well-paced comic-action masterpiece that's lying just around the corner. As with Shaun of the Dead, the people behind Hot Fuzz are affectionately poking fun at a genre that they clearly love, creating a film that embraces its genre's inherent ridiculousness, and is all the better for it.
Blackstalker

Blackstalker

Hot Fuzz: The story tells us of an over-active 'policeman officer', Nicholas Angel (Played by the co-star of Shaun of the Dead, Simon Pegg) who is sent to work his duties out in the countryside, to avoid his use of excessive arrests. Suspicions arrive in the town however, as people start getting killed 'accidentally'. Coupled with his rather unprofessional partner Danny Butterman (Similiarily played by Shaun of the Dead star Nick Frost) they get themselves into suspicious circumstances Nicholas Angel fails to ignore.

But what can I say? It's just hilarious! An incredibly funny, witty, intelligent British comedy that manages to bring you to tears with laughter and also offers extremely well directed and executed action scenes! If you liked the likes of Shaun of the Dead, you'll love this, simple as that. I was oddly surprised to find that it was incredibly violent, albeit, in a cartoony way, but it will definitely make you squint. Plenty of cameo's by the likes of the hilarious Bill Bailey and a great cast will make this a action/thriller/comedy hard to forget! Excellent.
Lanionge

Lanionge

Hot Fuzz is a brilliant new Britsh comedy that really hits its mark!!! Hands down this fantastic film is the new benchmark in British comedies!

Simon Pegg throws you into the extremely tongue in cheek narrative with its quick pace edits, booming sounds and terrific camera work that we have come to expect from Edgar Wright since Shaun of the Dead. Simon Pegg has really exceeded my expectations and credit must also go to Nick Frost who plays the classic sidekick which he accomplishes so well. The aforementioned crafty work by Edgar Wright proves that his style creates some of the best action sequences in the business. Whether it be the shoot'em ups, chase scenes or the jump out of your seat surprises, Wright can really make a film move and does this one ever!!!

This is definitely one of those films you have to watch at least twice to come close to getting every single joke, because they come so hard and fast it is sometimes hard to stop laughing at the previous one in time to hear the next.

Even though the film does take a lot of twists and turns there isn't really a moment where it lacks energy. Sure there are parts that slow it down, but it needs this to build momentum to one of the most climactic and hysterical pieces in film history.

Speed is the key! It keeps this insanely funny narrative flowing while at the same time giving a huge insight into the extremely detailed characters. Each character brings something to the table. It is an inventive yet classic comedy that reaches most audiences with its tongue in cheek and witty humour.

People who thought the cop-comedy genre was finished should definitely see this creative film which will pluck those heart strings and have you slapping that knee while feasting your eyes on the adrenaline fueled action!!!
Nanecele

Nanecele

After Shaun of the Dead, this second pairing of Simon Pegg and Nick Frost was very high on my wanted list, and it didn't disappoint in the least.

Hot Fuzz is crammed full of excellent characters, ranging from the eccentric to the diabolical, and every one gets at least one laugh during the course of the movie and most of them get many more. I don't mean to suggest that this film is wall to wall gags; in fact it is far from it, instead it is just very clever and often very subtle humour that runs continuously throughout the film.

Another pleasant surprise was the wonderfully impressive murder scenes, which were pretty gruesome and definitely stood out from the general vibe of the film, which made them far more involving. As well as the comedy and the murders, there is also a genuine sense of mystery surrounding these events and it definitely makes for compulsive viewing.

Just in case all that wasn't enough to satisfy you, there is a very action packed and explosive end sequence that is so out of place and ludicrous it works like a charm, and simply caps the film off in style superbly.

For me this film was every bit as good as Shaun of the Dead, and its definitely one of the best comedies ever made.

9/10
Doomwarden

Doomwarden

I was lucky enough to see an early preview. I am a big fan of Spaced and Shaun of the Dead, but wow!!!. I have never laughed so much at a film. Even colleagues that weren't that impressed with Shaun of the Dead loved Fuzz.

It was non stop comedy, with some action and a little gore but only for comic effect.

Essentially a spoof of big action American cop films set in a small sleepy village in Somerset, UK.

Nicholas Angel (Pegg) is a top cop transferred from London to a place where finding a missing swan is about as exiting as it gets. However, things are about to change as there are a few 'accidents'. Can Angel and his new partner local boy Danny (Frost) find out what's happening.

It's got a start studded cast who all add to the sheer brilliance of the script.

There are so many memorable bits that keep me giggle to myself as I recall them. I cannot wait until it gets general release so I can see it again. I'm sure I missed a few visual gags and film references.

Having it introduced by the stars Simon & Nick was a real bonus. Thanks guys a comic classic.
Dagdalas

Dagdalas

So here we have it, the eagerly awaited follow-up from the same team that brought us Shaun of the Dead. But whereas Shaun (hereafter shortened to SOTD) drew its inspiration primarily from zombie films (more specifically, George Romero's "Dead" films), Hot Fuzz throws its net a bit wider, taking in every buddy-buddy cop action film made in the last 20 odd years and combining it with a very British perspective. Think Midsummer Murder spliced with Bad Boys 2 and you should have the rough idea.

Through a series of quick cuts we are introduced to Nicholas Angel (Simon Pegg), an outstanding officer in the London police force, a super cop with an arrest record 400% higher than anyone else. In fact he's so good, he makes everyone else look bad. So Angel is packed off to the picture-perfect village of Sandford, alone save for his beloved Japanese Peace Lilly. On arrival Angel finds it difficult to adjust to village life, constantly on the look out for crime in a place where there hasn't been a murder for over 20 years and the police station is so quiet that the staff spend most of their time eating cake and ice-cream. He also finds himself partnered with over-eager constable Danny Butterman (Nick Frost), the son of amiable Police Chief Frank Butterman (Jim Broadbent). Danny is obsessed with action films and believe's that Angel is his chance to live out his dreams of car chases and gunfights.

With the set-up completed within the first 15 minutes it's on with the plot as people start to die in a series of grisly "accidents". Angel is suspicious but no-one believes him apart from Danny. With the body count rising though, the two need to work together to find out what's going on or could it be that Angel is just wound too tightly for country living? Pegg and Frost have been doing their double act for so long it's become second nature and it's nice to see them playing (slightly) different roles. Just like SOTD, they are ably supported by a cast of familiar faces from British film and TV. It's good to see Timothy Dalton having so much fun, playing the sinister Mr Skinner with a moustache-twirling relish. Other standouts include Paddy Considine and Rafe Spall as the Andy's, two detectives who spend most of their time verbally abusing Angel and Danny.

The film is packed full of references, which I'm sure will take multiple viewings to catch. There's some inventively gory scenes which are sure to make everyone a bit more careful around churches and model villages, though they are a bit too obviously CGI. It's a shame that the action doesn't kick into high gear until the final third but with the plot not going down the most obvious of routes and since I was laughing all the way through I can't really complain. The film is a success in it's attempt to create a "British" action film, combining adrenaline-fuelled action with the mundane and everyday.
Niwield

Niwield

I will say it out clear and upfront - I love this movie, and without a doubt, a definite contender for my movie of the year. By the filmmakers of Shaun of the Dead, Hot Fuzz has everything that makes great entertainment, laced with wry Brit wit, and while it contains plenty of references from their earlier movie, it never bores, and for cinephiles, you're in for one heck of a time identifying the countless of movie references within. If anything, I can't wait to get my hands on their earlier efforts in order not to shortchange myself in missing out on the gems by director Edgar Wright and collaborating writer Simon Pegg.

Hot Fuzz follows a typical buddy-cop genre, except that these two are so much more diverse from each other than the conventional cop movies of late milking the obvious race and cultural differences, beaten to death by the Lethal Weapon and Rush Hour films. Here we have the city versus country policeman officers buddying up, each with work ethics belonging to opposite ends. Sergeant Nicholas Angel (Simon Pegg) is your no-nonsense, straight laced, focused, top supercop who aces everything in his field of work, apprehending felons who fail to follow the law. And with being the top police officer on the beat, the powers that be deem him to be a threat (in making them look inept), and got him posted from Metropolitan London to the countryside of Sandford.

And Sandford is your typical small lazy town, where nothing much happens, and everyone knows everyone else. If a missing swan is a great deal, then you'll know there's pretty nothing much to sustain our supercop's interest, especially so when the station he's assigned to have officers which are extremely laid back, which makes him get off on the wrong footing with partner PC Danny Butterman (Nick Frost). Danny's the anti-thesis of Nicholas, and spends much of his days daydreaming what a top city cop would be like, and lives out his dreams through his collection of DVD movies like Bad Boys II and Point Break. But the idyllic life of the country gets interrupted with a series of murders (frequently brushed aside as accidents) just as our friends are about to get chummy, and here's where the fun kicks in at top gear.

There are so many things to like about the movie. The violence is one, though I'm unsure if the commercial release here will keep scenes unscathed by the editing scissors. Featuring some of the most gruesome ways to die, it's a blood splattering fest worthy of any serial killer movie. The movie too rewards the attentive viewer, because while the filmmakers load the movie with plenty of easter eggs, minute details, red herrings and the likes, everything will count for something as they come together on the way to the finale, so keep your eyes wide open and your ears peeled. The dialogue is full of wit, with loads of movie references, direct and indirect, and its run up to the end is one of the most adrenaline pumping in recent times, you can't help but to cheer as you lap up the high octane action. Action fans will not be disappointed.

Some may not like its editing style, which is quick, sudden, loud, and at times repetitive, but that's just a minor blip. There are enough positives here to satisfy almost everyone, and one that will definitely bring on a smile by the time the end credits roll. A definite must watch! Don't miss this when it screens commercially!
Drelajurus

Drelajurus

"Hot Fuzz" is brilliant! People who like British humor will love this one! It is really funny! It manages to make fun of ridiculous plots used in action movies and at the same time entertain you with their own ridiculous plot which is quite thrilling! Even when you don't get the subtle humor there are more than enough visual jokes to be enjoyed! I thought it was a stroke of genius to use some serious actors like Edward Woodward,Stuart Wilson and Timothy Dalton! (Timothy Dalton was accused of playing a much too serious James Bond! Well,in "Hot Fuzz" he shows that he can be dangerously funny!) As a parody on action movies this movie succeeds where others have failed! I think the credit has to go to the whole team who made this and "Shaun of the dead" including the actors! It shows that they actually like the movies they make fun of! That is essential for the the jokes to work! I thought "Hot Fuzz" is hilarious and very entertaining! It certainly is one of the funniest movies at the moment! Go check it out!
Jairani

Jairani

"Shaun of the Dead" was probably one of the funniest (if not the best) British black comedy that had been released in 2004. With gritty violence that made you squirm, innocent humour (Nick Frost) with blaspheming insults that just made you laugh out loud, and the quick wit of Simon Pegg with some great fun and horror mixed together, "Hot Fuzz" had a huge task of competing with the sheer greatness, of which was "Shaun of the Dead".

After much keen excitement upon seeing the teaser trailers of Hot Fuzz last year, my stomach churned as if to say "At god damn last, a film I can look forward to in the new year!" I felt as though it was best however, to go in with an open-neutral-mind, as I didn't want to spoil the film with high expectations.

I actually was starting to get worried into the first segments of the film, the humour wasn't as sharp as SOTD's first 20 minutes, and there were so many characters to remember, most of whom didn't make sense for a while. It wasn't till Nick Frost was introduced - that the film started picking up its pace and then decided to grab me by the throat. The film from then, was so funny, action packed, gruesome and dark! You just do not expect anything which was what made SOTD so great. The spontaneous actions and humour just kept the film's pace fantastically back on track.

The great thing about Hot Fuzz was just how original it was, and the ending (no spoilers here) just gave itself the stamp of "Most Exciting & Fun Ending In British Comedy".

The mystery and murder factor was well done as well, leaving me guessing "who did it" all the way through the film, but as with SOTD, the dark and grotesque violence kept its mature rating of 15, very enjoyable, yet very squirming to watch.

I highly recommend this film for anyone who just wants a good laugh and likes simple great black comedies. If you loved Shaun of the Dead, you will love this film. Just go in with an open-mind and have fun. Definitely worth the £6.50 (and the £15 when it comes out on DVD)!
Snowskin

Snowskin

I was Lucky enough to be invited to a special trade show of Hot Fuzz and there is little to say that could begin to describe it, awesome is a first step.

Thankfully the majority of trailer material happens in the first 15 minutes so you get the bits you know out of the way. i cant really say a lot as it may spoil the film. but if you loved Shaun of the dead you should certainly want to see this.

if you have seen spaced and Shaun of the dead you will appreciate the handywork of Edgar Wright. and you will see the return of some of the of the old faces such as spaced landlady Marsha

Simon Pegg and Nick Frost both fit into the roles of policemen, sorry officers, well, and Pegg is the usual High Flying guy who is too good for his job, While Frost plays that tag-along soon to become sidekick who doesn't really know uite why he's there.

This is totally one you have to see or you will be missing out. if comedy is your thing, this is your film.
SiIеnt

SiIеnt

I confess my first reaction to Hot Fuzz was thinking it was droll but a little disappointing after the faster-paced, hilarious Shaun of the Dead. How wrong I was... now I believe this is the funniest Edgar Wright movie. The first act is slower than Shaun, yes, but the script is meticulously crafted, a comedic masterpiece of setups and payoffs.

Pegg and Frost are great as the by-the-book city cop and his sloppy partner who have to unravel the mystery behind the killings in a model British village. The duo is surrounded by an inspired cast; Broadbent and Dalton shine as, respectively, the jovial Chief and a smug suspect. Considine and Spall have minor roles but get their share of amusing moments. And a brief scene featuring cameos by Martin Freeman, Steve Coogan and Bill Nighy is a thing of beauty.

Wright is, quite simply, the best comedy director working today. Unlike most of his colleagues he doesn't just rely on witty dialogue and funny performances: he makes the movie *visually* entertaining as well, with his rapid-fire montages, clever transitions and the way he can turn a mundane scene into something hysterical simply by the way he frames a shot.

Worth multiple viewings - in fact, Hot Fuzz gets better every time.

8,5/10
Orll

Orll

This movie...wow. So original, so crazy, so weird, so funny. I had no idea what I was getting into when I watched this. I think this is the most interestingly odd movie I've ever seen, in such a great way. A definite must see. Too many movies nowadays suck. They lack comedy, true comedy. This movie...awesome. Now go watch it.
Gann

Gann

HOT FUZZ is one the most entertaining film experiences that I've had in YEARS! This is probably the most enjoyable film I've seen since COLLATERAL. And it's a British film, most of which I find heavy-handed and boring! But not this one! It's actually extremely difficult to put this film into just one category: cop film, action, mystery, comedy, drama, parody, homage? It's actually all of these things and much more. As parody/homage, it definitely has elements of a lot of other 'old' action movies in it: LETHAL WEAPON, DIE HARD, BAD BOYS II (they constantly reference this film along with POINT BREAK), and guess what? There's also a big-time homage to A FISTFUL OF DOLLARS at the beginning of the film's spectacular climax!

HOT FUZZ tells the story of London supercop Constable Nicholas Angel (played brilliantly by Simon Pegg). Angel is one baaaad man! He has a ridiculously high arrest rate and is in top physical and mental shape. But his cronies in the London police are jealous of his success b/c he is as the London Chief Inspector says 'making them all look bad'. So Angel is transferred to the small, quiet English burg of Sandford. The head of Sandford's police force, Inspector Frank Butterman (played by Jim Broadbent in a lively, funny performance) assures Angel that nothing ever goes on in Sandford and that there hasn't been a murder or major case in 20 years! Of course, Angel, ever the suspicious and dedicated cop, immediately finds trouble in virtually EVERY situation. There are times in the film where you actually believe that Angel is actually paranoid b/c of his anal personality, even though you know that he is indeed right: there's SOMETHING wrong in Sandford! We constantly see right before several 'accidents' a mysterious hooded figure murdering prominent town citizens.

Angel's partner is Constable Danny Butterman (played by Nick Frost in a hilarious and moving performance). Danny is the Inspector's son and is only interested in screwing off watching action movies and eating ice cream and cake! Angel and Danny's relationship is at the core of the film and is truly one of the best buddy relationships that I've ever seen in film. They are complete opposites, yet they complement each other to perfection. And both men learn things from each other. Danny learns how to be a much better cop and Angel learns how to take it down a notch and appreciate the finer things in life. Angel and Danny's police cohorts are Constables Tony Fisher, Doris Thatcher, Bob Walker, Sergeant Turner, and the 2 Andys (played hilariously by Kevin Eldon, Olivia Colman, Karl Johnson, Bill Bailey, Paddy Considine, and Rafe Spall). They are all just as apathetic to what is going on in Sandford as Danny.

The film sports a great cast of quirky characters that, along with Inspector Butterman, comprise the town's NWA (for Neighborhood Watch Alliance) played brilliantly by veteran actors: grocery store magnate Simon Skinner (one of the former JAMES BONDs Timothy Dalton), surveillance expert Tom Weaver (THE EQUALIZER Edward Woodward), the bicycling schoolmarm Amanda Paver (Lorraine Hilton), Dr. Hatcher (Stuart Wilson), hotel owner Joyce Cooper (Billie Whitelaw), pub owners Roy and Mary Porter (Peter Wright and Julia Deakin), Rev. Shooter (Paul Freeman), candy shop owner Annette Roper (Patricia Franklin), local farmer James Reaper (Kenneth Cranham), and flower shop owner Leslie Tiller (Anne Reid).

I accidentally came across HOT FUZZ while channel-flipping and luckily caught essentially the first 10 minutes of real dialogue of the film (the part right after the obligatory opening introduction and backstory of our hero Angel that I saw upon 2nd viewing). This 10-minute pair of scenes in the London police station where Angel's superiors are telling him they are transferring him and Angel at the crime scene with his ex-girlfriend Jeanine (who I later found out was Cate Blanchett in that body-covering getup) had me laughing hysterically and so I thought I'd stick around to see how this movie was going to turn out. I was sure the film was a comedy by this first 10 minutes, but when I checked the menu description of it, it said it was Action/Adventure and I went 'Huh?' I don't think the real action came until the last 30 minutes of the film, but along the way, I was laughing constantly and thoroughly engaged also by the mystery element and quirkiness of the film. I think that there were at least 5 or 6 times where I was sure that they were at the end of the film and I was completely fooled and then there was another hitch. And it was all worth it! For me, this film is really a great tip-of-the-hat to all the over-the-top action movies of the past 20 years or so. It simultaneously mocks those films while paying playful homage to them. And the key word is FUNNY. You will laugh throughout! This is truly one of the very few films in this decade of the 2000s (came out in 2007) that I've enjoyed from beginning to end! A great achievement!
Light out of Fildon

Light out of Fildon

While this movie is a poke at the big budget action flick, it doesn't fall into the naked gun style of spoof. It comes off as if it is being serious, which makes it all the more funny. The first thing that strikes you is the editing. The quick jump cuts used in action films to make them seem edgier, suggesting a frenetic, tension filled pace, are used through out this film, giving any serious action films editing a run for its money. At first, it seemed a little obvious and contrived, maybe, but as the humor started to offset the serious tone being set forth, the movie really started taking shape. In the end, the editing made this film even more brilliant. The acting was terrific. The Shaun of the Dead stars really proved that they were not just one hit wonders. I now think Simon Pegg is one of the more brilliant comedic writers and actors of our time. His stone faced, serious main character sets a tone that made this spoof. I will now be sure to see ANY movie these guys make. This is one of the few movies I'd like to play again after having just watched it. It was just that funny.
Shezokha

Shezokha

Genre parody is running rampant currently, probably because Hollywood is so out of ideas at this point that they've gone down to the level of making fun of their own crap with even more crap that basically every year we get another slew of pop culture regurgitation in the form of Genre Movie and kids films like Shrek, Happily N'Ever After, and Hoodwinked to make sure nothing worth seeing doesn't have its hilarious counterpart. That is why we need people like Simon Pegg and Edgar Wright.

The thing about Shaun of the Dead and Hot Fuzz is that both of them manage to make fun of, respect, AND transcend their own genres. Shaun of the Dead isn't just a funny reworking of zombie horror flicks, its a damn good zombie horror flick in its own right, and also breaks new ground with the genre. The exact same thing is true with Hot Fuzz. Where any sarcastic Hollywood genre satire would try to show how dumb a cliché is by making it even more outrageous, Edgar Wright simply has the characters say, "But that would create a lot of paperwork." Where a lesser parody would make an obvious twist as a nod to obvious twists, Simon Pegg finds out that the motivations for the recent crimes is really much simpler.

But beyond that, these films are good films, removed from genre, in their own right. Hot Fuzz uses a style of quick-cut editing to match the ridiculous quick-cut editing that's become popular in such ridiculous nonsensical films as Domino and Walking Tall, but they don't over extend it to show how ridiculous it can get... rather, they learn something about the form and most importantly make the editing extremely, extremely good. Hot Fuzz has quick saturated action film editing, but it does it in a way that leads the eye gracefully through the action, thus one upping every other bad action flick being ground out by Hollywood.

But the best part is that these films don't need prior knowledge of other films in order to get the joke. A more underhanded reason so many Scary Movie sequels keep coming out is that they directly make fun of recent horror films one-to-one, meaning one must actually see those terrible movies in order to get the jokes. Hot Fuzz stands alone. Even if you haven't seen Bad Boys II or Point Break, you can still follow this movie because it has engaging and colorful characters, good action, and most importantly--CREATIVITY. And even though it provides constant nods to pop culture, it also has its own quirky form of English humor to basically make everybody laugh. Not only does Hot Fuzz transcend buddy cop movies and slasher flicks (with a hint of Westerns, too!), it also transcends spoof genre. Take that, Hollywood! I figured Shaun of the Dead was a one-time deal, but now I hope Simon Pegg and Edgar Wright continue to craft even more genres into actually skillful and fun movies for years to come.

--PolarisDiB
Enone

Enone

Hot Fuzz satirizes American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don't simply spoof the plot threads and the car chases. They know the smaller details of Hollywood's formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, "S*** just got real." Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. The film is brilliantly in precise tune with the American mainstream action adventure.

The irony in this film is that it takes place in the serenely beautiful English countryside. In some ways, the film is very important for Americans to see. It delves very deeply into the conscious social mannerisms of the English, and parodies the timid insular English village life. Perhaps the most brilliant element of Hot Fuzz is the intertwining of a big-budget action film with gimmicks and a desperately fast pace and a quaint, atmospheric English village given the secrets- of-its-own flavor and a Agatha Christie-style expository structure.

The film-making style in and of itself is complicit in the satire. The cinematography and editing is a product of the school of Tony Scott and Guy Ritchie. It's filled with jump cuts accompanied by loud and constantly changing sound effects, occasional strobe, and montages of grainy, bleached out, extravagantly lit shots edited together at machine gun speed. The soundtrack is that of any super-cool action film from Hollywood. This works so well not only as a dead-on impression of Hollywood film-making but also as a hilarious opposition to the English countryside.

Simon Pegg's performance is a work of comic genius. His character is so well-developed as a man of invincible and authentic confidence and incredible drive, a workaholic, a zealot, and also an action hero stereotype. Nick Frost is a great second banana because not only is he the punchline to Pegg's straight line, he's also funny in such a direct, adolescent way, an unlikely comic relief sidekick.

The film's great surprise is a comeback performance from Timothy Dalton. Not only is it a reappearance from the abyss he's been lost in since his two-year stint as James Bond, but also a vindication against all who've continually dismissed his credibility as an actor and doubted his comic ability. He's very funny and one of the film's great highlights.

I've rarely seen a comedy so cleverly written, beautifully directed, atmospheric, or intelligently ridiculous.
Runeshaper

Runeshaper

I had low expectations for a funny, but throw-away film, based on the U.S. trailers.

Turns out the trailers I've seen are selling the film at a disservice, because this is one hip, hilarious, smart, and tightly acted / written / edited film.

Simon Pegg (Sergeant Nicholas Angel) is top-notch, and is a prolific writer / actor the likes of to which to aspire. He plays a believable hard-nosed / -assed officer, and rarely can be seen wearing "look how funny my writing is" on his sleeve.

Nick Frost (PC Danny Butterman), Pegg's rotund subtly faux bumbling partner in the sleepy hamlet to which Angel's been reassigned, is so amazingly committed to his character and actions, he's a real joy to watch.

And Timothy Dalton gives probably my favorite performance of his since "The Rocketeer". The way this guy can act and have fun with himself is impressive.

Perhaps the strength of the film is its ability to pull off the ludicrous, making me laugh because it's ludicrous, but it doesn't feel unreal. That and being able to pull off the humor and the grotesque side-by-side.

Not to give anything away, but the plot twists in the film feel organic to the genre; the "genre" being an Edgar Wright & Simon Pegg film. Almost reverse Scooby-Doo, in a way. Whatever. Brass tacks: I didn't feel jerked around by the plot.

I heartily recommend the film. It's a tight, hilarious, surprisingly high-caliber offering for action and comedy fans.
Wrathshaper

Wrathshaper

Hot Fuzz marks the long awaited return of Simon Pegg and Edgar Wright's partnership to the big screen. Shaun of the Dead left them with a very hard act to follow but Hot Fuzz easily achieves expectations and possibly even exceeds its predecessor. And the team stay close to their roots with plenty of in jokes and sly nods to other films to keep their core fan base happy. And of course there is the inevitable who's who of British comedy showing up in various roles throughout the film, most memorably Bill Bailey. Although I have to say I was sad to see that Dylan Moran and Jessica Stevenson were absent.

The film tells the story of Nicholas Angel, an overachieving supercop from London who is making the rest of his department look bad through his diligent dedication to the job. Cue him being shipped off to a quiet Gloucestershire village, Sandford. Angel does not fit in with the local constabulary, who prefer to eat cake and drink excessively rather than do any police work. When lots of 'accidents' start happening around the village they are dismissive of Angel's claims that there is more to them than meets the eye and leave him to investigate and piece together the details on his own.

The story works well, slowly piecing together what's going on and there are various twists and turns along the way, if nothing too extravagant. The action set-pieces also work well, carefully treading that thin line between comic and just plain ridiculous. There are one-liners aplenty, as to be expected, and this will be another endlessly quoted film I'm sure (not that I can remember any at this point in time, I'm useless like that!). There is also an inspired take on THAT fence jumping scene from Shaun of the Dead.

Some brilliant characters are introduced in Hot Fuzz. Olivia Colman's character PC Doris has to be one of the highlights, every time she speaks it raises a laugh. It is also good to see Simon Pegg playing a different character from his usual geeky, lovable layabout. Nick Frost again proves his worth as PC Danny, who is more concerned with cop movies than actual police work. Other classics are the proper Gloucestershire copper who needs translating into English, the sly Andy's detectives and a recurring swan…………..

All-in-all hats off to Simon, Edgar and team for managing to keep the standard up with their second film, especially with it not being as obvious a target for them as the zombie movie. I wasn't sure how it was going to work them tackling this genre but they have done an excellent job. Let's hope they continue their magic with other themes, maybe a revenge movie? Or a Western?
Thiama

Thiama

I love Simon Pegg and Nick Frost, i think they are really hilarious and really show typical British men.

However i was quite disappointed with this film. Although there were some chuckly bits in it, there wasn't that many "lol" parts which really upset me because Shaun of the Dead was so funny.

One thing that was great were the action sequences they were comedic and fast paced which really added to the films entertainment value.

Also the storyline was pretty funny...not the best but still OK - of a typically nosy countryside village, everyone in England must know people who live in a village and knows everyone else business - i certainly do!! So it was good to actually poke fun at that.

I gave it 7/10

-Some laughs -ok story -Great action sequences -brilliant outtakes :)
Pooker

Pooker

I didn't see Shaun of the Dead prior to the release of this movie. I didn't even know about Hot Fuzz when it came to theaters. I watched this movie when it came to Comcast On Demand and it looked like it was gonna be a pretty funny movie. I got so, so much more than that.

Hot Fuzz is a parody of action movies, and a good action movie by itself. It is really a 3 in 1 movie. It is a slasher, comedy, and an action movie at the same time. The action does take to get going for a good 30/40 minutes, but during that time we are exposed to some really great British humor (which not all Americans like) and witty fast paced scenes.

The plot isn't a bad one either. An overachieving cop is sent to a small rural town where a murder hasn't occurred in many years because he was making his fellow police officers "look bad". The cop (played by Simon Pegg) is having boring days at the town until some strange deaths occur. The town thinks they're accidents, but Simon thinks there is a murderous lunatic on the loose. That is the plot synopsis, and while it may seem a little bland it is executed masterfully with a lot of humor and movie references along the way.

Hot Fuzz was a very pleasant surprise for me. It is now among my favorite movies and I can truly say it is a masterpiece.
Akinohn

Akinohn

Police Constable Nicholas Angel is the pride of the London Service, trouble is is that he is making everybody else look bad, so much so his superiors promote him to Sergeant in the sleepy village of Sandford, Gloucestershire. Yet all is not right with Sandford as the locals start meeting grizzly deaths, thus thrusting Angel into his biggest case so far.

The biggest question on most film goers lips was could the pairing of Edgar Wright and Simon Pegg triumphantly follow the monster cult success of Shaun Of The Dead? Well the plot premise for Hot Fuzz hardly leaps out as something to grab the attention span of many, but they have crafted a tremendously funny film that winks at the action genre with genuine love and admiration.

Simon Pegg and his trusty sidekick, Nick Frost, clearly have an earthbound appeal that many {even outside of Britain} can warm too, not pretty or over svelt, these guys are fans of movies making movies purely for the fans, and it shows. Neither Pegg or Frost try to steal scenes from each other, both men after over a decade of working together are clearly comfortable with their coupling and thus manage to fine tune their working chemistry.

Once Angel {Pegg} lands at Sandford Village we are introduced to a ream of British Village stereotypes {archetypes actually}, all characters ripe for hilarious scenarios that our fish out water {big city cop} Sergeant struggles to comprehend. We observe as he is dumb struck at the ineptitude of the Village Police Force {erm service actually} and is then forced to work alongside dough eyed Constable Butterman {a film stealing Frost}. Angel's exasperation at where he finds himself is mirthful joy to us the viewers. The dialogue is priceless, one liners and hat tipping nods to the action genre come thick and fast, in fact you can watch Hot Fuzz repeatedly and play spot the homage each time. I mean come on people, we got both James Bond {a delicious turn from Timothy Dalton} and Belloq in here strutting their stuff. The action set pieces are not found wanting either, director Wright having the time of his life with the crash bang wallop that flows in the final third.

The test of a great comedy is how it stands up to repeat viewings, to me Hot Fuzz delivers no matter how many times it is viewed. For even when you know what is coming up next, the smile on your face is already there before the event, wonderful, wonderful film made by guys who love movies as much as ourselves. 10/10
Dawncrusher

Dawncrusher

Most people enjoy buddy cop films but a buddy cop film with Simon Pegg, Nick Frost, and Edgar Wright at the helm; we get the best buddy cop film ever made. Sargent Nicholas Angel is forced to move out to the country where he has been promoted to Sargent of a village. He is not too thrilled but he soon finds himself engulfed in a murder case that the town is doing their best to ignore. The deep story is backed up by many laughs and moments this trio puts on the big screen so well.

This movie plays the stereotypical buddy cop movie down to the last detail. Angel is the tough cop who is incredible at his job who is forced to pair up with an almost useless Nick Frost. These two bring their chemistry from Shaun of the Dead and bring it into this movie. Nick Frost is not as funny as he was in his previous role but he does a much better job. He is a much improved actor and shows great range in this role. Pegg on the other hand is funnier than ever. At first I hated Angel as a character, as I think I was supposed to, but he grew on me and Pegg nails it.

Hot Fuzz ties absolutely everything together even better than Shaun of the Dead did. Things people say one time come back and play into the mystery. The first time you watch it you want to know who the killer is and solve the mystery. Great, but the second and third time you go back and pay attention to all the details. The details are revealed to the audience at the climax but going back and watching it again it is very satisfying.

The writing is better than ever in Hot Fuzz. This movie had the laughs but the strongest aspect was the story. For a while the story wasn't really going anywhere but introducing all the characters and getting to know the village. That all changes with the shot of the guy in the black robe, face hidden, and holding an axe. I remember the first time I saw that, my jaw dropped. That was the moment the movie got real and it wasn't like Shaun of the Dead at all. The twists and turns this story take is awesome. The reveal of the murders is so satisfying. I won't spoil but Angel comes up with this whole conspiracy as to why the people got murdered but he was wrong. When the real reason is revealed it was a "Wait, really? That's so dumb but awesome" moment. Its brilliant but at the same time it's a little lame. For the type of movie it is I love it but I can see people being annoyed by it.

The gore behind the murders is terrific. The axe and the staged car accident was creative. The explosion was awesome, the shears was disturbing, but nothing was better than the church scene. Hands down, the coolest death I have ever seen. There could have been one at the end involving the model of the church, but he didn't die, which made it ten times better. Let's just say the scene is suspenseful and it got a bit messy. I went back and watched how he died in slow motion and I don't regret it a bit.

There are some jokes in this movie that are hit or miss. Aaron A. Aaronson is a subtle laugh. When Andrew has the foam mustache on his real one brings out a smile every time. The laughs were not as consistent but it wasn't needed. The backbone of the movie is the story, not the comedy. In my Shaun of the Dead review I said that Shaun if the Dead was straight up better. I still stand by that statement but Hot Fuzz had the better stories, better characters, and it got close to better gore. Shaun of the Dead had a special impact on me that left a better taste in my mouth than Hot Fuzz did, but it really isn't right to compare movies it's just a popular topic.

If I had to choose some flaws I will have to call shenanigans on a lot in this movie. This is a segment I will call Reality Check. First of all, I'm pretty sure Angel could have denied the promotion if he really wanted to. I understand it is England and it may be different but the guy should have rights and be able to turn down a promotion if he wanted to. Secondly, after Angel discovers the truth behind the town I was thinking to myself that it wasn't possible. I can't say why without spoiling the entire movie but I can say that somebody would have to notice if people randomly disappeared. Before the murders Angel and Danny walk right by the guy in the black robe. The first time he is in an alley so I figured it was possible. The second time he was standing in front of a white garage door, under a light. Come on, I know Angel and Danny were drunk but they walked right by them. At the church there was no possible way for the murderer to escape due to the fact that he didn't have enough time. Finally, I think the lady would have noticed a guy in black trying to kill her. She takes it like a champ before he bleeds out. It's frustrating.

Overall, Hot Fuzz is a good time. I can watch this movie anytime anywhere and it has everything I loved from Shaun of the Dead. The cinematography was very much the same along with the humor. The ending was an action packed shootout I always wanted. Hot Fuzz is awesome and gets the WillyT Seal of Approval even with the parts I don't find possible.