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Salomé (1973) Online

Salomé (1973) Online
Original Title :
Salome
Genre :
Movie / Short / Horror
Year :
1973
Directror :
Clive Barker
Cast :
Doug Bradley,Anne Taylor,Graham Bickley
Writer :
Clive Barker,Oscar Wilde
Type :
Movie
Time :
18min
Rating :
5.4/10
Salomé (1973) Online

Cast overview:
Anne Taylor Anne Taylor - Salome
Graham Bickley Graham Bickley
Clive Barker Clive Barker
Doug Bradley Doug Bradley - King Herod
Phil Rimmer Phil Rimmer
Lyn Darnell Lyn Darnell
Julia Blake Julia Blake

Released as an extra on the bonus disc of the Region 2 Hellraiser box set from Anchor Bay.


User reviews

Coiril

Coiril

Salome is one of two short films that horror writer Clive Barker directed before he went on to make the cult classic 'Hellraiser'. While you cant go into a short film expecting the likes of Hellraiser, Clive Barker does deliver an interesting spectacle with this film and, like many director's pre-hit short films, you can see some early signs of the man's later work in this film. Salome only runs at about twenty minutes, and it has no dialogue; so the plot is non-existent. This doesn't matter, however, as it is the imagery and atmosphere that is important; and Clive Barker, even with only twenty minutes to play with, more than succeeds in impressing on that level. The action takes place in a dank abyss, and through the dark atmosphere and empty surroundings, Barker is able to show this. While this film doesn't have enough about it to aptly call it 'good', by the same standards; it's not bad either. Fans of Hellraiser will enjoy the film for it's style, and fans of atmosphere will find lots to like also. Salome isn't worth going out of your way to see; but if you come across a copy, it's well worth seeing.
caif

caif

Grainy 8mm black & white short film, without any dialog. (An ambient-type soundtrack has been dubbed in.) Basically a filming of sections of Oscar Wilde's "Salome" but without audible dialog it's a little tough to follow. The cast are quite young and the main actress appears in contemporary garb. Although the film is made quite cheaply, the elements of macabre eroticism that would figure in Clive Barker's later work are evident. Recommend for fans of Clive Barker, this is not a feature-quality production but has it's moments while it lasts.

As a note, the DVD version of this film also contains another weird Barker short ("The Forbidden") with graphic and bizarre content that seems like an early rough draft for "Hellraiser". There is also an extensive Barker interview, as well as a ridiculous promotional into with an Elvira-type topless vampire hostess drooling blood all over other unclad ladies.

For value to Barker fans and the fact that it sticks in one's head, 6/10 Non-Barker fans would likely find it a 3/10
Gholbirdred

Gholbirdred

I have to disagree that SALOME and THE FORBIDDEN are for Clive Barker fans/completest only. I'm not an CB fan. I haven't even seen HELLRAISER - although I have the original soundtrack by COIL. I am a fan of art films done on a shoestring. These two films would certainly fit into that category. Barker does a good job of creating another world while filming in the basement of a flower shop. The use of only one lighting source is also no doubt an inspiration to film students and aspiring filmmakers. In fact, a film student gave me a copy of this. I would have never discovered it otherwise. I do have a problem with how this was packaged by it's distributer. The strip orgy wraparound stuff is totally unnecessary. These early Barker shorts should be shown at art houses, art museums and shown to film students. 10 out of 10 for the films, not the distribution company.
Nayatol

Nayatol

Clive Barker is multi-talented horror artist. Mainly writer, but also screen writer, director, producer, actor, painter, illustrator... Although most of you know him as author of Hellraiser movies, for me his life achievement will always be a collection of short stories Book of Blood and video game Undying. Salome from 1973. is first cinematography attempt of then 20 years old future king of horror. This is short 18 minutes black and white silent film. Maybe more of visual performance than real movie. This low- budget, or more accurately no-budget film is made in some basement with just a few friends. Using just one light source in complete darkness Barker concentrates more on building an atmosphere than telling a story. Considering when it is done, his age and budget and fact that this is his first amateur attempt of film making, it is very ungrateful to try to rate it objectively. For true Barker fans and film students this is must watch film, that will almost surely leave positive impression. For the majority of the rest this will probably be unwatchable crap. To me, this is

<3 Barker <3 /10
Maman

Maman

"Salome" is a British black-and-white short film from 1973, so this one has its 45th anniversary this year and it runs for approximately 18 minutes and was the first filmmaking credit by Clive Barker who went on to have a successful career afterward and who was around the age of 20 when he made this. The basic story is from a play by Oscar Wilde (that Barker adapted), but I must admit I really had no clue what was going on here at all. Quite strange. Some nudity in here too, so not for young audiences, but they probably would not be interested in this anyway given the plot, tone and general take by Barker. It is somewhat disturbing this comes from such a young man. Anyway, I guess the last decades show that he managed to step things up. Back to this one here, the audio side, i.e. the music, was maybe slightly better than the video, but nothing special either. I can only say I was quite underwhelmed by this one and it is even worse than the mediocre "The Forbidden" Barker made a few years later and these two are often shown together. Anyway, I must give this one here a huge thumbs-down and I am glad it was this short. Only good thing is you can watch it without subtitles in any case as nobody's talking regardless what languages you speak. But why would you? It's the opposite of an aesthetic means and it also is never as shocking as you want a horror film to be. Skip this one and go for one of Barker's later and better works instead.
BlackBerry

BlackBerry

Seen several times (what it takes, I think, to get used to the strange mood of the movie), it never gets rid of its inherent "malhabilities",but one cannot deny that it gives a very strong insight in what the director/writer would do once famous. Visually and narratively weird and unsettling, it has a violent and memorable visual identity, which makes it instantly recognizable. This does not make it good (I don't think anything can), but it is nevertheless a must-see for any Barker fan. Treat yourself, it is available on video and DVD !
Kulwes

Kulwes

Salome (1973)

* (out of 4)

Early film from Barker tells the story of a beardless John who is loved and tortured by the mysterious Salome. At least I think this film is trying to tell the story from the Bible as it's rather hard to tell because I had a really hard time following the film. I think it's very safe to say that Barker hadn't yet gained his talent for constructing a story that the viewer is able to follow but I guess you can't really blame him considering how young he was. The film was shot on 8mm, which makes the visual look of the film very grainy but this actually works well and leads to some fairly well crafted scenes. Some of the lighting effects are also well handled but in the end the film is still a major drag to get through.

Forbidden, The (1978)

** 1/2 (out of 4)

Second film from writer/director Barker is somewhat based on the tale of Faust but it certainly goes in its own way. The movie was shot on a 16mm negative, which gives it an overexposed look, which adds to the surreal nature of the film. I'm really not sure what Barker was going for expect to come up with some very strange and he certainly captures that here. The movie has a nice music score to go with it and the film really captures the mood of doom and death. There's an extremely bizarre sex scene and an even stranger scene where a man with an erection dances to something that I'm not quite sure what it is. Pete Atkins and Doug Bradley, both from Barker's Hellraiser appear in the film as well. I doubt horror fans are really going to jump all over this film but if you enjoyed Luis Bunuel's early "art" films then this might be more for you.