Biohazard (1985) Online

An entertaining, incredibly idiotic, and basically all-thumbs mid-80's earthbound "Alien" clone from the forever fumble-fingered Grade D dreckmonger Fred Olen Ray, who once again shows off his characteristic consummate ineptitude and flagrant disregard for anything remotely resembling professional film-making. Besides an obviously inebriated Aldo Ray delivering one of his single most horrendous performances as an irascible, constantly tongue-tied army general, Fred's then five-year-old son Christopher shambling about in a pitifully unconvincing rubber monster suit, a hilarious rockabilly ending credits theme song called "Rockabilly Rumble" performed by Johnny Legend and the Skullcaps, and plenty of Fred's patented crappy touches (dreadful acting, some bloody, but phony gore, excruciatingly labored attempts at no-brainer lowbrow humor, a little gratuitous bare female skin, a smug smartaleck attitude which suggests that Ray might be churning out these cheapie clunkers strictly for the money, and dimly lit nighttime cinematography that's guaranteed to make you blurry-eyed), the key reason to give this supremely shoddy stinker a look-see is to watch remarkably buxom erstwhile porn actress Angelique Pettyjohn show off her amazingly ample breasts in a couple of almost literally eye-popping scenes. Now, what more could you possibly ask for in an admittedly el zilcho two-cent "Alien" rip-off? Well, how about Fred in a quick cameo along with fellow partner-in-schlocky-celluloid-crime Donald G. Jackson (he who blessed us with "Hell Comes to Frogtown") as a medic. Best and funniest moment: When the irate dwarf creature shreds an "E.T." poster and stomps all over it in an angry jealous rage! A deliciously cheesy hoot and a half.

Well, movie fans, it is not a question of whether you like or don't like this movie - it is simply a question of wether you are into trash or not. Should you be one of the happy movie goers who have cultivated the watching of trash to an art form you definitely won't be disappointed with Fred Olen Ray's masterpiece of fun trash - BIOHAZARD! The first time you see this movie you may ask yourself why someone gets money to do such a film. On the other hand, if you really can't help stopping to laugh about what is happening on screen, you probably know how well the money was spent on this project. But I must warn all you trash lovers: BIOHAZARD will make you an addict to this film genre. Since having watched BIOHAZARD for the first time several years ago I probably must have watched it ten times or even more at least! And it still gets me laughing out loud! Be sure to invite some of your friends for a DVD session of this film - you all will have a really great time! Make sure to provide enough pop corn, though!

I couldn't believe some of the horrible dialog coming out of people's mouths, and the end reel of bloopers attached to body of the film was a real hoot. And we get titty shots of Angelique Pettyjohn (sort of) and Loren Crabtree to boot.

A teleportation device activated by psychic Angelique Pettyjohn brings an alien container to an underground lab out in the desert. According to director Fred Olen Ray, they were leftover sets from the Klaus Kinski film, ANDROID which gives the film an increased value beyond how cheap it looks.

Inside the container is a midget alien (played by Ray's son) who starts clawing people to death. It was pretty funny watching this little 'creature' in a black reptile suit with what looks like large beetle shells attached to it, running around in the dark. We even get to see the little thing stamp and tear at a poster of ET, which I thought was hilarious.

And then there's what looks like a snake that also comes out of the container that gets hammered to death by William Fair, after the mini creature chews into Frank McDonald's neck in the kitchen. A low budget take on ALIEN, I suppose...

The whole thing ends abruptly, looking like they ran out of film at the end before the blooper reel comes in with the end credits. Talk about a lack of funding...

Fred Olen Ray also mentions in the director's commentary that they also weren't sure if Aldo Ray would make through the shooting and remember his lines. He barely did.

Low budget cheese sneeze. It's fun to watch, I'll grant ya that.

4 out of 10

If you're watching this movie, you're either a Fred Olen Ray fan, you found it on the $4.99 shelf at Suncoast and thought "what do I have to lose?", or you spun around the video store with your eyes closed and rented the first movie your finger touched.

This movie is hysterically bad. It's got everything a terrible movie needs: a screenplay featuring jaw-dropping dialogue and baffling detours in the plot, wacky science involving psychics and other dimensions, continuity that seems to travel through wormholes in time and space, actors that are not only wooden, but seems to border on befuddled, gratuitous nudity (not all of it is what you necessarily would ask for), and of course, a 5' monster played by what I assume is Fred Olen Ray's kid.

Underneath it all, however, there is something resembling heart -- as if Mickey & Judy decided to get together all the kids in the neighborhood and make a monster movie (hey! my dad can direct it! yeah! We can use red paint from my johnny's dad's hardware store, and I know this ex-stripper who can act in it!).

Watch for the blooper reel over the credits -- you get to find out why the final cut of the movie was so crappy.

Incidentally, Biohazard II...the Alien Force is also worth a look, but doesn't have the same enjoyably crappy veneer this one does.

I saw this at the video store, and after passing it a few definite times, the oversized box and cheesy cover art finally got to me, and I knew I just had to rent this. I don't really know what compelled me, but I really do regret it.

I couldn't follow the plot, but here's the gist of it: Scientists use psychic Lisa (Angelique Pettyjohn) to do something that will entail contacting an alien or something stupid like that. All I know is that eventually, a transported case with some alien bursts open, and ET--after a kill or two--breaks free and runs around the middle of nowhere killing people. For some reason, Lisa and one of the scientists (who is also a love interest) are needed to help find this thing, as it kills randomly for the rest of the movie. Then again, there could be more, but I watched through fast-forward for the last twenty minutes, and was only interested by the "shock" ending.

The one thing that surprised me the most was the fact that this movie was only ONE HOUR long! I mean, with a running time like that, you would think it would be nonstop fun. Umm...no. It's dull as hell, with Ray's son in a rubber costume running around killing hobos, old people, young couples, etc, from time to time, and Lisa and Mr. Scientist Love Interest chasing it down with other stock characters. *sighs* I can't believe how bad this was.

The blooper reel during the closing credits was mildly entertaining, and filled another ten minutes into the movie, making it a whopping 70 minutes, but that didn't even save this bomb. I really can't say I recommend this the least bit. (And anyway, I had no idea what was going on, becuase I fast-forwarded so much. You may do the same, if you dare watch this.)

Some Typical Scientists are up to ridiculous things in "Biohazard". Working in isolation in rural America, they're experimenting in transferring matter from other dimensions. One object that they successfully transfer is a container; said container just so happens to have a creature inside it. Naturally, the creature gets loose, and slaughters various unlucky dummies. Supposedly the creature only does this out of fear, but who knows? The hero on the case is the intrepid Mitchell Carter (William Fair), who hooks up with Lisa Martyn (sexy Angelique Pettyjohn), a psychic working on the project.

This offering from the prolific B movie veteran Fred Olen Ray was two years in the making, as hard as that may be to believe. It looks like it could have been cobbled together in a matter of days. It's *that* cheap and *that* inept. Still, like so many other movies of this variety, it entertains in its own stumbling way. A lot of the elements required for such a lark are present and accounted for: laughable acting across the board (star attraction Aldo Ray, who's actually barely in the thing, is visibly drunk), a serving of bare breasts, an utterly horrid rubber creature suit (worn by the directors' son Christopher, who was just five years old at the time), wonderfully tacky gore as the monster mutilates its victims, a delicious synth score, a respectable amount of cheese, etc. That's Carroll Borland from Tod Brownings' 1935 film "Mark of the Vampire" as local woman Rula Murphy.

The ending is sudden, VERY silly, and unsatisfying, and it does lead one to believe that the production just ran out of time and money. After that, we get a very protracted end credits sequence that's padded out with plentiful outtake footage - which isn't all that funny.

If you adore bad movies, you might like this one, but fair warning: there's often more talk than action, and sometimes it's kind of dull. It does have one hilariously stupid moment involving an "E.T." poster.

Ray and assistant director Donald G. Jackson play the medics.

Five out of 10.

I was always curious about this film because it is so tough to find, so when I stumbled upon it on Ebay I forked over the $10 and bought it, now I understand why its so rare! This film is SO bad, so terribly written and hopelessly low budget that the ending credits, which show all of the cut scenes where they fumbled their lines, are literally the movie's highlight. The film is about a psychic (Pettyjohn) whom uses her powers with an experimental machine to pull objects from another dimension into this reality. When she pulls in some kind of box like object the military nonchalantly throws it into the open back of a truck with one soldier to guard it, and gee, what do you know? SURPRISE! A kid in a foam-rubber monster costume pops out, instantly kills the soldier with a scratch across his face, then escapes to a nearby city. But rather than deploy half the armed forces of the county to find it and protect the public those in charge just leave it up to Pettyjohn and Ray to find it on their own, but no matter, this movie blows all its credibility LONG before then. This barely escapes being voted a 1 by me only because of unintentional laughs, somebody needs to alert the producers of "Mystery Science Theater 3000" if they don't know about it already! 2 out 10, really, REALLY bad!

"Biohazard" is a jarringly tedious grade z "horror" movie with no horror and very little movie. At barely over an hour long it's tempting to call it mercifully brief, but no movie this bad could be short enough. It makes one hour feel like five.

Calling it an "Alien" rip off is being too kind. I guess that's what "inspired" it, or at least made the filmmakers think there'd be easy money in a zero budget retread. Really, the only thing it has in common with its source material is the look of the baby alien thing, which is glimpsed once or twice.

It was funny seeing the "psychic medium" the army has gotten for their top secret experiment that has something to do with the plot. She looks like every other b-movie actress, so you know she's only there to take her clothes off, which she does in a surprisingly brief scene in which her bra is too small and reveals her nipples.

There's some other, typical clichéd horror garbage like people who are about to have sex getting killed and people stalking the monster deciding to split up.

The blooper real at the end of the movie is easily the highlight. It's the only time you see anything like life in this remarkably dull, tedious movie.