Selective Listening (2014) Online
HARRISON, a nice guy with a history of schizophrenia battles the diverse and unpredictable voices he hears, a judgmental society and the hazards of social media as he attempts to make a new friend. In order to better manage the voices, he personifies them within his childhood toys: SMILING HERBERT contains the voice of rage; MOLLY, the voice of paranoia; BEAN represents irrepressible sexual thoughts; CONRAD speaks the bare facts; MARROW provides a constant, indecipherable mumble and MOUSEY is the sound of panic. When Harrison happens upon the philanthropic online posts of the beautiful social media addict AMBER and she blindly accepts his "chum request", Harrison sees this as the beginning of a beautiful friendship. But, is it?
Cast overview, first billed only: | |||
Salvatore Stella | - | Harrison Glebe | |
Camilla Rowland | - | Amber 'Golden' Fleece | |
Emily Holt | - | Sharon | |
Philip Gyford | - | Robin | |
Anne Stafford | - | Nurse Martha Jarvis | |
Tim Prescott | - | Smiling Herbert (voice) | |
Suzy Harvey | - | Molly (voice) | |
Colin Hubbard | - | Bean (voice) | |
Stuart D. Hall | - | Conrad (voice) | |
Neil Tait | - | Marrow (voice) | |
Denise Mack | - | Traveller Woman | |
Andrew Holloway | - | Young Man | |
Zahra Dudziak | - | Mother | |
Basia Dudziak | - | Daughter | |
Bipin Chapaneri | - | Indian Restaurant Manager |
The film was shot in the tiny rented flat of the director, Tim Prescott, and producer, Miriam Rodriguez. As well as being transformed into the sparsely decorated flat of the protagonist, Harrison, it also served as the 13-day green room, dining area, hair & Make-up area, storage depot, DIT area, catering area, pre-production, production and post-production office (and sleeping area) for a cast and crew of over 11 people.
There were no fights. It helped to have a good sense of humour on-set.
The toys were designed by director, Tim Prescott. Often each toy had to perform different actions and so different versions of each puppet were required:
- 3 versions of the toy Conrad were knitted by the director's aunt.
- 4 versions of Smiling Herbert's body were sewn together by the director's mother.
- A production line of Smiling Herbert heads were made and painted by the director.
- 3 versions of Bean were created by production designer, Lucy Isdale.
- 2 versions of Marrow the elephant were constructed by production designer, Daniel Mangham.
- 4 versions of Mousey were made by the director's mother.
- 2 versions of Molly were put together by Lucy Isdale and the director's mother.
- "Nightmare Molly" was created during the shoot by Hair & Make-Up artist Ann Tillinghast.
- The toilet fairy was the result of a last-minute over-the-phone brief from the director to his mother, with a special smile added on the day of the shoot by runner, Lucy Calder.
Friends and family of the producer and director appear on-screen throughout the film:
. Several friends and family appear as Amber's friends on her 'Rooftops' social media page
. Cinematographer, Phil Moreton, and 1st AC, Jack Daniel Mills, appear in a photo with Amber on her Rooftops page
. 2nd AC, Rita Conry appears, with a world-class pout, on one Rooftops photo with Amber.
Director, Tim Prescott, enlisted the voices of real-life friends Stuart D. Hall and Neil Tait as Conrad and Marrow.
The voices have their own life on Twitter:
- Smiling Herbert: @SmilingHerbert
- Bean: @BeanInHarrison
- Molly: @Mollys_Voice
- Conrad: @Conrad_Speaks.
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