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Jason Bourne (2016) Online

Jason Bourne (2016) Online
Original Title :
Jason Bourne
Genre :
Movie / Action / Thriller
Year :
2016
Directror :
Paul Greengrass
Cast :
Matt Damon,Tommy Lee Jones,Alicia Vikander
Writer :
Paul Greengrass,Christopher Rouse
Budget :
$120,000,000
Type :
Movie
Time :
2h 3min
Rating :
6.6/10

The CIA's most dangerous former operative is drawn out of hiding to uncover more explosive truths about his past.

Jason Bourne (2016) Online

Jason Bourne is again being hunted by the CIA. It begins when Nicky Parsons a former CIA operative who helped Bourne, who went under and now works with a man who's a whistle blower and is out to expose the CIA's black ops. Nicky hacks into the CIA and downloads everything on all their Black Ops, including Treadstone which Bourne was a part of. And Heather Lee, a CIA agent, discovers the hack and brings it to the attention of CIA Director Dewey, the man behind the Black Ops. He orders Parsons be found and, hopefully, Bourne, too.
Cast overview, first billed only:
Matt Damon Matt Damon - Jason Bourne
Tommy Lee Jones Tommy Lee Jones - CIA Director Robert Dewey
Alicia Vikander Alicia Vikander - Heather Lee
Vincent Cassel Vincent Cassel - Asset
Julia Stiles Julia Stiles - Nicky Parsons
Riz Ahmed Riz Ahmed - Aaron Kalloor
Ato Essandoh Ato Essandoh - Craig Jeffers
Scott Shepherd Scott Shepherd - Director NI Edwin Russell
Bill Camp Bill Camp - Malcolm Smith
Vinzenz Kiefer Vinzenz Kiefer - Christian Dassault
Stephen Kunken Stephen Kunken - Baumen
Ben Stylianou Ben Stylianou - Greek Van Driver
Kaya Yuzuki Kaya Yuzuki - Hacker
Matthew O'Neill Matthew O'Neill - Lead Hub Tech (as Matthew O'Neil)
Lizzie Phillips Lizzie Phillips - Cyber Hub Tech

The Las Vegas car chase sequence took five weeks to shoot and at the end, the sequence wrecked 170 cars.

Since part of the story takes place in Athens, Greece, the producers asked the Greek Government for permission to shoot the film in the actual location. Due to high taxes and bureaucracy, this never happened. Tenerife, in the Canary Islands, doubles as Athens in the movie.

Matt Damon admitted that physically training for the role of Bourne was much harder in his forties, and he had to keep to a very strict diet to maintain his physique during filming.

Matt Damon has stated numerous times that he would only return to the Bourne series to reprise his role as Jason Bourne if Paul Greengrass would return for directorial duties on the project. Damon and Greengrass announced their return in November 2014 for a new installment.

City officials and the producers reached an agreement to only shoot the Las Vegas car chase sequence from midnight to sunrise.

The requirements for Treadstone Operatives are listed in the classified report as follows: All Treadstone Operatives will be trained to be the leading capable assassins.

1. Assets will leave no trace of their existence. 2. Treadstone agents are INVISIBLE. 3. Each potential recruit must be surveyed and held under the Treadstone Secure Systems Act S-4 for a MINIMUM of two years. 4. Almost superhuman proficiency in using firearms or other weapons, sharpshooting, using explosives, operating vehicles, and martial art techniques.

Matt Damon and Julia Stiles are the only actor and actress from the original trilogy to reprise their roles as Jason Bourne and Nicky Parsons, respectively. While David Strathairn, Joan Allen, and Edward Norton's characters are still living when we last see them, they are never spoken of, or referenced.

This movie shows us that David Webb was previously a Captain in the U.S. Army 1st Special Forces Delta (1st Special Forces Operational Detachment-Delta , "1st SFOD-Delta"), otherwise known as the Delta Force.

First Bourne film Tony Gilroy wasn't involved in. He wrote none of the script.

In addition to reprising his role as Jason Bourne, Matt Damon also served as a producer and worked on the basic storyline with Paul Greengrass and Christopher Rouse. However, he was unable to actively contribute to the screenplay due to other acting commitments.

At the 2015 Golden Globes, Matt Damon won for best actor in a comedy/musical for Marslane (2015). He gave his speech and after receiving the reward he had to go take a flight immediately to film "Jason Bourne" in Las Vegas.

Alicia Vikander was offered the role of Heather at the same time as being offered the role of Sofia in Assassin's Creed (2016). She took the former, due to fan factor - she admitted she is a fan of the series - while the role of Sofia was taken by Marion Cotillard.

Many pieces of footage and dialogue in the trailers do not appear in the final film or alternative takes were used. Notable examples are: The final film uses a different take of Bourne's one punch knockout. Nicky does not say, "Just because you remember everything doesn't mean you know everything." New character Craig Jeffers does not say, "Oh my god, that's Jason Bourne."

Jeremy Renner's character, Aaron Cross, was not in this Bourne film. No date for his sequel film has been announced.

Matt Damon refused to voice Jason Bourne in the video game The Bourne Conspiracy (2008) due to its excessive violence, which means that this is the first time he's played Bourne since Bourne'i ultimaatum (2007).

When Nikki goes to Reykjavík to visit the hackers hideout, an old 1980s Atari ST computer is visible next to where she sets up her laptop.

The files, into which Nicky Parsons hacks, shows us that there are/were 10 Black Ops projects: 01. Iron Hand, 02. Spectrum, 03. Hourglass, 04. Rubicon, 05. Spearfish, 06. Larx, 07. Outcome, 08. Emerald Lane, 09. Blackbriar, 10. Treadstone.

Jeremy Renner's Bourne sequel was supposed to have been released in July 2016, with Justin Lin directing, but after Matt Damon and Paul Greengrass said they were going to make another film, the release date was given to them, as fans would prefer to see the return of Jason Bourne. Renner's second Bourne movie still has no official release date.

Co-writer, Executive Producer, and editor of Jason Bourne (2016), Christopher Rouse, had previously worked as an editor for Bourne'i ülemvõim (2004), and Bourne'i ultimaatum (2007).

First Bourne film to not have the title format of "The Bourne ____". This film is instead called "Jason Bourne", rather than its originally rumored title "The Bourne Betrayal".

The Deep Dream campus, shown in the film, is a digitally modified version of Facebook's headquarters in Menlo Park, California. Although the exterior is heavily modified, an unaltered shot of Building 20 can be seen in the right of the shot.

The film cast includes three Oscar winners: Matt Damon, Tommy Lee Jones, and Alicia Vikander.

Both Matt Damon and Vincent Cassel (the Asset) were rivals in the Ocean's 11 Series - Ocean's 12 and Ocean's 13.

On 23 July 2016, shortly before the British release, MSN.com uploaded a slideshow piece titled "'It's embarrassing': Actors who hate their own movies", accompanied by a picture of Matt Damon. Although this gave the impression that Damon had distanced himself from "Jason Bourne", on inspection the quote attributed to him was in fact in relation to an early draft of the script for Bourne'i ultimaatum (2007): "I could put this thing up on eBay and it would be game over for that dude [i.e. writer Tony Gilroy]. It's terrible. It's really embarrassing."

This was one of many movies to be shot at the Riviera Hotel and Casino. Others include Ocean's Eleven (1960), Bob & Carol & Ted & Alice (1969), 007: Teemandid on igavesed (1971), Butterfly (1982), Casino (1995), Showgirls (1995), Austin Powers: Superagent sügavkülmast (1997), Vegas Vacation (1997), Go (1999), 3000 Miles to Graceland (2001), Crazy Girls Undercover (2008), 21 (2008), Pohmakas (2009), Ghost Adventures (2004), and Sky (2015).

The trailer premiered during Super Bowl 50.

The film's title was announced on February 7, 2016, the same day its first teaser trailer came out.

Matt Damon and Paul Greengrass return to the series for the first time since Bourne'i ultimaatum (2007).

The scene where Bourne checks the locker in a train station, was filmed at Woolwich DLR station in Woolwich, London.

Paul Greengrass got his inspiration of car chases from William Friedkin, who made The French Connection (1971), as well as other movies with car chases, like To Live and Die in L.A. (1985), Jade (1995), and The Hunted (2003), which starred Tommy Lee Jones. Jones also worked with Friedkin on Rules of Engagement (2000), before reuniting on The Hunted (2003).

Prior to Jason Bourne, Matt Damon and Vincent Cassel appeared together in the film Ocean's Thirteen, which also largely took place in Las Vegas.

Julia Stiles and Riz Ahmed also appeared in Suletud ring (2013).

One of three films, released in 2016, which feature Tommy Lee Jones. The movies are Kriminaal (2016), Jason Bourne, and Mehaanik: Ülestõusmine (2016).

The room number that the hotel in Vegas gives Lee when she arrives is 2016, the year the movie was released.

Riz Ahmed and Bill Camp also appeared in "The Night Of" (2016)_.

Jason Bourne says 288 words - or 45 lines - in the entire movie.

Jason Bourne doesn't speak until twenty minutes in the film.

The title was originally going to be "The Bourne Resurgence" until the producers discovered that two other movies set to be released in 2016 containing "Resurgence": Independence Day: Resurgence (2016) and Mechanic:Resurgence (2016). Matt Damon and Paul Greengrass have both commented that they never liked the original title, as it seems hokey. To them "Jason Bourne" is a more fitting title because Bourne has come full circle, as he now knows the whole truth about his past.

When Bourne pulls up the old Treadstone files, the first listing on his record read that he joined "Special Forces Delta." In the original Robert Ludlum novel, David Webb joined the U.S. Special Forces after losing his family to an act of war. He was placed in charge of a "hit-squad" of soldiers who carried out "Operation Medusa." His code name, was "Delta." Half way through the operation, he discovered a mole on his team who was an Australian double agent named "Jason Bourne." Delta confronted Bourne and shot him in the head before his treachery was confirmed. Once it was confirmed, his death was covered up and Bourne's identity became shrouded in mystery; eventually leading David Webb to take up his identity when he joined Treadstone.

For the chase scene on the Las Vegas strip, the recently closed Riviera Hotel and Casino had all of its lights and signs lit up to appear in the SWAT truck crash scene.

At the film's release Matt Damon said that there is not yet another Bourne film in development. He did not rule out starring in a fifth Bourne picture, but did point out his age was a concern and that it is inevitable the series will be rebooted at some point with another Bourne actor. Finally, Damon stated that permission to have any Bourne incarnation die in the movies has to come from the Robert Ludlum estate, permission he didn't expect to be granted.

This film shares plot points and thematic elements with Bourne'i ülemvõim (2004), some of which are: Bourne's female partners being shot and killed from behind during a chase fairly early in the movie, a prominent CIA department head working closely with a lone operative (asset) against Bourne, Bourne ending up in Berlin, and a car chase with Bourne and the rival operative (in both instances Bourne drives a sedan, while the rival drives a large truck.)

Body count: 14. The asset has the most kills - 10.

Matt Damon and Tommy Lee Jones don't share a scene until 1 hour and 30 minutes into the movie; they share only one scene.

The armored SWAT vehicle that smashes cars on the Strip was a lighter mock-up of the Real McCoy outfitted with a ramp on the front obscured from camera view to help launch vehicles upwards as it plowed through them. A real SWAT vehicle would also have no problem mincing sedans like a meat cleaver but at several tonnes of weight is too heavy to compete with the speed of a Dodge Charger.

Matt Damon and Vincent Cassel (the asset's) final scene at the end in this movie is in Las Vegas, the same location as their final scene at the end of Ocean's 13.


User reviews

Bukelv

Bukelv

Lacklustre story line lacking intelligence, dialogue, and character development.

I am a big fan of the franchise and my expectations may have been too high for this sequel. Was hoping for same kind of substance and kept waiting for something impressively unexpected, like previous. Legacy was a better film. Even fight scenes and car chases from all previous had a different "feel" than typical action films, but formula made these redundant and confusing, not fun like others. The predictable plot had me thinking, hoping for intelligent twist that did not happen. It's a good rental I suppose.
Karg

Karg

This movie made me want to leave after one hour, and kill myself after 2 hours. I am a huge Bourne fan I was very exited for Matt Damons return to the Bourne franchise. Also there was fresh face of Alicia Vikander and not so fresh face of Tommy Lee Jones and Vincent Cassel as the bad guy so what can go wrong? Well it turns out if you have a horrible script, plot that only a person who wears helmet indoors can consider exiting you are left with the biggest disappointment in the cinema this year.

Spoiler alert everybody! Jason Bourne walks for 2 hours, sometimes he remembers things sometimes he doesn't - the end.

So to conclude : Do not see this movie! I had to watch the trilogy the next morning just to get over the disappointment of the new Jason Bourne.
Malak

Malak

How do you make Bourne boring? The original film is probably one of my favourite films. This one however, I just found myself rolling my eyes every few minutes especially during the first 30 minutes. After about 1.5 hours I had given up and was just waiting for it to finish.

When are these film makers going to stop it with the totally unbelievable computer hacking rubbish? In one scene they execute a program by typing "run predictive algorithm". In another scene, they spot someone on a surveillance camera and the female character actually says "enhance". Come on! How cliché. What is this, the 1980's??

It isn't total and utter crap. It is as well made as the other Bourne films, except for that annoying, erratic fight scene camera work that seems to be in every action film at the moment, So you can't actually see what is going on. It has some OK action scenes but they do nothing to make it interesting. Nothing really happens. The plot is weak and the film is just plain boring. And I'm a fan of the trilogy! (Not the odd number 4 film which incidentally is better than this)

Matt Damon is as good as he can be I suppose. Tommy Lee Jones, who I like as an actor, doesn't really bring anything to the film because his character is boring as well. I just can't help but feel they cashed in and made another one without really caring if it was any good or not as they knew everyone (me included) would go and watch it because all the others are so good!
Inertedub

Inertedub

Actually reviews are not supposed to be based on wishful thinking.

Nonetheless for those members who gave this a high rating more out of frustration than anything else, I do feel your pain.

The original Bourne trilogy was not merely good, it was superb. As a top reviewer here with some 1200 reviews under my belt I said more than once that the original was the best spy trilogy I had ever seen and I am unashamed of the fact that I have seen each film in that series four or five times since original release. They are an adrenaline rush, the perfect mix of story, form, and effect.

Even 2012's Bourne Legacy -- a feature where it was ever so clear that Damon had been offered a fortune just to walk-on and smile at the camera, but refused anyway -- was a solid movie, great script, held the attention, and Renner did a great job.

However, now that I have seen Jason Bourne 2016, I cannot help but wish that Damon had agreed to participate in Legacy, rather than be lured back 4 years later for a part he clearly no longer likes, in a production he would rather not be in.

I tend toward "purist" reviews, that is to say, I don't really care WHY a film was made as much as I do about how entertaining is it to watch ...?

(That said, I have to "assume" that Damon broke his vow and came back simply for the cash. And Greengrass agreed to take hold of the camera one more time only if he could get a writing credit too. Ugh!)

So, speaking of entertainment, there is almost none in this movie. The script is a mess. Written by the director for the clear purpose of showcasing his action and camera-work skills, there is no attempt to build connection from the top.

The script is so bad that even viewers in love with the original trilogy -- like this one -- have to keep reminding themselves who Bourne is supposed to be, and what is supposed to motivate him.

(Not to mention major plot holes here and there. Am I the only one who noticed that the most WANTED MAN IN America attempted to enter customs under his own name with no advance certainty that the computer would be "fixed" in time? Remember, from the second film in the series, this is a man who "never guesses and never makes mistakes." Other than accepting to do this film, that is.)

A good film makes the viewer feel good. The scientists call it endorphin production. This 120 minute endless chase, from the top of the movie to the ending, merely produces a caffeine buzz and sets your nerves on edge. Yes, Greengrass can use this production in his own personal highlight reel to showcase his moving camera skills. But his writing skills? Not so much.

Tommy Lee Jones delivers possibly the most superficial performance of his excellent career and the money he was offered cannot begin to make up for the indignity of the closeups.

Newcomer Alicia Vikander acquits herself well. Then again, she is a newbie with a whole string of good movies ahead of her, career-wise, whereas the actors in this film seemed more interested in taking the money ... and running.

---------------ADDENDUM NOV 2017-------------

If you are curious to see the kind of film that JASON BOURNE (2016) should have been in a perfect world -- or a parallel universe, or whatever -- than have a quick peek at ATOMIC BLONDE 2017. Presumably when you read this review in the far future, you can snag it on streaming media or DVD or possibly even beamed directly into your cortex. Theron, for the first 2/3 of the film, is the Bourne of old. She is an agent with a mission and a purpose and a predisposition for removing obstacles from her path with the same ease a gardener pulls weeds from a flower bed. And the script is intelligent and purposeful. Yes, she has more estrogen than the Bourne we are used to (well, a LOT more, actually) but, other than that tiny discrepancy, ATOMIC BLONDE is more a Bourne sequel than this soppy entry.
Saithi

Saithi

I've seen the other reviews of Jason Bourne and I am starting to question my own judgement, maybe I am too biased to write a review for this title. But I can't help it as I absolutely hated the movie. And I hated it after I had low expectations for the latest title, since I heard Tony Gilroy wasn't involved in the script.

The story is atrocious, I realize that it is supposed to set the basics for another 15 Bourne movies, but the story is so bad that they decided to overcompensate for it with prolonged action scenes, which are just terrible. It reeks of desperation to watch nothing happens for so long periods, just throwing dust in the eyes of the viewers with effects and low quality action. I realize that this goes beyond Ludlum books, but Greengrass is pretty much willing to do anything to fill the movie, other than to continue with the traditions of the original Bourne series known for Ludlum's excellent story-telling and spy- craft realism.

The fight scenes, they're just terrible. Too fast camera shifting, even more than previous Bourne series, leaves you thinking that those actors are good for nothing amateurs who can't act a fight scene, so you need to make sure the viewer never really sees it.

I loved the first 3 movies, even liked the Bourne legacy, and I adore the books. But this movie is so bad, that it shouldn't be even put anywhere near them. The acting is good, the story is bad and the directing is just painful.

And btw, when you're doing realism spy thrillers, don't make hacking look like a freaking Pokemon hunt. It's just pathetic and unbelievable. Go watch Mr. Robot and think again how hard would be to present the "hacking" with at least proper interfaces instead of embarrassing yourself.
Cetnan

Cetnan

The original Bourne trilogy of Identity, Supremacy and Ultimatum were brilliant displays in effective storytelling and great action. Jason Bourne, however, isn't quite as proficient in both of those areas. On the one hand, it's action-packed to the brim, and provides for a hugely entertaining watch, but on the other, it's a disappointment as far as bringing yet another intriguing and truly thrilling mystery to life is concerned.

Let's start on the bright side, however, with the action. Paul Greengrass does yet another sterling job at directing some hugely exciting action sequences (including a thrilling chase in Athens that harks back to Ultimatum's Tangier chase), and in tandem with yet another excellent performance by Matt Damon as Jason Bourne himself, the action is definitely the best part of this film.

Where the story lacks, Jason Bourne more often than not gives you some insane action to revel at. Sure, it's not the work of storytelling geniuses, but if you're the sort of person who can turn their brain off for two hours and watch wall-to-wall action and explosions, then this film will have you in dreamland. It's not a Michael Bay movie, and Greengrass' style lends a lot to making more vibrant action sequences, but there's no doubt that fans of big action will love this film.

On the whole, I did enjoy this film, and I was able to recognise its flaws and just watch it as a big blockbuster. However, I can't escape feeling disappointed at the film's total failure to tell as intriguing a story as the first three films in the series.

The enthralling mysteries and gradual revelations about Jason Bourne's past were what really separated this series from any other spy thriller. In this movie, however, everything felt a lot more generic, with a much bigger emphasis on action than clever storytelling and patient, gradual character and plot development. Unfortunately, it's that that makes Jason Bourne look pale in comparison to the original trilogy, and those who are expecting yet another engrossing and intelligent thriller will certainly be disappointed.

That said, there are bright moments in the story too. It's not a horrifically dull film, and there are a few details that relate right the way back to The Bourne Identity. What's more is that Matt Damon, Alicia Vikander and Tommy Lee Jones all put in very strong performances to add a degree of gravitas to what is in truth a very clichéd and repetitive story, which was good to see.

Overall, I am disappointed by Jason Bourne, in that it doesn't manage to tell such an enthralling and intelligent mystery as the series' original trilogy, but its top-quality action and strong directing and performances still allowed me to have a lot of fun for two hours.
Goktilar

Goktilar

Greengrass returns to the Bourne franchise and brings with him the same cameraman with Parkinsons that he has used all to often in the past. The shaky camera thing is so old that it ruins what is an already pretty average movie. As with all previous Bourne movies this one suffers from credibility gaps but even more so than in the past. Even the Jeremy Renner version was better than this effort. The biggest problem I have with this offering is that even though Bourne and Nicky Parsons are portrayed as sharp as tacks and well versed in all aspects of covert ops and computer surveillance, especially facial recognition capabilities, they still run around with faces uncovered and wonder why the bad guys keep catching up with them. They keep making rookie mistakes all through the move. The first half was agony to sit through. Unless you are an intellectual midget with no eye for detail I'd save my bucks and wait for the free to air TV showing if you must see it!
Munigrinn

Munigrinn

Any true fan of Jason Bourne knows Matt Damon said that the next Bourne after Ultimatum should be named The Bourne Redundancy. He was right! The story line is stupid and lazy. The directing is also lazy. The special effects are good. Bourne is no longer a meticulous planner, his actions are ridiculously reckless and would make you wonder WTH !!!!! The technology used by the CIA is fantasy technology imagined by the kind of people who don't know anything about technology or even science, you would probably laugh at the programming language used by the CIA in the first few minutes of the movie, and it only gets more ridiculous from there. This movie also serves as a advertising tool for some very wealthy and infamous businesses, and those scenes showing the business names are so painfully long and awkward. The story line also has to serve those special interests.Go see it and you'll know exactly what I'm talking about. In general, don't waste your time, other people's time, and money to see this piece of junk.
Mala

Mala

This was the worst Bourne flick yet and there is no way I will watch another one.

What began as a refreshing alternative to the stale James Bond franchise has become even less imaginative, and the latest installment was nothing but formulaic schlock.

Bourne staples:

  • Bourne living in a 3rd world country minding his own business when something happens to make him leave his life and reengage with the CIA


  • Female CIA agent sees the good in Bourne while the evil white males in charge conspire to kill him and infringe somehow on civil liberties in the name of freedom


  • Bourne has flashbacks and finds out more about his past


  • Multiple car chases


  • Multiple scenes of Bourne taking out guys with guns in close combat, in many cases taking their guns


  • Use of tracking devices


  • Use of hacking


  • Bourne outwits pursuers after arranging public meet


  • Bourne takes a train somewhere


  • Aerial shots of European capitals


  • Bourne races the clock


  • Bourne tempted to "come in"


  • Bourne is faced with another agent called an "asset" who is almost as good as him and will never lose him in a chase but never quite good enough to beat him in a hand to hand fight to the death


  • Bourne thumbs through old passports


  • Bourne fights on despite serious injuries
I love Mercedes

I love Mercedes

Jason Bourne wants so hard to believe in its own supremacy, forces an ultimatum of thrills and spills, but ultimately lacks identity.

The original trilogy still stands out as one of the most intelligent post-Cold War spy action thrillers and it mostly succeeded in being the last word in the genre. Its huge success and relevance also gave the Bond franchise a big wake-up call. Amnesia-assassin Bourne is the real thang!

So 9 years later, Paul Greengrass and Matt Damon decided it is opportune time to inject a dose of Bourne-adrenaline and his extreme ways into us. The only problem is that instead of innovation and reinvention, it serves up last night's fried rice paradise. One shouldn't mess with paradise! Greengrass regurgitates out plot points from the three predecessors. From Operation Threadstone to Operation Blackbriar, we get yet another black-ops organisation called Ironhand that wants to stay hidden and will whack anyone to Kingdom Come to prevent its knowledge from getting out. It once again exploits Bourne's amnesia as he glimpses yet another piece of his jigsaw mind-puzzle. We get the same old CIA foggies uttering "Where's Bourne?" and everyone wearing pained expressions as Bourne evades everyone in Athens, Berlin, London and Las Vegas. We get yet again a woman who thinks she know best but Alicia Vikander has none of the gravitas of Joan Allen because she is too young to be convincing.

The screenplay does offer up an promising post-Snowden scenario but it still feels a little too familiar. These issues aside the movie is still a pulsating ride. The pace is relentless and Damon's taciturn Bourne still represents a driving force of reckoning. The spycraft and action set-pieces ooze uber-coolness and you will want to see it again just to catch how they did it. However I have one major complaint - I absolutely abhor the schizophrenic editing and jumpy hand-held shots. The camera never stays still for more than two seconds for you to marvel at the fight choreography and the vehicle mayhem-chases. In my book, hand-held shots coupled with split-second cuts are the cheapest type of cheat codes in action thrillers. With these type of cinematic trickery anybody can be a martial arts exponent and a world-class spy. No class.

This is a good dish of leftovers. It may harken you back to the days of the original trilogy but it never truly pushes the character to a new frontier re-examining his psychological state. In the end, a dish of leftovers will still serve its purpose, especially when you are famished.
Ynap

Ynap

I re-watched the old ones before going to see this in the theater, and in my opinion, this is the worst Bourne movie.

My 2 main problems with this one:

1) The plot is stupid. The whole "hacker" part was probably written by somebody who's still using a typewriter. All the previous films had a computer room full of furiously typing agents too, but those were thankfully never the main focus. The focus used to be on Jason Bourne's ability to creatively solve seemingly hopeless situations. This film has it the wrong way around. It tries to be about computer hacking and data privacy, and does all of that wrong too.

2) The cinematography is awful. Watching this on a big screen will give you motion sickness. You can never tell what's going on during most of the action scenes, because it's all shaky cam close-ups.

Do yourself a favor, and watch the 3rd one again instead. The perfect end of the trilogy.
Malahelm

Malahelm

The last Borne entry is just OK. Summer entertainment movie, no more, no less. On the bad side: The script is pointless and tricky, Alicia Vikander sounds really like a bad actress and the fist fights are poorly staged. But the worst problem here is the direction: one gets really tired of that shaky camera. I watched the movie from the 5th row of the Multiplex (escaping form the pop'corn munchies) and 5 minutes into the movie I was feeling dizzy alright. I cannot imagine what could be the effect of watching it from the first or second row.

Just two more objections: Can anyone tell me what car is Bourne driving in the final chase? I definitely want that brand, as it seems kind of unbreakable after all it goes through!! (even if it has a major drawback: air-bags don't seem to work at all). And the last one: Really??? Can a SWAT truck do that??? C'mon, guys!! You really stressed out my suspension of disbelief muscles with that!!!
Elizabeth

Elizabeth

Jason Bourne hurt my eyes.

I had to look away from the action sequences because the blurred confusion of light and colour gave me a headache. The almost steady establishing shots were way too brief, and were gone before you had a chance to marvel at the city of Rome or Athens laid out before you.

I've rated it awful because it is the only movie I've thought about asking for my money back - the camera work is really that bad.

The same old story is getting very old. Surely the CIA would have brought Bourne in by now, instead of wasting all their time, energy and agents, trying to kill him?

Does the CIA have external enemies, or does this series of movies suggest it is a self perpetuating entity that spends all its resources fighting among itself?

As for the way the agency can see and hear everything, that too is getting old. The fog of war is real, and should play a part in the story. If only Uber drivers could get to you as fast as the agency can get to Bourne, in the middle of a city, during rush hour, it would be amazing.

This tired old horse of a movie series died from flogging quite a few movies back. It is time for Bourne to move on, and with a much better cinematography director.
Manona

Manona

I am a big fan of the Bourne trilogy and was really looking forward to this one. Disappointment would be an understatement. Bad story and bad direction along with a really shaky camera to make it worse. Not sure what Paul Greengrass was thinking when this movie was being made. I guess this movie was made with just one thing in mind i.e. make as much money as possible on the back of one of the most successful trilogies ever made. Matt Damon was no where close to the Bourne we are used to see. Tommy Lee Jones (one of my favourites by the way) did not really put in much into his role. Alicia was OK'ish but I felt like she could have done a lot better and she seemed too young for the role she was playing. For the lack of a zero, I am giving this a 1 rating.
Gholbirdred

Gholbirdred

The Bourne franchise started with "The Bourne Identity" back in 2002, continued with "The Bourne Supremacy" in 2004 followed by "The Bourne Ultimatum" in 2007. I do not consider "The Bourne Legacy"(2012) part of this franchise because Matt Damon didn't take part in it and because it has much lower quality in script and filming. "The Bourne Identity"was one of the best action movies I had seen at the time and it really made an impression on me. The sequels were almost as good as the original, although they didn't have the same vibe. I will not go into details about this year's film since I don't want to spoil your fun. If you enjoyed the previous "Bourne" movies you will find "Jason Bourne" at least entertaining.

About the 2016 movie "Jason Bourne", it is an American movie directed by Paul Greengrass(director of "The Bourne Supremacy" and "The Bourne Ultimatum")based on a script by Greengrass and Cristopher Rouse, it had a budget of $120.000.000 which definitely paid off in the movie quality. The movie has a solid cast(Matt Damon, Tommy Lee Jones, Alicia Vikander), good plot, not so good script, no cliché lines, great action/visual effects, it has common sense and it does not defy logic like most action movies do. "Jason Bourne" definitely lives up to the expectations. In this movie we have Jason Bourne knowing who he actually is, cured of amnesia, and battling an even larger enemy than before. There are car chases, well choreographed fight scenes,shootouts,explosions and everything else you would want from an action movie. Even though we are used to seeing Jason Bourne being chased by a government agency we still love it. Unfortunately, this movie has a weak script and plot holes, it is far from the quality of the "Bourne" trilogy. "Jason Bourne" still is one of the best movies released this year and I would confidently give it a 8.0/10.

I have watched over 1200 movies and this one is for sure a good one. I advise you to go watch "Jason Bourne", you sure will enjoy it!

This review may be altered by the fact that I am a "Bourne" fan.
Gold Crown

Gold Crown

I am a fan of the original trilogy. They are one of the best action-spy movies of the last 10 years but sadly the new movie in the series isn't nearly as good. I would go as far to say that it was just made in hopes of making quick buck.

The script is really bad. Its easy enough to fool but it doesn't really expand the previous movies in the series any way... Jason Bourne has been missing for years, he comes back without a clear reason, does his thing and goes back to where he came... The movie really didn't need to happen at all.

The worst thing however is the action scenes and they are plenty. I have NEVER seen so many cuts done in action scenes. Camera easily cuts 3-4 times EVERY SECOND! Add the most shaking camera to that and it is PAIN trying to figure out what is going on in action scenes. This totally ruined the movie for me. It will be the only movie in Bourne franchise that I don't want to see ever again. Save your money until it comes from TV
Ffrlel

Ffrlel

The biggest let down. I love the Bourne series including legacy which was without Matt Damon. This movie is poorly thought out and has a weak script which we all have seen and heard before. Camera work is what really put me off - show me perspective, not in your face cameras with flashing lights. The camera work is so poor at times that even the car chase on the Vegas strip with tanks and RVs is less exciting and a poorer construct than the slow little red car chase in Paris in Bourne Identity. Tommy Lee Jones looks like 95 years old and the woman trying to get his job looks like 25 !! How believable is that ? The only thing good was the movie moves quite quickly from city to city - sometimes without reason. Save your money and watch something else.
Rias

Rias

The main story in the trilogy was all about Jason trying to find out his true identity. That search came to an end in The Bourne Ultimatum (2007), answering all the questions and bringing the series to a satisfying closure. The negative critical response on The Bourne Legacy (2012) should have been a warning for any filmmaker with plans for a reboot or spin-off. When they announced the release of Jason Bourne (2016) I did not have high expectations of it. I found it unnecessary and close to impossible to create a successful installment without infecting the reputation of such a great movie franchise. And my feelings were right. I almost fell asleep in the cinema. The forced plot of tempting Jason Bourne to come out of his retirement was lame, the characters were boring, the acting was nothing special and the car chase scenes were too exhaustive and boring. Save yourself some time, don't watch this movie, even if you liked the Bourne Trilogy. It will ruin the way you'll remember Jason Bourne.
Mataxe

Mataxe

and Matt Damon will be forever Bourne, the character is embedded in him.

As a huge fan of the Bourne movies, i wasn't expecting much after a few review i've read here but finally, it's great as the other movie were at the time. don't get it wrong, J.Reiner was a really good substitute in Bourne Legacy and it was good because of the script based on the program instead of one specific character, but, i'm very glad they've made this sequel,

P.Greengrass knows his job, meaning, when he came on board, do you remember? it was instantly a new kind of action movie, and here he is at his best, it's always fast paced, fights, even a walk is not like any where else, car chases, they've always pushed the limit, here the bar is raised again.

J.Bourne is getting old, but, he is still smart, trained and really deadly, even i wish i would have seen her more in this opus, J.Stiles is still one of the character you'll miss if she's not around, this time is the last, but she deliver as N.Pearson,

the good surprise is Vincent Cassel, the very 1st time i've seen him was ''La Haine'', ',Crimson Rivers and Mesrine, here he is the Asset, the hunter, i won't give away to much, but he and Bourne have a unfinished business, V. Cassel give a stunning performance here and i wish i'll see him soon in another good action movie, as a personal thought, a movie made by O.Marchal for example.

T.Lee Jones is here, man of few words who wants to close definitely the Bourne chapter like many others, it's time to move on and have some fresh blood, A.Vickander is the one, she's the head of the C.I.A's Cyber division and want full control to stop Bourne and Pearson, she will have everything she need for, even , T.Lee Jones, like B.Cox in Bourne Supremacy before, is playing 2 cards.

In the mess which is internet nowadays, i've found the script relevant enough, the CIA is helping a Cyber genius to built a secure and private network, no one can hack but in fact can be controlled by the government, of course because of Bourne and Pearson it won't happen even they didn't know anything about in the 1st place

I've enjoyed the movie from start to end, i must admit, P.Greengrass always gave us more and more in every opus however here, it's again the same kind of story but every thing is there, great actors, their presence is sometime enough to make the scene a good one like it was for J.Allen or D.Strathairn, a good script, every details, the music etc..

Enjoy this one as well and by the end (like in a lot of recent movie) you'll see a '' may be'' we'll have a 5Th
Anen

Anen

After nine years of waiting, Matt Damon is back in the role that really put him on the map. If you ask someone about him and what movies he was in then they will most likely talk about one of these. So when this was announced the hype was real. Not only did they get their star back but they got their director back. Aside from 'Identity' Paul Greengrass directed the three films that star our titular character. Like the others, this film revolves around Bourne trying to figure out aspects of his life. Instead of trying to piece together what happened to him, he is now attempting to figure out why it happened in the first place. Considering these films, this is the kind of story we really didn't need.

We don't really need to know about why he became an agent or what drove him there. What was so compelling about the original three was that we knew as much about him as we did. Nothing. And now that we know what kind of person he is and why he was face up in the ocean, this story feels obligatory.

I think the biggest reason it feels this way is because Bourne has been sidelined in his own movie. This didn't feel like a Bourne movie for say. It felt like another 'Kingdom of the Crystal Skull'. Another passing of the torch type film. While the story at the heart of the movie really isn't that bad, benching the main character certainly did a number on it.

Tommy lee Jones and Alicia Vikander have far more screen time than Damon does. That being said, the B story is pretty bad. It attempts social commentary directed at social media. And every time this sub plot surfaces in the film, it grinds the movie to a halt. This story could work in another writers hands but for a Bourne movie, I think this story was destined to fail.

There are so many different threads that go into this sub story that they are impossible to keep straight. If you can't keep them straight, then don't fret. Most of them don't really make sense any way. There are also a variety of little details that are quite stupid. Like how the CIA was able to see camera footage through the scope of a sniper rifle. Was the camera placed in the dudes eye ball or something?

There wasn't a lot in this movie that really impressed me. However the one thing that I really loved was the action scenes. Most of them weren't exactly as involving as some of the other films, but they were still pretty great. It had the good sense to not just start an action scene because it could. Whenever one took place it felt like there was a genuine reason for them to exist.

And they were the only moments in the film that felt like the film makers put effort into. Specifically in the closing car chase. Not only did we get to see cars get mulched but we got to see it with nice helicopter shots. That last scene will unfortunately be the only one that I remember from the whole film.

The rest of the movie is so uneven and lacking in a compelling story. I just couldn't get involved in this film. Even with the original cast and crew on board, it fails at recapturing the vibe of the trilogy. While the cast may offer solid performances and the action is as good as ever, it's hardly enough to redeem 'Jason Bourne' from it's short comings.
Precious

Precious

For any fans of previous installments, do not see this movie. It ruins its own legacy with ridiculous and incoherent plot, bad acting, unnecessary characters and totally repetitive action sequences we all seen before. Especially acting in second-hand and I am surprised by wooden performances from usually great actors like Tommy Lee Jones. Matt looks fat, uninspired and totally lacks any energy which was so captivating in previous movies. Vincent should be most un-scary killer in the history of cinema. Alicia is utterly unbelievable as a CIA cyber-chief. Previous episodes, while stretching imagination a bit ( this is Hollywood at the end), at least tried to portray all action, reasoning behind it and technology as possible. Jason Bourne discards this completely and transforms it in Marvel-type action hero movie. Again, do not see it in theater, save some bucks and rent it for boring evening with fast-forward remote nearby.
Bremar

Bremar

The Bourne films have always suffered from director Greengrass' inability to shoot a coherent action sequence, but in Jason Bourne (2016)the problem increases tenfold.

All of the action is almost unwatchable, and literally impossible to follow,in fact even scenes of dialogue only- and there are LOTS of long scenes of dialogue- are spoiled by the directors insistence on randomly zooming in and out of the film.

Even more than this, Jason Bourne (the film) suffers because Jason Bourne ( the character) has completed his story.The Bourne Ultimatum concluded the Bourne trilogy very satisfyingly.

This film just seems like a petulant insult to Tony Gilroy ( Greengrass and Gilroy famously don't get on), or a cynical cash grab. Probably both.

Everything in this feels like deja vu: you've seen it all before in other Bourne films.

Alicia Vikander is the stand out acting wise. Damon does his usual schtick. Vincent Cassel does nothing and Julia Stiles embarrasses herself.

Wait for it on TV
Lost Python

Lost Python

To me Bourne movies changed the face of a genre. After the Bourne movies James Bond couldn't remain the same and had to morph to meet the new standards. In this movie, I found that there was nothing new. Head of agency is again evil. Him and the asset that is going against Bourne are conveniently the ones who also killed his father. Female lead was not well developed. We are not sure what her motives are and where she is coming from. Chases and fights were stale and we have seen those in previous Bourne movies. Overall this will not be a movie that will live up the reputation of other Bourne movies. It feels like a movie that was made in haste to cash the reputation of this series.
Felhann

Felhann

A fan of the original trilogy I went into this film optimistic that somehow something good has happened since the terrible incarnation that was "The Bourne Legacy" and after watching the original trailer thought it could be a good film.

Turns out I was wrong...

Nicky Parsons, completely underused and only really there as a catalyst to kick off the middle act. Tommy Lee Jones... Ugh! "The Asset" boring.

Choreography was good, some good fight scenes, however encompassed with all so familiar shaky camera!

However the tech side of the film, considering its mostly played out in cybercrime of the CIA is terrible. Its laughable how bad they can mess up something they are basing their structured story on.

**Spoiler Warning**

There's a scene in the film where Bourne sticks a USB drive into a computer that then pings a location via malware to the CIA... this would be viable if they hadn't then shown the layout of all electronics in the area as "offline" except for a mobile phone, of which they then "hack" to create a wireless link to that said laptop!

So how does offline laptop send location data to the CIA? Magic is the only answer.

**End of Spoiler**

In short there are some great set pieces but the story line, acting and so called "twist" are terrible and are nothing short of a movie designed to grab some cash and limelight from what was a good original trilogy.

Wouldn't waste your money on the cinema watching this, I'd wait till its out on DVD or Netflix/Amazon.
Yggfyn

Yggfyn

I want to watch spy thriller. I don't expect superb plot, just classic Bourne quality will suffice.

Instead, I got served some boring, stomach churning, UN-WATCHABLE 3rd grade thrill rides...

...with pointless intentionally extra-grating violent chaos sound effect to top it off!

Seriously? This is how people win awards and next big projects these days?

The camera simply refuses to let you ignore its SICKED, EVIL PRESENCE - even during quiet restaurant latte-sipping white table cloth discussion scene! No, the camera cannot STAY STILL!

The sound has to be cranked to 11 so that old grannies can hear cars and humans in the process of being DESTROYED!

Apparently, someone reckons bad sound and bad cam work equals bad-ass!

Because the camera guy is so ruined by 90's drugs and partying and golfing his hands are shaking from premature arthritis!

Oh wait maybe Vomit Cam treatment is actually a necessity! If the cam stays steadily focused on scene subjects, we will notice how EMPTY the plot and character design is?

You know, the insecure but loud types, how they refuse to speak properly, refuse to let you look them straight in the eye and make big pointless gestures to distract you from their vacuity?

Oh it's not some little insecure guys doing this to us?

It's actually some OVER-CONFIDENT OVERPAID BIG NAME director and his VIP cam guy buddy showing of their so freaking cool over-the-top latest hottest virtual reality style run-down-everything- in-your-path destruction joy rides?

Their sons should introduce them to VR360 car racer games with 100X more smooth and steady cams?

Who let the grit-craving flabby-brain aging cowboys out of the retiree golf clubs?

Hollywood degenerating into pseudo-angry old man town stuck in (their still unresolved) teenage angst mode?

Is this how they try to relate to young people? With their mental vomit and noise plus plus?

I would just laugh this off if I didn't pay extra to watch Bourne in the premier theater!

Plush sofas and HD sound system just made the whole dizzying ugly audio visual experience all the more vomit inducing and painful!

Sheesh, Matt Damon, what have you done to your baby franchise? It's growing into a loud ugly monster and you don't care?

I'm not even that fussy. I'd pay to watch anything entertaining, just for the ride. It doesn't matter if it's Zootopia or shallow mainstream aging cowboy spy thriller like James Bond. Bourne series a few notches of plot realism integrity above James Bond series.

But now it is hijacked. a freak show of VIOLENT CAM MOVING THROUGH THE "BEST" MOST GRITTIEST DESTRUCTIONSSS!

Maybe I'm just too soft, I don't understand the fun in that sort of mental ejaculation.

Maybe spy thriller means random excuses to simulate speeding through explosive riots in European public square full of perishable human meat.

Maybe there's a positive angle in psychotically jamming the latest product placement posh car into hotel lobbies and unsuspecting CBD pedestrians.

Maybe it's cool to do ANYTHING it takes- including risking the lives of the commoners - all in the name of catching your personal villain.

LOL Matt Damon. Project Greenlighting anything these days? Feeling broke?

So heroic and worthy. It is important, I'd risk everything. I'd come out of my unnecessarily brutal and muscular and sweaty existence, back into the limelight of spy cams. Because?

I WANT ANSWERS!

I don't have to worry too much, the agency is obsessed with me, because I'm The Only One. Those spy chicks, they always risk their own lives for me, for really personal reasons. Because I'm hot, so muscled up for my age, I guess.

Tom Cruise in Mission Impossible has more humor and humanity than the latest Matt Damon. I mean Bourne. Tom's hero actually laughs at the ridiculous one man anti-hero trope, actually team-play, actually tries to do good, actually mocks the (fantasy pretending to be realism spy) genre.

Bourne? Now he tries not to run over too many dogs and pedestrians while he pulls his self-serving stunts.

How noble of the new Bourne. Noble enough I guess, in the half blind half deaf perspective of aging cowboys co-producers.

Matt Damon totally wasted his clout, esp when he charges a million a line. Surely he would notice how awful the production quality is, how pointless violence brings him down.

But never mind, it's not Damon's job to save the franchise. This genre is a glut of cliché upon cliché?

If Damon is retiring Bourne then I understand. The aim is achieved.

Tommy was a yawn and the visual rep of post-addict post-arthritis aging cowboy directors with nothing but gritty bravado to offer.

To watch it or not, depends fully on your tolerance for Vomit Cam. Not for pregnant women that's for sure. I wish I watched it at home, so I could frequently go to the fridge when the most exciting as in boring Vomit Cam sequence start.

Warning: there are 3 of those too-long bore Vomit Cam sequences.

Those undeterred, watch it for Matt's new born physique, Cassel's sharpness and the subtle lethal Vikander, the sole redeeming thing of this cowboy wasteland effort.