One Down, Two to go (1982) Online

1982 Fred Williamson Jim Brown Jim Kelly Fred Williamson

Original Title :: One Down, Two to Go
Genre :: Movie / Action / Drama
Year :: 1982
Directror :: Fred Williamson
Cast :: Fred Williamson,Jim Brown,Jim Kelly
Writer :: Fred Williamson
Type :: Movie
Time :: 1h 29min
Rating :: 4.7/10

One Down, Two to go (1982) Online

During a high-stakes east-west karate tournament, coach Chuck suspects the match is rigged against him. When looking around the other team's locker room gets him shot, he calls in Cal and J, his partners from California. After exercising a little persuasion and a lot of brute force, they discover who's behind it all. Now the only problem is getting back the money Chuck is owed.

Cast overview, first billed only:
	Fred Williamson	-	Cal
	Jim Brown	-	J
	Jim Kelly	-	Chuck
	Richard Roundtree	-	Ralph
	Paula Sills	-	Teri
	Laura Loftus	-	Sally
	Joe Spinell	-	Joe Spangler
	Tom Signorelli	-	Mario
	John Guitz	-	Bob (as John Gruitz)
	Richard Noyce	-	Hank
	Peter Dane	-	Rossi
	Victoria Hale	-	Mrs. Rossi
	Warrington Winters	-	Sheriff Lucas
	Louis Neglia	-	Armando
	Aaron Banks	-	Announcer

The fights that take place during the fictitious martial arts tournament that open the film, were in fact actually real and not staged. Fred Williamson had organized it so that the fights would look authentic and the winner of each fight got paid five hundred dollars and with the loser getting one hundred dollars.

Fred Williamson conceived the idea of the film while he was in New York filming the movie, Vigilante (1982).

Fred Williamson considers the film to be a true sequel to Three the Hard Way (1974).

The Martial Arts tournament that opens the film took over 12 Hours to shoot according to Fred Williamson utilizing multiple cameras around the Brendan Byrne Area (which would later become the IZOD Center) to capture the action which was completely unscripted.

The film was actually written by Fred Williamson with the help of his son Jeff who is given on screen credit as Story By instead of Written By.

The movie was filmed in three weeks as Writer, Director and Star Fred Williamson was in between projects and preparing to film, Vigilante which would finally start shooting in October - November 1982.

The fights that were featured in the martial arts tournament that opens the film were actually real. Fred Williamson stated that nothing was faked and that they were all there to fight and were actually in competition for a money prize of only 400 hundred dollars unlike the prize money in the film itself which was four hundred thousand.

The film was shot on location on Staten Island, New York.

J and Cal are seen carrying the same or a similar 44. Magnum gun throughout the film and never seen reloading it at any time during.

One of the major reasons Writer/Director Fred Williamson decided to make the film besides the down time between projects was because he wanted to give Jim Brown, Jim Kelly and Richard Roundtree work. He stated that besides doing a sequel to Three The Hard Way, that Brown, Kelly and Roundtree were not given the work they should've been getting in Hollywood at the time and deserved better.

Writer, Star and Director Fred Williamson stated that he approached Warner Bros. who produced and released, Three The Hard Way to do a sequel to that film and said that they weren't interested in doing one. Williamson thought of the idea of reuniting with Jim Brown and Jim Kelly to do a film, he thought of this one which would be in the vein of the former. He added Richard Roundtree to the mix because he was a close friend and of the popularity of Shaft.

The cast and crew members assembled for this film came together very quickly and filmed within a three week period during the Spring 1982.

According to Fred Williamson, it took six weeks for the film to be edited despite the fact that he was already editing while viewing dailies everyday after filming wrapped for the day.

The sex scene between Fred Williamson and Laura Loftus was edited completely for pacing.

The running gag of Three "The Hard Way" was that Fred Williamson and Jim Brown just kept firing their guns without ever reloading at any point during any of the action sequences which continues in this film. This would also be parodied in the comedy, "I'm Gonna Git You Sucka", which featured Brown doing the exact same thing with Kadeem Hardison clearly pointing that out to him as in-joke in which Brown agreed.

James Lemmo who is the film's Director of Photography would work on Fred Williamson's next film, Vigilante, which would begin production months after this film wrapped.

The film's MacGuffin is the money stolen by Mr. Rossi and Mr. Mario for the crooked Martial Arts tournament. We never actually see the money in any way, only the brief case that Mario gives to J in his apartment which contains it.

The money prize for the rigged Martial Arts tournament is $400,000 dollars.

Fred Williamson would star in Vigilante which was Directed by William Lustig a few months after this film was completed. The film would feature Joe Spinell as one of the mobsters part of the rigged tournament who starred in Lustig's cult classic horror film, Maniac.

Daniel Lowenthal who is the film's editor would work on The Big Score which would be released after this film and Vigilante which feature Fred Williamson as the star.

Joe Spinell who plays one of the mobsters associated with the crooked Martial Arts tournament in this film, would be the main villain in The Big Score which would also star Fred Williamson and produced by his company, Po' Boy Productions.

Fred Williamson and Richard Roundtree would go on to star in The Big Score which would be released the following year 1983, after this film was released and around the same time as Williamson's other action film, Vigilante would also be released.

User reviews

Duktilar

With this once-in-a-lifetime cast (reuniting the four greatest blaxploitation stars of the early seventies), this picture should be more fun than it is. Someone seems to have drained the life out of these performers; Jim Brown, in particular, comes off very badly (judging only from this movie, you'd come to the conclusion that he can't act). The film is also poorly structured, keeping the stars away from each other (and from any enjoyable interaction) for laaaaarge periods of time. And Williamson must have really had it in for Jim Kelly; he barely gives him 1/5 of the screen time devoted to the other leads, and he features him in only two brief fight scenes (he even loses in one of them!). Cool score, though. (*1/2)

Hugifyn

84 minutes b/w movie by Fred the Hammer Williamson. It won't win any screen guild awards but no one expects it to. You see it to watch Jim Kelly, Richard Roundtree, Jim Brown, and Fred Williamson kick a$$. That's what they do. The 2 minute car ride on the BQE with no words could have been done away with and the funky dog is used too much. I liked the movie. Bad guys pi** them off, bad guys get killed. That simple.

Cordabor

**SPOILERS*** After Chuck's, Jim Kelly, team of karate fighters win the L.A Tournament of Champions in karate in a winner take all match the mobster Rossi, Peter Dane, who had the matches fixed for Chuck's opponents to win takes off with the cash,$400,000.00, leaving Chuck's team high and dry! As for Chuck himself he get worked over and shot by Rossi's thugs when he tried to get the winners share, all of it, of the 400 G's that his team so rightfully won.

With Chuck's good friend and promoter of the karate matches Ralph, Richard Roundtree, getting nowhere with Rossi who's planning to skip town with the cash he's reluctantly forced to call for reinforcement in the persons of his bad a** butt kicker friends from New York J & Cal, Jim "Slaughter" Brown & Fred "The Hammer" Williamson, to help him get the job done. And they do it with both fists and guns as well as style.

***SPOILERS*** Far better the the movies prequel "Three the Hard Way" in that it doesn't overdo the action scenes and gives the film a much better storyline to follow with the big three, Brown Williamson & Roundtree, intimidating their enemies far more with their presence not their fists or guns. Speaking of guns both Brown & Williamson, J & Cal, have in the movie hand guns with barrels as long as M-16 assault rifles! In the end the boys rescue both Chuck and his girlfriend Trei,Paula Sills, who were on the run from Rossi's thugs whom the two Blaxploition heroes made mince meat and swiss cheese out of.

The one thing that was a bit strange in the movie is just how J & Cal as well as the entire cast of the movie seemed to all have all ended in what seemed like New York City, we get to see a number of scenes of the NYC World Trade Center, from all the way in L.A for the films second half without the scrip explaining how? Was it tela-transportation or just bad film editing!

Kanek

One Down, Two to Go may rank a few notches beneath other celluloid team-ups with these stars, but it definitlely has it's share of fun moments. Jim Kelly's character is wounded for most of the movie, but it's always a pleasure to watch big bad Jim "SLAUGHTER" Brown team-up with Fred "The HAMMER" Williamson! Especially when Richard "SHAFT" Roundtree is in the mix! One Down is no Three the Hard Way, but there's just nothing like the spectacle of the Hammer uttering the immortal line "Back off Mojo! You may know Kung Fu but I know Gun Fu!"! LOL! One Down, Two to Go is a cheesy blast of fun that goes best with favorite beverages, good popcorn, and a room full of rowdy B-movie lovers.

Gigafish

Judging by the other user-comments around here, apparently I'm not the only one who's disappointed by this seemingly awesome early '80s reunion of '70s Blaxploitation heroes. Your day can't get any better than when you stumble upon a DVD with on its trashy cover image the names and cool faces of Fred Williamson ("Black Ceasar"), Jim Brown ("Slaughter"), Richard Roundtree ("Shaft") and Jim Kelly ("Black Belt Jones"). When you then notice that Fred Williamson is also the director, and that the plot revolves on four black buddies declaring war against the entire New York gambling mafia, you immediately purchase the DVD and you're convinced that you have a genuinely golden piece of Blaxploitation action cinema in your hands! Unfortunately, however, "One Down, Two to Go" doesn't even come close to the quality level of other Blaxploitation classics (the aforementioned titles, for example) and the whole film is actually even less than mediocre. The script is weak and far too talkative, especially during the first half, and the fighting/action sequences are poorly shot and clumsy. Furthermore it seems like the main roles aren't fairly divided. Director Williamson once again rewarded himself with the role of the cool and womanizing macho, while Jim Brown acts very passively and both Richard Roundtree and Jim Kelly don't have that much to do. At one point Roundtree's character even explicitly says to his pals Cal and J: "you guys are having all the fun, save some for me!" As said, this is purely a film to own in your collection because of the 4 terrific lead stars, although personally I would have preferred seeing a couple of extra ones as well, like Isaac Hayes or Billy Dee Williams. Or why didn't they think of hiring a Blaxploitation heroine as well, like the fantastic Pam Grier or Tamara Dobson?

Monin

Boasting the awesome cast of Fred Williamson, Jim Brown, Jim Kelly and Richard Roundtree, one would expect a major kick ass flick here....

Unfortunately, whilst on paper this should indeed have been the case, in reality the finished product is only average at best especially since aside from the unengaging plot, the film manages unforgivably to all but waste the talents of the latter two stars.

Kelly especially comes out of this the worst with his character hardly getting to show off any of his famous moves, instead finding himself bedridden for most of his screen time after getting shot early on! Roundtree to doesn't fare much better after he takes a beating at the hands of some thugs and subsequently disappears until much later in the film.

On the other hand, if Kelly and Roundtree are effectively relegated to supporting roles, at least we do get to see Jim 'Slaughter' Brown and Fred 'The Hammer' Williamson getting to strut their stuff.....and how super coolly they do it to!

Action wise this is hardly groundbreaking stuff with a few fist fights, a bit of shooting and a number of explosions seemingly only included to fill up the accepted quota. There are however a number of humorous scenes throughout to compensate, which should certainly raise a smile. Take for instance the old and seemingly incompetent sheriff in this for instance. Despite the fact that Brown and Williamson (bearing in mind that they are only civilians) beat up, shoot up and even blow up numerous crooks in this, the said law officer merely gives them a slight scolding before handing them back their weapons every time!!!

Overall, certainly not a bad film by any means but at the same time certainly not a particularly noteworthy one either and one which sadly wasted such a great opportunity in it's misuse of such a great cast.

Siramath

During a martial arts tournament, fighter Chuck and his friend Ralph think there's something crooked going on behind the scenes. Chuck checks it out and discovers match fixing, but for his troubles he's shot. Ralph becomes worried when Chuck disappears, but they meet up and learn that they won't be getting the money they're owned by the tournament organisers, but become actual targets. Chuck is shot again, Ralph is knocked out cold and Chuck's girl gets raped and kidnapped. Before this had happened, Chuck got his gal to ring his buddies Cal and J to come down and help get their money. Their friends are missing, so Cal and J decide to start up their own investigation and get down to business.

Oh yeah, what a bang-up leading cast we got here! Fred "The Hammer" Williamson's laid-back, rough 'n' tumble late blaxpoitation piece goes on to team up influential 70s exploitation figures Jim Brown, Richard Roundtree, Jim Kelly and Fred Williamson. Hell, that's great! Well, you would like to think so, but the script never lets the four interact with each other too often. The straight-forward material isn't anything special and it might rely on its stars' presences, but there's no question about the sheer spirit and exciting raw beatings, shootouts and explosions interwoven into Williamson's rough-around-edges direction. Smothering proceedings is ultra-smooth dialogues packed stinging wisecracks and ripe humour. Roundtree and Kelly seem to be in supporting roles compared the likes of Brown and Williamson. Honestly when the latter two appeared, that's when the wham-bam attitude and hard-ass excitement seemed to break out. The opening ten minutes actually sets-up an authentic martial arts tournament for the film, where these guys are literally busting their guts for prize money. After some slow moments, it does take its time to find its groove. However the funked-up soundtrack is a real highlight and an atmospherically scorching score is filtered in nicely. Pulsating camera-work is lucidly leering and naturally fitting to the stark and gritty look of the film's locations. The four main men are great. A domineering Brown is excellent as the polite, but persuasively forceful J. The sensational Williamson chews it up with pure vigour and charm as Cal. Roundtree paints a macho awe to Ralph and what little time a solid Kelly gets is done with enough aplomb. Peter Dane and Tom Signorelli make for decent scummy villains and their dopey henchmen cop nothing but beatings. Joe Spinell makes for an amusing minor performance as a twitchy promoter who gets a visit by Roundtree. Warrington Winters injects some light humour as the random appearing sheriff, who just doesn't want trouble in the way of gunfire and explosions that seems to follow these men. The feisty Paula Sills and the endearing buxom Laura Loftus play the sweethearts.

Like the tag-line suggests, this blaxpoitation does pack four times the punch with its ass-whopping. Despite some splintered chemistry, there's still plenty there to offer the fans.

Alsalar

One Down, Two to Go (1982)

** (out of 4)

Chuck (Jim Kelly) and his crew enter a martial arts tournament, which they win but the mob decides not to pay them. Soon a friend is severely beaten so Cal (Fred Williamson) and J (Jim Brown) show up to show them who's the real boss.

ONE DOWN, TWO TO GO was directed by Williamson and it features four of the major stars from the 70's blaxploitation films. You've got SHAFT (Richard Roundtree), SLAUGHTER (Brown), HAMMER (Williamson) and BLACK BELT JONES (Kelly) all in one movie so what's not to like? Well, there's quite a bit not to like in this film, which is really too bad since you've got so many greats in one film.

Sadly, the screenplay itself is pretty much a mess for a number of reasons. The film starts off with a bunch of martial arts footage, which is fun to watch on its own but it probably shouldn't have been in this film. From here there are way too many boring dialogue sequences, which just don't go anywhere and especially when you'e got four masters of the genre on the screen. What you want to see them do is fight, blow stuff up and kill bad guys. We eventually get to that stuff and that's when the entertainment level goes way up.

The film suffers from a very low-budget, which prevents the action from looking the greatest but for this type of films it's okay. Of course, the best thing about the picture is getting to see the four stars in one picture. The majority of the film is based around the Williamson and Brown characters, which is fine as they add a lot to the picture. Both Kelly and Roundtree are basically extended cameos but it's still nice to see them. Fans of MANIAC will enjoy seeing Joe Spinell in a brief scene and we also get Tom Signorelli.

ONE DOWN, TWO TO GO isn't a masterpiece or even a good movie but it's mild entertainment, which should have been much better.

Maximilianishe

I did not realize that Fred Williams made another flick which consist of the biggest stars of Blaxploitation. but unlike Original Gangsters this movie came out at the height of their careers, which is good because the only reason you would want to see it is because of the black star power.

With a title that sounds like the Sequel to 3 the Hard Way, adding Shaft to the list making 4, the movie starts with marshal arts master, Jim Kelly and Richard Roundtree getting into some trouble with dudes who don't want to pay the money they are owed, and when trouble escalates, they call in their boys Fred the Hammer and Jim Brown to help.

The movie is not much different from 3 the hard way with Jim carrying a big gun and Fred hooking up with some chick. In fact, I mentioned basically every movie these two did in the 1970's.

What's lacking is Jim Kelly's marshal arts. Sure nothing can beat the scene in 3 the hard way where somehow his nice boots are replaced with sneakers out of nowhere and he gets into some hard hitting action, but it would be nice if they tried.

This wouldn't be much of a problem if Shaft was used to his fullest in the film, but he's not. I guess when you got the Hammer in the directors chair, he's got no choice but to make super star Jim Brown more than just his back up, but once Fred is on screen it's his show, make no mistake.

Most of these movies are just like the other, but somehow this movie's quantity is a little under, despite the large talent pool. Try to Avoid.

Amhirishes

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

Ralph (Richard Roundtree) and Chuck (Jim Kelly) are two kung fu champions who have set up a tournament to see who is the best.However,they've encountered a problem in the shape of the mob,who are putting pressure on them to rig their tournament.When they instinctively offer resistance,they find themselves the subject of an attack and find themselves relying on pals Cal (Fred Williamson) and J (Jim Brown) to stand up to them and offer retribution.

Throughout the 70s and into the early 80s,the 'blaxploitation' movie was a big thing and enjoyed a huge following as it did it's thing and played a huge part in bringing black culture into mainstream cinema.Two of it's most iconic figures,Jim Kelly,the unforgettable Williams in Enter the Dragon and Shaft himself Richard Roundtree,who added much to the action element of this movement with their baaaad-asssss attitude and hard personas,enjoy prominent billing in this one,but each have only supporting roles and very limited screen-time.

As it is,this movie is carried by two other black players,Jim Brown and Fred Williamson,fairly charismatic guys with a fairly effective rapport and presence between them.

The main problem with the film is the story.It is simplistic as hell and churns on at a robotic pace as the movie rolls on and on.Aside from being one of the lead stars,Williamson also administers directorial duties here and sort of allows his own pet project to meander along at his own comfortable,slumberous pace.The film is simply okay but so nothing special from any other of it's ilk.

Overall,this is,for the most part,a robotic and plodding entry into it's genre.However,if you want to watch a fair bit of 'black attitude' and style,a cool,funky soundtrack,not to mention some okay martial arts here-and-there,this might just fill a hole in your stomach.***

Bukelv

This movie looked like it would be pretty good. I read somewhere that Fred Williamson was part of the 'blaxploitation' genre, but the cast looked good. The movie didn't, though it wasn't terrible. I suppose given the subject matter--karate fighting in a boxing-type ring, with the fights fixed and partners stealing from each other, and killing to prevent their scheme from being found out--it was not a particularly violent movie, but it was more violent than I cared for. I did get the impression that Richard Roundtree, Jim Brown and Fred Williamson gave better performances than the white actors. And given the fact that Williamson directed and was a producer, surely black people would be presented with some dignity. I guess they were, but I couldn't avoid thinking I was seeing my first 'blaxploitation' film. Still, I had to enjoy watching Roundtree's character (or was it Williamson's? I couldn't remember which was which) act tough toward those who weren't being honest with him. I guess it wasn't really so bad, but I wouldn't make a habit of watching other movies like it.

Vital Beast

Four top actors from the 70s blaxploitation era starred in what should be considered as a reunion. It looked like this film was made and released way too late long after the genre's heydays. Obviously, it doesn't feel like a classic 70s show at all. Don't expect much from Jim Kelly, who gets shot twice in the shoulder and remains helpless throughout the rest of the film. That leaves Williamson and Brown to do the bidding. They seemed to be veterans together in doing this. Unfortunately, the awful slow pace of the action bogs this one down along with a serious lack of originality and too many jazzy soul tunes interferes the whole thing. Richard Roundtree (SHAFT) only appears during the final minutes. The ending was absolutely catchy, and should've proven something about the actors' future following the making of this picture. It's interesting to note that the two Jims and Fred Williamson (who directed this) were cast together in THREE THE HARD WAY, which wasn't the greatest 70s blaxploitation movie around. ONE DOWN, TWO TO GO was a nice try at reviving the soul-crazed genre out of the grave, but it fails miserably at the end.

nadness

This movie is so bad that it makes Dolemite look like the Godfather

Nothing in this movie makes any kind of sense

The first 15 minutes takes place at a martial arts tournament and instead of introducing the characters of the movie the "director" (I use that term very lightly) decided to focus on the random martial artists fighting with very little actual dialogue and the actors merely observing the guys fighting

Anyways after that the movie actually starts (I guess) but there's not much of a movie to speak of as it is random scenes with people jumping to conclusions based on nothing in one scene one of the guys asks for a orangejuice at the bar and the waitress says: "Orange Juice? You must be friends with them Karate guys from the other night" which makes a lot of sense since only Karate guys and friends of Karate guys drink Orange Juice.

And the leads in the movie are allowed to kill and harass as many people as they want because they have a just cause and the sheriff just tell them they need to come in to the station so they can write a report, but most times the leads just can't be arsed

It's just a terrible piece of crap movie that doesn't make any sense and that only focuses on trying to make the leads look like cool guys and nothing else

I didn't even mention the fact that 40 minutes in they decide to change leads completely when they introduce Jim Brown and Fred Williamson they take over the show instead of Richard Roundtree and Jim Kelly who sorts of fade away from leads into co-stars instead

Cells

Low budget and highly entertaining aren't always terms that meet up in the world of filmmaking, but ONE DOWN, TWO TO GO is an exception. Directed by and starring Fred 'The Hammer' Williamson, who kept on making blaxploitation type flicks throughout the 1980s, long after the boom had ended, this little movie is a lot of fun and doesn't let a lack of budget get in the way of telling an engaging story.

The film starts off with some real-life fight footage (unfortunately recalling that terrible 'documentary', FIST OF FEAR, TOUCH OF DEATH) before moving onto stronger territory. Jim Kelly and Richard Roundtree star as a couple of fight organisers who are ripped off and betrayed by the Mob, in the form of small-town redneck goons and their suited, gun-wielding counterparts. Finding themselves no match for their enemies, they call in the help of a couple of old timer buddies, Jim Brown and Williamson himself.

This is where the fun starts. Brown and Williamson have a natural camaraderie and good sense of humour, and watching this pair strolling through town and cracking heads (with the cigar never leaving Williamson's mouth) makes a great evening's entertainment for this viewer. Okay, so the story is nothing to write home about and the supporting cast (aside from a cameoing Joe Spinell) are pretty poor, but who cares when four – count 'em! - of blaxploitation cinema's greatest stars are teaming up and crushing skulls! Fast pacing works in the film's favour, the running time flies past and aside from an anticlimax ending, this one rarely puts a foot wrong.

Ghile

In this hoped for "revival" of the Blaxploitation genre, you have the superstars of Black '70s cinema: Jim Brown (always with the biggest gun with the longest barrel), Jim Kelly (who I always thought was a posturing joke), Richard Roundtree (still looking good post-Shaft), and Fred "Da Hammer" Williamson (so cool, he has ice dripping down his back!).

Only Roundtree has kept his actor's dignity of the four. Fred still cranks out his Po Boy Productions straight to video flicks, but I will say he still does well in Europe. These low budget films actually are profitable there. I'll give him that. Brown has had his own share of woes in the press in recent years and just walks through this one. Jim Kelly has to be thee WORST actor of the group. GI Joe (with the Kung-Fu grip) could whoop him easily. (In one scene, his woman is getting gang-banged, and he's getting his KF stance on against one bad guy). And Roundtree didn't embarass himself, and has at least has maintained a long list of character roles, most notably the "Shaft" update with Samual L. Jackson in 2000.

This is one turd of a movie, lovingly directed by Williamson. Bland direction, hokey lines, low budget hoettas, you name it. Yet it's considered a cult favorite, by whom I don't know. I'll skip the plot. It's so banal it doesn't bear repeating. On the level of a Cynthia Rothrock film. But the best scene is at the end when Fred "Hammer" sticks one of his trademark cigars into a pooch's mouth.

So there you have it. Gets a 2 out of 5 from me.

And most of the soundtrack was "moonlighted" by Jazz Fusion keyboardist Rodney Franklin, but credited to others.

Marige

Contrary to another comment on this film. "If you like the stars in this film then you will like this film." I, like many others, always keep a look out for any Jim Kelly fliks knowing that you're in for some irrepressible charisma and perhaps even a irrepressible 'Fro. But any bias I have to the stars in this film just couldn't persuade me to actually say that I enjoyed the film.

Scenes dragging themselves to their graves, suspense voided build-ups to anti climatic events and of course some cardboard acting are all expected and forgivable in this genre of film. But with the cast at hand you hope you're gonna have some on screen personalities reaching out of the screen and giving you a good smack in the face. If there is a cast to do it then surely this is it. Unfortunately the lot of em die on their asses in their attempts with this movie. Shame.

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