Forbidden (1953) Online

Even leftovers can be tasty. Rudolph Maté's Forbidden is a stir-fry composed of elements from several movies of the previous decade; Casablanca and To Have and Have Not are in the mix, but the dominant flavors are Macao and Gilda (on which Maté served as director of photography). And while there's nothing fresh about it, it staves off hunger for a feast of film noir – at least for a little while.

Tony Curtis comes to Macao, port of intrigue, on a mission: To locate Joanne Dru, widow of a slain Philadelphia gangster, and bring her back to America (she knows too much). Interests in the City of Brotherly Love chose Curtis because he and Dru were once a hot item; nonetheless, they had him followed by another operative (Marvin Miller, probably best remembered as the unseen John Beresford Tipton's secretary on TV's The Millionaire).

On his way into the Lisbon Club, which Dru's known to frequent, Curtis fends off a murderous attack on its owner (Lyle Bettger), who professes indebtedness and takes him back home to meet his fiancée – Dru. Jagged flashes of lightning alert us that the romance has rekindled. The rest of the movie relates Curtis' attempts to wrest Dru away from Bettger (who plays the George Macready role from Gilda).

There's many an expected slip ‘twixt cup and lip, however. Every clandestine conversation draws unseen eavesdroppers, bringing to mind Charlie Chan's sagacious warning: `Two ears for every mouth.' Thoughts of Chan also appear in the person of Victor Sen Yung, his #2 son in many movies, who plays the Dooley Wilson/Hoagy Carmichael role (from Casablanca and To Have and Have Not, respectively) as a piano player at the Lisbon Club who knows his away around the unknown Macao and puts himself at Curtis' disposal. But just when the imperilled couple think they're home-free, Bettger resurfaces with his shark's-maw smile....

Forbidden looks good, as one would expect from Maté, but it keeps a good pace as well (Maté's D.O.A. had to keep up with Edmond O'Brien's speed-walking, but his The Dark Past and Union Station had their longueurs). It breaks no new ground in the noir cycle, but, as a second-feature, it's decent enough.

"Forbidden" (1953) is full of suspenseful twists and turns. Tony Curtis is a small-time hood sent by the mob to Macau to neutralize Joanne, who has incriminating information. Joanne Dru, more familiar in westerns than in film-noir, reminds me of Grace Kelly, perhaps better looking and a better actress as well.

The plot gets really moving after Tony, a mobster, saves businessman Lyle Bettger from some powerful enemies - but then what? There are romantic complications and betrayals. If you prefer yesterday's intriguing plots and snappy dialog to today's overdone special effects, this one is for you.

Mobster Alan Dexter has a perverse sense of humor in Forbidden. He's the local syndicate kingpin in Philadelphia and he sends out the former boyfriend of a rival's widow searching for her halfway around the world. Tony Curtis's travels take him to Macao where he finds his lost love Joanne Dru about to married to Lyle Bettger a local casino owner with power. To make sure Curtis is keeping his mind on business, Dexter sends Marvin Miller after Tony.

That sense of humor is responsible for eventually rekindling some lost flames of love. Now Tony doesn't want Dru to marry Bettger nor does he want to complete his mission of bringing her back to Dexter. The rest of the film is taken up as to whether and how Tony and Joanne can escape everybody's clutches.

Forbidden is a stylish bit of noir where no one got any closer to Macao than Universal's back lot. Curtis shows a bit of the street character he would hone to perfection in Sweet Smell Of Success. Dru as always is a fetching temptress in frontier gingham or some fashionable evening dress. Lyle Bettger is always a good villain although I will say he's quite a bit more subdued than he is in such classics as The Greatest Show On Earth and Union Station.

It all ends quite spectacularly in a shipboard fire in the hold. That is worth seeing Forbidden for as well as our two attractive stars.

A gangster (Alan Dexter) sends Eddie (Tony Curtis) to bring back another gangster's widow (Joanne Dru) as she knows too much information about Dexter's activities. Curtis traces her to Macao but he is also being followed by someone else (Marvin Miller), on the instructions of Dexter, to ensure that he sticks to the plan and doesn't double-cross Dexter. Curtis and Dru were once in love and the thinking is that Curtis can lure her back to the US. On his way to the Lisbon Club, Curtis saves the life of the owner (Lyle Bettger) who then invites him back to his house and gives him a job at his club.....guess who his fiancée is?.....

Bettger puts Curtis and Dru in awkward situations to see if they still love each other, and eventually, the chemistry between Curtis and Dru is re-ignited. From then on, the film becomes a question of how they will get together and escape Bettger and Miller. There are betrayals and misunderstandings before Curtis and Dru make a run for it.......

The pianist at the club (Victor Sen Yung) seems to have been put into a role to provide painfully wooden Chinese wisdom (coz thats what Chinese people do!). Apart from him, the acting is good and the film is enjoyable.

In 1946, one of the most stylish films of the age came out, "Gilda". It was a story about a rich but rich and ruthless man with a gorgeous girlfriend and the sexual tension generated between her and the tough guy's new, younger partner. And, in "Gilda" you wondered why the rich ruthless guy would bring the pair together. Well, here in "Forbidden" you have the same basic plot with a few differences...only a few. You have the rich, ruthless guy (here it's Lyle Bettger...who even looks and talks a bit like George Macready) once again gets his gorgeous girlfriend (Juanne Dru) together with a young guy (Tony Curtis) and you wonder why...why would he do this when he knows that the pair used to be a number?!

In the case of "Forbidden" there is another agenda. Eddie (Curtis) is working for the government and he's trying to get Christine (Dru) to come back to the States because she knows enough about Keit (Bettger) to put him in prison. And, all the while Keit keeps the pair together...like a cat toying with a couple mice!

It's all quite good and Dru was never prettier. The music is lovely and the film quite good. I just didn't score it higher because it was just a bit too similar to "Gilda".

I saw this film when it first came out and thoroughly enjoyed it. The cast were great, right down to the beautiful white Jaguar XK120. Surely it should be possible to see most of the old films rather than endless repeats of the limited few, many of which are hardly deserving of the privilege. One way or another I have managed to see many old favourites but this one still eludes me. Macao, made the year before is available on video - so I am keeping my fingers crossed.

Saw 'Forbidden' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover was also appetising and the story, while unoriginal, seemed really interesting. 'Forbidden' turned out to be a very good film, a good representation of Curtis in one of his better early roles and films.

'Forbidden's' somewhat unoriginal premise is obvious in some predictable plotting in spots.

Also, the Macau setting is more studio back-lot than authentic. Victor Sen Yung is a little wooden.

However, 'Forbidden' is stylishly and atmospherically shot and does look very pleasing. The music is also a good fit and works well as an energetic and ominous score on its own, the beautiful "You Belong to Me" (have found myself randomly singing that a lot around my flat recently on an irrelevant side note) is great to listen to, Virginia Rees sings it well.

The direction is more than competent while 'Forbidden' is snappily scripted and with some surprising twists, suspense and intrigue outweighing thankfully the derivative nature. The pace is always efficient, nothing's dull here. Curtis is a very amiable and charismatic presence, and he is well supported by Joanne Dru at her loveliest (their chemistry is charmingly amorous too) and a menacing yet subdued (not a bad thing) Lyle Bettger.

In summary, fun and well done film. 8/10 Bethany Cox

Not to be confused with the 1984 film with the same title, which deals with a forbidden interethnic love in Nazi Berlin. This one also emphasizes a forbidden love, but between small time hood Eddie(Tony Curtis)and a gangster's moll: Christine(Joanne Dru). As someone mentioned, Joanne reminds me, in looks and personality, of Grace Kelly, although Joanne mostly played cowboy's sweethearts, livening up a few westerns. As several others have noted, there are some commonalities between this film and certain other well known films, including "Gilda", "Casablanca" and "To Have, and Have Not". But, it doesn't closely resemble the particulars of any of these films, only their general form.

One commonality with "Casablanca" is the inclusion of a song that has special meaning to both the man and woman, played on a piano. In this film, it's the beautiful "You Belong to Me", which had been a top hit on the pop charts the previous year. It's played during the opening credits, and occasionally , in bits, thereafter. Mamie Van Doren is pictured singing it in a nightclub, though dubbed. One difference with "Casablanca" is that the pianist, Allan(Victor Sen Yung), also unknowingly is an undercover agent, spying on the illegal activities of the club owner, Justin, and giving Tony and Joanne occasional good advice and documents.

The climax ending has gangster Justin blown up, along with the rest of the ship, just shortly after Tony and Joanne departed this ship , as potential stowaways. This explosion is blamed on electrostatically charged grain dust, which accompanied the many sacks of grain in the hold, and is set off by the discharge of a gun in the hold, meant to signal for help. Although atmospheres high in certain combustible dusts have occasionally exploded in land-based facilities, I was unable to locate any references to such explosions in ships, with the possible exception of coal dust in the USS Maine. On the other hand, there have been a few dramatic instances of devastating ship explosions due to the denotation of chemicals with known explosive properties. The devastating explosion of a ship at the dock of Texas City, due to a fire igniting bags of explosive ammonium nitrate, is a prime example. But, even then, I much doubt that a single bullet could cause such an explosion. In the case of Texas City, the explosion also caused a substantial tidal wave, that should have inundated the wharf, where Tony and Joanne were hiding.

The plot is complex enough to hold one's interest. Tony and Joanne have 2 distinct gangster organizations to deal with, one(Justin) in Macao, and the other(Burney Pendleton) in Philadelphia, from where both originated just before their trip to the Far East. Since Joanne had just married Justin, (presumably at gun point), the screenplay fails to follow up on her inheritance of his assets and criminal activities. However, she does submit to the law papers she wrote up about how Pendleton tried to kill her, as well as her then husband.

I will leave further details for you to find out by seeing the movie. See it on YouTube.