In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France.
Saltasis karas (2018) Online
A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.
Cast overview, first billed only: | |||
Joanna Kulig | - | Zula | |
Tomasz Kot | - | Wiktor | |
Borys Szyc | - | Kaczmarek | |
Agata Kulesza | - | Irena | |
Cédric Kahn | - | Michel | |
Jeanne Balibar | - | Juliette | |
Adam Woronowicz | - | Consul | |
Adam Ferency | - | Minister | |
Drazen Sivak | - | Sleuth 1 | |
Slavko Sobin | - | Sleuth 2 | |
Aloïse Sauvage | - | Waitress | |
Adam Szyszkowski | - | Guard | |
Anna Zagórska | - | Ania | |
Tomasz Markiewicz | - | Leader of ZMP | |
Izabela Andrzejak | - | Mazurek |
The turbulent relationship between the main characters was inspired by the director's real-life parents, who did break up and get together a couple of times as well as moved from one country to another.
Cold War is dedicated to Pawel Pawlikowski's parents, whose names the protagonists share.
The first Polish-language movie since 1990 to be shown in the Cannes Film Festival competition. Although there were entries from Polish directors Krzysztof Kieslowski and Roman Polanski during that time, they were made in French and English as co-productions.
The main characters were loosely based on the real-life creators of the world-renowned Polish folk dance group Zespól Piesni i Tanca Mazowsze (in the movie Mazowsze has been changed into Mazurek), Tadeusz Sygietynski and Mira Ziminska. They were married and after the war toured the countryside in search of talented young folk singers and dancers. They also composed the song "Dwa serduszka, cztery oczy", which is the leitmotiv of the movie.
Received a standing ovation of 18 minutes at the Cannes Film Festival.
Once he had his characters in mind, Pawel Pawlikowski looked for a way to bring them together and the music became essential to the film. He chose the folk ensemble Mazowsze, a troupe founded after the war and still active. This institution could illustrate what was happening in Polish society at the time, without having to explain it.
Lead actress Joanna Kulig also played the role of a singer in Pawel Pawlikowski's previous film Ida (2013).
Pawlikowski originally meant to make Cold War in color.
The only film of the year to be nominated for the Best Director Oscar and not be one of the Best Picture nominated lineup.
Director Pawel Pawlikowski and actress Joanna Kulig worked on the character of Zula with Lauren Bacall in mind, especially for the screen legend's sarcastic delivery of dialogue.
Official submission of Poland for the 'Best Foreign Language Film' category of the 91st Academy Awards in 2019.
All of the jazz numbers in the film were arranged - and the piano parts performed - by Marcin Masecki.
It competed for the Palme d'Or at the 2018 Cannes Film Festival. Pawlikowski won the award for Best Director. It also received the Golden Lions Award at the 43rd Gdynia Film Festival. It was selected as the Polish entry for the Best Foreign Language Film at the 91st Academy Awards.
When Wiktor is shown working on a film score in Paris, the film depicted is an Italian production from 1957 called I vampiri (1957).
Joanna Kulig had worked for Pawlikowski before, in his two movies: Ida (2013) and La femme du Vème (2011). Agata Kulesza was also in 'Ida'.
One of three foreign language films to be nominated for the Academy Award for Best Cinematography in the same year, the other two being Roma (2018) and Werk ohne Autor (2018). This is the first time in Oscar history that three out of the five nominees were foreign films. All three films were also nominated for Best Foreign Language Film.
After seeing his performance in this film, Danny Boyle - who was briefly attached to directing the 25th James Bond film - wanted to cast Tomasz Kot as the villain. The Bond producers disagreed with his choice, wanting a more established name, so Boyle quit the project.
The first film since Foxcatcher (2014) and only the second film overall to earn an Academy Award nomination for Best Director, while not earning one for Best Picture, since the Academy increased the number of Best Picture nominees to more than five in 2009.
Tomasz Kot had to learn to play the piano for the film.
At 48:38, when Zula meets Wiktor in Paris, they kiss each other under the sign "Place Emile Goudeau" and he says "I was waiting for you". It might be an Easter egg for "Waiting for Godot" by Samuel Beckett as the French pronunciation of Goudeau sounds just like the American one for Godot.
The cast rehearsed for six months before production really began.
Pawel Pawlikowski's second film since he returned to live in his native Poland after spending several years in the UK. Ida (2013) was the first.
Co-screenwriter Janusz Glowacki died before the film was released.
A huge commercial hit in Poland.
Even though the stated purpose of the troupe is to promote Polish folk music, Wiktor has a picture of Russian composer and pianist Dmitri Shostakovich on the wall rather than a Polish composer such as Chopin. Initially set in 1949, Shostakovich at this point in his musical career had been accused of falling under the Western influence. His works were banned and he was dismissed from the Leningrad Conservatory. The appearance of this picture may have foreshadowed Wiktor's later defection to France.
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