Serious Moonlight (2009) Online

If you enjoy films like "War of the Roses", you should like this one.

Basically this is a love-triangle story about a man (Tim Hutton) whose planning on leaving his wife (Meg Ryan) of 14 years for a much younger woman (Kristin Bell). The wife doesn't respond well and much inappropriate behavior follows.

Not much depth is written into these people but Ryan and Hutton do a rather spectacular job with their roles anyway. Special notice should be given to Justin Long's cameo as a thug. He seems to relish his small 'against type-cast' role. Unfortunately, Kristin Bell bores us with her very two-dimensional performance.

The plot tidies itself up rather too quickly from this twisted story, but at least we're not left with an overly long film. And the first hour is one of the darkest hours of film I've ever seen--in a good way.

If you've seen Adrienne Shelly's (the writer) other film, "Waitress", you'll be familiar with the style of this film. "Waitress" is a more complete movie with much more depth. However, Cheryl Hines--who took over for Shelly after her untimely death--does a commendable job.

I'm saddened to realize this will be the last work we see from the mind of Adrienne Shelly. As it stands, it's not a bad way to be remembered. A writer/director who had a flair for gracefully exploring people's darkest emotions and desires.

And no, I'm not just saying this because I'm strapped to a toilet!

P.S. This film is not a date flick;)

Based solely on its trailers this movie is already getting a bad rap online, with many lambasting it as some 'chick' flick revamp of 'French Kiss'. Don't believe that hooey. This is a dark comedy worthy of Hitchcock, and it's far, far removed from Meg Ryan's past 'sweetheart' roles.

'Serious Moonlight' is a simple, character-driven story of what happens when high-powered lawyer Louise (Meg Ryan) finds out her husband Ian (Timothy Hutton) plans to leave her for his younger mistress Sara (Kristen Bell). Louise holds Ian hostage, the better to make him explain what happened to their marriage. Eventually, an unexpected visit by Todd (Justin Long) forces husband, wife, and mistress to confront their situation in an unexpected manner.

As director Cheryl Hines suggested at the Austin Film Festival Q&A before and after the movie, the film's plot really centers on Ian's character development. I have to agree, and I also think Hines was right when she said that Timothy Hutton was perfect for this role.

And while some might take Louise's decision to tie her husband up as pathetically desperate, I found it entirely believable that such drastic action would be necessary to make a man talk about his real feelings – especially when he's doing something as unoriginally asinine as finding 'real love' with a younger woman. It's no accident that Sara looks conspicuously like young Louise, I think, and much of the movie's subtext is about the difference between early passion and long-term commitment.

This movie often feels like a play in the best sense, focusing on small moments and realistic conversation. Its short length stops it from feeling stage-y, however, and the actors all convey their lines with wonderful subtlety.

Hines also described the meticulous process of reading through the script with the actors to determine what was funny and what wasn't. I think this was nothing short of genius; so many non-traditional comedies lose the distinction so you're not sure what the intent of any given scene is. Perhaps because of her strong background in comedy, Hines wisely avoids this pitfall, making the movie's laughs razor-sharp, but balancing them with genuinely tense moments.

I won't tell you how the movie ends, because there's a bit of a twist. But I will be very curious to see what happens when it's released. I suspect that there will be some controversy about the how the film treats the battle of the sexes, and I fear some men might cower in the face of Louise's character -- Ian certainly does, at least at first. But that's almost the point, and I'm glad to see a woman-authored, woman-directed view of male infidelity for once.

This darkly comic movie is definitely worth seeing, in my opinion, and given how seriously funnylady Hines takes her job as director, I sincerely hope to see more of her work soon.

"Serious Moonlight" deserves to be seen for a number of reasons.

First, it is written by the late Adrienne Shelly (best known for "Waitress" (2007)). After her death, her husband set up the Adrienne Shelly Foundation to help women pursue their film-making dreams. Money earned from her films goes towards this foundation.

Second, there are a lot of elements in this film that are pretty original which seems to be a hard feat to accomplish for most films today.

Third, the interesting casting choices, which give us the pleasure of seeing Meg Ryan and Timothy Hutton in mature, grown up roles but acting childishly-stupid with glimmers of maturity and wisdom. After seeing this movie, I believe they are the only actors who could pull it off so beautifully. Add to this, Justin Long in a funny and very surprising role, and then the adorable Kristin Bell who for once is actually playing a character less-accomplished than the average woman her age.

"Serious Moonlight" is a romantic comedy of sorts where we have a husband divorcing his wife so he can be with his younger mistress. Include a couple criminal activities and all plans get thrown out the window. Every turn in this movie is funny, original, thoughtful, and romantic - in its own weird way.

I recommend spending your money on "Serious Moonlight". Rest in Peace, Adrienne.

...........................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA....and ORLANDO, FL

Serious Moonlight won Best Film at the 2009 Orlando Film Festival. To be brutally honest, I think winning had more to do with leads Meg Ryan and Timothy Hutton, along with director Cheryl Hines, being by far the most well-known participants, than it did with the quality(or relative lack thereof) of the film itself.

Obviously, SERIOUS was inspired/adapted by a play. Set in a house, in 5 brief acts; Half of all on-screen time is spent in the bathroom, of all places! The basic premise seems like a sure-fire winner: Not-so-successful, burned out husband decides to leave more successful lawyer wife, before she gets home from vacation, for his ditsy, twenty-something secretary. Getting home a day early, wife(Meg Ryan) catches hubby(Timothy Hutton) sneaking out in Stealth Mode. This apparently transports wife to The Twilight Zone, because, from that moment on, she exhibits the most un-attorney-like comportment imaginable! Losing touch with reality, she decides to "kidnap" husband until he has "retuned to his senses" and abandons the idea of abandoning her. Despite some genuinely funny moments, SERIOUS fumbles the execution. Novice Director Cheryl Hines(WAITRESS introduced the film. She seems like a sweet, wonderful person; a rather competent actor; and a totally unimaginative, inexperienced and lackluster director.

One sequence, midway into the film, is particularly annoying: Husband and wife, tied up in the bathroom, begin a prolonged argument. For what seems like an endless loop, the only shots/edits we get are ping-pong talking heads. That's it! Ms. Hines, if you somehow get another shot at directing, and the result is not noticeably superior, I suggest you hang-up your director's cap permanently! Timothy Hutton and a rejuvenated Meg Ryan both turn in commendable, but somewhat strained performances (Over-direction Perhaps?) Two things saved SERIOUS: A fair share of laugh-provoking moments; and acts 3 and 4.(Far superior to rest of film)

So, instead of 5*-IT GETS 6*.....ENJOY/DISFRUTELA!

This is one of the better movies I have seen this past month or so.

Meg Ryan puts on a marvelous performance as the slightly crazy wife doing whatever she can to make her husband love her.

This is a comedy unlike most other comedies out there. It had really good dialogue and some nice scenes. You just curl your toes at the extremes Meg Ryan's character goes to for making her husband stay with her. Now, it is not a comedy that will make you roll over laughing with tears streaming down your cheeks, but it is funny and have a very believable feel to it. You really get to feel for the characters of the movie.

I like Meg Ryan as an actress, and this is one of the better roles I have seen her portray in awhile. A good step away from the usual romantic comedies that she have been making.

Without giving away too much of the story, I found the plot to be very predictable. Very easy to figure out what happens early on and also easy to figure out how it will end - it is a Hollywood movie after all. And I am not just saying that because I am taped to a toilet!

Looking at the cast of the movie, you'd think you have a nice comedy at hand. Well it's anything but nice. And this is exactly where it lost (with me). Having two lead characters that are so despicable as the two at hand here, never really connected me with them. That it is borderline insane (the set-up, which gets even more ridiculous by an ending that is pretty clear, but gets "explained" here on IMDb, if you happened to miss that) and tries to "hammer" in things (quite literally at times), does not make this any better than other movies. It just makes it very different than them.

It wasn't my cup of tea and if the actors were worse, I would have rated this lower. But while other movies try to establish an alternate reality or world, this grounds itself into reality and therefor is prone to be judged by that. Of course, since tastes are different, you might actually like it (because of all the things I've listed, not despite) ...

Coming home unexpectedly one afternoon, a chattering businesswoman discovers not only is her husband leaving her, but also that he has fallen in love with another woman and was planning a rose-pedaled seduction in the couple's bedroom. She takes action by knocking him out temporarily and duct-taping him to a chair (and then to a toilet) in an attempt--one presumes--to hash out their problems rationally. Marital discord making for an unfunny dark comedy, with Meg Ryan and Timothy Hutton failing to create a convincing union (tattered or otherwise). Who on earth foots the bill for anemic productions like this? Picture starts out poorly and manages, somehow, to get progressively worse. Is there a message of some kind in Adrienne Shelly's strident script? If so, it is as well-hidden as Hutton's once-celebrated acting skills. The pits! NO STARS from ****

Meg Ryan and Timothy Hutton star yet again in a romantic comedy, not called French kiss but Serious moonlight. Serious moonlight has a couple of little flaws but really I didn't have much of a problem with it. Though the ending is predictable, the film still works, even for a romantic comedy.

Nowadays, romantic comedies are overly clichéd and have many flaws. Though I enjoy a couple of them. Such as My life in ruins, The Proposal, (500) days of Summer, and unlike anyone else, I enjoyed What happens in Vegas. The genre has kind of expired when it comes to predictability. But Serious moonlight, though predictable, works cause of the charm between the two stars and it's hilarious.

Meg Ryan stars as Louise, a lawyer who realizes that her husband(played by Timothy Hutton) is having an affair. So she decides to tape him up and hold him hostage to make him fall in love with her again. But they are put in a bad situation when they are both held hostage together.

The film is very funny. From both actors. Meg Ryan may look a little different, but she's still America's sweetheart. The film has little flaws. One of them is the fact that some of it isn't entirely original. Hutton's character is cheating on her, and is flying off to Paris. That is mainly it. Serious moonlight is an impressive directorial debut from Cheryl Hines(Curb your enthusiasm).This is a highly enjoyable film. See it. Oh, and I didn't understand the title. That's it.

Serious moonlight: 4/5

This is just to let anyone seriously considering to watch this movie know that it is a complete waste of time. It isn't funny, entertaining or exciting, it's just bad. It's badly written, the characters do not make sense, there is no payoff whatsoever. I just watched until the end to find out whether it was really that bad, or if it had anything to offer in its ending. It has not. The only good thing about it is that it's short. Still, it feels veeeery long.

I think Hutton is a good and likable actor, and he tries hard in this one, but it does not help much. Ryan is way over the top (as her role requires her to be) and that means I could barely stand any scenes with her (which amount to 85% of the movie). So please, go watch something else. Almost anything will be more rewarding than this...

MAJOR SPOILER AHEAD. THE ENDING WILL BE REVEALED. YOU ARE WARNED.

Ahem. This clever rom com is virtually a two-character play and most of it transpires in a bathroom. Early on, I began to sense all was not as it seemed. And it's not.

Everything in the movie points to it being a set up by Louise. Let's count the ways --

From the moment she arrived at the house, her whole attitude is fake innocent. Any other woman would be suspicious that her husband had strewn rose petals all over the place, but wasn't expecting his wife.

Lawn boy shows up oh so conveniently just after Louise goes into town for food.

Lawn boy is listening to music on his riding mower and cannot hear hubby's screams for help or banging on the bathroom window. Where does he decide to shut off the mower and remove his head set? Directly beneath the bathroom window.

When Louise returns to the house, her confrontation with lawn boy is entirely off camera. We just see the fishbowl smash and hear her screams and see the alarm on hubby's face. It's all an act by Louise and lawn boy.

When lawn boy drags Louise into the bathroom, apparently unconscious, and tapes her up, the husband begins his long, tearful confession that he really loves her. Supposedly she is knocked out and not hearing it, but the camera shows close ups of her face. She does not look unconscious. It is strongly hinted she is hearing this.

Lawn boy acts all lustful over Louise, even feeling her up when unconscious. Then he turns to hubby and says something like, "How could you not want this?"

If you really want to immobilize someone with duct tape, you tape their hands behind their back, not in front.

Louise has her hands duct taped in front of her. There are broken mirror shards on the floor. Hello?

When husband said he hoped the crooks would not take the heirloom silver set, a red flag went up and I said, they won't. They didn't. What kind of crooks leave behind a chest of silver sitting in plain sight?

And what kind of crooks clean the house of loot, then stick around all night to drink and party? Could it be to give Louise more time with her husband?

The only question is, how did Louise find out about the affair? And how did she know hubby was going to be at the house a day early, preparing to fly to Paris in the morning with his girlfriend? I guess we just have to go along.

As to the final scene, it could have been better. As Louise, her husband and Lawn Boy pass on the street, what if they exchanged knowing glances, but the husband doesn't see and remains clueless. Way cooler, I think.

I feel that 'Serious Moonlight' is a misunderstood movie. People seem to be under the impression that it's just another 'French Kiss' (mostly because of the misleading trailer). The similarities are minimal. The references (perhaps unintentional) are quite amusing but it must be said that 'Serious Moonlight' is no romantic comedy. It's more of a black comedy about a couple going through a stale marriage that is on the brink of breaking point. When the husband announces that he's leaving his wife for a twinkie, in a final desperate attempt the wife tries to win him back. However, she doesn't follow him all the way to Paris (which is what happened in 'French Kiss'). She ties him up, with duct tape, in their farm house.

Unlike the kind of humour that's often used in a romantic comedies 'Serious Moonlight' is a lot more tongue in cheek and even dark at times. Cheryl Hines, who's already known for her comedic talents, proves to be a competent director and with the late Adrienne Shelly's funny and yet thought-provoking screenplay, she has made something entertaining. I found most of the dialogues laugh-out-loud funny.

Timothy Hutton finally gets a part that's just right for him as he does full justice to Ian. Meg Ryan looks great and she's superb as the almost insane Louise. Justin Long and Kristen Bell provide hilarious support.

The twist in the end was cleverly done and works as a good conclusion with a funny touch.

Louise: Because, my love, you are going to stay there until we work things out.

And so begins this drama between a married couple with no children, he a corporate office employee, she a successful lawyer.

I agree with most all previous posters mentioned. To pull off a story that will keep you interested until the very end with just 3 major players is quite a feat. The strength lies, of course, in the powerful dialogue between them. But more than that, this story is not just a flick on failed relationships, but on WHY they fail. Luoise (Meg Ryan) cannot and will not accept the fact that Ian (Timothy Hutton), her husband, wishes to leave her. She cannot accept he has fallen in love with a lovely, younger woman. But the truth is not so simple. If you listen carefully past the hurt locker, you will hear reasons, good ones, as to why these things happen. The fault is not entirely the wife's, but it is not entirely the husband's either. What happens is that in most cases, problems never get talked about and discussed. In this story, events unfolded in such a way they were forced to.

But then again, we have the usual guilt/blame game. It took both of them quite some time to accept where they had failed, Louise much longer than Ian. In the middle, you have Sara (Kristen Bell), who obviously loved Ian and went to lengths to fight for him. In the end, as they say, may the best man (or woman) win, but if you notice carefully, there was something lacking in Ian when these scenes were being played out, something which makes you think , "Ok, now, seriously, are you gonna be a man about this or what?" I couldn't help feeling sorry for the girl - she was obviously sincere and showed it without compunction.

However, just when you think you've got it all figured out and you see the pieces falling into place, well here comes the final scene, where you say, "What? what just happened...hello? what was that? run that by me again?" and you feel like I did, like the wind had just been knocked out of me and I sat staring at the screen wondering what I saw. Ingenious! I'm sitting here writing this and still turning this scene over and over in my mind, contemplating the different possible meanings.

I don't agree the movie is a waste of time or disappointing. Don't think this is another exercise at flogging the dead horse of marital what-have-you problems. No, this is an ingenious and well-written story, a bit off the regular path, yes, and bizarre in some ways, but well done. I don't think anyone's acting was poor either. The humorous parts made me laugh, and the sad ones made me shake my head in sorrow.

Watch it and enjoy yourself! Well worth it!!

I watched the movie without seeing any trailers or anything, I had the idea that it was another romantic comedy, but it was a nice surprise to see that it was an interesting story, with a surprise ending. Although there were some moments in the movie that it seemed that I was watching a play, I liked the movie. The story it is so well written that only needs few characters, zero special effects to get your attention, it keeps you guessing what it's going to happen or what decisions the characters are going to take. The main characters played by Meg Ryan and Timothy Hutton are credible. It was surprising to see Justing Long doing this character, he was good in this movie. I liked this movie.

When she is informed by her husband of thirteen years that he is leaving her for another woman, Louise does what every self-respecting woman in her position would do: she conks him over the head, duct-tapes him to a chair, and threatens to hold him prisoner till he comes to his senses. Thus, for an hour-and-a-half, we're forced to watch as two self-indulgent crybabies - one a cheat, the other a raving psychotic - thrash out the details of their relationship in a tone so grating and mean-spirited that before long we're ready to send in our own hostage-negotiating team just to bring an end to all of our suffering.

Despite the presence of Meg Ryan, Tim Hutton, Kristen Bell and Justin Long in key roles, "Serious Moonlight," directed by Cheryl Hines and written by the late Adrienne Shelly (both of "Waitress" fame), is a hopelessly contrived, endlessly off-putting dark romantic comedy (a la "The War of the Roses," albeit without the courage of that film's ending) that, I guess, is supposed to be every cheated-on spouse's idea of the perfect wish-fulfillment revenge fantasy (even if the fantasy winds up going awry in the end). But the claustrophobic setting, the sadistic tone, and the sheer unpleasantness of it all make it an excruciating experience to sit through. At one point, Hutton seems to be speaking for the audience when he states, "It's like torture." That's about as astute an example of built-in self-criticism as I've ever come across in a movie.

Danny DeVito is not in this movie - but between Ruthless People and War of the Roses, I certainly felt his presence in the echoes.

*** SPOILERS *** Meg Ryan is perfection in the lead as the high-powered lawyer who refuses to let the end of their marriage and her life after it - which she sees all too clearly - become just another cliché. She goes to extremes to buy time, seemingly relents, but plays a planned trump card to retain control of the situation. After duct-taping the recalcitrant husband to a toilet, things really get interesting - and crazy. Justin Long, seemingly cast against type as a thuggish yet provocatively curious home invader with - and he is great - and the balance he shows between these aspects of his character doesn't really hit home until after you have viewed, re-viewed, then thought about the film's final scene.

As others have pointed out, Cheryl Hines from Waitress, RV, and Curb Your Enthuiasm directs the script from the late Adrienne Shelley who had died before the film was produced. Someone said here that Hines only started to direct it after Shelley was killed. I don't know whether that's true, but if so, I'm guessing there was also a production deadline she had to meet. The directing emphasis, as in a play, was 100% on getting the best performances from the characters. Anything beyond that was for making each scene work and flow into the next. I think she did a fine job with both - especially for a novice. The result does seem like a filmed stage play. Except for the last brilliant scene in town, there is no motion, no design, and no visual artistry in the direction. I'm guessing that there was no time or budget for that. Since, i tend to be story-acting-and dialog oriented, that did not bother me as much as some, but if you are looking for visual satisfaction from a film and seeing Timothy Hutton duct-taped to a toilet does not turn you on, you should probably look elsewhere.

On the other-hand, it you are looking for well-acted and off-beat character-driven entertainment as a way to spend 90 minutes of your day, watch the DVD of Serious Moonlight.

First off, don't buy this movie unless your a colector of Meg Ryan films etc...

Secondly, rent it only when you have rented 90 percent of all the other movies you want to see....

Meg Ryan, and I am a fan, was quite good in this film and for that reason only I have rated it a 6 out of 10.

I don't want to give away any part of the movie at all however, there is a scene with Timothy Hutton (Ian). I guess its a dream or a flashback, i'm not at all sure how it fits into the film but its half way in and its at least a minute long where most woman will be absolutely shocked that Meg Ryan was part of this filth.

My suggestion, watch it with your female friends, most men will only appreciate 1 minute of this shocking film.

This film is about a woman coming back home to find her husband writing a note asking for divorce. She holds her husband captive to try to win him back.

"Serious Moonlight" has only two actors most of the time, and the whole film is set in a house. Yet, it manages to maintain viewers' attention by the spectrum of emotions the two go through as the day progresses. The plot is engaging, but I find the husband's change of heart a little too abrupt. The final few seconds of the film is simple and yet effectively suggests something sinister has happened, thereby opening up viewers' imagination as to why things happened this way. "Serious Moonlight" is an interesting portrayal of a troubled couple who searches their soul for answers.

I didn't know what to expect from this movie. I knew the basic premise, but wondered if they could pull it off. In my opinion they did very well.

I also found this to be a unique story. A woman who just learns her husband has decided to leave her absolutely refuses to accept this even though he is very clear that he is not only not in love with her anymore, but has a girlfriend who he is planning a new life with. He is very specific about his reasons and the only thing left for him to do is leave. Not so simple when your wife decides that she's NOT going to let you leave her and holds you captive until she convinces you that you are wrong and that despite what you think you DO actually still love her.

Ryan plays this role to perfection and she vacillates between heartbroken wife to complete sociopath and is remarkably convincing at portraying both. This movie is a bit similar to "Misery". Knowing Ryans movies for many years where she's the good, sweet girl, love interest, adorable girlfriend.....it's fun to see her in such a dark role and in my opinion perfectly cast because she's still cute as a button, but juxtaposed against the diabolical nature of her character was brilliant.

There's lots more I could say but don't wanna spoil anything.

It's been a full two decades since Meg Ryan emerged from a series of background girlfriend roles to become America's Sweetheart in 1989's "When Harry Met Sally…", but in this strangely conceived 2009 comedy, she still has that undeniable twinkle in spite of all the age-defying cosmetic alterations to her face. The screenplay is the last work of the late actress Adrienne Shelly, who wrote, directed, and co-starred in 2007's agreeably idiosyncratic "Waitress", and what they have in common is her supple dexterity in balancing the off-kilter elements of her stories into something deeper. This time, she takes a darker, less whimsical path in exposing the insidious nature of a marriage that has dissipated from a lack of communication. Her "Waitress" co-star Cheryl Hines ("Curb Your Enthusiasm") takes the helm in her directorial debut, and her lack of experience may attribute to the fact that it feels more like a filmed stage play despite Nancy Schreiber's expert cinematography.

The brief story focuses on married couple, Louise and Ian, on a day when they unexpectedly cross paths at their bucolic vacation home. A high-powered fortyish attorney, she comes home to find her house showered romantically with rose petals and Ian writing a Dear Jane letter to her. He has decided after thirteen years of marriage that he wants a divorce, so he can rendezvous with his 24-year-old girlfriend Sarah in Paris. Unwilling to accept that her marriage has gone kaput, Louise inadvertently knocks him out with a flower pot and takes advantage of his unconsciousness in order to duct tape him to a chair until he relents. This is the beginning of a roundelay in which they spar about the merits of their marriage. Ian spends most of the 84-minute running time stuck on the toilet as he faces one humiliation after another. Even though Louise exhibits vaguely sociopathic behavior, she does not represent the only threat to Ian.

There is a nasty twist to the story in the form of an interloper that turns their vituperative cat-and-mouse game into a game of survival. The open ending doesn't quite satisfy, although the implications that it raises lends texture to what has gone on before. Ryan acquits herself well as Louise, and although it's not remarkable work, it shows that the actress could thrive into middle-age with her fizzy spirit intact. She manages to give heart to the tenacious hold her character has on her flailing marriage. In a welcome big-screen return as Ian, Timothy Hutton does what he can under a lot of duct tape in a mostly passive role with moments of vented exasperation, while Kristin Bell ("Forgetting Sarah Marshall") shows surprising grit as Sarah, especially toward the end when the women grapple on the bathroom floor. Justin Long provides a menacing edge to the smallish role of the lawn-mowing low-life. More than Hines' workmanlike direction, Shelly's somewhat uneven screenplay offers enough dark elements to make the contrived set-up worth accepting for the sake of the unfolding story she wanted to tell.

Serious Moonlight is an incredibly execrable movie which should be used in film schools as an example of how NOT to make a movie. I can assure you I am not pleased to say this, because I generally like the work of Cheryl Hines as a comedian, and I would have liked to find some positive elements in her debut as a director. Besides, this movie was written by Adrienne Shelly (1966-2006), a young filmmaker who was tragically murdered 5 years ago, and it seems unfair to posthumously speak against a screenplay which may needed various (better said, a lot of) revisions. Having said all that, I need to go back to the point: Serious Moonlight is an unbearable and repulsive disaster.

I still remember the days in which Meg Ryan was considered the "queen of the chick-flicks". Her presence used to be the the indicator that an insipid romantic story was waiting for us, but her natural geniality could make some films from her filmography to be worthy of an at least slight recommendation (such as When a Man Loves a Woman and Kate & Leopold). What happened to her career? Sure, I perfectly understand that the time went by, and that she has now been replaced by younger actresses, such as Kate Hudson and Anne Hathaway. However, I think Ryan is a competent actress, so it would not be impossible to see her in adult romances. Or, better yet, she could accept substantial and mature dramatic characters (like for example, the one she interpreted in Courage Under Fire). So...how did she end up in such an atrocious and cheap movie like Serious Moonlight?

So, in conclusion, Serious Moonlight is a horrible movie which fails in every aspect, from its pathetic screenplay to its atrocious direction. I hope Hines will not direct a movie anymore, and that she will only keep working as an actress. As for Shelly...well, I will try to remember her only for the entertaining Waitress, which she had written and directed.

Horrible.

There are just no words to express how bad this movie was. It was a complete waste of money, time, and effort. I'm shocked that something this bad was filmed in the first place.

Meg Ryan is a mess. I'm not a fan, or a hater. But all throughout the movie I just couldn't believe that an actress would do that to herself. Her acting is sloppy, her facial expressions are annoying (not cute), and her attempt to salvage her career in a Anistonesque RomCom is just pathetic. I just can't express how irritating she was. She was more annoying than Kristen Bell, and that's saying something.

The plot line and filming are atrocious. The interactions of all the parties involved are insincere or just plain weird (The fake cat fight). There is little (or no) continuity in any of the initial set-ups of the movie (Ryan is initially presented as a hardworking, romantic woman. She quickly transcends into a head case that ties her husband to the toilet and feeds him cookies. Oh, then she returns to being the romantic, stable woman who tries to salvage her relationship with the husband.) Out of the two people I saw this movie with, one of them actually enjoyed it, and one of them slept through the whole thing. Well, not the whole thing, just when it got really boring (about 2 minutes in).

If you're a Meg Ryan fan and want to stay a Meg Ryan fan, don't watch it.

If you're everyone else, still don't watch it.

Meg Ryan & Timothy Hutton,usually can be relied upon to deliver good performances.

However in this film they try BUT do not deliver, apparently they need strong direction to give decent performances. Cheryl Hines in her first directorial effort just was not able to do it.

The script was written by Adrienne Shelley prior to her death,It needed tightening up. The only other actors in the film are done by Justin Long and Kristen Bell, they too needed a tougher director. There are a few bit roles in the middle & at the end. I found very little to laugh at or to be amused by. I wanted to enjoy this but just could not.

Ratings: ** (out of 4) 54 points (out of 100) IMDb 4 (out of 10)

Nothing more than a dull rehash of their relationship in 'French Kiss'. Same movie without the hot locales and the sense of a purpose/climax that was present in that much earlier, and far more enjoyable film starring Meg And Tim.

Every single relationship issue turns into one cliché' after another - and I hate to use the word 'cliche' in a review. Serious Moonlight fails in every attempt to be serious and every attempt to be funny. This is an awful film.

Avoid at all costs.

May qualify for the years ten worst... I mean we're only half way through the year, but this is one strong candidate. Save your money!

25/100

This movie is listed as comedy, crime, and romance ... there isn't one minute of any believable comedy, crime, or romance. Honestly I do not see how this flick got beyond the editing room.

It's like my title ... that one shoe you see along the side of a road ... how did it get there? How did this movie get made? It's half a movie! It just has people saying their lines, then it ends.

Maybe the producers blew the budget on rehearsal and just went with what they had .... which is nothing but a bore. I kept expecting the entire robbery to have been a setup for a twist in the plot at the end .. no that doesn't happen.

An awful half a movie!

With so much crap being made today I am happy with the movie and actually watched it twice. I LOVE seeing a man duck taped to a toilet! I love comedies where the wife gets revenge on the cheating husband! There just aren't enough of those made. I can actually think of only one other one, "First Wives Club".

The movie made me laugh and although it is a far cry from being a great movie it is better than most of the current stuff.

Wow, I have to make this longer! Okay, I see that a lot of people aren't sure about the ending so I turned on the commentary and although they acknowledge that there are several different opinions on what the ending means, they still don't tell us their intent. I guess it is up to us to decide.