Em bé Hà Noi (1975) Online

I've just seen this film as part of my history degree course and found it to be a very interesting and moving account of the Vietnam war told from the perspective of a young North Vietnamese girl. While I wouldn't label it as out and out propaganda there are elements that reminded me strongly of British WWII flag wavers.

As I have said it is a moving film and there are some very nice touches, notably when the girl plays her violin to block the sound of bombs dropping to placate an infant. There are also some surprises. Having only seen this war as reflected from a U.S P.O.V I was surprised to see the following:

The war was not entirely limited to jungle warfare. This film is an account of the bombing of Hanoi.

In no other film had I seen the domestic side of Vietnamese life; a fairly happy family.

It had not occurred to me from watching other films that the Vietnamese would even know who Nixon was, here they seem relatively well informed; especially women.

I had previously thought that the Vietnamese had only possessed light arms, machine guns etc. In this film we see large missiles being transported (though I did suspect that it was perhaps only one missile being shown again and again or simply empty warheads!)

I do realise that this was a form of propaganda and therefore elements can be questioned, but nonetheless it is very interesting to see things from a different perspective. I would recommend this film to anyone with a serious interest in history or world cinema.

After viewing countless American films about the Vietnam War, it's refreshing to find a production that comes from the "other side". Not only does it offer an alternative perspective, but it's an authentic document - made on location in Hanoi right as the war was ending in 1975. Like the far more famous Germany Year Zero, genuine rubble and bombed out buildings line the streets; and one can sense the personal relevance and immediacy to everyone involved. It's worth seeing purely as an invaluable historical resource, but is also a genuinely effective film with competent acting and filmmaking. It's old-fashioned and low-budget - like a mix of Italian Neorealism and 1950s war films - but definitely impressive, especially considering the state of the Vietnamese film industry at the time (ie, far from flourishing).

"The Litte Girl of Hanoi" focuses on a young girl who recruits the help of a soldier to track down her father, who is off fighting the war. She recounts her story, and through flashbacks we are shown her previously happy family life with her doting parents and infant sister. These sequences, including a rudimentary but charming animation of an old Vietnamese folk tale, are juxtaposed with scenes depicting the chaos of war - the family are separated, schools and hospitals are bombed, and wounded American pilots are taken prisoner and paraded through the street. It's an effective technique, while the non-linear approach gives the film a welcome poetic quality. The performance from the young girl is surprisingly good, her adorable face communicating both toughness and vulnerability. "I don't cry," she insists, "the tears just come out by themselves."

The film exists to showcase the human tragedy of the war, specifically its impact on civilians, and could reasonably be called propaganda. It's shamelessly anti-American, with the Vietnamese depicted as undeserving victims of an "imperialist" force (yes, that very word is used). An old woman damns Nixon and swears to get revenge, while the young girl dances and celebrates when a B-52 is struck. But can we blame them? "Undeserving victims" is essentially what they were. From the North's perspective, a foreign nation came from nowhere to intervene in their affairs, declare war, and murder their people. The Vietnam War is now generally accepted by Americans as the pointless failure it was, and while their films reflect this it's still very much as an *American* tragedy. The Vietnamese perspective is rarely shown. "The Little Girl of Hanoi" is an important counterpoint to this, reminding us of the enormous toll on the country's civilians. It's a small film but nonetheless raw, beautiful, insightful, and one of a kind. I'm grateful that it gave me a chance to enter the streets of Hanoi in 1975, and can only hope it will continue reaching a wider audience.