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Приключения Паддингтона (2014) Online

Приключения Паддингтона (2014) Online
Original Title :
Paddington
Genre :
Movie / Adventure / Comedy / Family / Fantasy
Year :
2014
Directror :
Paul King
Cast :
Hugh Bonneville,Sally Hawkins,Julie Walters
Writer :
Paul King,Hamish McColl
Budget :
$55,000,000
Type :
Movie
Time :
1h 35min
Rating :
7.2/10

A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.

Приключения Паддингтона (2014) Online

A young Peruvian bear with a passion for all things British travels to London in search of a home. Finding himself lost and alone at Paddington Station, he begins to realize that city life is not all he had imagined - until he meets the kind Brown family, who read the label around his neck ('Please look after this bear. Thank you.') and offer him a temporary haven. It looks as though his luck has changed until this rarest of bears catches the eye of a museum taxidermist.
Cast overview, first billed only:
Tim Downie Tim Downie - Montgomery Clyde
Madeleine Worrall Madeleine Worrall - Agatha Clyde
Lottie Steer Lottie Steer - Young Millicent
Geoffrey Palmer Geoffrey Palmer - Head Geographer
Theresa Watson Theresa Watson - Stenographer
Imelda Staunton Imelda Staunton - Aunt Lucy (voice)
Michael Gambon Michael Gambon - Uncle Pastuzo (voice)
Ben Whishaw Ben Whishaw - Paddington (voice)
Hugh Bonneville Hugh Bonneville - Henry Brown
Sally Hawkins Sally Hawkins - Mary Brown
Madeleine Harris Madeleine Harris - Judy Brown
Samuel Joslin Samuel Joslin - Jonathan Brown
Michael Bond Michael Bond - Kindly Gentleman
Matt Lucas Matt Lucas - Joe
Julie Walters Julie Walters - Mrs. Bird

The character of Paddington Bear is based on a lone teddy bear, noticed by author Michael Bond on a shelf in a London store near Paddington Station on Christmas Eve 1956. Bond bought it as a present for his wife, and was eventually inspired to write a story. The outline of the lonely bear at Paddington Station was inspired by old newsreels showing train-loads of child evacuees leaving London during the Second World War, with labels around their necks and their possessions in small suitcases.

Karen Jankel, daughter of Paddington's creator Michael Bond, was almost moved to tears after the first screening she saw. "For me, it was bringing to life the bear that was so real to me. And I think they got it absolutely right".

Nicole Kidman learned to throw and twirl knives for her role as Milicent. She has noted that during shooting, the producers told her to tone down her knife-throwing tricks, as it was considered too intense for a children's film. Ultimately, the scenes featuring her skills were cut out of the film.

Hugh Bonneville considers the Paddington character to be "a part of the DNA of the UK" and therefore he was nervous about joining the project: "I was very nervous when I first picked it up because I thought, 'I don't want my childhood being messed with'. He's such a vivid character for so many people, certainly in Britain. So I was very nervous when I started reading but within a page I was laughing out loud and was reminded of all the charming innocence and the warmth that Michael Bond put on the page."

Despite being a keen animal lover, Nicole Kidman took a taxidermy class to prepare herself for the part.

Originally, author Michael Bond was nervous about the project of turning his character into a live action feature. However, he was convinced after seeing half a minute of test footage.

Nicole Kidman's childhood wish was to have Paddington Bear live at her home. She says that to participate in this film is the closest she will ever come to realize it.

Nicole Kidman's agent originally considered rejecting the part of Millicent, before passing it on to Kidman herself. The agent casually mentioned the offer, thinking Kidman would turn it down immediately. However, to her surprise, she was met by an enthusiastic reaction from Kidman, who was eager to star in the film, as she is a childhood fan of Michael Bond's books.

Sally Hawkins suffered from a concussion during a night shoot, as she ran into a crane on her way to the set. She received a major cut on her head, that was covered by her hat. Even though she was injured, she continued working on the scene and didn't see a doctor until the scene was wrapped.

According to director Paul King, Colin Firth was replaced as the voice of Paddington because, "It slowly just became clear that Paddington does not have the voice of a very handsome older man, who has the most beautiful voice on the planet". Firth had visited the set and worked with his live-action co-stars long before he began recording his lines, in order to help his co-stars and improve on his voice performance.

Emma Thompson did an uncredited polishing of the script; she received a general thank-you in the end credits.

Michael Bond originally intended for Paddington to be from Darkest Africa, where, in 19th and 20th century European cultural imagination, all strange things come from. When informed by his editor that there have been no bears living in Africa since the days of the Roman Empire, he researched and found that there are bears living in Peru, and thus changed Paddington's point of origin to Darkest Peru.

The movie features Paddington's iconic blue duffel coat and his red Peruvian hat. However, David Heyman dismissed his red Wellington Boots, because they were not part of the original design of the character, but were added by toy factories over the years, in order to make the real-life Paddington teddy-bears able to stand on their feet.

Colin Firth was originally cast as the voice of Paddington. But in June 2014, Firth and the director Paul King released a statement saying that in a mutual decision, Firth would drop out as they could no longer see him in the role.

Sally Hawkins portrays an illustrator of childrens' books. In real life, both of Hawkins' parents are authors and illustrators of children's books.

Aunt Lucy resides at 'Place for Retired Bears in Darkest Peru'. In reality there's a 'Peruvian National Forest and Fauna Service' which takes care of misled and lost bears. After the release of the film, an abandoned and wet three-months old Peruvian bear cub was rescued in the middle of a highway and taken to the center for safety and recovery.

This is the first time Nicole Kidman has done a family-friendly film following the birth of her two children with Keith Urban, which means this will be the first time her two children will be able to see their mother in action. According to Kidman, her children were very excited about the project at first, since they thought she would play "the bear's mommy". However, when they discovered she was going to play the villain to the bear, they were left mortified.

In the UK, the popularity of the film greatly enhanced the sale of marmalade and oranges within the first half of 2015, and served a rise in downloads of marmalade recipes.

"The Paddington Trail" is a part of the promotional campaign for the film. The event is created in collaboration with Visit London and features 50 statues of Paddington Bear, placed all over the city of London. The statues are designed by members of the cast and crew and several other British profiles, including Emma Watson, Benedict Cumberbatch, Michael Sheen, David Beckham and the Mayor of London, Boris Johnson. The statues were sold off at an auction when the trail completed in December, and the money raised was donated to NSPCC, The National Society for the Prevention of Cruelty to Children.

Nicole Kidman did some of her own stunts for the film. On her public Facebook profile she shared a photo of her from her first day of filming, in which she hangs upside down in wires, placed several feet above the ground.

Ben Whishaw signed on to voice Paddington five months before the film's world premiere.

Sally Hawkins and Hugh Bonneville improvised most of the conversations between their characters.

Paddington is made entirely from CGI in the film. However, on set a stick featuring a puppet version of Paddington's face was used, while several teddy bears of Paddington decorated the setting.

Imelda Staunton and Michael Gambon were added to the cast 10 months after filming had wrapped and just six weeks before the premiere of the film.

The biggest selling DVD/Blu-ray release in the UK of 2015. It sold 1 million discs in record time.

The red carpet premiere in China was not attended by any cast members, but Prince William did, in order to introduce the English film to the Chinese market.

Costume designer Lindy Hemming decided to have the characters of Mary Brown and Jonathan Brown wear red pieces of clothes, in order to show their warm nature and to represent their connection to Paddington, who wears a red hat. Meanwhile, the other two characters of the family wear blue and gray colors, which represents their distance towards the bear.

During pre-production, director Paul King attended several screenings of children's film in order to see what made the children in the audience laugh. He brought his wife to most of these screenings in order not to seem like "a creepy loner".

Director Paul King worked on the film for five years. His wife has said that on the night after the premiere, was the first time he had slept peacefully in three years.

Although Paddington railway station was used for interior shots, the exterior establishing shot of 'Paddington' station is Marylebone, a few miles down the road. It was probably chosen as it is more aesthetically pleasing.

Paddington Bear originates from "darkest Peru". Which could mean he is a spectacled bear, the only extant species of bear native to South America. Most editions of the Paddington books illustrate him to resemble that species. However, Paddington's species is identified in the film as Ursa marmaladus ("marmalade bear"), a fictional species.

In order to create some early attention for the film, the production company, Studiocanal, placed a Paddington teddy bear in Otselend (2014). Meanwhile, Hugh Bonneville brought a Paddington teddy bear to the world premiere of Monumendimehed (2014) where he got George Clooney, Matt Damon and Bill Murray to pose with it.

When Paddington is waiting at the train station, he is sitting in front of the Lost & Found. The sign is faulty, and the "Found" is not lit. When Mrs. Brown comes back to speak to him, the "Found" lights up.

To promote the movie and the book series, Nicole Kidman hosted a Storytime Event at her local Barnes & Noble store, in which she read from Michael Bond's classic short stories. About 100 guests lined up an hour before in order to attend.

For the part of antiques salesman Dr. Gruber, author Michael Bond originally wished for a foreign actor, since the character was based on Bond's first agent, a German Jew, who, according to Bond, was "in line to be the youngest judge in Germany, when he was warned his name was on a list, so he got out and came to England with just a suitcase and £25 to his name". In the book, Gruber is identified as being from Hungary. However, Bond appreciates the casting of Jim Broadbent.

Julie Walters was familiar with Paddington Bear, but had never read any of the books, nor seen the television series. For her preparation she asked friends who'd read the books as a child to share their memories, including her husband: "I grilled my husband about Mrs Bird and he said, 'Well, she was very stern, but you knew that she was loving.' I remember thinking, That's a difficult one."

Making Paddington smile proved to be a challenge for the VFX crew. Adding a human smile and natural form of the muzzle mouth into him challenged the photo real look the crew was aiming for. Instead they focused on adding sweetness to his natural gaze and happy expression from his eyes.

Several cast and crew members said director Paul King is very reminiscent of Paddington Bear himself, in terms of his attitude, politeness and in the way he solves problems.

The part of Millicent was written with Nicole Kidman in mind.

Jeremy Clarkson owns the very first produced Paddington Bear toy, since it was created by his mother Shirley Clarkson's company, Gabrielle Designs, which was the first Paddington licensee to create official Paddington toys.

Jim Broadbent provides the voice of Judith's audio lessons of the Chinese language.

Michael Bond's books about Paddington Bear have been translated into 30 languages across 70 titles and sold more than 30 million copies worldwide.

Julie Walters based her eccentric performance on her make-up artist from the film.

Paddington Bear was honored as "Britain's Favourite Ever Animated Character" at the British Animated Awards 2012.

Paul King's favorite scene to film was the meeting between the bear and the Brown family at Paddington Station, due to the real-life support from the staff at the station during filming.

The first teaser poster for the film was released in June 2012, almost two and a half years before the theatrical release of the film.

Due to its fine performance at the worldwide box office, it managed to be highest-ever grossing non-Hollywood family film, that isn't animated, and it's the highest grossing release from the production company Studio Canal. Furthermore, it spent 12 weeks in the top 10 at the British box office, and eventually became the highest grossing British film at the UK box office among releases from 2014.

A real bathtub was used for the scene where the The Brown's House is flooded. It took weeks to finish the sequence, that required to send the bathtub down the stairs for several takes.

In 1965, seven years after the release of the first Paddington Bear book, Michael Bond had enjoyed such a successful sale of his book series that he was able to retire his job as a BBC camera man and work as a full-time author.

Paddington Bear has his own Instagram account, often featuring shots of elevenses, marmalade and British traditions.

Nicole Kidman said she would have played any part in the film, because she was excited to be part of the project. Furthermore, experiencing one specific screening was one of her career highlights, as her daughter and own mother were all greatly enjoying and laughing throughout the film.

In December 2014, Nicole Kidman held a special charity screening of this film, for the ill children at Sydney Children's Hospital, Randwick.

"Darkest Peru" was actually shot in Costa Rica, and the first shooting days of the movie were there. Many members of the British crew flew to Costa Rica and many locals were hired.

A life-size bronze sculpture of the fictional Paddington Bear by Marcus Cornish was placed in Paddington Station, London, in 2000.

Paddington's red hat is created by director Paul King's wife, who owns the hat-company "Moody & Farrell".

The song "London is the Place for Me" was originally composed and performed by Calypso artist Lord Kitchener, (real name Aldwyn Roberts), who immigrated to the UK from Trinidad (part of the nation of Trinidad & Tobago) in the West Indies on the Empire Windrush in 1948. His music epitomised the feelings of West Indian migrants to Great Britain in the 1950s.

When Colin Firth was cast to provide Paddington's voice, he would record his dialogue wearing a helmet with a little GoPro sports camera attached to it, so that the animators could use his facial expressions for reference. When Ben Whishaw was cast as a replacement, he had to re-record not only the voice, but also provide his own facial expressions. This meant that in every scene in which Paddington spoke, the animation had to be redone.

Paddington may not have been so keen to share the picnic the Guardsman produces from under his hat if he knew the origin of his headwear. It is known as a 'bearskin' and was traditionally made from the hide of the Canadian black bear.

The red carpet for the world premiere of the film was decorated with marmalade jars, which stood two meter tall, and a small replica of the Paddington train station.

Close to the premiere, Michael Bond became nervous about the quality of the film before seeing it; "Before, there was a certain amount of trepidation, I was worrying I'd be lying awake thinking: 'I've let Paddington down.' Letting other people take control of your character was like letting your child go off in somebody else's car. You hope for the best, but you brace yourself for the worst." He was eventually very pleased with the final film.

After months of speculation, a sequel was officially announced in October 2015, when it was revealed that director Paul King would return to write and direct Paddingtoni seiklused 2 (2017).

Reached its final theatrical market in January 2016, where it opened in Japan, more than a year after the original release of the film.

Mr. Gruber's' antique shop is filmed at "Alice's Antiques" in West London.

The project was originally announced in September 2007 and envisioned as a another collaboration between Warner Bros and David Heyman, while Hamish McColl was hired as the screenwriter. When the project moved forward in 2012, Heyman was the only one still attached to the film.

Won "Best Feature Film" at the 2015 BAFTA Children's Awards beating the likes of Pahupidi (2015) and 6 Kangelast (2014).

'Marmalade' marks the first spoken word of the film, and it's the most used word throughout the film.

Ben Whishaw had never read or seen any previous works featuring Paddington Bear before he was cast.

There have been several designs of the bear over the years. Director Paul King's favorite is the one by illustrator Peggy Fortnum.

Jim Broadbent plays a former child war-evacuee. He previously portrayed a host of London child evacuees during the Second World War in another British family film, Narnia lood: lõvi, nõid ja riidekapp (2005).

Gwen Stefani and Pharrell Williams collaborated on creating the song "Shine" for the film's soundtrack. Before Stefani worked on the song, she saw a rough cut of the film, early in post-production, that didn't feature the Paddington character, as the CGI wasn't completed.

Director Paul King had filmed a cameo as a tube passenger, but the scene didn't feature in the final film.

This is the second time Nicole Kidman plays a villain in an adaptation of a British children's book that features a talking bear as one of the main characters. She previously did in Kuldne kompass (2007), which, like this film, had a monkey sharing most of her scenes.

Hugh Bonneville was originally unable to be part of the project due to scheduling conflicts with Downton Abbey (2010). This was when filming was set to begin in Spring 2013. However, he became available when shooting of the London based scenes were pushed back to resume in autumn 2013.

The custom made fairground carousel horse in The Brown's House is created by Ian Hunt, founder of UK's Gallopers. This is the first time he has created anything for a movie, but he has previously created props for London-based concerts of Beyoncé and Iggy Azalea.

Prior to this film, Jim Broadbent had worked with every member of the main cast, save for the children performers. This includes one film with Nicole Kidman, Peter Capaldi', and Ben Whishaw respectively, two projects with Sally Hawkins, three projects with Hugh Bonneville and numerous collaborations with Julie Walters that expands over film, TV and theatre.

Nicole Kidman had a support staff of 11 people, according to the credits. 3 assistants, a Millicent stand-in, a floor runner, make-up artist, hair stylist, stunt double, dialogue coach, as well as someone for her shoes, and another for her wigs.

The production wasn't allowed to use the original track of the 'Mission Impossible' theme. Hereby composer Nick Urata had to score an new recording of the theme from scratch.

The film surprisingly won Best Comedy at the Empire Film Award. In his acceptance speech, a baffled director Paul King said he was convinced the award would go to Grand Budapest Hotell (2014).

David Heyman previously produced the Harry Potter series and on this film he has re-teamed with four members of the cast of Harry Potter; Julie Walters (Mrs. Molly Weasely), Jim Broadbent (Professor Horace Slughorn), Imelda Staunton (Professor Dolores Umbridge), and Michael Gambon (Headmaster Albus Dumbledore). Staunton and Gambon previously played nemeses, in this they play a married couple. Emma Watson (Hermione Granger) does not appear in the film but was part of the promotional "Paddington Trail" event.

This marks the first release for TWC-Dimension, a label for producers Harvey Weinstein and Bob Weinstein, that handles films for which they share a common passion.

Matt Lucas, an avid Arsenal fan, plays a cabbie with an Arsenal ornament hanging from his taxi's rear view mirror.

The most expensive film made by French company StudioCanal.

Hugh Laurie was rumored to voice Paddington Bear. This however did not go ahead in the end.

The movie contains 700 effect shots.

After the pickpocket is collared by the police, there's a closeup of a newspaper front page, with a photo of Paddington in a police helmet. The headline reads "A Fur Cop". That's a play on the British phrase "A fair cop", something a criminal might say after being caught at a crime (roughly equivalent to "That was a fair and square arrest" - "cop" meaning "arrest".

Hugh Bonneville and Sally Hawkins portray another married couple in The Hollow Crown: Henry VI Part 1 (2016).

Javier Marzan, comedy performer, provided as stand-in and created the movements for Paddington Bear while filming.

Paul King has said the film will be a mix of "the tender comedy of The Kid (1921) and the fish-out-of-the-water anarchy of Päkapikk (2003)".

The underground station called Westbourne Oak which features in the film is actually Maida Vale station on the Bakerloo line. There is no station with the name Westbourne Oak. The name was made up using the names of two other stations, Westbourne Park and Royal Oak. Those two stations are the ones that come immediately after Paddington station on the Hammersmith and City line.

It has been claimed that Hugh Bonneville rides a Triumph Bonneville to the hospital. In fact it is a Triumph Thunderbird, registration LND 460, which has appeared in other films.

Chester Cheetah from a Cheetos Commercial makes a brief cameo appearances during the bloopers of Paddington scene.

A poster of author Virginia Woolf is seen prominently in Judy's class room for literature lessons. Cast member Nicole Kidman portrayed Woolf in Tunnid (2002).

Stuffed heads of animals decorate the hallway next to Millicent's office. However, when Millicent goes through the door to her office, you can see the remaining animal bodies on the other side of the wall.

Feature film debut of Madeleine Harris.

Director Paul King is a lifelong Paddington fan.

This marks Sally Hawkins's second movie of 2014, in which she stars alongside a CGI main character whose name is the title of the film. The first one is Godzilla (2014).

Since sequels are planned, this marks producer David Heyman's second series of family films with an orphan as the lead character. The first one was Harry Potter ja tarkade kivi (2001) and the follow-ups.

The villain Millicent, who of course was created for the movie, is very similar to the villain Cruella De Vil from "101 Dalmatians" by Dodie Smith, a contemporary of Michael Bond.

A five-minute preview of the film was shown to audiences at the 2014 Cannes Film Festival.

This is the second film where Hugh Bonneville has raced across West London in a car as a precursor to the final scene. The first being Notting Hill (1999).

Paddington's original incarnation had a very posh voice, despite his being from Darkest Peru.

Hugh Bonneville also narrates several of the Paddington Bear audiobooks.

Paddington stands next to a British Footguard whose hats are made from actual bearskin. The standard bearskin of the British Foot Guards is 18 inches tall, weighs 1.5 pounds and is made from the fur of the Canadian black bear.

When Paddington is escaping from Nicole Kidman's character, the soundtrack paraphrases the theme from the "Mission: Impossible" movies, which star Tom Cruise, Nicole Kidman's ex.

The backing music used for the black-and-white Darkest Peru sequences is Arnold Safroni's "Imperial Echoes", the theme from the BBC's "Radio Newsreel" programme.

Hugh Bonneville and Jim Broadbent both played John Bayley in the 2001 film Iris (2001). The same year, Broadbent also played opposite Nicole Kidman in Moulin Rouge! (2001).

Martin Clunes and Rowan Atkinson were both considered for the role of Henry Brown

Hugh Bonneville was born in Paddington, London.

During the scene with Paddington being washed, by Judith and Jonathan, the short shot of Paddington's fluffed up stockier appearance is obviously a loving reference to his appearance in the original 1970s BBC TV/FilmFair animated series version.

David Walliams and Rupert Everett were considered for the voice of Paddington.

Colin Firth (who passed on the project when he could not get Paddington's voice right) and Nicole Kidman appeared together in Raudteemees (2013) and Ei. Tohi. Magama. Jääda. (2014).

Before the film was released, teasers for the movie prompted many on social networks to start using the hashtag #creepypaddington. These largely disappeared when the film came out and was warmly embraced by the general public.

Adrian Edmondson was considered for the role of Henry Brown

The first of two films featuring both Sally Hawkins and a scene with a flooded bathroom, the second being Vee puudutus (2017).

Ken Stott was considered for the role of Henry Brown.

Philippines actor Xian Lim voices Paddington in the Tagalog dub.

This film features two actors who later went on to star in another British phenomenon, Doctor Who. Peter Capaldi (Mr. Curry) was cast as the Twelfth Doctor, and Matt Lucas (Cab Driver) plays his companion, Nardole. Hugh Bonneville (Mr. Brown) also guest starred in Doctor Who as Captain Henry Avery in The Curse of the Black Spot and A Good Man Goes to War.

The scene where the bathroom is flooding is very similar to the one in Härra Popperi pingviinid (2011).

Sally Hawkins, Ben Wishaw, and Michael Gambon appear in 2004s Layer Cake.

The dog Paddington carries down the escalator at the tube station is a Chihuahua.

Simon Farnaby (Barry the Security Guard) and Alice Lowe (Geographer's Guild Receptionist) both appeared together in the comedy series Horrible Histories (2009-2015).

Michael Bond: Around 0:17:15, the man in the café who raises a glass to Paddington as he passes in a taxi is the author of the original Paddington stories.

Hamish McColl: writer of the original script for the film, appears as Petting Zoo Keeper.

Javier Marzan: The man who stood in for Paddington on set also appears as Buckingham Palace Sentry.

Simon Farnaby: writer of Paddingtoni seiklused 2 (2017) and longtime collaborator appears as Barry.

Paddington's last line goes "A bear called Paddington". The same line is the title of the first book in Michael Bond's series of novels about the bear.

The "silly voice" that Mr. Curry uses to call the Browns to tell them about Paddington is Peter Capaldi's natural Scottish accent.

The scene where Hugh Bonneville's disguises as a chambermaid originally caused the BBFC to give the film a PG-rating as they believed it featured sexual tension between Mr. Brown and the security guard.

When Paddington starts to escape, Millicent hits the alarm, which causes the museum to lock down. Paddington runs for one of the doors as it closes downward, causing him to have to slide under it. His hat falls off during his slide, causing him to have to grab it before the door closed. This is a spoof of a running gag from the Indiana Jones movies.


User reviews

Kaim

Kaim

I have to state this before continuing with this review, prior to seeing this I was very reluctant and hesitant as to what I was due to view. After growing up hearing the stories and watching the animated tales of Paddington Bear, I was unsure as to whether a CGI-heavy live- action tale could really establish a story that portrays the bear in all his charm, well my predictions were woefully inaccurate. 'Paddington' is a very well-executed adaptation of the titular bear for a 21st century audience. From the producers of Harry Potter, 'Paddington' delivers a family-friendly and charming atmosphere whilst conveying an endearing and gloriously comedic tale about a bear and his adventures in London. One of the late and great films of the year, Paul King's irresistibly warm story creates a sense of nostalgia whilst boasting a quintessentially British feel and pitch-perfect humour that can be enjoyed by people of all ages.
Marilore

Marilore

Real-life link: Just for the record, I have never experienced that kind of snow in London and I have lived here for a very long time. So that is way beyond reality (tho I wish it will someday snow like that). However, one very true fact about London is that indeed everyone is different and because of that everyone can fit in and feel like home. The magic of London I guess. What the movie emphasised on was dealing with accepting that you are different and feeling comfortable with it. Sad however, to see that Paddington was only able to do that when the Browns did suggesting that the only way to be comfortable with who you are, is of those around you are. It is in many cases true but it shouldn't be and movie developed around this suggestion are indeed not helping to change that.

The movie is very hear-warming. Warm family atmosphere and a lot of scenes that made me laugh out loud (literally). Acting is great as well, with Hugh Bonneville being amazing as always. And the editing is also not a usual one which makes the movie great. London is also nicely portrayed and it was a pleasure to see some very familiar places in the movie. To conclude, I would definitely recommend this to everyone (yes, including adults).
Goldfury

Goldfury

I loved it. It didn't matter to me that myself and my husband were watching it without the cover of escorting children, family movies are probably one of the most satisfying things out there to watch when done as well as this one was.

Cute is an understatement to describe Paddington Bear: he is simply warm and cuddly and I fell for him wholeheartedly. I may even add PB to my Christmas list of wants, even at my great old age.

Adult comedies can engender one or two laughs, if you're lucky, but this family fun trip had me and the audience laughing throughout (apart from the odd serious moments where it wouldn't have been right to do so).

Everything was right: the colours, the cast (except I'm not a fan of Nicole Kidman: her pert nose, pert bum or whispered speech), and again...I was entranced by the great warmth of the entire piece.

Folks, go see this one, whatever your age, with kids or without. You'll all love it, I'm sure.

My hubby hadn't wanted to see it, but he thoroughly enjoyed it. Highly recommended. I'm sure it will grace many TV screens at many Christmases for many years to come.
Ubrise

Ubrise

One of the things I resent the most in modern children's film and stories and in modern animation is that they can be visually enthralling but have not magic, no soul or no charm. I also dislike the fact that too many fables and old-books stories are brought to the screen with no soul and respect for the original characters and stories.

To my delight, this is not Paddington's case.

Paddington is a brilliant exception to the dullness, soulless bunch of animated movies for kids out there. This is so mostly so because the original story is there, Paddington and the the Brown's family's souls and personalities are there, they feel modern and contemporary, but not too far removed from the original. Pablo Grillo's animation is fantastic per se, but there are many amazing animators out there; what sets this film animation apart is the magic infused into it, so we come to see Paddington as Paddington, not as a puppet, not as a CGI character, not as a fictional. Paddington feels real in this movie, as real as any of the actors.

The ambiance of the film is whimsical, it mixes elements that are very modern but also capturing a bit of the old London where the original story is set. The film has a great tempo, is full of fancy and fun, innocence and naughtiness, havoc and tenderness, action and stillness, happiness and sadness, adventure, laughter and family love.

The cast in this film is great, per se, but that not always guarantees a good movie in the end. However, all the actors are great and believable in this film. I especially liked Nicole Kidman in her evil sassy ruthless manipulative and sweet villain role.

The music is also fantastic with plenty of Latin rhythms throughout the film. Paddington is Peruvian, after all.

Paddington is not only a very sweet, fun an enjoyable film. It also has a great message about accepting those who are different and welcoming those who need of our care because have nowhere to go; two things that we should be reminded of in these troubled times when refugees are sometimes treated as an "it" not as Paddington. There should be more Brown families in the world.

I was expecting another dumb movie for kids. To my delight, Paddington is a a tender fun-filled magical film that made me feel a kid again.
Painshade

Painshade

OK, I must admit when I looked at the film poster, I had asked myself: How could a feature length film about a British family adopting a CGI talking bear be good? That's why I went into the theater with zero expectation, and Paddington proves to be a huge surprise.

As soon as I walked into the theater, I could see I'm the oldest one (excluding those parents), and I did feel a tiny bit embarrassed - sitting alone surrounded by hyperactive children. But then, as the film goes, I found out watching Paddington is one of the best decisions I've made recently, and that is not exaggerating, because as I watched that little talking bear roam around London, I found the inner child inside of me who's been lost for quite some time. I have never laughed and screamed so freely along with those children and I feel totally not out of place.

Needless to say, Paddington is fabulously British, and as a Potterhead (proudly saying so), I recognized a LOT of familiar faces (and voices). Jim Broadbent, Julie Walters, Imelda Staunton, even Michael Gambon, and so many more other spectacular actors and actresses are housed in this 95-minutes film. They are one of the major reasons the film is so appealing.

The screenplay of the film is impeccably crafted with totally hilarious, literally LOL jokes (some written particularly for children, and some more naughtier ones I'm sure only the parents would get), and also with moments of warmth so sincerely written that my heart has never been so molten before.

Paddington truly is a surprising movie, and it surely is the best non-animated family film made in 2014. It is ridiculous yet believable. Unlike the increasing amount of farces that call themselves "comedies", Paddington is truly hilarious and heartwarming with a story that is so rich and compelling. And I would recommend Paddington to anyone, and if you have not watched it yet, go watch it and you will find it's the best decision you've ever made.
Gir

Gir

This is, without doubt, one of the funniest and most heartwarming films that I expect to see in my life. A true "Family" film, it should appeal to children of all ages as well as to adults who are still children at heart.

The cast is perfection, and the director has been truly inspired. The extra touches in both sight and sound that he brings to the film are brilliant - but I shan't specify what they are, for fear of spoiling the surprises.

The film walks a fine line being cute at times, but it never becomes cloying or overly sweet. Paddington lives. I quickly forgot that he was a CGI and simply accepted him as another part of the cast.

Even if you have no children to take with you, you should see this film.
Zeli

Zeli

"I LIKE THE BEAR," a little girl exclaimed behind me during the first few minutes of Paddington. The delighted reaction took me by surprise, and then it turned into a reminder. The farther I drift away from childhood, the longer I avoid interacting with elementary-aged children, there is a tendency to forget that there is such a thing as kids movies and family movies. I saw The LEGO Movie with my dad, true, but even then, it felt like I was watching a slightly sanitized version of The Simpsons instead of a reprehensible Pixar knockoff.

These days, family movies try as hard as they can to appeal to the kiddos and their parents; maybe executives know how excruciating it can be to sit through a particularly painful foray into baby-talk and recycled jokes. Though it isn't my personal favorite genre, it is undeniable that family films please more routinely than any other category in film. So much emphasis is put onto each project that it's rare to find a stinker among the handful.

But most children's films are only good, entertaining for the time being but not packed with enough quality to have an impact for more than a few months. Imagine my surprise when Paddington went from 0 to 60, straight into my cynical heart. Paddington is far too marvelous to throw around the effective cliché that it has something for the kids and something for the adults; like Babe, The Muppets, and yes, even Frozen, it transcends our prejudiced assumptions and takes us inside a fairy tale where anything can happen. It doesn't matter what age we are; it is as if you could throw dust into the air, only to find it fall in a golden flurry. Paddington shouldn't work, but it does. It does so well, in fact, that I can say with full confidence that it is one of the best genre films of the decade.

Paddington the Bear is already a beloved literary figure, of course, but when we first meet him in his own star vehicle, it is as though he is new again. As the film begins, we find him living in Darkest, Peru with his aunt and uncle (Imelda Staunton and Michael Gambon), both of whom are marmalade obsessed and intelligent enough to speak in cultured British accents. The film explains this noteworthy phenomenon: decades earlier, an explorer arrived in Peru, and, smitten with the bears otherworldly craftiness, taught them how to act as if they were civilized human beings.

After tragedy strikes, Paddington's aunt decides that it would be best if her nephew went to find a home in London. When he arrives at a train station, most disregard his exuberant politeness, but not Mrs. Brown (Sally Hawkins). Her family looks at him with differing levels of judgment, especially her husband (Hugh Bonneville), but the Brown's pity him, eventually deciding to take him in.

Paddington may have inimitable manners, but he surely isn't gifted when it comes to gracefulness (in a hilariously mounted comedic sequence, Paddington discovers the joys of the family bathroom, only to flood the entire house). Most would give him up, but with his considerable charm to make up for his klutziness, he even wins over Mr. Brown. But just as things begin to look up into storybook heaven, Millicent Clyde (a scene- stealing Nicole Kidman) enters the scene, a blood-thirsty taxidermist who wants nothing more than to stuff Paddington for her latest exhibit.

With its candy-colored imagery and bouncy humor, Paddington is impossible to resist, a feature that really and truly makes you relive the glorious innocence of childhood. Voiced by the genial Ben Whishaw, Paddington is a fluffy friend for the ages, more cuddly and comical than Despicable Me's famed Minions. The CGI used to flesh him out is so convincing that every single strand of fur sticks out with remarkable detail; there were times I forgot that Paddington is an outright miracle of animation, not a real-life talent I could meet on the red carpet.

There you have it. Paddington doesn't need an analysis, nor does it need a critic to highlight how much of a wonder it is. It is an unusually magical and unusually well-crafted family movie that needs to be watched immediately. Take you mom, take your dad, take your sister, take your brother — take anybody. Because, like the little girl who sat behind me during its extraordinary 95 minutes, I like the bear.

Read more reviews at petersonreviews.com
Dagdatus

Dagdatus

This is an instant classic. The raw materials, a heart-warming, but lightweight children's story are not the obvious stuff of a great film,the hybrid real life and cgi high risk. But it works, spectacularly. Translated into over thirty languages, and comprising over twenty books, the simple adventures of an anthropomorphised bear from darkest Peru have enchanted parents and children alike. Hamish McColl has done a fabulous job with the screenplay creating a story inspired by events in the books, but not telling a particular previous story.

The ingredients are carefully crafted. Casting is almost perfect. Hugh Bonneville is an arch paternal figure, a role popularised with his stint at Downton Abbey, a series which has enjoyed great success in the United States, broadening the film's transatlantic appeal. Nicole Kidman is wonderful in her baddie, Cruella de Ville incarnation as Millicent. All dads will love the lingering shots of her from the soles of her vertiginous heels upwards. She flounces and pounces and generally has the most fun, particularly when enhanced by her no-hoper admirer Mr Curry (Peter Capaldi). The kids, play cameo roles well, housekeeper Julie Walters is a dotty delight with prodigious drinking game skills. The only character I didn't quite buy was Sally Hawkins as the wife. Very Boho and Notting Hill, she didn't quite convince opposite Hugh Bonneville as his wife.

At the eleventh hour crisis struck the production when Colin Firth left the production as the voice of Paddington. But sweet are the uses of adversity, and Ben Wishaw stepped in to capture the spirit and essence of the bear perfectly.

Director Paul King creates a wonderfully British landscape without wallowing in nostalgia too much. Tower Bridge, Buckingham Palace, the Natural History Museum, Red telephone boxes, double decker buses and English Bobbies are of course on show, but multi -cultural bustling London is also there, saving it from a sickly sweet end.

Not only is the story well told, but the dialogue is crisp, funny and fresh too. The linguist daughter learns how to say "I have been accused of insider trading and require legal representation" in Chinese, and when Paddington is tied up in a chase wearing a policeman's helmet the local bobbies come to his aid with an "officer in distress" call.

King has some fun with nods to other movies too. The scene where the cabbies code becomes "guidelines" under Inquisitor Nicole Kidman echoes Johnny Depp in Pirates of the Caribbean, Paddington has to rescue his hat from a descending shutter blind as Indiana Jones did, and Kidman descends from a skylight in an attempt to capture Paddington as Tom Cruise did in Mission Impossible, with a further scene reprised as Paddington makes his escape up a metal vent shaft.

Ninety minutes is about right for a family film and at 95 minutes, not a second is wasted, nor dramatic lull endured. Hugh Bonneville's scene in drag is more Les Dawson than Mrs Doubtfire and works in a surreal way, Matt Lucas gets his comeuppance as an awkward cab driver in a way that British MP David Mellor would surely approve of. Some homespun philosophy about outsiders, family, and love, stay just the right side of schmaltz neatly reinforcing the story's wholesome credentials. The special effects are fabulous, particularly a flood, and the essentials, a hat, duffle coat and marmalade are all present and correct.

A certainty to be around for many Christmases, and years, to come.
inform

inform

There's plenty to be cynical about where Paddington is concerned. The first feature film about the iconic bear - red hat, blue coat, suitcase in hand - was first announced in 2007, and went through a gestation period that's extraordinarily long even for a heavily animated film. The trailer's (literal) toilet humour seemed to confirm that it was pitched firmly at kids. And last, but certainly not least, the cast experienced a shake-up of fairly seismic proportions when Colin Firth announced in July that - with the unanimous consent of all concerned - he would no longer be voicing Paddington. All signs pointed towards a disaster of a movie, one stitched together to cash in on rather than celebrate the phenomenon of Paddington, a little bear who has lived in books, TV series and cuddly merchandise around the world.

It's a flat-out joy to discover, then, that Paddington is very far from a disaster. Indeed, it's an unmitigated delight of a family film. Of course, "family films" don't really cater to everyone in the family a lot of the time - the phrase is a euphemism applied to movies that adults must put up with or suffer through for the sake of entertaining their children. But Paul King's Paddington, based on the beloved books by Michael Bond, really does have something for everyone and is, incidentally, an utterly lovely movie about families to boot. The young will be bowled over by the adorable bear who tumbles through London and into the hearts of his adopted family. The young at heart -and even a few older, crankier people - will find much to enjoy in the film's cheerfully subversive script.

Our journey begins in Darkest Peru, where a young bear (voiced with pitch-perfect charm by Whishaw) lives happily with his Aunt Lucy (Staunton) and Uncle Pastuzo (Gambon). He inherits from them a healthy love for marmalade and London, as well as a floppy, red felt hat left behind decades ago by English explorer Montgomery Clyde (Downie). When an earthquake destroys their idyllic home, Aunt Lucy urges her nephew to strike out to London. Many jars of marmalade later, he finds himself in the iconic train station that gives him his name. He meets the Brown family: risk- averse Henry (Bonneville), dreamy Mary (Hawkins) and their children, Judy (Harris) and Jonathan (Joslin). With Henry insisting that Paddington can only stay while he looks for a more permanent home, the bear begins investigations in London - unaware that Millicent, an obsessive, possibly crazy taxidermist (Kidman), has very specific reasons for wanting him to visit her museum.

Strictly speaking, there isn't anything all that new or original about Paddington. We've seen the trope many times before - in trying to find a new home, a misfit changes the hearts and minds of the people who will eventually become his family. The narrative of the film is also little more than a patchwork of wacky incidents and hijinks: Paddington floods the bathroom while trying to come to terms with the "facilities"; Paddington apprehends a criminal through sheer good luck and his incredibly honest nature; Paddington and Henry infiltrate the top-secret Geographers' Guild to hunt down Mr. Clyde.

And yet, King has crafted something quite charming and magical around the bare bones of his story. The film practically radiates love for the sweet-tempered, unfailingly polite bear at its heart. A life-long fan of the ursine hero, King peppers his script with smart references to Bond's books, from Paddington's trademark 'hard stare', used to embarrass people into behaving better, through to the meddling interference of nosy, thrifty neighbour Mr. Curry (Capaldi). He's also updated and deepened the story to give the elder Browns their own emotional arc: Mary's determination to open her heart and home to a stranger is what eventually leads Henry to getting back in touch with his wilder, more fun-loving side. The film also looks quite spectacular, whether Paddington is surfing down a flight of stairs in a bathtub or we're allowed a dollhouse glimpse at the Brown family as they go about their lives.

Most importantly, King infuses the entire film with a practically joyous strain of comedy and wit. Pratfalls and sight gags are accompanied by deliciously silly allusions to William Shakespeare and Mission Impossible. Even the film's supporting characters get their own hefty share of comedy, whether it's housekeeper Mrs Bird (Walters) distracting a security guard by means of a booze throwdown or Mr. Curry falling instantly for Millicent to a smooth burst of Lionel Richie. Millicent herself is an inspired creation. Prowling through the film, togged out in figure-hugging snakeskin and wielding scalpels, she brings to mind and subverts the icy-cool blonde archetype most beloved of Alfred Hitchcock.

The sharp script and stunning visuals would mean little without a cast wholly committed to their roles, and King has struck gold with his offbeat casting choices. Bonneville, a veteran of Downton Abbey, has no problem playing Henry's constant anxiety over his children, but also gleefully flings propriety to the winds as he slips into tunic and apron for a spot of howlingly funny undercover business. Hawkins lends Mary - the loving, tender heart of the household and Paddington's biggest champion - a soulful gravitas. Great as they are, however, the MVP here is Kidman. Her fantastically manic performance as Millicent reminds us why it's a damn shame that she hasn't been in a comedy for years - she's so cheerfully unhinged in the film that she steals pretty much every scene she's in.

It doesn't matter whether you're a fan of Bond's books, someone who only knows Paddington as a cuddly soft toy, or a neophyte who has never heard of this walking, talking, marmalade-loving bear. Paddington is a big, warm bear hug of a film, one that will enchant children and tickle adults, even as it grabs just about everyone by the heart with its charm and humour.
Freaky Hook

Freaky Hook

A wonderful adaptation drawn from the characters immortalised in the books, this film is a major success. Heart-warming and humorous without being mawkish or over-sentimental, the antics and escapades of lovable Paddington Bear will surely delight fans of all ages.

How the animators achieved such a wonderful and memorable 'Paddington' is a minor miracle. His expressions and mannerisms are spot on, whilst the cast are obviously all enjoying themselves enormously in being permitted to perform in Paddington's World. It is obvious that a great deal of love and affection has been injected into the making of this film; the acting, graphics, editing, sets and storyline are all virtually flawless, and you must surely be a soul with no heart not to find some modicum of pleasure from this 90 minute magical movie experience.

I have deducted one star, which may seem a tad mean after such a glowing review, but that is simply because my family and I wanted the film to go on longer. And that is a sure sign of a good movie.
Agalen

Agalen

9 December 2014 Film of Choice at The Plaza Dorchester Tonight - Paddingon. I've been looking forward to this film for months and it didn't disappoint. Just in case there is the remotest chance that nobody knows......Paddington is the tale of a bear from deepest darkest Peru who comes to London and takes up residence with the Brown Family. There are all the recognisable elements from the children's programme, from the blue duffel coat down to the marmalade sandwich kept in Paddington's hat for emergencies. The baddie was played exquisitely by Nicole Kidman, a job she seems to relish. Mr Brown was excellently played by Hugh Bonneville, who seemed to carry a tiny but welcome piece of Lord Grantham into the character. The addition of Julie Walters as Mrs Bird was inspiring as she manages to bring her usual brilliance to the old housekeeper who had been with the family for years. The animation was extraordinary and had the whole audience laughing out loud. There was an audible gasp at one point when Paddington was in peril, and viewers young and old all sat up in their seats hoping against hope that our hero would survive. I went with a group of people of which I was definitely the youngest, the oldest being 78. This is definitely a film for the whole family.
Urtte

Urtte

Based on the works of author Michael Bond, "Paddington" tells the story of a talking bear (Ben Whishaw) from "darkest" Peru who stows away on a cargo ship to start a new life for himself in London. Once there, he becomes involved with a family named Brown (Hugh Bonneville, Sally Hawkins, Madeleine Harris, Samuel Joslin), who take him into their home on a temporary basis, and a villainous taxidermist (Nicole Kidman) intent on literally "stuffing" the bear for an exhibit in a natural history museum.

Written by Paul King and Hamish McColl and directed by King, "Paddington" is a seamless blend of live action and animation, cheery in tone and beautiful to look at, thanks to the highly stylized art direction and production design that adorn the film. The humor ranges from the brittle to the overly broad (Bonneville dressed as an old scrubwoman sounds a discordant note in an otherwise fairly sophisticated screenplay). The movie also includes some subtle little homages to "My Fair Lady," "Home Alone," "Mission Impossible" and, most notably, Walt Disney's "Mary Poppins."

Fast-paced, well acted, and with warmth and charm to spare, "Paddington" is a whimsical treat that should appeal almost as much to oldsters as it does to youngsters.
Lianeni

Lianeni

We all loved it. The family including five year olds sat and watched this. From the start, with the exception of laughter, we were all mesmerised. The film is great to look at, with stunning locations and the Brown's house is absolutely beautiful.

The humour is there for all ages. Loved Hugh B dressed as a char lady with his wonderful Welsh accent (recognised a couple of actors from Horrible Histories at the records office) . The scenes in the record office are hilarious with clever CGI. I remember shops giving change via those tubes and pods.

I hope the reviewer (selffamily?) can manage to watch it again as it's a beautiful, feel good film. So there's a baddie in it? I'm sure Michael Bond wouldn't have objected. Cruella de Ville managed to scare me as a child and many more, as did The Child Catcher in Chitty, kids love this.

I can't praise this film enough, or describe how I feel when watching it (warm and fuzzy?)
Narder

Narder

Paddington plays like a modern British fairytale, and boy does this film brim with gorgeous colours, great actors and some truly great and charming CG-animation bringing the world's favourite Maramalade-eating bear to the big screen.

Paddington is 'jolly-good-stuff' that is as British as British family films and comedy gets: full of down to earth yet relatable and sometimes self-mockery. Paddington you could swear was at least partially funded or meddled by American hands, but that is not the case here. One of the UK's most famous literary icons gets transformed into a believable and modern animal that feels like he's in a story custom-made as creative yet cinema-referential; it has great charm and feelings reminiscent to the Harry Potter films in its giddiness, like The Jungle Book in the opening sequence, and the benefits of gorgeous London-based scenery that drives the story complimented by the occasional homage to the Mission Impossible movies.

Paddington: I expected a kid's movie that would be enjoyable and harmless; it's charm may just about make those rough-gutted moviegoers out there real sick. Overall it's an absolute joy and feel-good movie where you can be absolutely sedated by its stress-free story and characters. It's happy cinema done right.
Pedora

Pedora

When his home in Darkest Peru is destroyed, a young bear travels to London in order to find a new home. He's helped by a couple with two kids, which share different opinions regarding the new troublemaker which "landed" in their home. Although helping him find a proper home, the Browns start to attach to the newcomer but his negligent way of life and an evil hunter from a local history museum tend to interfere in their relationship, for better or worse.

We're presented with the amusing and entertaining adventures of this strange bear which comes to a big city in search of a new life, but ends up in a lot of trouble, more or less due to his actions. It's a movie which doesn't have an extraordinary plot, but it's enough to keep you interested while making you laugh with almost everything the cute bear does. By the way, the CGI is top notch, and together with the actors' performance, create a good movie for everybody to enjoy. As downsides, it tends to exaggerate in many scenes, while being very simplistic when speaking about the "evil" part which hunts Paddington.

Still, it manages to create a very enjoyable atmosphere which makes this movie a very good watch, especially during winter holidays.
Samardenob

Samardenob

"Paddington" by Paul King is just right for the festive season. The fluffy main character you just have to love. The animations are lovingly detailed and of irresistible cuteness. The humor is wonderful quirky and endearing. It was a welcome change to laugh many times about a film that is essentially free of blood and death.

Nicole Kidman is wonderfully funny and nasty as Museum Director whose vocation is the stuffing of animals. The Brown family with the great Sally Hawkins as mother and a sympathetic stuffy Hugh Bonneville as a father is full of hilarious absurdity.

The Movie is one you can really watch and enjoy with the whole family and there will be no doubt that everybody will love it.
Yainai

Yainai

This is an instant classic.

The raw materials, a heart-warming, but lightweight children's story are not obvious stuff of great film, the hybrid real life and CGI high risk. But it works, spectacularly.

Not only is the story well told, but the dialogue is crisp, funny and fresh too. Everythibg from the quickly humour, to the Brtish scenery to the wonderfully-animated bear himself is a true delight to watch. The Brown family feel genuinely real and easy to relate to.

You feel love of family from this film. It is one of the great family films.
Lemana

Lemana

Children's literature is full of talking bears, but there is only one Paddington. After decades of TV adaptations, Michael Bond's creation finally finds his way to the bigscreen courtesy of producer David Heyman (the man responsible for the Harry Potter series). With the unique talents of Mighty Boosh writer/director Paul King, Paddington manages to be an inventive children's film that rivals the classic slapstick comedies of the Marx Brothers, while also retaining the innocence and charm that makes Paddington one of my personal childhood favorites.

The thing that separates Paddington from the pack of almost every other children's movie, is that everything in this movie feels like it was carefully thought out. We are told how Paddington and his Aunt and Uncle in Peru learned how to speak English, thanks to a British explorer who tells them that they will always be welcome in London. When Paddington must relocate, he discovers London isn't as friendly as they thought. Even still, he meets the Brown family, the kind of Mary Poppins-like family that only works in movies. The Browns ultimately take in Paddington as their houseguest until he can track down the British explorer. Safe to say, hijinks ultimately ensue as Paddington becomes the ultimate immigrant.

I just have to say, Paul King has directed a film that is genuinely as magical as the books upon which it was based. King gives Paddington this sense of cartoonish whimsy that allows you take everything that the story does seriously. Very often, movies mess up when trying to basically make a live action cartoon, and that is because they often don't make the story enough of a fantasy and too realistic. This story accepts the absurdity of a talking bear and never really comments on it or pokes fun at the idea. From the moment Paddington first arrives in King's Cross station, there is never a human that is confused by the sight of a talking bear. This allows the audience to go along with the fantastical visuals that King uses to illustrate the story, recalling directors like Wes Anderson and Michel Gondry with a lot of King's off the wall visual concepts. For example, when the camera goes toward a doll house and then the house unfolds revealing the Browns inside their own home, I was speechless as we see what each and every member of the family is doing in their individual rooms. I was also amazed at how every set and costume was meticulously color coded by King and his collaborators, with the color red representing adventurous thinking (sported for most of the movie by Mrs. Brown), and the color blue often representing the established order (most often sported by Mr. Brown). Of course, the true test of making a movie about Paddington was going to be in whether or not the filmmakers would be able to pull off Paddington himself, and they do.

VFX house, Framestore, has created a CGI Paddington that is able to interact with the humans and do all of the crazy fun things he does in this movie. However, what really brings Paddington to life is the voice. The voice was the killer thing that the filmmakers knew they had to get right, because if you chose the wrong voice, Paddington wouldn't have the sweetness that he needs to be lovable. The voice of Paddington was under much scrutiny when last year it was announced that Colin Firth amicably left the project because he and the filmmakers decided that his voice just wasn't fitting well with Paddington. While I would be curious to see the version of Paddington with Firth's voice, I must say it would be hard to imagine. Firth's voice is a lot more grown up sounding than that of his replacement, Ben Whishaw's. Whishaw's voice has a youthful sound to it that makes Paddington sound a whole lot more innocent and naive, but no less kind or gentle. It is with Whishaw that the success of this movie really relied upon, and thankfully he delivered, but that's not to say the rest of this cast aren't good. Hugh Bonneville and Sally Hawkins manage to sell the wacky ideas of this film by playing Mr. and Mrs. Brown deadly serious. Then there is Nicole Kidman as an evil taxidermist, who is evil, but never hammy. In short, the cast coupled with King and the work of the VFX crew, bring to life a new children's classic.

I really think Paddington is the sort of movie that appeals to all. The jokes in it are funny no matter how old you are, and the thematic ideas of isolation and home are so universal that anyone can relate to them. The movie made me laugh extremely hard, while also touching me and inspiring me. Few movies nowadays actually make you optimistic about the world we live in and make you smile and feel good about yourself and humanity in general. That's what Paddington does wholeheartedly. Just a note, this movie is best watched with a marmalade sandwich (not that I am proposing you sneak food into a movie theater) .
RUL

RUL

Paddington is a surprisingly good Live-Action family comedy, the type that no-one seems to make anymore.

It's like one of those 1980-1990 classic movies, which clearly targeted the younger ones, but - at the same time - they were interesting and well made and so everyone could enjoy it!

The direction is very Anderson-ish and with pretty cute British vibes and the performances are great. From the children and the cameos (many from Harry Potter actors/actresses) to Nicole, Sally, Bonneville and the voice acting of whishaw are all mesmerisingly great!

And all those are before we even take under consideration the whole "immigration" theme that is "underneath" the Picture...

Totally recommended it for everyone!
Kerahuginn

Kerahuginn

This is the best mid-budget cinematography I have seen in years. Erik Wilson truly out did himself. I found myself on at least 7 occasions, audibly marveling at a unique and brilliantly executed effect of his work. In addition, the color schemes were bright and vibrant, making characters and places stand out and be memorable. As for the story itself, it carried strong until the climax, which felt lacking. This is one small hiccup in an otherwise remarkable film. Sally Hawkins is charming as could be, only outdone by Paddington himself. This is only the second film I have seen Hawkins in, and I look forward to seeing her again. All in all, this movie is heart-warming to general audiences and awe-inspiring to movie connoisseurs.
Nalaylewe

Nalaylewe

Abundant in clichés: A family decided to adopt baby-robot, small alien or puppy on duty. A grumpy paterfamilias, a tender granny, a weirdo girl, who live the typical evolution of (Christmas) characters facing the bad-wicked-ready to anything-which is certainly scary to look at the face-bloodthirsty. And then there are blows, there are falls, materially impossible misfortunes, a goody guard who suffers a crush of love for a man bizarrely dressed as a woman, there is a band of music, the music of the band, there are grotesque machines, and thieves, and cops and blah, blah, blah. Although I am not English, and the British will forgive me if I am wrong, seems to me detected a certain familiar version of British humour in the story. A chain of gags, in fact, that may not be hilarious to everyone but what's the matter? It is very well produced. Its singular aesthetic gets an attractive indeterminacy of the age in which the story is set. Beautiful visual tricks and very well detailed photographic magnetism. Look at that sets! And what a beautiful portrait of the monumental London! Our hero, by the way, is adorable. But not in the way of too much adorable pets. This guy has manners; He has received a good education from his elders. A demonstration of how anyone with aplomb and education should be able to go anywhere. A little hymn to the cohabitation. "... in London everyone is different but that means everyone is equal and blah blah blah" Of course, my dear Paddington, and in New York and Paris and Barcelona. It is necessary to be optimistic. We are all potential foreigners. And it's the animals and the people who think like you that make it possible. Thanks for this movie.
Dordred

Dordred

A wonderfully uplifting movie, the life of Paddington, as he arrives in England with his marmalade sandwiches under his hat, all the vitamins a bear needs for a day. All the acting was excellent, from Hugh Bonneville as Mr Brown, Julie Walters as the granny, and all the rest of the cast. There was comedy, drama, poignant moments and all the qualities required for a very entertaining and thought provoking film experience. This is family entertainment at its best, for young and old, can be enjoyed on several levels, light entertainment, fun and comedy, and a thoughtful look at the problems faced by newcomers into a city.
Fog

Fog

Paddington is a good movie with a well developed plot and a great cast. It is a fun,, whimsical film as we see the classic cartoon bear recreated in a live action format to excellent results. The animation of Paddington himself is incredible, somewhat life like, and Ben Whisaw provides an excellent voice over that suits the characters demeanour perfectly.

However, I did find the plot to be far too straight forward, I understand it is a kids movie but there is very little twists and turns that I found it could be a little mundane for its target audience and the parents watching it with them. A very large majority of scenes take place inside the Brown house, which does become somewhat tedious.

I was also disappointed by Nicole Kidman's character Millicent. She could have made a terrific villain, similar to Glenn Close's Cruella De Vil, but there were two major flaws. The first is that she does not have enough screen time to make her character developed enough, and she is also never given a proper reason to want Paddington, which makes her motives unexciting. It was as if she was never meant to be a part of the film, but was thrown in at the last minute to make things more exciting.

It is a bright, colourful, feel good film that kids and kids at heart can enjoy. While it may have its flaws, it's also funny and well animated, I would recommend Paddingtom to anyone looking for a good family film.

When a young bear travels to London in search of a home, he soon meets the Brown family at a train station and changes their life as they know it.

Best Performance: Hugh Bonneville
Akirg

Akirg

Watched it - LOVED it - Bought it.

What else can I say to recommend this beautiful, hilarious movie?

I, like most people, watched the "leaked" bathroom scene on youTube and pretty much pee'd myself with laughter (not too cool a thing to do as I was at work at the time). However, I thought that if the studio had leaked this clip to stir up interest then the rest of the film would probably not be so good. This thought stopped me from watching the film until it was recently aired on TV, and I fell in love with the film.

It is a superbly crafted work of art. The story sticks to the main Paddington tale and adding the conflict of trying to find the adventurer and escaping the evil Millicent (though why you'd want to run from Nicolle Kidman is beyond me :-) ) was imaginative and attention grabbing.

The CGI works were awesome, and I don't just mean Paddington, which was beyond excellent, (this is how Yogi & Boo Boo should've looked) but all the little things, the placenames when he's searching for the adventurer. The best effect for me was the "Autumn" of the staircase tree. This was both beautiful and emotive.

The acting was superb and credit and respect to the actors for making us believe there really was a bear standing in front of them. Not one actor stood out above the others, each did a brilliant job with their characterisations. Though I do have a fondness for Julie Walters' Mrs. Bird. It was also nice to hear Nicolle Kidman do a very passable English accent.

The direction was tight and expertly done to tie in the CGI so seamlessly while keeping to the feeling and personifications of the cast.

This is a brilliant, humorous, feel good film which has made it into my top ten.
Trash Obsession

Trash Obsession

A geographic explorer goes to the darkest Peru and encounters two ingenious bears. He names them Pastuzo and Lucy wondering what will come of them. They learn English, admire London and love marmalade. Many years later, they are joined by their young nephew. After a storm devastates their home, the young bear goes to London with Aunt Lucy promising a welcoming place. Instead he is alone and only taken in by Mary Brown (Sally Hawkins) although her husband Henry (Hugh Bonneville) is very risk-adverse. She names him Paddington after the train station. There is also Millicent (Nicole Kidman) who wants to stuff the bear.

This honors the children series with a bear that is charming and delightful. It's a lot fun comedy without too many pop culture references. That gives it a timeless quality. The family is terrific and Nicole Kidman is interesting as the villain with a real story of her own. This is a perfect little family film.