The Ghastly Ones (1968) Online

Milligan period piece about murders for an inheritance. Shot in that tight Milligan style where people seem to hug each other so they remain in frame (due to his camera being beyond poor). This is a dreadful movie that has a certain amount of brain dead charm. Its a bad movie in the I can't believe they actually released this sort of way. Again as with most Milligan films, little more than a home movie (stuff I shot looked like this and I couldn't release it) this is the sort of thing only masochists and bad movie lovers dare watch. Certainly better than Seeds of Sin, the color and the period nature some how defuses the desire to put this on the unredeemable list. Come on how can one not enjoy-as with most Milligan period films- the desire to see the errors in continuity with objects from different eras mingling as if there was nothing wrong. There's a drinking game (and alcohol helps these films) in spot the error.

People who totally dig micro budget see-it-to-believe-how-bad-it-is schlock will probably enjoy Andy Milligan's "The Ghastly Ones". Supposedly a period piece, it brings together three couples in an old house for the reading of a will, where they will exist "in sexual harmony" for three days. Unfortunately, a brutal psycho has other ideas - first "marking" them by painting X's in blood, and then offing them. While technically quite a short movie (running approximately 72 minutes), it feels longer than it is, with a lot of talk. It may require some patience on the part of some viewers, therefore, in order to get to the good stuff, such as it is - with oh so tacky bargain basement gore (A Sno ball stands in for an eyeball!), a dose of (rather tame) sex, a priceless supporting character in the form of Hal Borske's half wit hunchback Colin (whose idea of fine cuisine is amusing, to say the least) and a not particularly compelling "Who is the killer?" mystery, which some people may well figure out early on. The characters are insipid and inspire appropriately insipid performances. (It's worth noting, though, that one actor in this bunch had a pretty good career for himself after this: co-star Richard Romanus's next film was Scorsese's "Mean Streets"!) That doesn't mean, however, that they aren't entertaining in their own way. Neil Flanagan, the star of Milligan's subsequent movie "Guru, the Mad Monk", is a riot as the aged, gnarly old lawyer. The movie itself is likewise inept enough to prove itself a real hoot. In fact, one can even hear Milligan calling out directions in the background; when a character is set afire, he can be heard saying, "Get down!" Milligan himself supplied the costumes, having ran his own clothing store named Raffine. Even while somewhat sluggish, this movie does deliver some good entertainment for bad movie buffs and some real laugh out loud moments. Five out of 10.

Staten Island filmmaker Andy Milligan is well known in the horror community for being an even worse director than Ed Wood. And with this as a dim example of his output I'm apt to agree with them. In "The Ghastly Ones" we basically have three bickering couples traveling to their childhood home (located on a conveniently secluded island) to collect an inheritance. There they are killed off one by one and the events unfold in murder/mystery fashion with a scarred retard hunchback butler added to throw you for a loop. The film is in such bad shape that it looks like someone just ran it through a dishwasher, the sound is terrible, the dialog is otherworldly bad, there's some primitive mannequin gore (plus some dismemberments and guts) and it's technically inept in every possible way it can be inept. But is it enjoyable in a bad movie kind of way? Sort of. It's excruciating to watch but oddly entertaining in a train wreck fashion. Approach with caution. If you're not a fan of horrible movies better deep six this one.

Whether you love Andy Milligan's films or hate them everyone is in agreement; they are a genre unto themselves! You know you are in some paralell universe in the opening minutes of this film when a mad killer attacks a couple having a picnic on a private island. The maniac gouges out the eye of the man and then turns to the camera holding up a tennis ball sized object that is meant to be the eye! If you listen carefully during the murder scene you can even hear Andy Milligan's voice calling out "Cutting away, move!" to the actors! When I met Andy in the late 70's he confided to me that whenever an enucleated eye was needed he found Hostess Sno-Balls not only filled the bill nicely but also provided an impromptu snack for his performers. The plot involves the gathering of heirs on a lonely island to hear the will of the rich, eccentric father. Andy knew that plot had a long white beard well before 1969 so he loaded his movie was sado-masochism, marital rape, homosexual incest, a hooded killer that you'd have to be deaf and blind not to know was stalking you, and of course the bargain basement gore that made him so (in)famous to the people who gathered at drive-ins to watch his movies. THE GHASTLY ONES was his first gore film. After doing soft core movies like THE NAKED TEMPTRESS, GUTTER TRASH and FLESHPOT he saw the market movie away from soft to hardcore and decided to move into the terror genre. Actually this film offers some interesting things. Neal Flanagan, one of his stock company, plays a withered ancient lawyer who appears to have stepped out of a Charles Dickens novel. Haal Borske,a writer and director of several plays, plays the first of many idiot characters in Andy's films. His character of Colin appears to have been the killer in the opening scenes and he looks perfectly normal (apart from being a total sociopath, that is) yet later in the film he has becomes a hunchbacked, snaggletoothed halfwit who eats raw meat. Maggie Rogers also appears in SEEDS OF SIN and TORTURE DUNGEON and her acting is actually several notches above what is expected in a Milligan film. Gore is very . . .well . . .unusual. Bloody scenes include a pitchfork to the throat, a man cut in half with a bandsaw, a hand chopped off, a head in a roasting pan and wait'll you see what happens to the killer at the end! Andy remade this movie a few years later as LEGACY OF BLOOD with a different cast but the same plot and effects. To further confuse matters there is another movie called LEGACY OF BLOOD that stars John Carradine, Faith Domergue and Rex Reason that offers a similar plot but more sex and better effects. Don't worry it will be impossible for you to confuse these movies; an Andy Milligan film is like no other. Back in '69 THE GHASTLY ONES played on a double bill with Kent Bateman's HEADLESS EYES. If I had not been only 4 back then I sure would have paid to catch a programme like that!

Out of all the films I could have chosen, it had to be this. When I was last in New York I went into a Times Square store and out of the hundreds of DVD's they had I chose Joel M. Reeds Bloodsucking Freaks (1976) and this, on a double feature DVD that also included Seeds of Sin (1968), did I regret it? Read on to find out. The film opens on an island (near Milligan's Staten Island home) where two lovers are walking along with a massive parasol seemingly made from paper, at one point he gives her the top of a weed as a gift. Out of nowhere Colin (Hal Borske) a retarded hunchback pops up and kills both of them for no reason at all. After the opening credits which are joined by some of the worst headache inducing music I have ever heard, at least it got me used to it as it's used constantly throughout the film, we are introduced to three couples. The wives are all sisters, Vicky (Ann Linden) and Ricard (Fib LaBlaque), Veronica (Eileen Hayes) and Bill (Don Williams) plus Elizabeth (Carol Vogel) and Donald (Richard Ramos). They each receive a letter from a lawyer, H. Dobbs (Neil Flanagan) that request a meeting so he can read their late father's will. Dobbs informs them that they must spend three days in their childhood home 'Crenshaw House' and fill it with 'sexual harmony and marital love' that it had never known because of the strained relationship between their father and mother. He informs the couples that the will is highly irregular but legal. After three days the inheritance will be settled. The couples are also told about the servants, Martha (Veronica Radburn), Hattie (Maggie Rodgers) and the retarded Colin, who welcomes the couples by killing and biting chunks out of a rabbit in front of them. Later on that night whats left of the dead rabbit is found in one of the couples beds with a note that says 'blessed are the meek, for they shall inherit'. This starts a series of events which end in gruesome murder and reveals dark family secrets.

Co-written, photographed and directed by the talentless Andy Milligan. This is an absolutely horrible film in every way possible. Lets go through just some of it's faults. The music, it's awful and headache inducing. Sound, you can barely hear what characters are saying and certain scenes don't have any sound effects plus at certain points you can hear Milligan shouting out orders to his actors, oh and there's a constant hiss on the soundtrack throughout as well. The acting, probably among the worst I have ever witnessed. The very un-special effects, Colin pokes someones eye out in the opening sequence, it's the size of a tennis ball, the part where someone is tied down and has his stomach opened up with a saw looks really awful as are the various hands and legs that are chopped off. Photography, Milligan has absolutely no idea how to stage or film a scene, he regularly cuts the top, bottom or sides of peoples heads and faces off the screen and his camera jerks and shakes around like it's operated by someone who is constantly tripping over. There is also at least one scene so badly thought out and filmed that a crew member is seen. The film is often so dark you can't see whats happening, too. Editing, again some of the worst I've ever sat through, he seems to cut scenes before they've finished, cutting away while characters are in the middle of a sentence. The script, if there was one, credited to both Milligan and Hal Sherwood (It took two people to write this!?) is all over the place and is incredibly stupid. There is one unbelievably bad sequence where the killer follows a victim down into the basement, the killer walks right behind him, at one point the potential victim turns around. What does the killer do to avoid being spotted? They duck down right in from of him, the killers close enough to give the guy oral sex yet he doesn't notice them, right in front of him. You have to see this sequence to believe it, I still can't believe what I saw. Bizarre sub plots just happen and then totally disappear, check the scene out when Richard has to borrow money from his brother Walter (producer and co-writer Hal Sherwood), who turns out to be a gay priest who has had an incestuous relationship with his brother before he was married! A strange scene that's there for no reason at all. Martha the housekeepers reaction to the first murder, she's more bothered by the fact that it's thrown her dinner schedule out! There's load of insane dialogue as well, Patty and Martha discuss Colin, Patty says "if only I didn't beat him so hard" Martha sympathetically replies "you have to Patty, you have to!", delivered totally straight faced. And don't start me on how ugly the wallpaper looks throughout the house! The only good thing I can think of saying is that the costumes look reasonable, for the time period it's meant to be set in. I could probably go on all day about how amateurish this is, but I think you get the idea. One to avoid unless your a serious masochist! I didn't regret buying or watching it for a second, though!

Well well, at last a view of this underrated flick. But you can't find a good copy of it, terrible copy full with green drops, the editing isn't syncronized, the sound do has sometimes that terrible hiss and sometimes you even can hear the camera recording. Overall it's too dark, a waist of time you should say but it isn't. It's a bit slow, the first half part of the movie it's all talking and making love to each other. It is even still weird that the girls in movies from the 60's never wear any bra's. When they enter the sleeping room it's full glory. Anyway, banned in the UK since 84 and still on the video nasties list. The reason is simple, it's gory for their time being. It really has some nasty dismemberement's and it's creepy in some way due the fact that it is filmed handycam way. So every shot the image is moving, things they do these days with the steadycam. The Ghastly Ones could have been better if the quality of the film was better but still better then other films of the time like Schoolgirls In Chains.

Now, this is the type of wonderfully bad B-Movie I like - It's glorious. Even the poster is superb in its ambiguity. Because what you get in this motion picture is a pretty decent whodunit with plenty of red herrings to keep the audience guessing.

Don't get me wrong, this is a bad movie. Shaky camera work, terrible direction, the acting ranges from poor to average, and the special effects at times are laughable. But in some strange way, this only adds to its likability.

I should have hated it but just couldn't, because everybody who took part in the movie really did their best. Neil Flanagan who played Lawyer Dobbs is obviously much younger than his portrayed character, though this didn't stop him from doing his best with the part, even though the makeup people only covered his face in white talcum powder and put a raggedy old scarf over his head, to make him ancient.

What little budget they had for the film was spent on the few 1800's dresses. However, when they get frisky, especially Vicky (played pretty decently by Anne Linden), then they take to wearing see-through nylon teddy's.

The most endearing thing about the film is the feeling the actors being real-life friends who had an idea to make a movie.

This isn't the best but it does have heart. At least worth a viewing for all the lovers of bad movies. Who knows, maybe it will find a place in your heart.

Definitely one of the very worst movies I have ever seen, and probably one of the worst "movies" ever made. I have seen patchworks by some very bad sleaze directors in my day, but talentless hack Andy Milligan takes the cake... his movies make Ed Wood's films look like Alfred Hitchcock's. I mean, Wood, Al Adamson, Jerry Warren and Ted V. Mikels got nothing on this character. Here we have some sporadic gore moments, but mainly a lot of talk between a group of obnoxious people gathering together in some house. Terribly boring in addition to being technically pathetic.

0 out of ****

Three sisters travel to their late father's mansion where they are to spend three nights together with their respective husbands, before they are eligible to hear the will (read to them by a man wearing make-up to rival Ramses' from Blood Feast (1963)). Also there are the two housekeepers, Martha (Veronica Radburn) and Ruth (Maggie Rogers), and Martha's deformed and dim-witted son Colin (Hal Borske), who we see murder two people at the beginning of the film. After a night of pompous partying, one of the couples, Veronica (Eileen Hayes) and Bill (Don Williams), find a dead rabbit in their bed (which was previously seen being eaten alive by Colin) with a note attached reading 'blessed are the meek, for they shall inherit."

Directed by exploitation and horror hack Andy Milligan, The Ghastly Ones (titled Blood Rites in the UK and placed on the Video Nasty list) is a fine example as to why he is considered one of the worst directors of all time, commonly placed in the same category of Edward D. Wood, Jr. and Herschell Gordon Lewis. He began his career in small-time off- Broadway production during the 1950's, and his experience in that medium is evident here as, unlike most trashy horror films, the film is almost unbearably wordy, as the main characters have their mundane conversations between the brief moments of gore. Saying that, I would much rather be listening to conversation than watching overlong stalking scenes or disco dancing which was so prevalent as running-time-filler in Grindhouse movies.

However, the movie is a massive bore, and even with the slender running- time of 70 minutes, I checked how long there was remaining at least three or four times. The awful, clunky camera-work, added to the fact that the film stock was so poor I could barely make out faces, gave me a headache. When the moments of inevitable gore come, the film is given a little relief, as the scenes of pitch-fork impaling and disembowelment are so bad it does give the film a little charm. It would work quite nice as a double-bill with the aforementioned Blood Feast, as they are both short, amateurish, and most notably, s**t.

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This film was released in the UK under the name Blood Rites. It was banned outright and never submitted again for release.

As The Ghastly Ones, it was supposedly a hit with the horror hungry denizens of New York City's famed 42nd Street Grindhouse circuit. If you are looking for some bloody horror, then you will find it in this film.

Unfortunately to see the developmentally disabled Colin (Hal Borske) chomp down on a live rabbit, you have to put up with shaky 16mm camera work that makes Ed Wood look positively marvelous.

Three sisters are to spend three days in the family homestead with their husbands before the old man's money is disbursed. Naturally, in such a situation, people start dropping dead. Family secrets are exposed and lots of blood is spilled, especially during a gruesome dismemberment.

Maybe it was the bunny bit that the Brits objected to, I know I did.

I saw this film purely based on the fact that it was on the DPP Video Nasty list, and while I'm glad I saw it because it's now 'another Video Nasty down' - on its own merits, Andy Milligan's film really isn't worth bothering with. There are, of course, far worse films on the infamous list; but that doesn't make the pain of viewing this one any easier. The film was obviously shot on an extremely low budget, and that has translated into the script; as Blood Rites works on an idea often seen in horror cinema, and doesn't do anything new with it. Basically, the plot centres on three couples who find themselves at a house awaiting the results of a will. It's not long before they start getting picked off...blah blah blah. For most of the film, nothing happens; and then when we finally get down to the scenes that justify the movie being banned, they're so amateurish and silly that they're impossible to take seriously on any level. It's a very good thing that this movie doesn't have a very long running time as otherwise it could have been used as a particularly nasty method of torture. It all boils down to a fittingly tedious ending, which also succeeds in being a non-event of epic proportions. Apparently, this movie is still banned here in the UK; but somehow I doubt it's because of its shock value. Basically, Blood Rites isn't worth seeing and I personally can see no reason to recommend it. Unless, of course, you've made it your business to see everything on the Video Nasty list...

Ghastly is not the word, they should've called it Gag! This movie is terrible, but in a "so bad, it's good" kind of way. Everything from the tomato sauce laced butcherings with a meat cleaver. To the half-wit Hunchback with cardboard teeth, guarantee to have you laughing so hard, you'll be falling out of your chair! If you can find this fantastic little drive-in wonder, I recommend you watch it. While you have the chance!!!

In order to qualify for their inheritance, three sisters and their husbands must spend three nights of married bliss in their creepy ancestral home on Crenshaw Island, which is staffed by two old-maids and a mentally challenged (and dentally-challenged) hunchback; in time-honoured tradition, this cheesy set-up results in several gruesome murders.

Staten Island splatter-movie pioneer Andy Milligan threw this hackneyed 16mm mess together in 1968 for a budget of around $10,000 and unsurprisingly the result is amateurish in the extreme, with dreadful hand-held camera-work, lousy acting, enthusiastic but rudimentary gore on a par with the worst work of fellow gore legend H.G. Lewis, and a thoroughly unconvincing Victorian setting (it might take place around the early 1900s, but the dialogue and hairstyles suggest otherwise).

The period setting of the piece does however allow Milligan to fully indulge in his passion for dressmaking, and a lot more time and attention was clearly spent on his costumes than on either the script or effects. During the film's many drawn out scenes of dull conversation, viewers get plenty of opportunity to admire Andy's prowess with needle and thread, but unless you're a seamstress into splatter, or a tailor who digs trash, then I doubt that this particular aspect of the film will be of much interest.

In fact, save for the enjoyably bad death scenes, a spot of dead rabbit munching, and three pairs of boobies, there is virtually nothing to recommend The Ghastly Ones (unless, like me, you're determined to watch all of the official UK video nasties no matter how bad they are).

THE GHASTLY ONES is a brainboiler of a cheap horror film. The plot involves three sisters and their husbands travelling to their isolated childhood home to hear the reading of their late father's will, but someone is willing to kill to keep the money all to themselves. Director/producer Andy Milligan attempts a 1905 setting for his film despite something like $20.00 for a budget, although its highly unlikely that women from that era wore see-through black negligees to bed. Along with the wobbly period details, there's stabbings,decapitation, mutilations with hacksaws, and live rabbit eating. Ole! Ten years later, Milligan remade this flick as the somewhat more competent(and narratively coherent)LEGACY OF HORROR. If you're looking for a laughable, confused mess, go with THE GHASTLY ONES. If you want a more understandable film that offers characters whose motives are revealed during the course of the story, go with LEGACY OF HORROR. Calm me old fashioned, but I prefer the latter, because the reasons revealed for some of the characters' behavior makes the resulting carnage all the more chilling. And the simpleton brother is show as an abused, sad waste of human potential, not a ghoulish geek. The scene where he sits in his dank basement room, battering a teddy bear while grunting the word "stupid" over and over is more chilling than a dozen disembowelings--something that I think Milligan was not conscious of. Okay, so maybe I overanalyze, but I like to see the psychological underside of these characters. After all, a psycho doesn't make himself crazy, does he?

**May Contain Spoilers**

A gore opera set in the late 1800s, made by one of the most infamous exploitationers of all time. Three sisters and their husbands convene on Crenshaw Island for the reading of the family will. The tired plot is given new blood–and guts–when a hooded mutilator starts knocking off the heirs with pitchforks, saws and meat cleavers. A real backyard effort, literally, since the $8,000 horror was shot on Staten Island property owned by Milligan at the time. Of course, you're better off filming at home when you set your actors on fire and splatter gore all over the walls. During one nasty murder, Milligan's voice can be heard on the soundtrack as he gives direction. Effects range from fake and obvious to fairly gruesome. These include dismemberment, eyeball-yanking, hanging, bisection, stabbing, evisceration, a cleaver in the skull and a severed head on a turkey platter. Except for Hal Borske's sympathetic portrayal of an abused hunchback, the acting is comically bad. This looney-tune for gorehounds is worth checking out--especially if you want to delight fellow trash-fiends and appall your friends who enjoy normal motion pictures.

Ghastly Ones, The (1968)

1/2 (out of 4)

Three couples spend the night in an old dark house so that they can collect an inheritance but a killer is running loose. This is my first Andy Milligan film and it's really no worse than countless other exploitation films that were out at the time. Everything about the film is bad, especially the sex scenes, which are probably the worst I've ever seen in a movie. The director does try to build suspense but this here comes off rather laughable but then again, everything here comes close to laughable.

This takes place in the early 1900s (for no earthly reason I can think of). Three sisters and their husbands go to their late fathers estate located on a remote island. They all seem to get along but soon a masked killer is going around and killing everybody but who and why? Believe me this film is so badly made you won't care! Terribly directed film by the "legendary" Andy Milligan. He was known for making no budget horror films with threadbare scripts, terrible actors (most of who never made another movie) and gore effects that are so bad you won't believe what you're seeing. For some reason this man has a following. Why?????? The films aren't bad enough to be good (like Ed Wood films) and the acting and gore is just laughable.

Anyways this film is, as I said, terribly directed. The camera wanders all over the place not seeming to know where to go. Most of the film is shot in tight closeups--probably to cover up the cheap sets. The production design is threadbare--the costumes actually looked pretty good but the rooms are small and cramped. One room has wallpaper (which I don't think existed back in the early 1900s) that will make you dizzy! The script is OK but full of things that don't add up. Early on it's made clear that two characters--Richard and Walter--were lovers...and then NOTHING is done with it! Then why tell us??? The acting is surprisingly not bad. No one is fantastic but no one is really bad either. They all say their lines with conviction. There's a few flashes of female nudity and some pointless sex scenes. Still this is a bad film with terrible direction, threadbare sets and gore that is so lousy it staggers the imagination. Stephen King said this was made by morons with cameras. Mr. King is 100% right. A 1 all the way.

I remember reading Stephen King's book "Danse Macabre" about horror movies and this famous writer totally trashed this film.He called it "the work of morons with cameras" or something like that.I wouldn't go so far to call "The Ghastly Ones" a masterpiece,but I found it immensely enjoyable.Of course the acting is rather bad and the budget is extremely low,but the gore scenes are amazing.I loved especially the scene when one guy is butchered in the cellar and the amateurish gore frenzy during the climax.Though the production is rough from beginning to end you can sense a psychosis of sorts in the scenes of bloodletting.The hooded killer really rips into his victims after he's trapped them.The hunchback is an extremely funny and grotesque character.I laughed my ass off when he killed a rabbit.Check out this cheap and gory horror,if you like low-budget grindhouse fare.

The Ghastly Ones (1968) is a shocking film.Still banned in the United Kingdom to this day, the film remains a spectacular horror story. I watched the film many years ago when it was shown on TV, and I must say that I thoroughly enjoyed it.A very gory and horrific, violent film it is, but very enjoyable.I would recommend this film to anyone who is looking for a goodnight scare.

Andy Milligan was a film maker out of Staten Island New York who made films of very low quality but managed to be entertainig anyway. Ghastly Ones has a great premise about three sisters who go to a private island for the reading of their father's will. Soon the sisters and their husbands begin getting brutally murdered! IS the killer the weird mute hunchback brother of the housekeeper?? Or is it someone else??? The script is actually a lot of fun and so are the murders. The camera work and photography damage the film from living up to it's potential. The acting and story are above average and I liked the ending a lot. The opening murder has nothing to do with the rest of the film either. Still Ghastly Ones is worth a look!!