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I Shot Billy the Kid (1950) Online

I Shot Billy the Kid (1950) Online
Original Title :
I Shot Billy the Kid
Genre :
Movie / Western
Year :
1950
Directror :
William Berke
Cast :
Don 'Red' Barry,Robert Lowery,Wally Vernon
Writer :
Orville H. Hampton
Type :
Movie
Time :
57min
Rating :
5.3/10
I Shot Billy the Kid (1950) Online

Another in the series of Don Barry starring films (who NEVER used Don 'Red' Barry as his billing except in his series of Republic westerns from 1940-44 and the serial "The Adventures of Red Ryder"), financed by Robert L. Lippert and produced by William Berke all as A Donald Barry Production in the late 40's and early 50's, this one pretty much follows the semi-inaccuracies and myths found in the vast majority of the films about Billy the Kid, while adding a narration - a trend found in many B-westerns of this period evidently under the mistaken impression it would add some class to the proceedings. It didn't. And having a 38-year-old actor play an outlaw who died when he was 21 gave Barry an opportunity to darken his hair to nearly black and pull out, what appears to be, the forelock hairpiece he used for the Red Ryder serial in 1940 to make him look more like the character as drawn by Fred Harman. It didn't make him look much like the real Billy the Kid, though.
Complete credited cast:
Don 'Red' Barry Don 'Red' Barry - William H. Bonney - aka Billy the Kid (as Don Barry)
Robert Lowery Robert Lowery - Sheriff Pat Garrett
Wally Vernon Wally Vernon - Vicente
Tom Neal Tom Neal - Charley Bowdry
Wendie Lee Wendie Lee - Francesca
Claude Stroud Claude Stroud - Gen. Lew Wallace - New Mexico Governor
John Merton John Merton - Bob Ollinger - Deputy (as John Morton)
Henry Marco Henry Marco - Juan - Francesca's Brother
Bill Kennedy Bill Kennedy - Deputy John Poe
Archie Twitchell Archie Twitchell - Saloon Tough Slapped by Billy
Jack Perrin Jack Perrin - Deputy Mack
Richard Farmer Richard Farmer - Alec McSween
Felice Richmond Felice Richmond - Mexican Girl
Jack Geddes Jack Geddes - Sheriff Brady

Although the film claims Billy killed 22 men and varying popular accounts put his death toll as high as 26, most historians believe the actual number to be between four and nine.

Although Billy was only 22 at the time of his death, star Donald Barry shows a growing paunch and looks every bit his 38 years. In reality, Billy was 21 when he was killed.

The infamous incident involving Billy the Kid and Joe Grant in the Fort Sumner saloon is portrayed differently here. Grant's misfire is generally believed to have been caused by his firing the traditionally cautionary empty chamber. Billy reacted by fatally shooting him in the chin. In this film Billy uses sleight of hand to remove the bullets from Grant's gun prior to his firing it, contemptuously giving him a backhanded slap across his mouth and chin after the misfire, and leaving the saloon without killing him.


User reviews

Zacki

Zacki

As in "A Donald Barry Production." 'Nuff said.

This William Berke Productions version of Billy the Kid's saga mixes much fiction, even to the names of all of the New Mexico towns other than one, with few facts but does give non-Producer star Don Barry a chance to show how lovable he can be even when playing a cold-blooded killer. He misses on that point, despite more grinning close-ups than the law should allow, but he is better than Jack Buetel. The film, based on just being a low-budget quickie version of Billy the Kid, aimed at grind-house Saturday matinées, hits that target dead on even if does use endless inserts of Billy or Sheriff Pat Garrett, on horseback, loping along hither and yon to pad the running time.

The real highlight of this one is possibly the single-worse performance ever seen in a B-western in Claude Stroud's portrayal of New Mexico Governor General Lew Wallace. Filled from front-to-back with B-western veterans such as Frank Ellis, Ray Henderson, Jack Perrin (playing a Garret deputy named Mack), and Merrill McCormick (playing a Garrett deputy not-named Mac), and even (brief) archive footage, featuring Bob Cason and Tom Tyler from Ron Ormond's Jimmy Ellison/Russell Hayden series, and excellent camera work by Ernest Miller and Archie Dalzell (one of the few instance of a camera operator actually receiving a screen credit in this period of film history), and editing by Carl Pierson in making the archive footage fit seamlessly, except the one instance of using really-archive footage from a silent film.

Actor/writer Dean Reisner, credited on the film as Dialogue Coach (a job he often performed) must have been out to lunch when the Stroud scenes were filmed.
ARE

ARE

Yes, I know. Low budget shoot 'em up. Don Barry more than twice as old as the Kid lived to be.

My uncle was a Western fan back in the late forties/early fifties. We used to go movies on Friday nights, (Durango Kid, Red Ryder, Rocky Lane, etc). I was hooked for life. I love the old westerns. I remember when we first got a TV. There was a dinnertime western movie program called "Stagecoach Theater". (Johnny Mack Brown, Buster Crabbe, Bob Steele, Hoot Gibson, Tim McCoy, Tex Ritter, Buck Jones).

I remember watching "I Shot Billy the Kid" with my father late one night. I have been trying to find a copy for years without success. Can anyone help?
Bladecliff

Bladecliff

Too bad the movie didn't have Hollywood bad boy Tom Neal playing Pat Garret. That way we could have had a face-off between two of the tougher actors in Tinsel Town. Barry, of course, could be as intense as a forest fire, if called upon. Here, however, he tries to display a charming affable side that undercuts needed tension. Unfortunately, Neal's apparently along for the ride with nothing much to do. However, he could do intense tough guys on screen as well as in real life (ask poor Franchot Tone). A showdown between them would have real potential. As it is, Robert Lowery's Garret is little other than a blandly handsome presence.

The movie itself lacks drama, spending more time on riding aimlessly around Vasquez Rocks, just north of LA, instead of building up the plot. Then too, the climax, which should be a highlight, is staged more like an afterthought—was cheapjack Lippert running out of film. Anyway, this is one of the least of the many efforts at mining one of the West's biggest legends. Too bad.

(In Passing— Besides being an eye-catcher, the exotically slanting Vasquez Rocks was popular in these budget westerns mainly because they're in LA County. Because of that, production companies don't have to pay extra location fees to cast and crew.)
Dordred

Dordred

The title of "I Shot Billy the Kid" pretty much says it all. Told from the perspective of Sheriff Pat Garrett (Robert Lowery) in flashback, the film covers the last three years of Billy the Kid's (Don Barry) life. It's billed as a "Don Barry Production".

It starts out with a shootout from the Lincoln County Wars between the Murphys and the McSweens. Billy escapes to New Mexico and begins a series of robberies and killings. One day he saves Garrett from an Indian attack and the two become friends. After he becomes sheriff, Garrett tries fruitlessly to get Billy to reform even to the point of having him meet with Governor Lew Wallace (Claude Stroud) to seek amnesty.

When the governor's amnesty is delayed, Billy feels he has been double crossed by Garrett and continues in his sinful ways. Faced with Billy's apparent unwillingness to reform, Garrett is forced to go after him and.........................................

If you have a feeling of deja vu when watching this film, join the club. Although this little 57 minute low budget actioner precedes both "Chisum" (1970) and Peckinpah's "Pat Garrett and Billy the Kid" (1973) by some 20 years, you'll see elements of both films in this one. The Lincoln County wars were the subject of "Chisum" and the pursuit and killing of Billy are covered in the the Peckinpah film in much the same way they are presented here (minus the budget).

The characters of Vicenti (Wally Vernon), Billy's love, Francesca (Wendy Lee)and the taunting deputy, Bob Ollinger (John Merton) are all similar to those in the Peckinpah film. Could it be that Peckinpah borrowed some of his ideas from this little programmer? Nah.

Tom Neal has a small role as Billy's pal Charley Bowdrey and has really nothing to do. Barry, as were most of the actors who played the role, was really too old to play Billy who was in his late teens/early twenties when this story takes place. Nevertheless, Barry does OK even though he was almost 20 years too old to play the part. I always preferred him more as the villain rather than the hero. Once again there are endless running shots of various characters riding along the road to somewhere or other as was the case in many of these films.

Interesting in view of its similarity to the later films.
Ddilonyne

Ddilonyne

Don (Barry) dons the role of the young rebel outlaw of the Southwest. Barry is probably twice the age that Billy ever lived to be...and history is played with fast and loose in this low budget quickie produced by theatre owner/producer Lippert. Plenty of action, and Barry's screen presence make this one acceptable viewing.
Gosar

Gosar

Don Barry produced and starred in yet another retelling of the Billy The Kid story. If you've seen any number of Billy The Kid stories you know exactly what will happen. For that matter the title tells all.

Barry plays a tough, charming Billy with a bit of James Cagney like smart alec persona. Playing Pat Garrett is Robert Lowery whose solemn duty it is now that he's sheriff of Lincoln County to track down Billy now that he's considered an outlaw by all factions of the former Lincoln County War in New Mexico territory.

Lippert Pictures released this film under its banner. Westerns fans and fans of Don Barry should be pleased.