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Visions The Cabinet of Jan Svankmajer (1982–1985) Online

Visions The Cabinet of Jan Svankmajer (1982–1985) Online
Original Title :
The Cabinet of Jan Svankmajer
Genre :
TV Episode / Documentary
Year :
1982–1985
Directror :
Keith Griffiths,Stephen Quay
Type :
TV Episode
Time :
14min
Rating :
7.2/10
Visions The Cabinet of Jan Svankmajer (1982–1985) Online

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.


User reviews

Bralore

Bralore

The Quay brothers style is at it's best here, with beautiful, surreal puppets telling the story of Czech animator Jan Svankmajer's life. The expressionist, stop-motion puppet work is perfectly suited to tell the story of Svankmajer's own surreal film-making. Split into several sections, the puppets (one expressing Svankmajer himself) act out the scenes, with maze-like, unidentifiable sets, dancing pins and a mesmerising soundtrack. All these elements combine into a treat for the eyes, and a severe hammering to the brain. The Cabinet of Jan Svankmajer is a marvellous short, particularly of interest to fans of Svankmajer himself.
Boraston

Boraston

This beautiful short made by the Brothers Quay (directors of the great animated short "Street of Cocodriles") It's a captivating tale about a master and his disciple. This may sound as something very simple, but the Brothers Quay always manage to create a unique, fascinating world, with strange but very interesting characters, and strange and surreal situations as well. The animation looks beautiful and stylish, just like the other films directed by the Brothers Quay, and this little homage to Jan Svankmajer definitely worth a look, specially if you are fan of filmmakers as Terry Gilliam and Tim Burton.

I liked this short a lot. I recommend it to anyone.
Dranar

Dranar

Having recently become acquainted with Jan Svankmajer's work, I found it a wonderful piece of coincidence that I should discover the Quay brothers, brilliant stop-motion animators in their own right, through this short movie. Perhaps not a coincidence: they owe a lot to Svankmajer and this homage shows it.

In Prague, a puppeteer takes in an apprentice. He opens his brain, empties it and symbolically fills with a book; evidently this is the imagination and knowledge the Quays have received from this master. This is the basic plot.

But I'll argue we can also find a bigger world of inspirations in this movie. The puppeteer, with the book on his head is clearly a reference to Giuseppe Arcimboldo's famous picture, Librarian. At one point we see the cabinet reflected in a crystal ball, much like an M. C. Escher painting. And the dolls and puppets are themselves throwbacks to the early surrealist movies. This is a lovely celebration of weird art throughout history.

As for the movie itself, it's inventive and sometimes creepy. The Quays have a talent for creating surreal imagery that exudes mystery and dread. This is a movie to delight in its strangeness. Still, it looks more like an introduction than something in its own right. I certainly hope the Quay brothers have more to offer.
Bluecliff

Bluecliff

This is an excellent introduction to the work of the Quay Brothers and stop-motion animation. It is enjoyable for fans of Svankmajer, but also for fans of the painter Arcimboldo, whose paintings and characters are featured heavily in this short; most notably the Librarian, which is brought to 3D life as the lead puppet, and also characters from The Seasons, The Elements, and others: Vertumnus, Summer, Fire, and so forth. In fact, a subtitle in the film is Portrait of Svankmajer a la Arcimboldo. Giuseppe Arcimboldo (1527 - 1593) was an Italian painter known for creating portraits composed of fruits, vegetables, flowers, fish, and books, all arranged in a fashion that constitutes a portrait of a character which is represented by all those diverse elements.
Phenade

Phenade

Interesting grasps of motion and artistry here. The Quay Brothers pay homage to their key inspiration, though I not knowing their key inspiration well enough couldn't tell if it's all them or all Svankmejer, though this is very distinctive and beautiful stuff.

Interestingly enough it reminds me a lot of Tool music videos, especially their one for Prison Sex (the room of cabinets, cabinets within cabinets, cabinets reacting to characters' curiosity, etc.), which leads me to believe that one Adam Jones is a Brothers Quay fan. Tool's video, however, seems to really focus on the creepy while this one seems a lot more interested in learning and motion. Must definitely be the Quay brothers seeing themselves as the pupil.

To tell the truth the most interesting part of this short is the segment called "The child learns a lesson in 1/24th second." In case you don't know (which you should, if you're interested in experimental stuff like this), a single frame of a motion picture shoots by at 1/24th a second, or there are 24 frames per second. Thus this is probably the most self-reflexive part of the film, a little postmodern in its approach to lessons and learning of the form, which is why it's basically a series of jump cuts and a play on time. Very cool.

--PolarisDiB
Cyregaehus

Cyregaehus

If you're into film, you're most likely familiar with Stephen and Timothy Quay as well as Jan Švankmajer. Remarkably talented stop-motion animators, they are also distinctly different and for that reason alone worth seeing together.

This film is easy to see as a mere acknowledgment, but it's more than that. Švankmajer definitely features in the film as the strangely madcap creator of illusions in his cabinet; the ambiguity then arises from the fact the boy, to me at least, is the one who explores the world and has the pep and spiritedness. He's the one whose mind is explored, put on the table and ultimately stuffed with the things the creator wants.

When I think of Švankmajer, I think of a bleak reality that translates to socio-political commentary in filmic terms. The Brothers Quay, however, I associate with purely cinematic stories, their metaphorical film language not so much describing even allegorically any external condition but rather triggering solely visual reactions, much like Joyce's "Finnegans Wake", to which I already referred to in an earlier review. For me the Quay's speak more. Not that it has to be either or.
Wiliniett

Wiliniett

The Cabinet of Jan Svankmajer, is a delight if your looking for a strange puppet animation short film of the highest water. You've seen nothing like it, unless you've seen the perfect work of The Brothers Quay. For fans, like myself of strange animation, and Fans, like myself of The Rocky Horror Picture Show this is that perfect short film to wet your appetite.
HelloBoB:D

HelloBoB:D

This is the Quay Brothers' tribute to Jan Svankmajer, a Czech animation filmmaker who is considered to be among the finest in history in the genre. I cannot really agree with that. I am not too b'much of a Svankmajer fan, but even less of the Quay Brothers probably. Then again, if you like darker animation, you will probably enjoy this 14-minute short film a lot more than I did. It was made over 30 years ago and consists of several very short films that, taken together, make up this quarter of an hour. My overall verdict is a negative one though because I usually prefer my animation bright and fluffy, but also the stories in here didn't do too much for me. Thumbs down.