A man receives a series of visions, voices, and notes from beyond explaining to him that his soul is trapped in hell. In order for his souls to be released his soulless body must kill certain people.
Devotion to the Looking Glass Online
A man receives a series of visions, voices, and notes from beyond explaining to him that his soul is trapped in hell. In order for his souls to be released his soulless body must kill certain people.
There was a delay in production because the film's cinematographer, Adam Sill, moved to Arizona.
Adrian Jimenez and Adam Sill would often shout the expression, "For the art!" whenever production called for strenuous or uncomfortable circumstances.
The scenes taking place in the forest took several days to film. Tor Raven had to apply fake blood made out of syrup to his face each day, prompting bugs to eat the syrup and get stuck to his face.
The film's cinematographer, Adam Sill, was described as being spontaneous. He would often film random objects that had little to do with the plot, claiming he was "called to film" those shots. At one point he jumped into the bed of a truck and commanded the director to "just drive" and filmed to his heart's desire. This came as a great pleasure to director, Adrian Jimenez, who believes spontaneity and passion are key elements to making a film work.
Much of the film was shot in Cinematographer, Adam Sill's apartment.
Adrian Jimenez insisted on filming in chronological order.
The crew accidentally left a memory card in the forest after a long day of filming, potentially losing everything they had filmed that day. Adrian Jimenez returned early the next morning and found it.
After running out of funds for the film and having the cinematographer move during shooting. The script was redone in a way to keep original shots and dialogue to fit the new plot.