Dolls (1987) Online
A group of travelers spend the night in the mansion of an elderly couple who are dollmakers. However, one of the travelers' children discovers that the dolls the couple makes are actually humans that the couple has miniaturized and turned into tools for their evil plans.
Complete credited cast: | |||
Ian Patrick Williams | - | David Bower | |
Carolyn Purdy-Gordon | - | Rosemary Bower | |
Carrie Lorraine | - | Judy Bower | |
Guy Rolfe | - | Gabriel Hartwicke | |
Hilary Mason | - | Hilary Hartwicke | |
Bunty Bailey | - | Isabel Prange | |
Cassie Stuart | - | Enid | |
Stephen Lee | - | Ralph Morris |
Stuart Gordon was, at one point, very interested in directing a sequel to this film. The initial storyline would have followed Judy and Ralph back to Boston, where Ralph would have indeed married Judy's mother and they would all become a family. One day Judy would receive a box sent from England that would contain the toy makers, Gabriel and Hilary, as dolls.
This film was actually shot before Stuart Gordon's next film, From Beyond (1986), and was shot on the same sets, but released almost a year afterwards due to all the doll effects in post-production.
The whispering sounds of the dolls were done by a group of Stuart Gordon's friends and family, including his kids and his wife, Carolyn Purdy-Gordon.
For the scenes in the attic, Carolyn Purdy-Gordon portrayed the character of Isabel. Bunty Bailey had already been let go by the time the attic sequences were shot.
Guy Rolfe had to bleach his hair white for this film. He wasn't particularly happy when his hair originally came out yellow.
The house was constructed inside of a soundstage at the Italian studio formerly owned by Dino De Laurentiis. Inside, it seemed like a real two-story house, where cast and crew members could actually walk from room to room. Outside were remnants of sets and props from other De Laurentiis productions, including Barbarella (1968), which had inspired some of the dolls featured in the film.
During the film's lengthy production, it was deemed too light on gore, so numerous gory inserts were shot. Once this footage was edited into the workprint, it was decided that gore was the wrong choice for the story so all of inserts were excised from the final cut.
The film originated with the poster image of a doll holding its own eyeballs and producer Charles Band's simplistic pitch of a movie about a killer doll. Writer Ed Naha was given total creative freedom, though producer Brian Yuzna was insistent that the poster art would correlate to a scene in the film.
Actor Stephen Lee (Ralph Morris) was encouraged to improvise his comical moments.
The fashions worn by Enid and Isabelle were inspired by Madonna, who was often photographed sporting the same "Boy Toy" belt that Cassie Stuart wears in the film.
The edition of Hansel and Gretel that Judy reads belonged to the children of director Stuart Gordon and star Carolyn Purdy-Gordon. They retained it as a memento of the film.
The third film with director Stuart Gordon and stars Carolyn Purdy-Gordon and Ian Patrick Williams after Bleacher Bums (1979) and Re-Animator (1985). The trio had all worked together in the theater and reunited again in Robot Jox (1989).
Actress and model Bunty Bailey (Isabel Prange) is the gorgeous girl in the Norwegian pop group A-Ha's music video, A-Ha: Take on Me (1985).
The film's trailer re-uses music from Dressed to Kill (1980).
Actress Carrie Lorraine (Judy Bower) only had one previous film credit before this film, Poltergeist II: The Other Side (1986), despite being "introduced" in the film's opening credits. She retired from acting after this film, having no interest in pursuing it as a career, and instead pursued a career as a criminal defense lawyer.
The close-up shot of Enid grabbing her "Boy Toy" belt as she's fighting the dolls was actually Carolyn Purdy-Gordon's niece filling in for Cassie Stuart, who was not available at the time for the shoot.
Because Empire Pictures wanted the film to be more like Stuart Gordon's previous film, Re-Animator (1985), additional gore footage was shot for the death of Rosemary. One shot was filmed where one doll used a pitchfork to pull out some of her intestines. The footage was eventually scrapped when the filmmakers decided that the scene didn't really fit the tone of the film.
The filmmakers made young Carrie Lorraine watch Bunty Bailey get into makeup for her death scene to ensure the child wasn't traumatized.
Carrie Lorraine was absolutely terrified by the monstrous teddy bear and throughout the shoot the crew members exacerbated the matter by lurking in shadows and growling at her.
The dolls in the film have various different origins explaining their ability to come to life. Mr. Punch and the Toy Soldiers are controlled by the witchcraft magic of Gabriel and Hilary, some of the dolls used to be immoral humans and were transformed into dolls to pay for their crimes in life (which explains why some of them have an organic skeleton underneath the porcelain), and some of them are also fairies, which explains why their bodies burn and smoke after being whipped by Enid's metal belt, as fairies have an averse reaction to metal and iron in folklore.
User reviews