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Планета обезьян: Война (2017) Online

Планета обезьян: Война (2017) Online
Original Title :
War for the Planet of the Apes
Genre :
Movie / Action / Adventure / Drama / Sci-Fi / Thriller
Year :
2017
Directror :
Matt Reeves
Cast :
Andy Serkis,Woody Harrelson,Steve Zahn
Writer :
Mark Bomback,Matt Reeves
Budget :
$150,000,000
Type :
Movie
Time :
2h 20min
Rating :
7.5/10

After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

Планета обезьян: Война (2017) Online

Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.
Cast overview, first billed only:
Andy Serkis Andy Serkis - Caesar
Woody Harrelson Woody Harrelson - The Colonel
Steve Zahn Steve Zahn - Bad Ape
Karin Konoval Karin Konoval - Maurice
Amiah Miller Amiah Miller - Nova
Terry Notary Terry Notary - Rocket
Ty Olsson Ty Olsson - Red Donkey
Michael Adamthwaite Michael Adamthwaite - Luca
Toby Kebbell Toby Kebbell - Koba
Gabriel Chavarria Gabriel Chavarria - Preacher
Judy Greer Judy Greer - Cornelia
Sara Canning Sara Canning - Lake
Devyn Dalton Devyn Dalton - Cornelius
Aleks Paunovic Aleks Paunovic - Winter
Alessandro Juliani Alessandro Juliani - Spear

Co-Writer and Director Matt Reeves also pointed out that the apes in Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014) don't wear clothing, but the end point of the future ape society seen in Planet of the Apes (1968) wears clothing, and Bad Ape is also supposed to be the start of a progression in this direction. To survive in a harsh winter, he's the first ape we see who shifted to wearing heavy winter coats he scavenged.

According to co-Writer and Director Matt Reeves, the name of the group of rebelling humans are the Alpha and Omega, a reference to the bomb the mutants worshipped in Beneath the Planet of the Apes (1970). The logo on their helmets and flag matches the original logo on the bomb.

While promoting Dawn of the Planet of the Apes (2014), Andy Serkis was asked if the ALZ-113 drug had also affected apes outside of Caesar's tribe. Co-Writer and Director Matt Reeves and co-Writer Mark Bomback took note of this, which led to the introduction of "Bad Ape" in this film.

The little girl named Nova is named after the character played by Linda Harrison in Planet of the Apes (1968) and Beneath the Planet of the Apes (1970).

The mutation of the Simian Flu virus rendering the surviving humans mute and mindless is a foreshadowing of the events in Planet of the Apes (1968), in which the surviving human population is mute and primitive.

In October 2016, it was announced that a fourth Planet of the Apes film was already being planned.

This is the first time that Maurice the orangutan is heard speaking English sentences. Rise of the Planet of the Apes (2011) showed that Maurice knew sign language from his days in the circus, which he probably taught to the other apes. He only utters the word "run" in Dawn of the Planet of the Apes (2014). Although Maurice clearly understands human speech, he chooses to communicate with ape grunts and sign language until now.

According to co-Writer and Director Matt Reeves, the apes that serve the humans are called "donkeys" both as a reference to Donkey Kong and, like donkeys, they are used as pack animals.

In Rise of the Planet of the Apes (2011), Caesar could only utter a few words, most notably, "No!" In Dawn of the Planet of the Apes (2014), his vocabulary had increased greatly and he was able to speak in nearly full sentences with syntax and grammar, but still with a rough tone and cadence to his voice. In this film, he is able to speak nearly identical to what a human can produce, indicating his growth into personhood.

According to co-Writer and Director Matt Reeves, it was Woody Harrelson's idea to begin addressing Caesar by listing the military rivals of the past, "Wellington and Napoleon, Grant and Lee, Custer and Sitting Bull," while noting that as an ape, Caesar would not know what he was talking about.

The Overlook Hotel from The Shining (1980) makes an appearance.

Caesar's son shares his name with the Roddy McDowall character, Cornelius, in Planet of the Apes (1968). In the first five movies, Caesar is the son of Cornelius, eventually naming his own son Cornelius after his father.

Speaking with MTV, Andy Serkis was asked about the setting for the upcoming third film and revealed that the third film may not be the conclusion to the franchise. He stated, "It's very, very early in where we choose to drop anchor in the next film. It could be five years after the event, it could be the night after the events of where we left 'Dawn', so it's very difficult to know where the story is going right at this moment because it's being written as we speak. I know that part of the desire for Matt Reeves to do this next movie is about continuing the enjoyment of seeing these apes evolve. So I don't think we're going to see a situation where we're jumping. It might be three films; it could be four. It could be five. Who knows? But the journey will continue. It might not necessarily be summarized or completely fulfilled in this next one. The point being, eventually we know that we're going to end up back at 'The Planet of the Apes', but whether it's this film or not, I don't know."

Steve Zahn admitted in a Film4 interview that he cried after seeing the completed film for the first time as he was so moved by it.

Ape actors Andy Serkis (Caesar) and Terry Notary (Rocket) played King Kong, with Serkis in King Kong (2005) and Notary in Kong: Skull Island (2017).

Graffiti reading "APE-OCALYPSE NOW" can be seen. This is because the Colonel in this film is reminiscent of Colonel Kurtz in Apocalypse Now (1979).

The only entry in the franchise that doesn't credit Pierre Boulle, the author of the original novel "La Planète des Singes" (Planet of the Apes). Ironically, The Bridge on the River Kwai (1957) (another Boulle adaptation) served as a major influence on this installment.

When Maurice speaks to the human child with her new name "Nova...No-va," the dialogue used is the actual voice of Charlton Heston speaking the same words to Linda Harrison from Planet of the Apes (1968). The voice has been slightly electronically altered, but is still clearly recognizable.

Co-Writer and Director Matt Reeves explained that introducing Bad Ape was meant to start widening the fictional world for future sequels, by establishing that there are other apes across the world beyond Caesar's colony who were mentally uplifted by the Simian Flu. He added: "Bad Ape is really...he's critical to this story, but he's actually a seed that's planted that sort of says that...that's a widening up of the world. It's not just Caesar's apes. There are other apes elsewhere, and those apes haven't had the benefit of Caesar's leadership, and so who knows what they're like, and they certainly wouldn't necessarily have the level of empathy and integrity that he's tried to instill in his family of apes, so future conflicts might not just be human and ape."

Human soldier slogans, as seen on the poster, include the quote "The only good ape is a dead ape." This is a reference to the gorilla General Ursus' popular quote from Beneath the Planet of the Apes (1970), albeit the tables have turned.

Toby Kebbell (Koba) had expressed interest in reprising his role or performing as other characters. Plans to include Koba in a larger role in the film were abandoned early, with Mark Bomback saying "if you stayed until the very end of Dawn of the Planet of the Apes you hear Koba's breathing. We did that to give us a tiny crack of possibility that we could revive Koba if we wanted to. Very early on in spitballing, we realized there was nothing more to do with Koba, certainly nothing that would exceed what he had done in the last story. But we knew we wanted to keep him alive as an idea. In playing out the reality of what happened at the end of the last film, Caesar would be traumatized by having to kill his brother. That would have resonance, and we wanted to make sure that didn't get lost. So the answer was that we could go inside Caesar's mind at this point and revisit Koba that way."

Ty Olsson played the man who shot and killed Buck the gorilla in Rise of the Planet of the Apes (2011) and returned to play a gorilla (Red/Donkey) in this film.

In an interview, Matt Reeves talked about the inevitable war Caesar would have with the humans "As this story continues, we know that war is not avoided by the end of Dawn, that is going to take us into the world of what he's grappling with. What he's going to be thrust into circumstances that he never ever wanted to deal with, and was hoping he could avoid. And now he's right in the middle of it. The things that happened in that story test him in huge ways, in the ways in which his relationship with Koba haunts him deeply. It's going to be an epic story. I think you've probably read that I sort of described it where in the first film was very much about his rise from humble beginnings to being a revolutionary. The second movie was about having to rise to the challenge of being a great leader in the most difficult of times, this is going to be the story that is going to cement his status as a seminal figure in ape history and sort of leads to an almost Biblical status. He is going to become like a mythic ape figure like Moses."

Before beginning work on the project, Matt Reeves and Mark Bomback decided to get inspiration by watching "a million movies" according to Reeves. Among the films they asked to see at the Twentieth Century Fox screening room were: westerns, war movies, Biblical epics, Star Wars: Episode V - The Empire Strikes Back (1980), and all of the previous "Planet of the Apes" films.

Andy Serkis mentioned that the film was accompanied by a video game, for which he had performed motion capture, which was released November 21, 2017, titled Planet of the Apes: Last Frontier (2017).

The orangutan played by Karin Konoval is named Maurice. In Planet of the Apes (1968) and Beneath the Planet of the Apes (1970), the orangutan, Dr. Zaius, was played by Maurice Evans.

Colonel McCullough was the secondary antagonist of the Revelations novel and the main antagonist of both the War comic books and this movie.

After seeing his cut of Dawn of the Planet of the Apes (2014), Twentieth Century Fox and Chernin Entertainment signed Matt Reeves to return as director for this movie.

During production, Matt Reeves and Mark Bomback sought broader inspirations from films like The Bridge on the River Kwai (1957) and The Great Escape (1963). Feeling that there was a need to imbue Biblical themes and elements, they also watched Biblical epics like Ben-Hur (1959) and The Ten Commandments (1956). The influence and inspiration were made evident in the relationship between Caesar and the Colonel, a military leader with pretensions toward godhood. Reeves has compared the relationship to the dynamic between Sir Alec Guinness' British commander and Sessue Hayakawa's prison camp in The Bridge on the River Kwai (1957). Another comparison is Caesar's journey to find the Colonel flanked by a posse of close friends, a situation Reeves explicitly tied to Clint Eastwood's war-weary soldier in The Outlaw Josey Wales (1976). Influences from Apocalypse Now (1979), notably the Colonel and his Alpha Omega faction being similar to Colonel Kurtz's renegade army, were also noted by several journalists. Woody Harrelson has also acknowledged the similarities and inspiration.

Devyn Dalton, who played Cornelia in Rise of the Planet of the Apes (2011), returns to the Apes franchise to play Caesar's younger son, Cornelius, in this film.

This is the second movie in the "Planet of the Apes" film franchise where one of the characters mentions the name of the franchise, in this case being the Colonel as he calls it, "A planet of apes." The first time was in Conquest of the Planet of the Apes (1972) when Caesar, the son of Cornelius and Zira, gives a monologue of the apes success towards the end of the film.

Cornelius is also the first chimpanzee sibling to appear in the film franchise.

Maurice's statement to Nova, "You are Nova," when the latter questions her identity, has a meaning beyond one merely giving name to the other. The word nova means "new" in Latin, so the inference would be "You are new," which is quite true as she signifies a new stage in human evolution, albeit arguably a regressive one.

Amiah Miller (Nova) formed a close bond with Karin Konoval (Maurice) while the film was in principal photography.

This is the ninth feature film in the "Planet of the Apes" franchise.

It was Red the gorilla who started the rebellion of Koba's followers against Caesar in the Revelations novel.

At age twenty-four, Luca was the third oldest of the apes (sharing this with Maurice), being two years younger than Koba, who was the second oldest, and Buck who was the oldest.

Co-Writer and Director Matt Reeves is only the second person to return to direct a Planet of the Apes film. The first being J. Lee Thompson, who directed Conquest of the Planet of the Apes (1972) and Battle for the Planet of the Apes (1973)

In May 2015, the title was first given as War of the Planet of the Apes. By October 2015, it had been retitled as War for the Planet of the Apes.

Nova (Amiah Miller) serves as a younger counterpart to Nova in Planet of the Apes (1968) and Beneath the Planet of the Apes (1970), though their eras of existence are separated by almost two thousand years. Nova is also mute, just like the original Nova.

The location for the apes' new home is an area by a large lake surrounded by hills and mountains next to a desert, the same landscape where Planet of the Apes (1968) was set, and a lake was where Taylor's spacecraft crashed.

Filming was also done in Hope, British Columbia, in the Othello Tunnels.

Initially the orangutan is credited as "Ape Elder" in the movie, his name was officially revealed as "Percy" in the War for the Planet of the Apes - Official Movie Novelization.

Max Lloyd-Jones replaced Nick Thurston as Blue Eyes.

This is the first iteration of the Planet of the Apes film franchise to have an albino ape: Winter.

Many viewers mistook Lake as Cornelia before the release of latest trailer, which showed Cornelia and Blue Eyes are dead.

The Colonel's (Woody Harrelson's) full name is Colonel J. Wesley McCulloch.

In the Revelations novel, Luca tells Winter he is third-in-command of Caesar's Army, implying he got the rank temporarily after Rocket left with Blue Eyes.

Woody Harrelson, who plays the psychotic Colonel who has dedicated his life to wiping out the apes, ironically is a vegan and animal rights activist.

Bad Ape (Steve Zahn) was also given the name "Green Eyes" by fans.

The shooting of Ape Elder was suggested by Woody Harrelson, who felt he had to kill one of the Apes on-screen early to be taken seriously as a villain. Twice, he touches Caesar's head, both times an improv between Harrelson and Serkis. His "Famous Opposing Generals" speech was another suggestion, including the bit about Caesar "not being much of a reader." The writers wrote it into the script. He also felt it was important for McCullough to relive the moment he killed his son, instead of just allude to it. Again, the scene was written at the actor's suggestion. One for Bad Ape and Steve Zahn, and showcasing the beauty of performance capture technology: When Bad Ape charges off to grab food for Caesar and company, Steve Zahn actually fell. Performance capture meant Bad Ape could slip and fall accidentally, too, the kind of spontaneity you can't get from a purely-CGI character.

When co-Writer and Director Matt Reeves and co-Writer Mark Bomback came on-board to helm Dawn of the Planet of the Apes (2014), the film already had a release date, which led to an accelerated production schedule. However, with the third installment, Twentieth Century Fox wanted to give the duo plenty of time to write and make the film. Taking advantage of this, the two bonded with each other more than before.

The name of the group Alpha Omega and their motto "We Are the Beginning and the End" refers to the Greek alphabet where the letter Alpha is the first one in the series and the letter Omega is the last one. Furthermore, there is a Greek expression roughly translated as "The alpha and the omega of everything" meaning that if something stands between the beginning (alpha) and the end (omega) then it includes everything.

The Simian Flu that renders humans mute and supposedly lowers their cognitive functions is similar to the illness that plagued the human race in the original novel.

The motion capture roles of Ape Kid #1, Ape Kid #2, Ape Kid #3, and Ape Kid #4 are played respectively by Skye Notary, Willow Notary, Finn Notary, and Phoenix Notary. These may be children or other relatives of Terry Notary who is an acclaimed motion capture actor, movement choreographer, and stunt performer who has a long list of credits to his name. Terry Notary held several positions on this film including acting in the role of Rocket as well as receiving credits as movement choreographer and stunt performer.

The yellow beret flash The Colonel wears is the 1st Special Forces Group (Green Berets), whose home station is Fort Lewis, Washington.

Right before he dies, Luca says to Caesar, "At least this time, I was able to protect you." This is a Call-Back to his failure to protect Caesar from being shot by Koba, and possibly a reference to their failure to save Blue Eyes and Cornelia from the Colonel.

A total of nine chimpanzees and two gorillas have served the Colonel as donkeys. At least one chimpanzee and one gorilla, "Winter," joined the Colonel out of fear for their lives, and not because of their loyalty to Koba.

Winter's name and albinism may be based on Snowflake, an albino gorilla who was kept at Barcelona Zoo in Spain from 1966 until his death in 2003.

When Bad Ape (Steve Zahn) warns Caesar (Andy Serkis) not to go to the "human zoo" he says "Don't Go! Don't Go!" Immediately after this, he gives the vehicle plate to the little girl, that eventually becomes her namesake: "Nova." "No va" is Spanish for "not going."

This is the fifth time Steve Zahn played a talking animal. Zahn previously played Monty the cat in the Stuart Little film franchise, Archie the bear in Dr. Dolittle 2 (2001), Sandy Pig in Unstable Fables: 3 Pigs & a Baby (2008), and Thunderclap, a nyctosaurus, in The Good Dinosaur (2015). In this film, he played a chimpanzee named Bad Ape.

The only film within the reboot franchise of films, where Rocket has played a main role. During, 'Rise', his role was reoccurring as he was the ape antagonist, before Koba's introduction towards the end of the film. 'Dawn', minimised his role to appearing, just under a dozen times in total.

It can be considered ironic that Preacher is indoctrinated by the Colonel into believing he is fighting a "holy war."

When Caesar observes through binoculars the encampment of the Colonel's soldiers, where Winter is found and soon killed, there is a banner the soldiers put up that reads, "The Only Good Kong Is A Dead Kong," an inversion of General Ursus' declaration in Beneath the Planet of the Apes (1970), of "The only good human, is a dead human!"

Ironically what ends up destroying humanity in the end was not the apes but a combination of the Simian Flu, created by humans, and two warring human factions wiping each other out based on conflicting ideologies for the survival of the human race. Even on the brink of extinction, humans use all the remaining firepower to kill each other.

The ape Spear's ear and nasal piercing, and white paint, are a reference to African tribal warriors.

This is the second "Planet of the Apes" film that Matt Reeves directed. The first being Dawn of the Planet of the Apes (2014).

Behind the scenes look reveal Terry Notary as a stunt double for Alessandro Juliani (Spear).

As soldiers plan to attack Caesar's wooded base, note four different phrases you see on their helmets: 1) "Monkey Killer" 2) "Bedtime For Bonzo" 3) Endangered Species and 4) "The only good ape is a dead one."

The unit insignias seen on the soldiers were from 2nd infantry division and 17th fires brigade both are units at "JBLM (Joint Base Lewis McCord). A truck also had JBLM" written on the roof.

When Caesar, Luca, and Winter walk inside the trench to confront the soldiers, one of Caesar's apes, Spear, is seen wearing a tooth earring of an unknown animal and has a small sharp bone on his nose, just like Blue Eyes' wife, Lake.

Although the group of apes that followed Koba were never mentioned by name in Dawn of the Planet of the Apes (2014), the novelization officially calls these apes "Koba's loyalists." It was also revealed that all of the soldiers from Koba's loyalists were all former members of Caesar's ape army.

Bad Ape wears a blue vest, similar to those worn in the first five movies.

The Colonel carries a Colt Combat Commander handgun.

In the novelization, many of the lines of other apes from the movie are given to Percy the orangutan. At the council meeting, Percy asks Blue Eyes what is beyond the mountains. In the movie, Cornelia is the one who asks Blue-Eyes this. At the Alpha-Omega base, Percy tells Caesar to forgive the other apes for shunning them as they have been through much. In the movie, Lake is the one who tells Caesar this.

Some speculated that Stone, one of Koba's followers, did not die in Dawn of the Planet of the Apes (2014), as a chimp is seen in this movie that looks like Stone during the scene where Rocket and the other apes see Bad Ape from the ground during the escape. A month after this movie's release, it was confirmed by co-Writer and Director Matt Reeves on Twitter, that the chimp was indeed Stone.

Expressions to motivate the troops are written all over the compound. Barracks: Be ashamed to die until you have won a victory for humanity. Tower 02: Keep fear to yourself. Share courage with others. Tower 04: To live is to suffer.

Apes that fight on McCullough's side against Caesar's apes are nicknamed "Donkey", while the humans call Caesar's apes "Kongs". Notably, the most prominent "donkey" is a gorilla with reddish-brown fur.

Winter is the second ape to be killed by Caesar, after Koba. However, unlike his killing of Koba, Caesar accidentally kills Winter.

There are plenty of allusions to The Bible, specifically Exodus. The humans enslave the apes to be construction workers and are ill-treated, due to lack of adequate food and water. Later, the apes escape and cross the desert to a new home far away from humans where they can live in peace. Caesar, like Moses, also struggles to control his darker impulses, and never quite reaches the Promised Land. James Rolfe said in his review that "It's like if you take Jesus Christ, turn Him in into an ape, and then put it in a Nazi concentration camp." Maybe also a stealth shout-out to two of Charlton Heston's best-known films. "I am the Alpha and the Omega, the beginning and the end" is from the Book of the Revelation. Saint Andrew was crucified on an X-shaped cross, and became a martyr.

Aside from McCullough and Nova, Preacher has the most screentime of all the humans, in his first scene, he is shocked by Caesars mercy and is later visibly disgusted when the Colonel explains what happened to his son, seemingly foreshadowing that he would redeem himself and help Caesar and his apes escapes, he doesn't, as he fatally wounds Caesar with his crossbow before being blown up by Red the traitorous gorilla that performs the true redemption act.

One of the apes in Caesar's colony, Spear, has a spear with the white fur of some kind of animal tied to the tip, with the tip itself covered in dried blood.

Winter's father was one of the first in the Gorilla Guard, as confirmed in the Revelations novel.

Andy Serkis and Woody Harrelson appeared in the Star Wars film franchise. Serkis played Supreme Leader Snoke in Star Wars: Episode VII - The Force Awakens (2015) and Star Wars: Episode VIII - The Last Jedi, and Harrelson played Beckett in Solo: A Star Wars Story (2018).

The way the virus shifts after killing off 99.9% of humanity towards a mutation that leaves the survivors unable to speak was an idea that originated in the original Planet of the Apes franchise where the apes used mute humans as slave labor. Co-writer Mark Bomback researched viruses and discovered details on the Spanish flu that mutated into catatonia and other non-lethal physical effects. "The humans are beginning to devolve while the apes evolve."

The wall was meant as a reveal regarding the viral mutation, "but it's interesting how that ended up having a different resonance to current events as the story continued. It was strange and entirely coincidental."

"Point of view is one of the most important things that you use in a story," Reeves says, adding that while this was a summer blockbuster whose spectacle is something different than super powers or grand action sequences. "Our spectacle is that by the end of this movie you're an ape." Viewers end up identifying with emotional beats expressed by apes.

The horses on the beach scene was shot on Vancouver Island, and they chose it because it was rainy season and expected to be gloomy. He was initially upset to find it sunny on the day of shooting, but he realized it was better than what they had planned thanks to the light and reflections in the sand.

A horn sound can be heard as Rocket stands up to face the guard he threw poop at, and it's actually Giacchino blowing into a ram's horn he acquired from the original Planet of the Apes movie. "I told you he was a Planet of the Apes fanatic."

Nova on Maurice's back, presented a challenge as Konoval is not actually the size of an orangutan. Weta stepped up and created a special backpack for the performer to wear that would add girth and support Miller.

The scene where Caesar confronts an ill Colonel as the other human army attacks features real tears from Serkis. Weta tried to recreate them via cg onto Caesar's face but were unable to capture it right, so they instead chose to lift the footage of the tear and then layer it atop their cg ape face. Serkis told Reeves that a similar thing happened on The Lord of the Rings -- Weta used some of his actual spit for Gollum's excited talking.

At 49 mins.) Bad Ape's fall was a real fall on Zahn's part, but Reeves liked it so much he kept it. "The great thing about performance capture is that in any other movie you plan out shots to such a degree that there's no spontaneity, but here because all it is is just a series of cameras we go on an exploration."

At 1hr 27 mins.) The water dumped on Caesar (and by definition on Serkis) was supposed to be warm, but the crew forgot to heat it up. Caesar/Serkis' shocked reaction is authentic as the very cold water was unexpected. They were all apologetic afterward, but Serkis said simply that it worked for the scene.

Caesar wasn't originally meant to die on camera -- the were going to pan up into the sky and then have his eyes superimposed onto the screen -- but Reeves suggested Serkis do a take where simply lets go, "and the way that Karen played it as Andy was passing was just so heartbreaking, and everybody just fell silent."

The script didn't have Maurice speaking verbally at the end, but while they were shooting the final scene of Caesar's impending death after getting his apes to the promised land Reeves and Konoval both realized it needed to happen.

When Blue Eyes and Rocket come back from the village, Lake runs to Blue Eyes and hug. While they hug you can see that Lake has long hair, earrings of some kind, and has a necklace with some kind of animal tooth.

This is the third installment in the newly rebooted Planet of the Apes franchise.

Although the character's name is officially "Bad Ape", this not technically his name. "Bad Ape" is just the derogatory name that the humans gave him repeatedly, thus over time he mistakenly began to believe that his name was indeed "Bad Ape".

The teaser trailer debuted at New York Comic Con on October 6, 2016.

During the opening scene, one of the Alpha-Omega soldiers has the words Bedtime for Bonzo written on his helmet.

Red blows Preacher up with a Sage Control Ordnance Deuce.

Caesar (Andy Serkis) uses a stainless Winchester Model 1912 as his main weapon for most of the film. Luca (Michael Adamthwaite) keeps a stainless Remington Model 1100 with a sawed-off barrel and stock in one of his horse's saddlebags in the film. When Bad Ape steals the horse, he uses the shotgun to fire at Caesar, and his companions as they give chase before giving it back to them when cornered. Rockets (Terry Notary), main weapon is a Remington ACR-E he also uses a M4A1 carbine which he steals from an Alpha Omega soldier. Maurice (Karin Konoval) is the only ape to not use a firearm.

Preachers crossbow is a Parker Hurricane XXT Crossbow during the opening battle in the Muir Woods before losing it when he is captured by the apes, he later uses a Parker Blackhawk Crossbow which he fatally wounds Caesar with.

Unlike the other gorillas from the Ape Colony, Red has red colored fur from his head extending to his shoulders and upper back. This may be the reason why he is named Red.

"Performance capture is just a technology that records performance," Matt Reeves says in regard to Andy Serkis being labeled a brilliant mo-cap artist as opposed to a great actor.

Caesar demonstrates empathy with both apes and humans through the trilogy, but the goal with War was for him to understand Koba's pain in Dawn that led him to attack the humans. "For the first time, Caesar would be in danger of losing his empathy."

Reeves used a technodolly for the cave assault scene -- a piece of equipment he wished he had on Dawn -- and it enabled him to shoot scenes with Serkis (in his mo-cap getup) and the "play the shot back" while adding new elements.

The code name for the film during production was, 'The Hidden Fortress'.

Reeves discovered on Let Me In, that composer Michael Giacchino was also a huge Planet of the Apes fan, so was the first person Reeves called when he was hired to direct Dawn.

The filmmakers' kids played the young apes in the film (as they did in Dawn). Performer Terry Notary (The Square) actually trained his kids to "quadruped" and move like apes.

They spent "over a year" in post-production working to make the apes -- particularly their expressive faces -- look and feel as perfect as possible.

At 43 mins.) The shot of Bad Ape is the only time Zahn appears onscreen without the mo-cap gear. It's a shot from behind, and he's wearing a big, hooded winter coat, but it's him.

They originally had the Jimi Hendrix version of the National Anthem play during the scene where the humans put the apes to work on the wall, but they weren't able to secure the rights.

The score playing as Caesar is pulled from his cage to be put to work features a "spur-like" sound that comes from an instrument designed by one of Giacchino's sons. The composer apparently likes to include his kids in his compositions, and this "little piece of metal that has some nuts and things on it that shake and have a huge reverb" added a western tinge to this showdown scene.

The film was shown to primatologists and were told that their apes displayed a surprising degree of realism in their behavior. Karin Konoval's performance as Maurice the orangutan was especially noteworthy to them.

The big tanker explosion at the end was felt in Vancouver and landed the production in the news as people were concerned as to what the tremors were from.

Many of the snow-set scenes were shot in real snowy conditions. It required not only special attention from the digital wizards at Weta but also for the performers to wear wet suits beneath their mo-cap gear. "I could look like the Michelin Man."

All of the horse shots during the Bad Ape chase were done using real horses and stunt riders except for the one of Caesar riding up the ridge, which is entirely cg.

Reeves doesn't mention why the faces of the Northern Army are never shown. While watching for the first time I assumed they would be revealed to be apes as a twist of sorts -- apes up north are even more advanced and had been playing the Colonel all along -- but that's not the case. They were just humans dressed for cold weather.

Weta designed a new rendering program "that enables them to grow forests and to have the trees have that natural variation." This was one of the first applications of the software.

The technology behind performance capture "can only capture about a dozen apes at a time, there's so much data that the computers have to hold on the movement of just twelve people." Larger scenes required a focus on the performers with small pockets of extras in the background that would be adjusted and blended in post.

The giant "X"s that the humans use to tie up the apes outside their camp are the same design as the "X"s used as markers to The Forbidden Zone in Planet of the Apes (1968).

The ending of the film contains references to the canon of the first five movies. Before Caesar dies, Maurice (an orangutan) promises that he will tell Caesar's story to his surviving son. In the first five movies, the legacy of Caesar after his death is preserved by an orangutan known as "The Lawgiver", played by John Huston in Battle for the Planet of the Apes (1973), and afterward, the orangutans become the learned politicians and religious leaders of ape society, revering the memory of The Lawgiver in statues after Caesar has been forgotten. The plot of Planet of the Apes (1968) hinges on the orangutans having taught apes a false history of the world and erasing knowledge that humankind was once the dominant species of Earth.

A child's doll plays a significant role in driving the plot forward, as it did in Planet of the Apes (1968). In the 1968 film, Taylor finds a talking doll in the excavation and holds it up as proof that humans used to be able to speak. In this movie, the doll lacks facial features (suggesting muteness), and handling the doll transmits the virus which causes muteness.

With Caesar dying in the presence of Maurice, it can be assumed that Maurice would take his place as ruler of the apes. This is in line with the first five movies, as the orangatans seem to hold all of the political power in the far future, with Dr. Zaius being the most prominent member of said government. Dr. Zaius also happened to be portrayed by Maurice Evans, for which the character of Maurice was named.

Rocket and Maurice are the only apes to survive the events of the trilogy. Though, if the franchise is continued, it is likely that Andy Serkis will return to play the son of Ceaser, Cornelius, much like Roddy Mcdowall in the first five movies.

In the DVD commentary, co-Writer and Director Matt Reeves revealed that the filming of Caesar's final scene where he says goodbye to Maurice before he dies was extremely emotional for everybody involved, and that during filming, "pretty much everyone on the set" was weeping openly at the deeply touching acting of Andy Serkis and Karin Konoval (as Maurice). The scene was especially heartbreaking and emotional for Serkis and Reeves, as Serkis' mother had died during filming, and Reeves' father died on the last days of shooting.

The final shot of the film was supposed to originally have been Caesar's eyes closing for the last time as he dies, than a cut to black. After discussing the scene with Andy Serkis, Matt Reeves and Serkis decided the audience needed to see Caesar actually die, with Maurice stroking his leg to comfort him as he died. In addition, Maurice's final speech was originally written as sign language, but while filming, Matt Reeves decided it would add emotional resonance to the scene if Maurice spoke the words, as it would be the first time in the trilogy that his character talked.

Matt Reeves stated that Malcolm (Jason Clarke) would not return because he was killed by The Colonel.

It is implied at the end that Maurice the orangutan will become the "Lawgiver" character shown in the first five movies.

The final scene of the film shows the apes at Mount Saint Helens and Spirit Lake. One of the most popular tourist attractions in that area is a two and a half-mile-long lava tube called the Ape Cave. Contrary to what may be thought, this is not the same location as the crash site of the Icarus in Planet of the Apes (1968), which was filmed at Lake Powell on the Utah-Arizona border.

Every installment in the new Planet of the Apes franchise has had a unique human protagonist, who does not feature in any of the other films. Will (James Franco) from Rise of the Planet of the Apes (2011) was supposedly killed by the Simian Flu, and only made a cameo appearance on a camcorder in Dawn of the Planet of the Apes (2014). Malcolm (Jason Clarke) from Dawn of the Planet of the Apes (2014) makes no appearance in this movie, which introduces Nova (Amiah Miller), the mute girl found by the apes. Malcom, however, is the first human protagonist from the previous entry to be killed by the main antagonist of the next film in the franchise. His character was killed by The Colonel before the events of this film.

The final shot shows the apes settling in a desert area next to a large lake, with the camera tilting upward towards the sky. This could be a subtle allusion to Planet of the Apes (1968), where a crew of human astronauts crash-land from space into a similar desert lake.

Symbolically, Maurice is the first ape that Caesar ever communicated with in sign language. He was also the last ape he communicated with in English at the time of his death.

Caesar names his second son Cornelius, the same as his character did in Battle for the Planet of the Apes (1973) (after his father); the Alpha and Omega is a call back to the name of the nuclear weapon in Beneath the Planet of the Apes (1970).

Luca is Buck's successor as Caesar's fourth-in-command and the leader of the gorillas. Coincidentally, Luca's death was similar to Buck's dying scene from Rise of the Planet of the Apes (2011), as they both protected Caesar by sacrificing themselves.

The apes who are left to die by the perimeter of the northern base on wooden "X"s mirror the perimeter in Planet of the Apes (1968) that outlines "The Forbidden Zone".

The ultimate outcome of this movie can possibly be discerned from the opening 20th Century Fox fanfare: instead of the usual orchestral strings that are usually heard, the viewer hears, instead, a slightly atonal fanfare which is very similar to Jerry Goldsmith's atonal score to Planet of the Apes (1968). It consists of only drums and horns, but no strings.

The film contains a lot of references to the Bible. Ceasar, being the apes savior is at one point crucified on a X shape, known as a St. Andrew's cross, and is given a drink in a disrespectful fashion reminiscent of the crucifixion of Jesus. There are also parallels to the story of Moses, as Caesar frees the apes from being slaves, guides them to a new "promised land", but dies before entering it.

At the end of Battle for the Planet of the Apes (1973), the camera comes in on a close-up of the face of the Caesar statue and a single tear rolls from the statue's left eye. At the end of this film, there is a close-up of Caesar's face on the verge of his own death, and a single tear rolls from his left eye.

At one point, a disgusted Caesar asks Red what is even left of him to save, foreshadowing the final battle, as Red redeems himself and sacrifices himself to save Caesar's life.

After Caesar dies, the camera rises to the sky. If you look very closely at the right side of the clouds, you can see what appears to be an ape's face looking down. It is a safe assumption that this is supposed to represent Caesar looking down on the apes, smiling. This is punctuated by a glint in the face's left eye, caused by a strategically placed lense flare.

Stone is the only one of Koba's followers known to survive at the end of this movie.

Maurice's promise to the dying Caesar is nearly identical to the promise made by Varinia to the crucified Spartacus.

The Colonel tells Caesar when they first meet that he hopes Caesar doesn't come to regret sparing Preacher's life, as he's a very good shot with his crossbow. Preacher gives Caesar his fatal wound with that crossbow.

After Caesar dies, before the scene cuts to the sky, if you watch closely, you can see two apes to the left notice Caesar's death, followed by others all over, approaching possibly to grieve.

Winter is a rare albino gorilla, rather than with the typically brown or black fur. Due to his white fur, the Alpha-Omega soldiers had to use black ink for the "donkey" tattoo on his back.


User reviews

Cordanius

Cordanius

Sometimes, when I read reviews about movies on IMDb, I see patterns in the writing. Similar text, similar structuring and similar indignant shouting. Read enough of them and you see that quite often there is an underlying reason why the reviews are marking a film so low. Be it political or religious. Very rarely is it actually about the quality of the film. More often it is about a personal issue that the reviewer has - and so he vents his anger in the only way that's he knows how - a screaming one star rating and a list of reasons why the film is the worst he has ever seen. Makes you wonder what kind of a strange person would do that.

However, if you read past all the silly 1 star ratings you often get to the truth. And the truth as far as this film is concerned is that it is a cracker. It draws you in like none of the other ape movies - it's pacing is superb, the visual effect stunning.

I would suggest that you ignore the ranting 1 star reviews and take them for what's they are - a few individuals with multiple accounts and strange views on the world.
Narim

Narim

Seriously needs to reevaluate the criteria by which they review films. Why? Because giving this film 1/10 says, "I am ignorant of quality film making." Descriptions like slow and boring just don't cut it! Opinions like this are an act of ultimate laziness - the inability to mentally invest in the passive experience of a film. An inability to invest in a well made film that has something to say no less.

Everyone has the right to an opinion - but when a person abandons merit before their eyes, and quality film making is overlooked by choice? That is simply, unfortunate. I can continue to admonish those without taste, but what good is that?

War for the Planet of the Apes isn't a good movie - it's a Great movie!!! I thought part one was above average, part two was surprisingly good - but this movie? Its a borderline classic!

In a nutshell, War for the Planet of the Apes is a struggle for survival between Caesar's group of sentient apes (gorillas, orangutans), and a derelict group of soldiers led by a broken/crazed leader. This fight begins as open warfare but moves to very close quarter survival between captors and prisoners. There is a lot of heavy, dramatic sequences - and I would say this movie compromises entertainment for meaningful content. Normally I am very critical of this type of film, but not this time! Everything serves the characters and story - and in doing so becomes a project that far exceeds the sum of its parts. Yes this movie has death, suffering and plight - and it also has heroism, empathy and displays the strength of unity.

The effects are astonishing - and immediately allow the viewer to slip into the world in a believable way. It is possible that this movie is 5 years ahead of its time. It may be a while before another film achieves this level of drama, all while being a heavily effect driven experience.

Apparently this movie requires an active viewer. A person actually has to show up, absorb the content of a film that will not pander to selfish, "give me action" needs. More science fiction should be this brave and literate. I love movies that ask interesting questions and can bring you on an emotional adventure. It is surprising to me that the third film in this trilogy would improve so much on the previous two films - good movies in their own right.

Way more I could talk up: great soundtrack! The music both blends in and adds to the drama/action - the best kind of soundtracking - beautiful camera work in interesting locations, and several unique characters, many of whom never utter a word of dialog! This movie is full of great character building, and all the big moments really land where they should.

For me, best movie of the 2017 summer - maybe the year!

All the 1* reviews at IMDb are a mystery... audience approval for this movie isn't this low. Very odd, anyways for those who care, critics got this one right - 9/10
generation of new

generation of new

I enjoyed this film and found quite familiar with the taste of editing style. This film is originally a job of Mr.Stan Salfas, ACE! His editing is strictly based on storytelling methodology of Robert McKee.

His beautiful cuts in this film are appeared in the sequence in which Caesar's family killed by the Colonel. The close ups between Caesar and the Colonel are well managed in the most tragic moment.

On the other hands, it is when Caesar was suddenly shot after the death of the Colonel in silence.

Caesar is a typical oppressed nation's leader, and the Colonel is a classical imperialist army officer. Mr.Salfas's reverse cutting reveals this core conflict.

What I appreciate is that US films reveal the evilness of imperial acts taken by its politicians. Self-criticism is done by filmmaking. Moreover, it successfully turned into the blockbuster entertainment.

Individualism and anti-imperialism attitude are quite strong, and other sub characters need more intelligence. Caesar and the Colonel are too big. I prefer more anti-imperialism, and more collectivism.

Fortune is not religiously decided but it cannot individually be controlled. What we can do is to do our best efforts under difficulties. At least, the apes expressed this thought.
LivingCross

LivingCross

Before i saw this movie i looked at some people's opinions about it and i saw mostly negative reviews, so i was really nervous going into this movie thinking that i would have had the same reaction to it and seriously i have no idea what those people are talking about.

So War for the planet of the apes is the 3rd film in the new prequel/Reboot of the planet of the apes movies. And this is about Caeser going on a journey to stop a war between his apes and an army of highly trained soldiers, while he also tries to control his more violent instincts.

First the obvious, the CGI is amazing and is truly a technological marvel to cinema. Andy Serkis once again plays the ape ruler Caesar and is easily the best movie character in recent years, in each film he has gotten progressively better and in this one it is definitely the best performance. The story is great and is well acted throughout. This movie is also an amazing drama. There are a lot of moments that just make you jerk a tear every once in a while and its believable. The action sequences are pretty good too. Woody Harrelson plays the colonel and he does a pretty good job at it (He is not as good as koba but still good). He is just a character that you can relate to and you understand why he is doing all of this. Caesar and the colonel are pretty relatable. As much as i would love to say how great this movie is, i better stop right here.

I loved every part of this movie and i did not find anything i did not like about it, but i am gonna talk about why i think most people were disappointed with this film. So if you watched all the trailers and looked at the title you may be expecting one thing, a ton of apes and humans fighting with guns and rockets. But although there is some of that in this movie, its definitely not the main point of it. This movie to its core is about the war that a person faces emotionally while war is happening around him. We see this concept with Caesar all the way through the movie.

It also talks about what terrible things a person or people would do in a war. Woody Harrelson's character does what he does because he believes that the entire human race is going to go extinct if he does not act. I mean, would you do that if you knew that you could slowly be replaced by another species?

So some people do not like this film because they were expecting a full on hardcore war movie. And it is that, but it really is a commentary about how a person has a war within themselves when war is happening around them. And people either missed, did not care, or did not understand the more darker themes about this movie.

But anyway, in the end i thought this movie was a masterpiece in every way it could have been. It has amazing CGI, performances, action sequences, dark themes, tear jerking moments, and a beautiful moral to it. A+ or 10/10 APES TOGETHER STRONG!
blac wolf

blac wolf

I am astonished, truly, that a hollow movie like spider-man; homecoming that is instantly forgettable and fixated on lame themes of stupid first-world teenage angst scored better user reviews than this masterpiece. it really says a lot about the mindlessness of modern cinema audiences, especially when the main argument is that ' there isn't enough war'. that said, user reviews are moronic. Planet of the apes is a triumph, really touching and thought, provoking on so many levels. i saw it days ago and the emotion of the film is still very fresh in my mind. in fact the more it occurs to me, the richer the movie becomes. if this is not nominated in the best film Oscars category, then the Academy is as daft as so many IMDb users.
Phain

Phain

Honestly, i can't understand how people give a score of 1/10.

One user said that "the mass cinematographic audience is every day, every time, worse". I totally agree with that.

This movie is much better than the previous 2. In fact, this movie should be used as "foot" to develop true sequels of the same quality as this, and even better.

Rarely nowadays you can see a movie that is entertaining from the beginning to the end and with all the condiments you could imagine of a great movie. This movie reaches all those levels. And if you do not like it, I honestly could not understand why.

It is moving, has action, has good CGI, good rhythm ... and all that works cohesively to fit in to a very good argument.

What more can I say.

Only those who can truly appreciate this film, forgetting their prequels, only appreciating this ... will understand.

10/10
Survivors

Survivors

I was first reluctant to see this film when my friend invited me but after seeing that it has a whopping 8.1 rating and remembering that the previous films were quite enjoyable I was prepared to see a truly good movie. I was incredibly disappointed. **SPOILERS** My first trouble with the film happened with the appearance of the little girl, who seemed to serve absolutely no purpose other than to spontaneously cause tear- jerking moments which were accompanied by sad music in every instance. Throughout the film there must have been around 10 of these, all of them completely pointless and forced. It also baffled me that she had close to 0 reaction to her father dying yet, when a gorilla who she had known for literally one day died, she wept like it was her brother. Another massive problem is that the entire plot of this movie hinges on one condition: that every single person out of the ~1,000 soldiers at the concentration camp is a complete and utter imbecile. Caesar's crew is running around right outside of the walls of the camp? Of course no one notices, why would anyone be on over-watch at a military base? All of the monkeys escape from their cages? Of course there was only one person watching over them. In addition to that, for the duration of what seemed like 10 minutes no one else even noticed that all the monkeys were gone or that the single guard watching over them was killed. Are these real soldiers!? Even statistically, what are the chances that not a single soldier looked at a cage that is in plain view from any part of the camp. These were just the most glaring issues I had with the film. So little thought went into the script. These are incredibly basic problems which could have been fixed with even the slightest effort, This movie was so incredibly dumb that even my friend who doesn't have much interest in film asked me if I wanted to leave before the film was over.
Bukelv

Bukelv

I've seen the original Planet of the Apes with Charlton Heston and Roddy McDowell, I've seen the remake with Tim Roth, I've seen thousands of films during my life. War for the Planet of the Apes seemed to me as simply a showcase for the digital ape effects.

It's full of closeups of different digital ape faces against a blurry background. Af if it's 1957 and we should be marveling at new Disneyland animatronic characters. It's full of distant shots of digital chimps scurrying around. That's most of the movie.

What people are saying is thought provoking, is a simple illustration of two groups in conflict. Draw comparisons to Nazis and Jews, black and white, Shia and Shi'ite, slave and slave owner. The same "thought provoking" questions arise.

The only difference here is that it's put into a science fiction context - what if apes were as smart as humans? Well, what if cats were? Or squirrels? Had this been an action film, I'd say OK, it's an action movie and it's fine. But it isn't. It has some action, but is not an action film. It's mostly a very slow moving, dull, inarticulate drama.

Inarticulate in two ways. A lot of the apes use sign language instead of speech, and the script is not clever or intellectual. A few flashes of well written dialog come up during an exchange between the Colonel (Woody Harrelson) and Caesar (digital ape) and that's all there is. Less than five minutes. The rest of the dialog is mainly focused on vengeance and war or merciful understanding. There's no complexity or intellectual stimulation here.

I'm shocked that nearly all professional film critics give this movie a high rating and praise. Perhaps they all received $5,000 checks from the film studio.
Hi_Jacker

Hi_Jacker

War for the Planet of the Apes, the third film in what I would call a classic trilogy, probably the best all-around set of three we've gotten in the 21st Century, hands down.

This is why we go to the movies. In 2011 no one was expecting much from another Planet of the Apes movie, especially after the Tim Burton debacle 10 years before it. But we came away from it not only entertained, but with a feeling that we just watched an iconic character being born.

Caesar will be to apes what Hugh Jackman is to Wolverine and right now both are looking like Oscar contenders, finally.

Both characters are also involved in a war of another's making, also against humans. Caesar has agreed that those in his tribe must go to higher ground for their own protection and he even stays behind to lead the military away from the rest of them.

This is a Caesar we've seen go from innocent child to cruelly-treated animal to fair and peaceful leader to the regrettable warrior he's had to become because Koba, the ape he trusted, threw him back into this fight. He wanted nothing more than protection for his family and tribe.

Anyone who thinks Andy Serkis isn't doing some of the best acting they've ever seen here has no idea what acting even is. The ape-body movements have almost become second nature now to the severe emotions of guilt and anger that Caesar is going through.

Serkis is bringing all that out and no, if he does win something that doesn't mean that he has to bring all the visual effects people up with him. Did Daniel Day Lewis have to bring up the make-up people when he won for "Lincoln"? No. Why is this any different? The motion- capture performer needs to be recognized, and there has been no better than Serkis.

I also love that Caesar is also fighting this final battle here and his same brothers who helped him escape captivity in the first film voluntarily are right along with him for this. It has a "Saving Private Ryan"/ "Band of Brothers" type vibe, and this is not the only time i'll be making reference to other war films throughout this review.

But yeah these are a lovable and gentle group of 5 apes, so chill and laid back but willing to do anything for Caesar and that is really cool and really touching, particularly the relationship between Caesar and Maurice. Steve Zahn also joined the pack as a comic relief ape who sorta reminded me a bit of Dobby, but he's OK.

And remember I told you I would be making more references to war movies? Well Woody Harrelson's villain is a brilliantly conceived psychopath who definitely compares to a classic character from film history, but I won't say who for fear of giving too much away. But I will say Harrelson is perfect for something like this and is the best villain this summer so far.

A major amount of credit should be given to director Matt Reeves, and screenwriters Mark Bomback, Rick Jaffa, and Amanda Silver, least of which for making an ape riding on horseback so much cooler, and less stupid, with each passing movie.

The fact that Reeves is going to be directing the next Batman movie is particularly interesting to me because the guy doesn't revel in violence in any way. His work on these Apes movies is of violence as a sad necessity. That's Caesar, and that's also more of a Batman people can get behind.

Yes, battles bookend this film and there is also a pretty neat avalanche sequence towards the end but this is a summer blockbuster that doesn't feel the need to give us one over-the- top action sequence after the next and you know what, it proves that's OK.

It has a somber tone but is never depressing. There's a great theme here linking consciousness and the darker parts of human nature, and the film runs the gamut of being heartbreaking, moving, suspenseful, and even inspiring. Yes, Caesar being tied to a cross in one scene is a bit on the nose as far as symbolism, but he's earned it.

Lastly, Michael Giacchino's musical score just sends this finale of Caesar's saga off right. The whole series has just been outstanding. This is what happens when you devote efforts to the here and now rather than to some distant universe (looking at you The Mummy) and on making sure plot threads make sense and have purpose (looking at you Transformers).

It's also what happens when your lead actor is fantastic, when the heart is in the right place, when the goal is the make something that stands the test of time and that will make people want to automatically want to go back to it and say that was one hell of a hero that series created. If you know me, you know I don't usually overstate things but this is a classic up there with Star Wars, Lord of the Rings, Nolan's Batman trilogy. Add it to the last.

If you liked this, check out Craig James Review on Youtube for more.
Xtani

Xtani

War for the Planet of the Apes isn't the masterpiece I hoped it'd be. As someone deeply invested in the characters however, it's still a highly satisfying, emotionally- profound final chapter for the trilogy. War also compensates for its relative lack of allegory/social commentary with an intricately complex (and rather poetic) character/story structure, adding new merits to the franchise even if dissatisfying others.

I've been studying/writing about the entire Planet of the Apes franchise for the month leading up to my first viewing of War. Down the line (probably when the director's commentary comes out), I'll revisit my thoughts. For now, here are my impressions.

Matt Reeves returns from Dawn with equitable ambition, making this the best-directed of the trilogy, addressing all of my primary issues from the previous film. Most notably, the pacing is better than Dawn's, with the emotional core always at the forefront and never sidelined. This film still doesn't have the unrelenting momentum of Rise, but it never dragged for me, and felt shorter than 2 hours (as opposed to the 2+ hour runtime). This was enhanced by the riveting (but admittedly sparse) action sequences, especially one not far into the film, which had me on edge. The sense of scope was far more realized in this film, venturing through different landscapes while not feeling claustrophobic, and implying a massive new world of unknown territory. Overall this was an ambitious film, but it didn't innovate from Dawn as Dawn innovated from Rise- -at the time shooting in the mud and rain, now opting for a tamer, snowy environment.

Visually, this is nothing short of a spectacle. The (borderline R-rated) Holocaust imagery is genuinely haunting and unsettling, and crafts a unique tone with the sci-fi premise. Chinlund's production design is more enthralling than Dawn's, even if more greenscreen was used to get the result, contradicting the ambitious physical sets from before. The cinematography by Seresin also improves here, achieving some rather interesting shots, if still less engaging than the symbolic photography from Rise. As for the CG, I'm blown away. As good as the previous films were, there were still moments in which the effects were noticeably computer-generated. In War. . . the effects are flawless--so seamless that I never once actually saw "CGI". The effects in here are no less than groundbreaking. Spectacle isn't everything though, as there were various, smaller directorial flaws woven throughout.

For one, the title card didn't match the style of the first two films, and the highlights of the former films' titles felt shoehorned-in. Also consider the distracting Coke truck in the middle of nowhere, and the ridiculously thin layers of snow covering the tunnels. How much effort would it have taken to show the characters digging or mining through stone? I can mostly excuse these smaller flaws on merits of the meticulously- crafted story.

This is the sole film of the trilogy which wasn't written or adapted from a draft by Rick Jaffa/Amanda Silver, who retrospectively had a better understanding of the franchise's allegorical implications than Reeves/Bomback (who wrote this film). Now, Reeves knows how to create a brilliantly-layered story (not sure about Bomback), but his efforts left much to be desired in the way of commentary/allegory. There are clear (and often brutal) allusions to the Holocaust, with depictions of scapegoating minorities for predicaments the accuser is guilty of. In the way of contemporary commentary, the humans are trying to build a wall which ultimately proves useless (remind you of anything?). All in all though, it doesn't reflect the series' core allegory of racism very well, presenting nothing especially insightful or impressive. The final culprits are a handful of "Did they really just do that?" plot conveniences, mainly the tunnels with conveniently placed holes, but where the writing actually thrives in this film is structure.

In War, we're presented with an abundance of reversals/reflections on the former films' themes. Consider that for the first time since Rise, Caesar finds himself in a cage and inciting a revolution. We also see him abused with water, and fed slop. Also consider the dramatic irony/poetic justice of the virus: designed by humans, activating the speech centers/enhancing intelligence for apes, now doing the precise opposite for humans, effectively switching their roles in a quite literal interpretation of Planet of the Apes' core reversal. Additionally, Alpha Omega isn't just an easter egg--it's about this film as the end of a trilogy and the beginning of a vast mythology, accentuating the motifs within the film.

Character structure in War is also impressive. For example, Caesar kills Nova's father. This draws a parallel between Caesar and the Colonel (who previously killed Caesar's family). This turn not only reflects Caesar's disillusionment with humanity, but incites another parallel with his former opponent, Koba. Note that the now-orphaned Nova is a reflection of young Caesar, growing up and learning to sign with the reverse species. The performances are strong all-around, and there's not much new to be said (also I'm butting heads with IMDb's word limit). I'll add that I really enjoyed the tragic/comedic character of Bad Ape, and that Serkis was brilliant yet again.

I still find Doyle's score for Rise to be the best of the trilogy, but Giacchino manages a noticeable improvement from his work on Dawn. Though still simple in orchestration, the music feels far more realized/developed here, and some nice new themes are added to the fold. I would have liked to hear more Goldsmith sensibilities (and Doyle's themes), but what we got was fantastic nonetheless.

Not long after screening this film, I wanted to watch it again. Had this movie integrated more intelligent commentary and allegorical content, this could have been the second masterpiece within the Apes franchise, next to the 1968 film. I just hope that Fox keeps their damn dirty paws off my Apes until there's another story worth telling.

Score: 9/10
Exellent

Exellent

What I do not like about this movie is the basic message: Humans in comparison to animals cannot be trusted, they show no mercy, the animals reach the higher ethical ground and should survive and reign the world.

How is the goal of this message achieved? First, the whole movie plot is filmed from the perspective of the ape- society, their families, their friends, their love and their sorrows. Unlike the perfectly arranged classical Charleton Heston movies in the 60s which bore a shock element in a dark post-nuclear, post-apocalyptic world, where mankind destroyed itself, this movie aims at showing the worthlessness of human beings. The little blonde girl whose father got shot dead by Cesar, didn't loose a single teardrop for her father, but after a short while befriends herself with the apes, starts crying for a dead gorilla, who gave her a flower, gives water and food to the imprisoned killer of her father, Cesar, and feels herself quite comfortable now growing up as a monkey daughter in the sense of a Tarzan, yet in a considerable lower social position.

Second, other humans, except maybe for Woody Harrelson as a pittiful leader of a small company, do not have character depth in this movie, and are basically the enemies, and except for the little blonde girl, they all die, either killed by monkeys, by themselves, or by a snow avalanche.

What a stupid movie! What a stupid message! Worthliness of human beings is being shown here. Of course the human is bad from nature (described as sinner), as the Bible tells us, but he is not worthless, and as Gods creation is above the animals. Here you see the perversion of this idea to the extent.

Now to the ambiance: Cold, snowy, Alaska-like landscape, no cities, no larger Human or animal dwelling places. Most of the time 5 apes and the little blonde girl take the central part in the non-inhabited boreal wilderness on seek of revenge.

The fights: starting with a tactical nonsense Human uphill assault with well equipped tactical weapons against spears and still being lost. Only 3 humans and a silver-backed Gorilla get captivated, and after a short interrogation get released by Cesar, but later become his fiercest enemies again. Major explosions quite in the end of this almost two hours movie. I spare to pinpoint the many flaws of the fights there, just dumb.

Better title in this case would be: "War for the little ape reserve in the Northern Alaska (or whatever landscape it represented)"

Cesar's portrayal - in the beginning: the good leader - in the middle: the bad revenge seeker - at last: and the ugly Spartacus in the workingcamp Conclusion of the movie: all humans dead (except girlie who feels herself as a monkey) and the long exodus to sunny monkey land next to a big evening-sun-bathed lake, where they all lived happily there after,...oh no, not all, Cesar finally died from his arrow wound, which he survived for the 1000 km trek through the deserts of death Valley (or whatever location it represented), with a last glimpse of his little monkey-boy playing with the little blonde human girl, he died right in the arms of his Orang-Utan friend Murksy, Mopsy...forgot the name. Bad.

1/10
Loni

Loni

Pierre Boulle the French novelist wrote Planet of the Apes (Originally The Monkey Planet). A classic SF novel. In 1968 it was filmed and so started the cinematic journey which leads to this. I watched Battle for the Planet of the apes as a young man. I thought that this movie was going to be along the same lines as that movie. After all, all of the trailers pitch it as a war between the apes and man. I was really looking forward to it. I liked the last two movies. They were not as good as the original series but were still interesting SF movies in their own right. Also, everything has been better than the Tim Burton Planet of the apes.

So I put on my 3d glasses and sat down in Wood Green London to watch the war that would change the face of the planet. So there is a brief skirmish. Then the head ape Corny (as the plot is) sets out to find those responsible for doing wrong to him (yawn). Bring on the WAR I thought. Then they ride around for a bit. Next, we get Escape from Colditz, the great escape or Prison Break. I am still waiting for the promised war. At that end, there is a battle. Not against the apes as they are all escaping. Though unfortunately none of them get on a motorcycle and try to jump over barriers.

I walked out of the cinema and thought what a pile of dung.

The 3d is pathetic. Really this is a movie that could have been good in 3d but wasn't. It is at least 40 minutes too long. Also, it is not the movie they promised. There are no wars in it. It is littered with mistakes. My favourite is the 350-pound gorilla on a horse. No, that horse would have been dead.

Lastly and this is my normal grump. Why did it not say it was based on Planet of the apes by Pierre Boulle? No mention of him in this shamefully bad movie.

I really wanted to like this movie. What I got was a movie that surpassed Burton's POTA's for the worst one in the series.
Gtonydne

Gtonydne

The third installment in the Planet of the Apes reboot series, 'War for the Planet of the Apes' is a terrific film, that is grim & thought-provoking, and bravely pushes the Blockbuster Genre, by offering more soul than gimmicks. With a Sterling, Oscar-worthy Performance by Andy Serkis as Caesar, the leader of the apes, to a Screenplay that is dark & powerful & Deft Direction, this recent box-office & critical smash is among the year's best films!

'War for the Planet of the Apes' Synopsis: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

'War for the Planet of the Apes' is a tale on love, hate, revenge & survival. And in a world where Presidents behave like dictators & discriminate the minorities, this Apes versus Humans spell-binder comes close to the current state of times we live in & questions hate & violence with thundering ferocity.

'War for the Planet of the Apes' is brave enough to remain a grim story on a leader broken & consumed in hate, ready to protect his misunderstood tribe by a sadist & ruthless colonel (Woody Harrelson, in an electrifying performance). Its disturbing & powerful story on Caesar's fight, with a mad-load of violence & thought-provoking confrontations, that are SURE to give your goose-pimples. Its power-packed stuff.

Mark Bomback & Matt Reeves's Screenplay is excellent. The Writing is super-strong & makes for a solid third installment. Reeves's Direction is intense to the core. This is Reeves at his finest, as a writer & director. Michael Seresin's Cinematography captures the carnage, with astonishing results. William Hoy & Stan Salfas's Editing is top-notch. Art & Costume Design are fantastic. Michael Giacchino's Score is enchanting, as always.

Performance-Wise: Andy Serkis needs to be awarded. His return as Caesar in a yet another motion-capture performance, defines emotion. Serkis is simply superb, enacting the bruised & broken hero with gut-wrenching honesty. Has the Academy been sleeping? I mean, how can one not include Serkis in the finest performances of the year? Give him his due, Nominate Serkis for his impeccable work in 'War for the Planet of the Apes', it would only prove to be a rich moment in your history. Second in command is Woody Harrelson, who puts the screen on fire. In one of his scariest roles, the Thespian portrays a villain that's hard to forget. The TREMENDOUS Steve Zahn is extraordinary & adds the much needed relief in the intense proceedings. Karin Konoval, also, is marvelous. Rest lend incredible support.

On the whole, 'War for the Planet of the Apes' is A Mighty Winner! Don't Miss It.
Geny

Geny

Seriously, if you want to see 2 hours of apes locked in a cage then just go see it in person at your local zoo. The $15 admission fee is for about the 15 minutes of CGI. This movie dragged on for so long that I actually began rooting for the humans just so this thing would end. It truly has more plot holes than the Zapruder film. And that's not even mentioning the absurd ending that makes absolutely no sense.

Woody Harrelson is still a legend.
Charyoll

Charyoll

After seeing WAR for the first time, I left the theater not knowing how I felt about it. I had seen the film opening day being a huge fan of the rebooted trilogy and in love with the main characters in the previous two films. Because I was so connected with the characters in this film, the movie was not very enjoyable. I couldn't sit still, I didn't take a bite of my popcorn, I only breathed a good two times throughout its run time, and the moment the end credits rolled I felt exhausted. I went home and pondered over how I felt about the movie and even when I came to a conclusion I was unsure.

That may have sounded harsh and you're now wondering why I would ever give this movie a 10, but I rated this movie a perfect because it really was a perfect film, ending, and trilogy. I got to wondering why the movie was so emotionally draining and I realized that this was the director, Matt Reeves', goal. I was so invested into the characters, (that are not even the same species as me,) that I couldn't bear to watch the torture some of them went through. I loved the characters so much that I wanted to scream at the thought of losing one of them by the end. The way we've seen these apes evolve throughout 3 films is exciting. The actors and directors do an amazing job at making certain apes lovable, some that we don't even know their names, the more obvious ones being Ceaser, Maurice, and (my personal favorite) Rocket.

Woody Harrelson sells his character for what is given, even though there isn't much to work with. I understand where they were trying to go with his character, however he was used in a more story driven way then a powerful presence as a villain, which I'm totally fine with. He had a very Hitler-esque way about him which was creepy and very surprising.

The title, War for the Planet of the Apes, is not necessarily referring to the War which was taking place subtly, however the inner conflict happening within Ceaser's mind, which unlike other people, I adored.

The new characters added into this film were risky, yet they really worked. Unlike some of the characters we've had since RISE, Nova and Bad Ape are introduced into this final installment. Not having enough time to introduce both of these characters, Reeves manages to get the audience to care for them both, which is pure art.

Everyone knows the visuals are superb and unlike anything we've ever seen so I won't elaborate on it more than that. (They're great.)

Michael Giacchino's score is wonderful and my personal favorite of his. He brings a jungle feel and mixes it with soft piano lullaby's that intrigues the audience just as much as the visuals.

The film really tricks you into believing a certain character will finally have a change of heart. However, they rip your heart out with one of the most shocking scenes I have ever witnessed, which is a tragic yet remarkable piece of work. Those of you who have seen it know what I'm talking about.

The ending is perfectly executed, yet leaves you in a mourning state. In respect, I stayed through the end of the credits in mourning for one of the greatest characters in film history. Andy Serkis has proved once again that he is the best actor in the game.

Though I loved this movie, there was one major thing that I was disappointed with.

(SPOILER) After watching DAWN, I was most excited to see more of Ceaser's son, Blue Eyes. I understand losing him drove the story forward, however I was really disappointed we didn't get to see his character grow.

All in all, WAR FOR THE PLANET OF THE APES is a remarkable film. It is a great end to a trilogy and one of my favorite films of all time. The team behind this movie nailed every minute of it. Give the movie a chance and see it again. Because I believe it is a masterpiece. Apes Together Strong. Thanks for reading....-O
Whitebeard

Whitebeard

Oh I tried to ignore the propaganda, I really did, the first two films of this trilogy are very good films (and not in a back handed "for a summer blockbuster" sort of compliment), but this is an awful 150 million misstep. This is my 2nd review ever and I don't review things unless they particularly rub me the wrong way.

I'll be spelling certain words wrong to get around word gagging orders on IMDb.

War of the Planet of the Apes literally beats you over the head with this defecation of the human spirit, I'm in awe of how blatantly forward it is and I love good sci-fi commentary. (Battlestar Galactica and The Wire are some of my favorite pieces of fiction)

Here in this script we have no sympathy for Harrelson's and humanity's understandable dilemma as to how to beat a virus that is causing humans to lose their speech and higher faculties. They don't even have the balls to have the apes wipe out what's left of the human army as that would make the apes even more obviously terrible than they already are; so they have a natural disaster do the job. The blond girl/child that they carry with them goes to live with the apes, dumb(from the virus) but happy.......and humanity's downfall is complete. Even though exalt the child's beauty early in the film! But what is beauty without brains ultimately?

What great moral lesson was I supposed to glean? That humans are so terrible that we should walk quietly into the night? Oh look the apes are thick.....but some of them are funny Totally worth it!

Conversations and plot points are so monosyllabic that it was almost orgasmic when Woody Harrelson turned up to speak more than than the few grunts that we hear up to this point and FINALLY gives us a reason to care.

Bonus points for cultural maxisms (spelled wrong to get around censorship) is when the blond child cries over the ape who is killed that she has known for all of two scenes but doesn't even flinch when her father is killed by said group of apes.

Go out to the beach with your kids, hell even go the beach or lake by yourself, hell go further, go out when its raining and make some memories.

Also I'm not the slightest bit Christian and I can see this picture is blatantly not only anti-Christian but to the non religious out there as well its this......anti human, anti intelligence
Funky

Funky

This movie is absolute trash. I am a huge fan of the franchise, including the first two installments of the reboot. This film was incredibly disappointing. The plot was almost non-existent, the pacing was all over the place, the tone kept juggling and the development was forced.

It felt like they had no clue how to end the trilogy, so they threw together a ton of walking inserts, and landscape shots with sprinkles of action sequences sparingly used throughout. Slow movies do not bother me but pretentious garbage like this film is entirely not watchable. The solid cinematography and good use of CGI to not make up for the nonsensical plot.

Do yourself a favor and wait on this one. Believe all the bad reviews, I was anxiously awaiting the release of the film, only to be let down. Biggest disappointment of the summer by far.
I am hcv men

I am hcv men

First time I've ever wrote a review on IMDb.

The title says its all, if you're going to watch this film, watch the first 10mins and the last 20mins, you could go out of the cinema mid-way through and hardly miss anything.

The first planet of the apes was the best, 2nd was good enough, 3rd is just is just rubbish.

Spoiler Towards the end of the film there is a massive oil tank in the middle of the compound where the soldiers were holding out (dumb place to put it), then getting attacked by Apache helis, you would think the massive group Apache helis could take the compound out about a mile away, instead they are flying all beside each other flying over head.

poor story line, poor acting, poor directing, awful film, don't bother wasting your money.
Ral

Ral

To start, this is the first movie I've ever reviewed. After seeing this movie I felt the need to get my opinion out.

So, what a long journey from the city of Misstreadedville with a final destination at Depressingland it was. You're telling me it's not enough that he is running for his life to save his people (depressing). His wife and one kid get killed (even more depressing). But wait, there's more, he and his people become slaves (thanks for reminding me about the worst tragedy in the history of the world).

So here's our chance for an awesome battle with good apes and good humans. Epic action to see Caesar be his hardcore self, right? Nope. We see him battle no one and get shot by the person he spared. What an opportunity for mercy to be given back.

So that's it right? Wrong again. We see super smart Caesar, not plug his wound and travel through the desert bleeding out. As a father he must have some small attachment to his soon to be orphan kid right. Wrong again.

So finally we arrive at Depressingland. To say I demand an alternate/extended ending is an understatement. Please fix this.
Jonariara

Jonariara

So obvious that the writers Mark Bomback, Matt Reeves, Rick Jaffa, Amanda Silver know nothing about anything U.S. Military related.

Author Pierre Boulle of 1963 La Planete des Singes, must be doing backflips in his grave.

The original Planet of the Apes movies (1968, 1970, 1971, 1972, 1973) were much better and closer to what the book was about.

These Remakes (to cater to the Millennials (ages 18 to 39)) are just as disappointing as Tim Burton's Failed 2001 Remake, Planet of the Apes.

War, what War?, more like a small skirmish.

(Spoiler) At the Opening Scenes U.S. Military do NOT bunch up and get close together as one handgrenade, RPG, landmine will kill many. U.S. Military use Night Vision Devices to obtain a significant advantage, instead of rifle mounted flashlights with visible laser aiming devices.

(Spoiler) U.S. Military do not choose places that give the Enemy ANY Tactical Advantages (at the bottom of a valley surrounded by mountains, low locations, places that can be flooded, flat terrain). They would never have been at a location subject to rock slides, nor avalanches.

(Spoiler) Standard Operating Procedure U.S. Military do NOT Charge into Enemy Machineguns like World War 1, World War 2, Korean War. Current idea is to use Airstrikes, Cruise Missile Attacks, "Drone" Strikes, Field Artillery, Mortars, Grenade Launchers from a distance (out of Enemy Weapons Range) to completely eliminate the Enemy. Using these Fires the Enemy is trapped like in a trash compacter, with the Fires behind, to the flanks of the Enemy, with the Fires behind the Enemy preventing Resupply or Reinforcements (Ape Cavalry would have become horse meat dog food), the Fires behind the Enemy moves closer forcing the Enemy to leave their Defensive Positions and attack U.S. Military Machinegun fortifications and defensive positions, result the Enemy gets slaughtered.

Humans have had Thousands of Years to develop the Art of War, the Apes nothing, yet the Movie Writers make the Apes appear to have Graduate from U.S. Military War College.

Woody Harrelson, needs to go back to doing what he did best, that innocent ignorant Cheers Employee, not a Colonel, U.S. Military routinely does Psychological Exams, Woody Harrelson would have never made it from O-1 (Second Lieutenant) to O-2 (First Lieutenant) with all the blunders he made.

The Authors need to stop using the successful Anti War movie Apocalypse Now 1979 as a template, and get creative with their own ideas. Watching this was like watching a Political Correct (script written by PETA, as Humans Bad, Animals Good) G Rated version of R Rated Apocalypse Now.
Blacknight

Blacknight

This movie began with so much promise, however sadly by the end I felt like asking for a refund.

The visuals and cinematography were incredible, no doubting that. What angered me is the story-line and in particular the false title, "War for the Planet of the Apes". This movie does nothing to deserve the title and feels like the writers could not think of a story-line that had the apes winning while also remaining the heroes (i.e. without killing all humans).

The so-called war involves a brief skirmish in the woods between apes and humans, followed by two hours of build up to a 10 minute battle between humans and humans. Whenever the movie gave us a hint of the battle, with admittedly epic scenes which reminded me of a modern take on the opening of Gladiator, the director cut away to Caesar skulking around, Woody Harrelson doing his best zombie impression, or the apes hiding behind rocks. And this "battle" is ended by a single grenade destroying one human army, and a ridiculous avalanche destroying the other.

Yes I accept that the avalanche may represent Mother Nature destroying the humans, but why in gods name was the story-line not about apes fighting a war against humans?

This is my main issue with the movie, and I won't even go into the farcically drawn out season of Prison Break lumped into the movie for no apparent reason.

We wanted apes fighting humans. We got humans fighting humans, apes in prison, and apes getting a lucky break.
Gosar

Gosar

140 minutes of silly CGI monkeys not at war at all. message is pathetic. monkeys are better than humans that deserve to be wiped away. a true NWO flick that envisions their idea of exterminating us. the final avalanche is the classic symbolism of nature taking revenge and wiping away all the bad humans on both fronts, sparing only the monkey along with the mute, Jane-like baby blonde avoid this garbage at all cost.
Landaron

Landaron

If you've not seen War of the Planet of Apes, here's a Warning: THERE IS NO WAR IN THE MOVIE AT ALL!

What exist are just skirmishes between humans and the imprisoned apes who were trying to escape.

In fact, it is a FLOP movie! Only 15 people were watching the show.

The first 75% of the movie is very, very slow and the movie is 30 minutes too long (actual length is 2hr 20 mins). This is because the story-writer hopelessly failed to think of ways to add Thrill and a real War – but, instead, made the plot move at a snails' pace just to elongate the movie time.

In fact, this film could easily have finished in 1 hr and 30 minutes. Not a second more.

The movie ends in an "unconvincing" manner: One military faction is eliminated by another military group. And this group is eliminated by a roaring Avalanche. This helps the apes to escape to the dessert they were planning to relocate on.

NOTE: The Avalanche was created because the story-writer could not think of a way for the apes to attack and defeat the military faction. How Convenient! LOL!

The only great thing about this movie is the CGI which makes the apes look 100% realistic. The Avalanche too looks realistic. The visuals and cinematography is great.

WPA is an extremely "unconvincing" end to a trilogy whose first 2 episodes are just Moving & Thrilling – which touched your heart and mind. They made you feel for each of the characters.

I feel like giving TIGHT SLAPS across the faces of Writers Matt Reeves and Mark Bomback, just as I felt like giving the same to Roland Emmerich for Independence Day 2.
Fomand

Fomand

I really liked the 1st movie and enjoyed the 2nd so figured the 3rd would be a good ending except they forgot to write a story. This film is 140 minutes long -- with at least 45 minutes too many of ape closeups, or should I say CGI closeups. The sad thing is they could have soared with the 3rd installment but instead made a $150 million dud. Soldiers with modern lethal weapons against apes with spears - just crazy. And the moral of the story, well there really wasn't one except all the human soldiers good and bad got killed while a remnant of apes survived along with a mysterious young girl who joined the apes. I think I would have preferred something where the conflict rises to a crescendo and then ends with a fragile peace with apes and humans learning to live together, not separate. Alas, the "authors" decided that apes and humans can't live together. Let's hope there is never another plant of the apes, ever.
Pedora

Pedora

I've walked out of movies before, but never have I walked deeper and deeper into total disdain for over 2 excruciating hours. Completely convoluted and nearly nonsensical plot, wrapped in a farcical attempt to be profound, while being utterly transparent in its attempt to copy some iconic movies and characters (Ape-ocalypse, really?!). This total monkey poo is actually what will wipe out our species by making us all stupider with every passing minute we watch it. Life is too short, go do something more worthwhile, like watching paint dry. That said, had some moments of real emotion coupled with top-notch CGI. And, it totally succeeds in making critics look like total morons.