Réaction en chaîne (1980) Online
An earthquake in rural Australia causes a dangerous leak at WALDO, a nuclear waste storage facility. Heinrich Schmidt, an engineer badly hurt in the accident, knows that the leak will poison the groundwater for hundreds of miles around, and wants to warn the public. His boss, however, is only interested in protecting himself, and believes the accident should be covered up, even at the expense of thousands of lives. Heinrich escapes from the facility, but is too badly injured to get very far. Lost in the woods and suffering from amnesia, he is rescued by Larry, an auto mechanic on vacation with his wife, Carmel. As Heinrich tries to piece together his memories of what happened, his boss' thugs are quickly closing in on the trio.
Cast overview, first billed only: | |||
Steve Bisley | - | Larry | |
Arna-Maria Winchester | - | Carmel | |
Ross Thompson | - | Heinrich | |
Ralph Cotterill | - | Gray | |
Hugh Keays-Byrne | - | Eagle | |
Lorna Lesley | - | Gloria | |
Richard Moir | - | Jr. Const. Pigott | |
Patrick Ward | - | Oates | |
Laurie Moran | - | Police Sgt. McSweeney | |
Michael Long | - | Doctor | |
Bill McCluskey | - | Ralph | |
Margo Lloyd | - | Molly | |
Tim Burns | - | Survey driver | |
Arthur Sherman | - | Byron Langley | |
Barry Donnelly | - | Gateman |
This movie's working titles were 'The Man at the Edge of the Freeway' and 'Nuclear Run'. The longer of these titles was considered too long and pretentious. Moreover, producer David Elfick did a manual search of film titles starting with the wording 'The Man' and found them to be box-office disappointments. Elfick also suggested 'Contaminated' to be this movie's title. In the end, the title was changed to 'The Chain Reaction' in order to have a title with more impact. This title was apparently conceived by Hans Pomeranz.
George Miller was originally scheduled to direct this movie but Miller withdrew from the project but ended up directing (uncredited) stunt sequences and second unit only. Miller is credited as an associate producer on the film. Miller ended up directing the second-unit and stunt sequences more out of necessity than invention as this was because the production was running over schedule and running out of money.
First theatrical feature film as a director for Ian Barry.
A number of production personnel who worked on this movie also worked on the classic Australian cult movie Mad Max (1979) which had been released about a year earlier. These included actors Steve Bisley, Hugh Keays-Byrne, Roger Ward, Tim Burns, David Bracks and Mel Gibson as well as producer-director George Miller.
The movie was notable for its very 1970s electronic score. The film's Australian movie poster emphasized its soundtrack, plugging it in bold letting at the bottom saying: "Soundtrack available on [Channel] 7 Records".
This picture was shown in the market at the Cannes Film Festivel where its rights were sold well. International world-wide distribution rights (non-North America and Australia) were sold to Warner Brothers International. Publicity for this movie stated that it was the biggest-ever deal (at least at that time) for an Australian film at the Cannes Film Festival. Producer David Elfick once said of this: "...it could have been sold three times to every territory in the world". When the movie sold at Cannes, the picture went immediately into profit.
The original intention of writer/director Ian Barry was to make a serious dramatic film about the dangers of nuclear energy which was along the lines of Das China-Syndrom (1979). This movie was actually first theatrically released in Australia about a year after Das China-Syndrom (1979) had been released. The original screenplay for this film was actually written long before Das China-Syndrom (1979) launched. However, the film was actually shot about six months after Das China-Syndrom (1979) had been theatrically released.
Lead actor Steve Bisley once said of his character Larry Stillson in this movie: "Larry is one of those tenacious fellows who doesn't like being shoved around. The part's entirely different to Goose [Bisley's character in Mad Max (1979)], but the movie has some of the same pacy style".
British BBC-trained make-up artist Lesley Lamont-Fisher spent several months researching the look of radiation burns in medical textbooks for recreation in this film.
The acronym WALDO, which formed the name of the atomic repository plant in the movie, stood for "Western Atomic Long-term Dumping Operation". It has been said that WALDO also stands for "Western Atomic Long-term Disposal Organisation", this meaning being the more officious wording typical of bureaucracy.
The two types of vehicle seen in the chase sequences were a modified Holden Ute and a Ford Landau Sedan.
This movie's budget was reduced by its investors from $630,000 to $450,000 (Australian). The movie ended up costing $600,000 after going over budget, so the film ended up costing what it had been originally estimated to cost.
This movie was nominated for six Australian Film Institute (AFI) Awards, mostly in technical categories, but failed to win any.
This film is considered an Ozploitation picture, an Australian exploitation movie.
Steve Bisley received top / first billing, Arna-Maria Winchester received second billing, Ross Thompson received third billing.
According to Thrills and Nuclear Spills: The Making of 'The Chain Reaction' (2005), this was the first Australian government funded movie to be sold to a Hollywood major studio.
This film is notable for the appearance of an army of dark-helmet shade clad face-less people wearing white nuclear decontamination suits and holding atomic detector guns. A photograph of such featured as the cover photo on the February-March 1980 edition of Australian film magazine 'Cinema Papers'.
This movie was chosen as the Closing Night Film at the 1980 Sydney Film Festival, screening on 28 June 1980.
Producer David Elfick once said of director George Miller's involvement on this picture: "I wanted his expertise in the action car-chase sequences. These were areas in which Ian [Ian Barry] and I had no experience. His career had really taken off by then, so his time was limited".
Second dramatic theatrical feature film produced by David Elfick. Newsfront (1978) was his first. It's his third if one treats his surfing drama Highway One (1977) as a dramatic feature film. However, Elfick had also previously produced two surfing movie documentary features, Morning of the Earth (1971) and Crystal Voyager (1973).
Principal photography on this movie involved a substantial amount of night shooting.
This movie's original screenplay was written a long time before the nuclear meltdown disaster at the Three Mile Island Nuclear Generating Station in Dauphin County, Pennsylvania on 28 March 1979. However, this movie was shot about six months after this real-life nuclear accident.
The production shoot for this movie was scheduled for six weeks. With overruns, it went to almost seven weeks.
This movie was filmed during September and October 1980.
This film had a number of production problems including those relating to accidents, weather and night filming. The complexity and ambitiousness of the project put a high degree of strain on the shooting schedule. The shoot overran by about a week and over budget by about $150,000.
The film was part of a 1980s cycle of films about atomic bombs and nuclear warfare which had started in 1979 with Das China-Syndrom (1979). The films included Silkwood (1983), Das letzte Testament (1983), Threads (1984), War Games: Kriegsspiele (1983), Der Tag danach (1983), The Atomic Cafe (1982), Manhattan Project - Der atomare Alptraum (1986), Whoops Apocalypse (1982), Special Bulletin (1983), Kreis der Angst (1987), Barefoot Gen (Barfuß durch Hiroshima (1983)), Rules of Engagement (1989), Wenn der Wind weht (1986), Letters from a Dead Man (Briefe eines toten Mannes (1986)), Memoiren einer Überlebenden (1981) and Die Kettenreaktion (1980).
Mel Gibson: Uncredited, the Mad Max (1979) star as a bearded mechanic who trawls out from underneath a car.
Frankie J. Holden: The Australian actor-entertainer-singer as Farts.
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