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Bedazzled (2000) Online

Bedazzled (2000) Online
Original Title :
Bedazzled
Genre :
Movie / Comedy / Fantasy
Year :
2000
Directror :
Harold Ramis
Cast :
Brendan Fraser,Elizabeth Hurley,Frances O'Connor
Writer :
Peter Cook,Peter Cook
Budget :
$48,000,000
Type :
Movie
Time :
1h 33min
Rating :
6.0/10

Hopeless dweeb Elliot Richards is granted seven wishes by the Devil to snare Allison, the girl of his dreams, in exchange for his soul.

Bedazzled (2000) Online

Elliot Richards, a socially awkward IT worker, is given seven wishes to get the girl of his dreams when he meets up with a very seductive Satan. The catch: his soul. Some of his wishes include being a 7 foot basketball star, a wealthy, powerful man, and a sensitive caring guy. But, as could be expected, the Devil must put her own little twist on each his fantasies.
Cast overview, first billed only:
Brendan Fraser Brendan Fraser - Elliot
Elizabeth Hurley Elizabeth Hurley - The Devil
Frances O'Connor Frances O'Connor - Alison / Nicole
Miriam Shor Miriam Shor - Carol / Penthouse Hostess
Orlando Jones Orlando Jones - Dan / Esteban / Beach Jock / Sportscaster / African Party Guest
Paul Adelstein Paul Adelstein - Bob / Roberto / Beach Jock / Sportscaster / Lincoln Aide
Toby Huss Toby Huss - Jerry / Alejandro / Beach Jock / Sportscaster / Lance
Gabriel Casseus Gabriel Casseus - Elliot's Cellmate
Brian Doyle-Murray Brian Doyle-Murray - Priest
Jeff Doucette Jeff Doucette - Desk Sergeant
Aaron Lustig Aaron Lustig - Synedyne Supervisor
Rudolf Martin Rudolf Martin - Raoul
Julian Firth Julian Firth - John Wilkes Booth
Iain Rogerson Iain Rogerson - Play Actor
Biddy Hodson Biddy Hodson - Play Actor

(at around 1h 4 mins) The mathematics homework that the Devil removes from the classroom blackboard was effectively to prove Fermat's Last Theorem - a legendary problem from 1630 that was often the subject of stories about people selling their souls to solve it. The problem was eventually solved in 1995 by Andrew Wiles and colleagues (with computer, not satanic, assistance).

According to producer Trevor Albert, the schoolgirl outfit that the Devil wore was actually owned by Elizabeth Hurley.

There is a deleted scene that can be seen on the DVD, which shows Elliot using one of his wishes to become a rock star, playing in a metal band and using a British accent. It was cut out because of images of drug use (Elliot takes a bong hit on stage and Alison tries to kill herself by swallowing pills), foul language (Elliot says a certain four-letter word a number of times), and sexual content (Elliot and Alison start to have sex right in the back room). It can be accessed on the DVD by going to the second Special Features page, highlighting the top choice, and clicking right. A devil on Elizabeth Hurley's shoulder should light up.

(at around 42 mins) The Devil's dogs in the beach scene are named Dudley and Peter, a reference to the writers and stars of the original Bedazzled (1967), Dudley Moore and Peter Cook.

In longer versions of the film, Elliot was so pathetic that preview audiences squirmed. It was decided that a little went a long way so it was trimmed down.

Elizabeth Hurley wears a total of 19 different outfits as the Devil.

(at around 1h 21 mins) The Devil mentions that on November 16, she'll have been doing her job for 6,000 years. This is a reference to Archbishop James Ussher, who in the seventeenth century calculated that the birth of the world was on Sunday, 23 October 4004 BC. According to his calculations, Adam and Eve were thrown out of Paradise on Monday, 10 November.

(at around 43 mins) When the emotionally sensitive Elliot is playing guitar for Alison, the guitar playing we hear is actually that of Harold Ramis.

(at around 1h 4 mins) The math homework that The Devil erases from the blackboard when she is the schoolteacher is Fermat's Last Theorem - Solve for n>2, x^n + y^n = z^n. It was an extremely difficult mathematical problem that was only proved conclusively in the early 1990s, after four hundred years of it stumping the most brilliant mathematical minds in the world. In fact, the theorem states that this equation does not have any solutions. Fermat originally described it in a margin too small to contain his alleged proof. Andrew Wiles did prove it using elliptic curves, a fairly modern mathematical technique.

The devil's club, DV8, is the same building used in Kaklusklubi (1999) as Lou's Diner. Bedazzled is set in San Francisco, whereas it is never specified in the movie where Fight Club is set.

(at around 16 mins) The glasses worn by the devil when she and Elliot are on the bus are similar to those worn by Peter Cook when he played the devil in the original version of Bedazzled (1967).

In the basketball game, the name on the opposing team's jerseys is Shirts.

The business card joke was also used in the original version of Bedazzled (1967), where the writing on the card was never seen.

An additional scene shot involved the rich and powerful Elliot giving Allison a diamond ring as a gift. Allison remarks that it is lovely and tosses it away. Elliot later tosses the ring into a fountain in disappointment and servants dive in to retrieve it. This seemed like overkill so it was left out.

(at around 13 mins) The Devil (Elizabeth Hurley) gives Elliot (Brendan Fraser) a business card with the name the Devil on it to prove that she is in fact the Devil. It is just like Oh, God! (1977), when God (George Burns) gives Jerry Landers (John Denver) a business card with God written on it to prove he is God.

(at around 15 mins) While the Devil and Elliot are walking through the parking lot just after meeting, you can see the devil dressed in snakeskin holding a bitten red apple representing Adam and Eve.

(at around 17 mins) The black sports car that Elizabeth Hurley (the Devil) drives in the beginning of the film is a Lamborghini Diablo.

The mix of real-time and greatly sped-up shots of things such as clouds, traffic, and people in subway stations at the beginning and end of the film was previously used in the non-narrative film Baraka (1992).

Remake of the original 1967 film with the same title, in which the Devil was male.

The scene in the classroom where Elizabeth Hurley is teaching was actually shot in London, England and was a re-shoot of the same scene. However, due to Brendan Fraser had already starting work on The Mummy Returns, Fraser was only available for a day or two in-between so Director Harold Ramis and his crew had to travel to England and shoot the scene.

Originally the film was supposed to start production in 1998. However, when Ghostbusters 3 fell through, co-writer Harold Ramis agreed to direct the film and hired his writer on "Analyze This", Peter Tolan to rework Larry Gelbart's script. This however also meant relinquishing his Directing duties on "Galaxy Quest" which was about to start production and be released in 1999. Ramis would stay on the film as one of the films' producers.

Deena Appel, the film's costume designer was highly recommend by Elizabeth Hurley to Director Harold Ramis to work on the film after having worked with her on both Austin Powers films she had been in and since her character required an extensive and varied wardrobe, she felt Appel was the perfect choice.

In the Devils' (Elizabeth Hurley) office in the club, there's a painting of Adam and EVE hanging on the wall near her fireplace.

Elizabeth Hurley's character's dominant colors within the film are red and black. When she first seduces Brendan Fraser she is wearing all red in the bar in skimpy dress and a leather jumpsuit with red stilettos and in the club, then switches to a black striped suit quickly. She then wears black tall boots to offset her Blue Metermaid outfit as well as the school girl marm outfit in the classroom. She also wears an all red outfit consisting of a red chinchilla coat, tall red boots and a matching red purse that a bit of an homage to original film that takes place in the 1960's and no different than one of Appel's outfits from the original Austin Powers film. This is one amongst the other dozen or more outfits that Hurley wears during her on screen time in the film.

This is the second time that Composer David Newman worked with Director Harold Ramis. The first was "Galaxy Quest", which Ramis was supposed to direct but dropped out to re-write and direct this film in 1998. Ramis would say on that film as one of the producers of the film while officially working with Newman on this film.

The film shares the same Aspect Ratio of 2:40.1 as the original 1967 film directed by Stanley Donen which was also shot in Anamorphic Widescreen format.

Orlando Jones, Paul Adelstein, and Toby Huss all play five different roles within the film. Frances O'Connor also plays close to five different characters of her own and Miriam Shor only plays two.

The name of the fictitious NBA basketball team that Elliot's plays for as one apart of his wishes is named the "Diabolos" which is Spanish for Devils. There is no team in the NBA with that name but the NHL has one in the New Jersey Devils.

The tattoos that Elliot has when is a basketball player are that of a snake, a hawk, an iguana, an eel, two barb-wires and a hammer.

The second film feature Orlando Jones as part of the cast in 2000. The other was "The Replacements" starring Keanu Reeves and Gene Hackman.

After his talk with "God" in the jail cell, panes of white with red crosses appears in the window as Elliot looks out. Those represent many of the colors that Elizabeth Hurley wears in the film as part of her costume.

The seven wishes are based on the seven sins.

Few shots of Elliot as a basketball player were done with special effects; the most were done by using simple and well known camera effects in order to make Elliot look taller.

When Elliot asks for his second wish (the first one being McDonald's), several anachronisms are showed: Elliot is supposedly a colombian drug dealer, yet the song heard when he wakes up is a "bulería" which is a some sort of flamenco (belonging to the Spanish folklore); when Elliot meets his butler, he has a mexican accent; even when Brendan Fraser did a great work speaking his spanish lines with almost no accent, his speech is more like to a Spanish rather than a Colombian; most of the swearing in spanish is done in Spanish dialect rather than Colombian dialect.

Early in the film, Elliot is a complete nerd dressed in a Members Only Jacket, plaid shirt, sweater and a blue necktie and as each wish goes horribly wrong, his wardrobe changes along with the color scheme of solid colors to the final colors at the end of the film of dark green, navy blue and white (his long sleeve shirt is green, his blue jeans and jacket and white t-shirt)

One of Elliot's last wishes was for Alison to live a long and happy life in an act of self sacrifice which is why Elliot's soul was granted back to him by the Devil.

Gabriel Casseus who plays Brendan Fraser's cellmate in the scene where's thrown in jail is actually a human version of "God" in one of his many forms and is in the same cell exact cell that he's with Elliot for the reason of directly giving him the message of his soul not belonging to him in the first place. It belongs to "God" personally. Which would lead to Elliot's act of self sacrifice as his own personal redemption at the end of the film to regain his soul back. He's also seen playing chess against Elizabeth Hurley during the final montage of the film in the park as he catches her trying to cheat.


User reviews

Xangeo

Xangeo

I originally saw this movie because it stars Brendan Fraser, an actor who can't seem to make a bad movie, and often makes great movies, such as "Blast From the Past".

The big surprise was Elizabeth Hurley. As certain as Vivien Leigh was meant to play Scarlett O'Hara, no one could have done a better job playing The Devil...in this case a sly, brilliantly cunning, sexy devil who playfully torments Brendan by dooming each of his wishes with unintended, nasty surprises. She effortlessly leads him along like a puppy dog on a leash.

Besides her comedic wit, (and some clever writing) I would be remiss not to mention that Elizabeth Hurley looks perfect, absolutely perfect, in every scene. Her clipped, refined British accent is the aural equivalent of a film shot on Kodachrome.

Bedazzled exudes a positive, good-natured warmth, and is proof that comedy doesn't have to depend on silly sophomoric antics, pratfalls, or foul language.

ADDENDUM January 10, 2008. After two years, I have no idea if anyone has ever read this review. Even if you don't like it, please give me a thumbs up or thumbs down, just to let me know someone read it.
Painbrand

Painbrand

No, this isn't the best or funniest comedy in the world, but I certainly enjoyed it. There is a fair amount of really good comedy in the film to keep you entertained. ...And of course there's Elizabeth Hurley...need I say more?

The story is a fun one and quite the fantasy, but nonetheless, it's entertaining. While not being anything terribly profound, this film definitely has a point to make, be happy with yourself and only you can make things happen, don't rely on others for your happiness.

The acting in this film is very good. Brendan Fraser struts his acting talent in this film quite nicely, playing virtually 5 or 6 characters throughout the film. Brendan really is a talented actor and should get some notice for his role in this film. Orlando Jones, Paul Adelstein, and Toby Huss also deserve a great deal of notice for their work in this film, all three of them play various types of characters in the film and do it quite nicely. Elizabeth Hurley and her ever-changing wardrobe should be reason enough for any guy to watch this film. She looks nothing short of fantastic in every scene. Frances O'Connor was a nice choice for the part of Alison / Nicole (also playing more than one role very nicely).

All in all, this is a fun, cute movie with some really good comedy. I would recommend this film to anyone that likes those types of film, or is just a fan of one of the actors or director Harold Ramis. I hope you enjoy the film, thanks for reading,

-Chris
Mala

Mala

Wealth. Power. Admiration. They all sound pretty enticing. Indeed many people spend their life in pursuit of these or similar goals and are willing to sacrifice anything and everything in the process. But what if there was an easy way to do it, say, selling your soul? You're not really using it anyways .As the saying goes, the day I decided to do it there'd probably be a glut on the market.

Elliot Richards is, for lack of a better word, a dork. Relegated to the most dreaded of worker hells - tech support - he is a social pariah. Mocked by his colleagues, he spends his time trying to be cool and is hopelessly in love with one of his co-workers who doesn't even know that he exists. While lamenting his lot in life he casually mentions that he would give anything to have his beloved Allison. Enter the Princess of Darkness, stage left.

Although the basics between this movie and the 1967 classic of the same name are similar, there are so many differences (styles of humor, characters, plot, etc) that comparisons are pointless. So I won't even try. Bedazzled offers something so few comedies do these days - laughs, and lots or them, without relying on endless juvenile scatological gags. I thoroughly enjoyed the physical transformations that Elliot, Allison, and his cohorts undergo (several of which are amazing) each time he makes a wish. The spins on the wishes are especially amusing: for example, when Elliot wishes for power and wealth, he fails to take consider the how, and wakes up as a cuckolded Colombian drug lord whose kingdom is quickly collapsing around him. Elliot soon discovers that when dealing with the devil - surprise, surprise - nothing is, as it seems.

I have liked Brendan Fraser since his role in "Encino Man". Since then, he has proven himself capable of doing both schtick ("The Mummy") and serious roles ("Gods and Monsters"). With this part he shows just how versatile he is: rather than one role, he takes on seven, and does so admirably (I particularly enjoyed sensitive guy - I was laughing so hard my side hurt). Elizabeth Hurley is deliciously wicked in a role that she was born to play (if reports about her are true.) and it appears that she enjoyed herself. Her spin on the ultimate temptress is hilarious and personally, I'll take leather-clad vixens over slimy snakes any day. Francis O'Connor, brings the same verve and versatility to Allison that she displayed in "Mansfield Park", although here she is less subdued. The supporting cast provides the finishing touch rounding out the film nicely.

Although it didn't dazzle me, I was greatly amused.
Whitemaster

Whitemaster

Here's a fun film with a number of good laughs. It is stupid? Yeah, in parts. Is the theology sound? Hardly, but there was more truth than fiction uttered in this film, believe it or not. Is the Devil made to look attractive? Well, yeah, I'd say Elizabeth Hurley is pretty attractive!

The beginning is the best part of the film, and the end - with a dumb New Age message - is the worst. Along the way, the dumb Brendan Fraser's "Elliott Richards" learns some valuable lessons in his battle with the Devil. For selling his soul, so to speak, he gets seven wishes and we witness how he handles, or mishandles, these wishes. Much of it is pretty funny. Fraser is not a bad. He can play these goofy roles (i.e. "George Of The Jungle" and he can get serious and be effective, too, as in "The Quiet American.")

Overall, it's good lightweight entertainment. Don't expect much, and you'll be pleasantly surprised. At least, that's the way I found it.
Cerekelv

Cerekelv

"Bedazzled" tells of a tech support geek (need I say more?) who sells his soul to the devil (Hurley) for seven wishes which he attempts to use to get close to a girl at work (O'Connor). The flick is a situational comedy which takes the audience on a fun ride as Fraser's wishes turn him into one exaggerated comic-book-type caricature after another. A cute flick sans slapstick, pratfalls, and jokes, "Bedazzled" offers lots of outrageous situations, some sentimental moments, and a whiff of philosophy. A fun watch with a cute ending, lots of eye candy for the guys, and Fraser doing what he does best playing a big, naive, smiling guy.
Urreur

Urreur

The 1967 original, starring Dudley Moor and Peter Cook and directed by Stanley Donen was a droll dark comedy that bombed when it was first released to theatres but has developed a very strong cult following over the years. This 2000 version, directed by Harold Ramis is not so much a remake as a latter-day re-imagining of the story. Aside from the basic premise, the two films share little else in common. This new version is a wacky, fast-paced farce that makes up in some giddily amusing moments what it lacks in true wickedness.

Brendan Fraser is perfectly cast as the hapless computer tech who makes a deal with Satan; granted seven wishes in exchange for eventual possession of his soul, we witness each wish he makes as his life becomes a series of colorful and very funny misadventures. Some first-rate make-up and special effects transform Fraser and his world every time he changes wishes. Elizabeth Hurley is extremely fetching and quite likable as the embodiment of Satan, although I wish she'd showed a bit more evilness than glee in her characterization.

All in all, a very entertaining movie that, of course, leaves the door open for a sequel. Bring it on!
*Nameless*

*Nameless*

Someone in Movie Heaven dropped a feather down on Ramis, the director of such good time romps as Ghostbusters and Stripes. His remake of this 1967 classic rides on the slumped shoulders of Elliot (Brendan Fraser at his best), a pathetically geeky loner who is so socially unskilled that he makes our skin crawl a little. When we first meet him, Elliot is trying to glom onto his co-workers' after-hours social scene by using such tried-and-true means as showing photos of his speakers (from all sides), a truly awful blue-eyed soul brother act, and plain old stalking.

Even though he is the guy you run from when he lurches towards you in the hall - probably knocking over the water cooler at the same time - Elliot really does want to be different. One reason for this is his fervent secret crush on Alison (Frances O'Connor), a beautiful systems analyst who doesn't see him at all. Elliot is so smitten by her that he doesn't even realize until too late that she has given him a polite brush off at the local pub, where he is busy trying to impress his buddies.

Now comes a simple but nifty transitional shot: a cue ball skips off a pool table and bounces down a flight of stairs and the camera follows as it makes a steady, inevitable trip across the crowded floor, pairs of feet yielding right of way as it goes on to finally hit Elliot's feet where he sits on a stool in silent yearning. He picks up the ball and looks across the room, up the flight of stairs to where destiny, in the form of Elizabeth Hurley in a slinky red dress, is beckoning him.

Ms. Hurley is actually the Devil, although Elliot doesn't know it yet, and she will shortly be putting him through a series of transformative experiences. In the meantime, though, he isn't buying her story, even though she presents him with a card that reads, "The Devil". Contrasted with the heavy-handedness of recent 'Sign O'the Beast R' Us' flicks such as Devil's Advocate, this sequence is done with sly understatement and depends simply on giving Hurley a chance to play the vamp she was born to be.

We begin to like Elliot here because, even though he is presented with a slew of vanity-pleasing enticements, it isn't until she serves up a batch of his grandmother's cookies that he believes the Devil is really who she claims to be. And when he is presented with the standard seven-wishes-for-your-soul contract, it isn't until he sees a giant video screen of Alison calling to him that he makes the deal.

Although the real treats - the deliriously goofy incarnations of teeth, hair and clothing that Elliot chooses for his ideal self in his endless quest for happiness, success, and Alison's hand - are yet to come, I am just pointing out how masterfully Ramis has set the table. By the time he is plunged into his voyage of self-improvement, we already know a great deal about Elliot and have begun to move into his corner.

We've also begun to feel a certain sympathy for the Devil, thanks mainly to the fine work of Ms. Hurley, with her elegant voice and her clear zest for the role. Although she is certainly not the scariest Lucifer yet to appear on screen, she is one of the most persistently sales-oriented and could hang with the toughest of David Mamet's phone scammers. By turns sultry, pitiful, and practical ("Have you ever even seen your soul? Do you even know what it does? It's really just like your appendix - you'll never miss it."), she is always the ultimate Closer. Yet it's also never really in doubt that those with a glimmer of goodness can slip the bonds of her contract with no hard feelings on her part.

Fraser's Elliot, who is almost always the dupe, is hilariously baffled by the persona the Devil has given him. Plagued in each adventure by the same guys who torment him at the office, he can never figure out what has gone wrong with his wish until it is too late. It's delightful to see this fine actor strutting the comic range he is capable of playing in all of his character's various selves, as well as the simplicity with which he returns to being the same old Elliot, wiser, at the end.

Fine supporting work by Orlando Wilson, Paul Adelstein, and Toby Huss as Elliot's co-workers and karmic cast members. Great script by Ramis, Larry Gelbart of M.A.S.H. and Oh, God, and Peter Tolan (Analyze This, The Larry Sanders Show).
Landarn

Landarn

Even though Elizabeth Hurley plays The Devil she is a goddess.

Brendan Fraser is certainly adequate to the job of playing Elliot Richards but Ms. Hurley steals the film.

She is perfectly cast as the `Princess of Darkness' and seems to truly enjoy exposing her darker side.

Brendan Fraser turns in a real acting tour d'force playing eight different characters. Possibly because of all the widely divergent characters he is playing he is not truly great in any of them – though he is hysterically funny – due primarily to the superb script by Larry Gelbart (of television's M*A*S*H fame), Harold Ramis (who also directed) and Peter Tolan from the original screen play by Peter Cook and Dudley Moore.

The Devil's demons (which appear in nearly every scene in one form or another) are great supporting roles played by Orlando Jones, Paul Adelstein and Toby Huss. They provide just the right touch of devilish humour, charm and wit. Another bit of casting genius and writing is Gabriel Casseus as Elliot's cellmate who expounds on the soul and is later seen playing chess with The Devil (who cheats, of course).

In fact all of the supporting characters were perfectly cast and brilliantly executed.

The script was so tight and well written that it was almost actor-proof. It was even able to carry a moral message without slamming the audience in the head with it.

To paraphrase an idea from the film ‘you get out of life [and this film] what you put into it.

This was an all-around good film with good direction, good jokes, good acting, excellent make-up (especially on Brendan Fraser by Ben Nye, Jr.) and a good yet unobtrusive score. I recommend it highly.
in waiting

in waiting

The makers of Bedazzled were not out to make a classic comedy,they were simply trying to make us laugh.Their mission was a successful one.Bedazzled is full of laughs and great character acting by Brendan Fraser and Frances O'Connor.After many forgettable roles in several forgettable films,Brendan Fraser has really graduated into one of cinemas' big time players in just the last couple of years.As I said,Bedazzled will probably not go down as a comedy classic,it's just your basic comedy filled with laughs from start to finish,and that's good enough for me.It would be a worthy addition to the comedy section of anyone's home library.Thumbs up!
Cel

Cel

Ever since GEORGE OF THE JUNGLE I've been convinced that BRENDAN FRASER is one of the brightest new talents to come along in ages. He gets a chance to show how clever he is at concealing his real self in BEDAZZLED, starting as a nerdy office worker and going through a series of changes in an effort to make a pact with The Devil (Elizabeth Hurley). None of his wishes are successful because each one has a hitch devised by the cunning Hurley to backfire.

I never saw the original with Dudley Moore, but here I can see that the script stands in the way of delivering a solid comedy despite Brendan's flair for this sort of thing. He reaches the peak of his comic talent with his impersonation of a Latin millionaire, guaranteed to draw laughs.

But much of the story is too episodic for the results to be anything more than reasonably satisfying. Hurley goes about her role with a sexy seductiveness that is almost as overwhelming for the viewer as it is for Fraser's character.

Summing up: Fraser's fans will enjoy his multi-faceted romp.
BlackHaze

BlackHaze

I wasn't expecting too much when I rented this movie. In fact, I thought I'd probably end up turning it off after a half hour, as it looked in the trailer like it would be one of those silly, go for the gag-laughs Hollywood pieces of junk. What a surprise! This was an excellent, entertaining film that I thoroughly enjoyed. It's basically a love story, but far from a "chick flick"(yeah, I'm a guy), it's a clever one that is well written, has a number of different subplots that are interesting to see played out, and deftly mixes comic overtones with a touching character study. I wasn't a particular fan of Brendan Fraser till now, but I was blown away by the way he perfectly captured the number of different personalities portrayed in the movie. Even the technical aspects of the movie are impressive: in one scenario the special effects wizards make Fraser into a 7'6'' pro basketball player that is totally convincing.
Manarius

Manarius

Why remake this film? It would seem to me that the only reason would be if the first incarnation suffered in some way. Although seeing it today, the only flaw the original 'Bedazzled' has is that it is outdated by our modern lifestyles. Peter Cook and Dudley Moore made a very funny team back in the sixties and their version of 'Bedazzled' really out-performs the remake. Even the love interest (Eleanor Bron) had more personality in the original. I recommend seeing the 1967 'Bedazzled' if you are over the age of thirty and leaving this new one for kids who don't know any better.

Both films are about a misfit (Moore in the original, Brendan Fraser here) who is unhappy and lonely in life. Along comes the Devil (Cook in the original, Elizabeth Hurley here) who grants him seven wishes in exchange for his soul. (The whole idea is itself based on a Faust legend from 400 years ago.) Sure, Hurley is gorgeous and more pleasing to the eye than Peter Cook, but she doesn't have the truly demonic disposition required to carry this role off. Cook had a mean streak throughout the first film that made you believe he was rotten. He also had the seven deadly sins around him as his helpers to punctuate what was happening to Moore's character. The Devil had his own agenda in the original. Even the ending of the 1967 film was far superior to this sappy denouement.

The elements they should have worked on updating here are the wishes themselves. The efforts of Fraser's character should have focussed on refining what he wished for to adjust for judgment errors in his past wishes. Instead, he just makes knee-jerk wishes that turn out terrible and wasteful. In fact his very first wish had more stipulations than successive wishes. When the deal is first struck, he is skeptical yet thoughtful. He words his wishes carefully. By the second wish, he forgot what went wrong the first time and tries to correct it by overcompensating. A character like Fraser's Elliot would have truly put some thought into each wish. The fun would have been Hurley finding a hole that he didn't account for. Now THAT would have been a hell of a movie!

I did not entirely hate this remake of 'Bedazzled.' There were quite a few laughs. And I might have even liked this and gone on to recommend it had I not seen the original. I am disappointed with director Harold Ramis. In his hands, I would have thought this would have outsparkled the original 'Bedazzled.' I guess the devil made him do it. (Sorry about that. I couldn't resist.)
Bradeya

Bradeya

I have loved the original so much over the years, I did not have much hope for this version. But I was pleasantly surprised. Harold Ramis wrote a new script based on the concept of the original movie, and he did a good job. Elizabeth Hurley plays a gleeful devil and amply fills out every outfit she wears; but Brendan Fraser steals the show. His acting and characterizations were outstanding. Lots of fun.

Like the two versions of the Thomas Crown Affair, there are now two versions of Bedazzled that are both worth watching.
Fararala

Fararala

My husband and I saw this movie a couple days early as part of promo through a local TV and radio station. This is a VERY good movie. Brendon Frasier is a truly brilliant actor. His flexibility is truly showcased in this movie because of the variety of situations that come up. There were many times when I laughed out loud.

And Elizabeth Hurley is a GREAT unconventional Devil. It is really refreshing to see something other than the mustached, horned, caped figure that seems to have permeated our cultural mythology. Ms. Hurley plays the Devil as seductive and inviting and yet devious and untrustworthy. Truly is a delight.

I highly recommend this movie as a pleasant, light-hearted alternative to the typically very dark movies that seem to come in October but which still manages to maintain that Halloween spirit.
Fearlesssinger

Fearlesssinger

The Faust legend is a robust story. Although selling one's soul to the Devil is serious stuff, Peter Cook and Dudley Moore managed to make a light-hearted movie of it in 'Bedazzled' back in the swinging sixties. Here, a featherweight Hollywood director Harold Ramis ('Caddyshack,' 'Ghostbusters', Groundhog Day') has remade it, shifting the location from London to San Francisco. However an English actor, Elizabeth Hurley, still plays the Devil , this time tempting a nerdish Brendan Fraser.

The story is a collection of linked episodes as Brendan tries out various fantasies, which all come with a catch eg 'rich and powerful?' Try Columbian drug lord. With each wish he pursues his fellow worker Alison, (Frances O'Connor) whom he has admired from afar for years, but always something goes wrong. Altruism saves the day, and the Devil is vanquished, but I think it would have been a lot more fun if Brendan had gone off with her (the Devil that is) instead.

Elizabeth Hurley is not a great actor (Joanna Lumley would have been much better) but this part suits her fairly well. She plays it like a cruise director with a limited range of emotions, but up front enough to be engaging. The part is almost too big for her and she doesn't have the support of Pride, Lust, Avarice and the rest as Peter Cook did in the 1967 film. Brendan Fraser is a fine actor with a good range and does the cameos required here with considerable skill.

This film is pretty light, frothy and forgettable, but once or twice the voice of Pete and Dud comes thought the script to reminds us that those consummate comics had a tip or two about life and living. Your soul may not be yours to sell, but Heaven and Hell are here on earth, and where you go is largely up to you. Alas, Pete and Dud are gone, but their work still has the power to amuse. This is a pretty flabby re-make, but Hurley and Fraser are effective and some of the comic spirit is still there.
Risteacor

Risteacor

This film was very entertaining and lots of laughs, and you can hardly be critical of a film which is meant to be UNBELIVEABLE!!! Stories about the devil and the wishes he or she grants is always an eye catcher, the struggle between Good & Evil. Elizabeth Hurley (The Devil),"Bad Boy",'02 was very sexy as a devil and almost kept Brendon Fraser(Elliot Richards),"Monkey Bone",'01 from meeting his true love Francis O'Connor,(Alison Gardner),"Book of Love",'04. Elliot truly loved Alison and even told the devil,"I JUST WANT ALISON TO HAVE A HAPPY LIFE", which made The Devil quite mad. If you just want to enjoy a film and be entertained, don't miss this crazy comedy!
Lianeni

Lianeni

Elliot is lonely and finds it very hard to make friends in his workplace - displaying an acute lack of social skills anytime he tries. When he is approached by the Devil in a bar he ends up signing away his soul in exchange for seven wishes. Everything appears to be great - he can have the woman of his dreams and anything else he wants, but his wishes don't quite go the way he expected them to.

Never having seen the original, I cannot fairly compare this with that, although I would hope that the duo of Cook and Moore could have made a more satisfying film than this one. The plot is just an excuse to create several sketch type sequences that replace the usual idea of a narrative flow! The sketches are amusing but never laugh out loud funny; rather they are broad jokes and clichés that are really only ever one-joke scenes. The overall message is OK but delivered in quite a pat ending that, because the film hasn't bothered to develop characters that I care about, doesn't really work (or matter).

The one thing that the film does very well is make me attracted to Liz Hurley! I had never really found her that desirable before, but you would be forgiven for thinking that this film was made just to allow us to see her look sexy! Her actual performance is playful, if a little fake or maybe forced, but her legs are great and she look fantastic! Whatever she's in she looks hot and it made me feel used but good! Fraser does the best he can - he comes off with some credit as he shows a reasonable comic touch and, God bless him, he hams it up as much as he can in his `wishes'. Jones is an OK support, O'Connor is pretty and Casseus has a brief cameo - however it is Hurley's movie all the way; well, the movie belongs to her legs, breasts and stomach - and they're worth watching even if she's not!

Overall this is a poor comedy. It has a sort of amusing `sketch-like' feel to it that makes it episodic in a good way, but that takes away from the development of the film and doesn't give many laughs in return. The main reason for watching this film? Hurley in an ever-changing line of sexy clothes that make her look GREAT! Although I wouldn't bother on that reason alone.
Conjulhala

Conjulhala

I'm honestly not a huge fan of Brandon Fraser and find him irritating but I gave this movie a try as I was very bored and I actually found it really good. Brandon Fraser was actually funny in this movie and the movie turned out to be worth a watch. If you've seen Click or Freaky Friday, this is definitely a movie for you!
Grinin

Grinin

This Harold Ramis movie is a remake of a 60's cult movie which I have never actually seen. It's based on the Faust legend where we have a terminally annoying man who is in love with a girl who works in the same office as him but who barely knows he exists. After a humiliating encounter with her he inadvertently casts up the devil who grants him seven wishes in his quest to win the girl over. The set-up in this one results in a film with a very episodic structure. With the central character wishing to be different in various ways which leads him to be reincarnated as a South American drug lord, a man intensely in touch with his sensitive side, a colossal basketball player, a respected writer, and the President of the USA. The fun comes from the fact that the devil has sneaked in a catch to every new persona and this inevitably leads to disasters for the central character and some hilarity for us. And that's the thing, it's actually a genuinely laugh out loud funny movie on several occasions, some standout moments being the over-sensitive man unable to avoid crying at a sunset or the half-witted giant basketball player who can't seem to string a sentence together without saying 'pretty good' while sweat literally pours from his head. Brendan Fraser is key to the comedy here. He puts in a genuinely good comic turn in a role that allows him to play a variety of characters with the help of some amusing make-up.

So far so good. But I thought I would devote the whole final paragraph to the actual best thing about Bedazzled and that can be described in two words - Elizabeth Hurley. Honest to goodness, her performance as the devil is so incredibly seductive its bordering on being criminal. This astronomically gorgeous woman pops up throughout the course of the movie in an array of mind-bogglingly provocative costumes (proving conclusively that it isn't just gay men who can appreciate excessive costume changes). Hurley puts in an extremely sexy performance without stripping off at all which was quite an achievement all things considered. I really like girls with English accents and Hurley's posh voice was simply the icing on this particular cake for yours truly. She isn't a gifted actress but she does all right with comedy roles and this one, needless to say, suits her down to a tee in every conceivable way. Despite its other good qualities, if you made the decision to watch this film for the sole reason of watching our Liz in full throttle, I would understand.
Agalas

Agalas

Elliot Richardson is not the most dynamic of protagonists; he is the sort of guy who tries too hard to be popular making him more annoying than likable and the woman he loves, co-worker Alison, is barely aware that he exists. Then one day he says he'd do anything if she would like him… the next thing he knows a stunning woman, who claims to be the Devil, offers him seven wishes in exchange for his soul. He doesn't take much persuasion. Unfortunately while his wishes are granted they aren't quite granted how he'd hoped; for example he wants to be rich, powerful and married to Alison… he becomes a drug lord, she is having an affair and hates him. The other wishes are similarly disastrous and ultimately he realises that perhaps making selfish wishes isn't a good way to get what you want.

Having not seen the original version I can't say how this compares. Brendan Fraser is decent enough as protagonist Elliot; unfortunately the character is neither particularly likable nor memorable. Liz Hurley stands out far more as possibly the sexiest version of The Devil on screen… helped by costumes that show off her attributes without going beyond what is acceptable in a 12 Certificate film. The story is fun enough but very episodic; each wish leads to what is effectively a short sketch. There are enough funny moments spread throughout the film even if some of them are a bit obvious. The ending is a bit twee but not enough to spoil the film. Overall this was fun enough but not really a must see.
Flocton

Flocton

Based on the 1960's film starring Dudley Moore and the late great Peter Cook, Bedazzled tells the story of a nerdy man who is, in his estimation, a failure in life and love. One day this man meets the devil, and a bargain is struck for seven wishes for a soul. Bedazzled is one of those films that is out-and-out sheer lunacy. It is one ridiculous premise after another, heightened by some superb comedy writing, directing, and performing. Elizabeth Hurley easily makes the most seductive, lust-inspiring demon to grace any film. She oozes sex in every word and body swish. Throughout the course of the film, she and the wardrobe department have obvious fun as she squeezes into some amazing outfits that leave little to the imagination. Aside from her apparent beauty and sex-appeal, she also can act! Brendan Fraser plays the nerdy and socially incompetent Elliot. Fraser is one of those actors that is very likable and has a natural sense of charm and humour. He changes looks during each wish, and just seeing how the make-up department changes him each time is amazing. Fraser is the comic soul of this film, and it is his ability to take the material at hand and transform it into laughs that really made the film an enjoyable experience. Some highlights include him playing an over-sensitive man who cries at the sunset. He turns into President Lincoln and flinches as a champagne cork pops at a play. He plays a basketball star that sweats gallons. And there are so many more. I can honestly say that this film made me laugh long and hard. Not an easy feat to do, especially in a world filled with adolescent tripe. Bedazzled is humourous on many levels. Is it better than its original? I don't think so, but that was a different kind of comedy. It was much more philosophical. This film is going for the jugular comedy vein, and it gets it early and holds on till the end. Director Harold Ramis does an incredible job pacing the laughs.
Fordrekelv

Fordrekelv

Bedazzled stars one of my favourite actors Brendan Fraser who plays office geek Elliot Richards, who doesn't have any luck with women, including Alison, (Frances O'Connor.) a woman he really likes. One day, he meets 'The Devil', played by Elizabeth Hurley, who tells him that she can grant him seven wishes in exchange for his soul. He agrees, and some of the wishes granted end up with him being a cute Italian guy, a really tall basketball player, an ultra-sensitive guy and much more.

Brendan Fraser is a great as usual and Frances O'Connor is good too. I don't really think Miss. Hurley is a good job but considering that, I thought she was okay here and her outfits in the movie were so cute.

Bedazzled is a great movie, which will guarantee quite a few laughs a long the way. It's a lot of fun and I give it a 10/10.
Zicelik

Zicelik

A lot of people have criticized this film and not without reason, but I still find it pretty fun with some really very funny parts. It certainly is better than many of Fraser's other comedies, but can't hold a candle to Blast from the Past.

It is not exactly original or brilliant, but it basically succeeds at being entertaining. Some of the scenarios in which Fraser's character found himself are really very funny and work quite well at achieving their comic effect, even though a number of parts aren't all that funny or intelligent.

The film is not without its valuable message, either, even though it is an ancient and very well-worn one. The whole point about simply trying to be who you are, not wishing for the world, riches, etc., is still relevant and meaningful, giving the film at least some additional depth. Thus, it is a little bit (however little it is) more than purely mindless entertainment.
Lost Python

Lost Python

A remake of the 1967 Classic with Dudley Moore and Peter Cook. Replaced with Brendan Fraser and Elizabeth Hurley respectively this version fails to be as clever or as sinister as the original, but it still entertains and Elizabeth Hurley is the sexiest devil you'll ever see.

Brendan Fraser (Elliot Richards) is a hapless geek, who dreams of only Alison Gardner (Frances O'Conner) and with the help of the Devil (Elizabeth Hurley) he has 7 wishes to try and get her, the trouble is the Devil has other plans.

Pretty funny with some nice ideas Bedazzled is good, but not as good as the original.

6/10
Nuadora

Nuadora

This is one of my favorite recent (I must be getting old) comedies. Having recently seen it, I just had to write this short review and applaud this unpretentious but intelligent and funny comedy. Brendan Fraser is funny as always, with so many transformations he does so well, but Elizabeth Hurley steals the show. She never looked better, and never put on such a convincing performance. Really hard to imagine a better devil in a comedy.

I have seen unfavorable reviews of this movie, cannot really say why. It's no masterpiece, and I must admit not having seen the original, but this is still a very funny and intelligent movie. Highly recommended.