Brenno il nemico di Roma (1963) Online

BRENNUS takes various elements from Livy's history of the Gauls' attack on Rome, plus Plutarch's biography of Camillus, and cleverly remixes them to fashion a ripping yarn of an adventure movie. The banishment of the Roman general Camillus, the controversy over the spoils of Veii, the involvement of the Fabius brothers, the flight of the Vestal virgins from Rome, the barbarian who tugs the beard of a Roman elder, the honking of the sacred geese, and even Brennus's scornful "Woe to the vanquished!" as he heaps his sword onto the scales, are all from the historical record.

To be sure, the historical accounts are a bit more complicated and far less flattering to the Romans, but this variant is exactly the sort of heroic tale an ancient balladeer might have come up with to flatter his hosts at a Fabius family banquet. (Our hero is the dashing young Quintus Fabius, appealingly played by Tony Kendall.)

As for the barbarous Brennus, the more I see of Gordon Mitchell, the more I respect him as an actor. He makes a terrific villain; when he declares that he'll enter Rome with his new bride's head impaled on his sword, I believe it! Mitchell was equally impressive playing a tortured hero (see THE FURY OF ACHILLES and GIANT OF THE METROPOLIS).

No luck so far in finding this sword and sandal classic on DVD, alas. I managed to track down a VHS tape, but it was from a degraded full-screen print in black and white. I'd love to see this in full color and widescreen.

Brennus of Gaul moves on Rome in 391 BC. Unfortunately the one man who can save the empire has been dismissed and wants nothing to do with the empire. Three brothers are dispatched to try to make peace and then...

Brennus, a stone faced golem of a man was a real individual. Here, played by Gordon Mitchell he is a frightening monster of a villain. Here at last is a bad guy who is the worthy equal to the type of hero that walks through movies like this.

Amazingly this film is wonderfully plot heavy. More goes on in the first half hour than most two films of this kind combined. You watch the movie because what is happening is interesting, not because you're waiting for the next silly bit.

If this should come on some late night, watch it, it'll hold your interest enough to keep you up until dawn.

I saw "Brennus, Enemy of Rome" quite some time ago and it was one of the first Italian Sword & Sandal flicks i ever saw. The dubbing is always an eyesore with Italian films, but this particular film seemed a cut above many other low budget movies in the same genre. Gordon Mitchell is the title character (Brenno/Brennus) who historically did lay siege to Rome. Gordon manages to look imposing (in part due to his muscled physique!) as he scowls at everybody he encounters in the film and fills the screen by prowling like a big cat. There is more story and less action than this kind of film usually has which is not a bad thing. The Roman nobles appear suitably refined and cerebral compared to the barbarians and their direct action approach which is why i liked this film.

This fantastic-looking peplum epic is certainly one of the most expensive-looking peplum movies that I've seen, with the huge cast, numerous large-scale battle scenes, and lavish costumes and scenery. The fast pacing and almost constant action also makes it a very enjoyable watch and the time flew by when I sat down and watched it. Made towards the end of the peplum genre when the films were beginning to die out, BRENNUS, ENEMY OF ROME avoids the somewhat silly route of including monsters and futuristic elements in order to retain audience interest (as many films of the period were), and instead is an old-fashioned historical romp about two opposing armies and the various skirmishes, battles and traitors on either side.

Taking the lead is the unstoppable Gordon Mitchell (MACISTE IN THE LAND OF THE CYCLOPS), here playing the bad guy for all his worth. Brennus is a bloodthirsty butcher who enjoys nothing better than hacking down his enemies, as witnessed in some fairly brutal moments. Mitchell plays the guy with all the ferocity of a wild animal. His presence is an imposing one and he makes a thoroughly despicable bad guy who fully deserves to die at the end. This finale is damned exciting and had me on the edge of my seat, and I certainly wasn't expecting it: from what I've seen, usually the bad guy either falls off a cliff, gets shot or crushed, but here it's much more protracted.

The supporting cast is packed full of familiar Italian faces, most noticeable to me was Massimo Serato who played the main bad guy in THE LOVES OF HERCULES. Here, he's on the side of good for a change and makes a real impression. The love interest is played by Ursula Davis, who hasn't got many lines and is pretty good, and my only beef is with the casting of Tony Kendall as the hero; for a start, he looks far too young to be playing a brilliant soldier, and he's not very physically imposing either. Accepting him as a tough warrior takes some suspension of disbelief! The plot takes in numerous locations and a number of different characters add to the intrigue. Also, for a change, they manage to work in some characterisation here too, something usually missing from these films. Brennus may be the bad guy, but hey, he's still human and fighting for what he thinks is right! You have to sympathise with him because of this. The crisp photography makes good use of the Italian countryside, bringing it to life on a number of occasions. Another thing giving the film an epic feel is the music, which is evocative and stirring in equal measure.

This film's battle scenes are most impressive and very violent in a non-graphic way. The sheer number of actors used in them make them very impressive, easily matching the action in the recent blockbuster BRAVEHEART, for example. As well as these, there's a romantic subplot (to appeal to the female audience, no doubt?) and an interesting story involving a corrupt Roman senator who plans to make a fortune out of the war. Altogether, BRENNUS, ENEMY OF ROME is a fantastic movie and a must-see for peplum fans, as it contains the finest the historical genre has to offer.

Although the cult Italian TV program "Fuori Orario" (which translates to "After Hours") shown every weekend during night-time is usually taken up by rare art-house stuff, occasionally it lowers its standards to include a tribute to the native journeymen which passed through the portals of Cinema throughout its 116-year history; one such contender was Giacomo Gentilomo and, after 2 satisfactory encounters with his mostly unknown work – THE LAST OF THE VIKINGS and, just last week, GOLIATH AGAINST THE VAMPIRES (both 1961 and of the peplum variety) – this is yet another above-average example in the same mould and which was released in the U.K. under the misleading title BATTLE OF THE SPARTANS.

Since the budget allocated to such pseudo-historical fare was typically on the low side, barbarian conqueror Brennus' marauding march on Rome is often economically depicted via battle montages with star Gordon Mitchell's scowling features superimposed over them! Following the willful exile to a peaceful retirement in the countryside of disillusioned Roman hero Massimo Serato (disgusted by the egotistical political machinations of self-serving Senators), it is left for the likes of leading man Tony Kendall (as one of a band of three brothers) to oppose Brennus; eventually, two of them (and Serato's own young adopted son) are killed which, naturally enough, paves the way for the banished legionnaire's return to (and fateful intervention in) the ultimate salvation of his beloved Rome.

The usual quota of tried-and-tested elements such as damsels-in-distress and duplicitous but ultimately ill-fated senators are to be found here as well but, frankly, the one single incident in the entire film that has remained with me a full 10 days since I saw it is the uproarious sequence of Mitchell 'invading' the heroine's tent and, after taking a sip from the first vessel he finds lying about, he enquires whether it is some rare wine due to the odd taste it has…to which she nonchalantly informs him that what he just drank had been her new perfume!

Brennus, Enemy of Rome (aka Battle of the Valiant) is several cuts above most films in its genre. The well drawn characters and intricate plot are mostly responsible for its superiority, not to mention the fact that most of the story is historically accurate. A brisk pace with lots of action account for more of its success. But primarily it is the two main characters so well portrayed with superior acting by the fierce Gordon Mitchell (Brennus) and the handsome, urbane Tony Kendall as Quintus Fabius. All these elements add up to a rousing tale that will keep viewers enthralled culminating in a grand duel mano a mano by the principals. It is hard to believe that Kendall was not cast in more roles of this sort, he looks perfect for the part of a patrician military officer and is entirely natural and comfortably credible in acting the part. Mitchell, of course, did many roles of this sort and was at his best in them. Brennus is one of his best; see also "The Fury of Achilles" and "Julius Caesar Against the Pirates" for two more of his best. Films such as these are both exciting and entertaining, sometimes even educational like this one. A resurgence of them would be welcome.