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Scott Pilgrim gegen den Rest der Welt (2010) Online

Scott Pilgrim gegen den Rest der Welt (2010) Online
Original Title :
Scott Pilgrim vs. the World
Genre :
Movie / Action / Comedy / Fantasy / Romance
Year :
2010
Directror :
Edgar Wright
Cast :
Michael Cera,Mary Elizabeth Winstead,Kieran Culkin
Writer :
Michael Bacall,Edgar Wright
Budget :
$60,000,000
Type :
Movie
Time :
1h 52min
Rating :
7.5/10

Scott Pilgrim must defeat his new girlfriend's seven evil exes in order to win her heart.

Scott Pilgrim gegen den Rest der Welt (2010) Online

Scott Pilgrim plays in a band which aspires to success. He dates Knives Chau, a high-school girl five years younger, and he hasn't recovered from being dumped by his former girlfriend, now a success with her own band. When Scott falls for Ramona Flowers, he has trouble breaking up with Knives and tries to romance Ramona. As if juggling two women wasn't enough, Ramona comes with baggage: seven ex-lovers, with each of whom Scott must do battle to the death in order to win Ramona.
Cast overview, first billed only:
Michael Cera Michael Cera - Scott Pilgrim
Kieran Culkin Kieran Culkin - Wallace Wells
Anna Kendrick Anna Kendrick - Stacey Pilgrim
Alison Pill Alison Pill - Kim Pine
Aubrey Plaza Aubrey Plaza - Julie Powers
Mary Elizabeth Winstead Mary Elizabeth Winstead - Ramona Flowers
Jason Schwartzman Jason Schwartzman - Gideon Graves
Johnny Simmons Johnny Simmons - Young Neil
Mark Webber Mark Webber - Stephen Stills
Ellen Wong Ellen Wong - Knives Chau
Satya Bhabha Satya Bhabha - Matthew Patel
Will Bowes Will Bowes - Party Goer (as Will Seatle Bowes)
Celine Lepage Celine Lepage - Party Goer
Keita Saitou Keita Saitou - Kyle Katayanagi (as Keita Saito)
Mark Leroy Mark Leroy - Party Goer (as Mark LeRoy)

The four cast members that made up the band "Sex Bob-Omb" spent several weeks learning how to play together as a band. Mark Webber, Alison Pill and Johnny Simmons all had to learn their instruments from scratch, while Michael Cera had to "dumb down" his bass playing in order to not outshine his band mates.

Edgar Wright obtained permission to use the famous theme song from the SNES game, Zeruda no densetsu: Kamigami no toraifôsu (1991), by writing a letter to Nintendo, saying that it is considered to be "the nursery rhyme of this generation". He was also allowed to use the Seinfeld (1989) theme song for a sitcom-style sequence.

Anna Kendrick, as the character Stacey Pilgrim, wears the actual name badge of the real-life Stacey, on whom the comic creator, Bryan Lee O'Malley, based the character. (In one of the DVD commentaries, Kendrick specifically asks that someone add this trivia to IMDb.)

Mary Elizabeth Winstead actually memorized ALL of the kinds of tea that her character rambles. Some crew members kept offering for her to just read it from a piece of paper, but she insisted on learning it all.

Edgar Wright has stated the movie was done in the style of a Musical, but instead of the characters breaking into song and dance, they break into a fight. The battle between Scott Pilgrim and Matthew Patel is done in the style of a Bollywood fight scene.

Whenever the moon is shown, it is full and there is a hole in it. Ramona's third boyfriend, Todd Ingram, is mentioned in flashback to have punched the hole there for her when they dated. In the graphic novel, Todd punches a second hole in the moon for Envy Adams.

When Ramona asks Scott how old Knives is, the roulette wheel in his mind has the following choices: "She's Nobody", "She's Forty!", "Idiot!", "No Speaka English", "When's Dinner", "Uhh...", "Tell Pac Man Story", "No, You Are", "Pass Out", "It Was Nothing", "Who Her?" and "I Gotta Pee".

Edgar Wright told his casting director not to hire any English actors as this was his first North American film. Satya Bhabha, who played Matthew Patel, successfully passed the audition with a non-English accent. Bhabha later revealed he was from London, England.

At the party where he talks to Ramona for the first time, Scott holds up a very badly drawn picture of Ramona and asks if anyone has seen her. Director Edgar Wright said Scott was originally supposed to hold up a picture of Ramona from the comic book series, but felt the silly drawing Scott holds up was more comedic.

When Scott opens the door to receive his package, Michael Cera actually did throw the package over his shoulder into the bin after 30-odd takes (most of which are seen on the "outtakes" of the DVD). However, the signature shown on-screen was a visual effect superimposed onto the paper.

The original concept for "Scott Pilgrim" is based around 2 premises. The first was the idea of "What if, after a life of playing fighting games, someone confronted you and you actually had the ability to fight like a "Street Fighter" character?" The second concept came about when Bryan Lee O'Malley was dating his future wife, Hope Larson. When he learned that she had dated three different guys named Matthew, O'Malley came up with the idea of a League of Matthews. This idea developed into the League of Evil Exes. Matthew Patel is the only Evil Ex to keep the name Matthew.

The 8-bit Universal logo at the beginning of the film was Edgar Wright's idea; it was then designed by his brother Oscar Wright, the concept designer and storyboard artist on the film. The logo seen in the final film was actually only a first-draft. It was not yet considered finished when test screenings began, but audiences reacted so positively to it that it was decided that no further work need be done.

At one point during the battle between Scott and Lucas Lee, a fake New York City backdrop is ripped open to reveal the Toronto skyline. This is referencing the fact that many film productions use Toronto as a location and 'disguise' it to look like New York or some other American city.

When Scott first approaches Ramona at the party, a light switch is visible on a wall, seven feet above the ground near the ceiling. The party scene was filmed at a frat house in Canada, and the light switch puzzled the director as well as the crew.

The star on Ramona's bag changes in accordance with her hair color.

At the first Battle of the Bands and when fighting the first evil ex, Scott is seen wearing a "Plumtree" t-shirt. Plumtree is an all-girl indie rock band that released the song "Scott Pilgrim" on their 1998 album, 'Predicts the Future'. The song became the inspiration for Bryan Lee O'Malley to create the graphic novel's title character.

To avoid an R-Rating, the word "Fuck", said by Envy to Julie, had to be bleeped out because Scott Pilgrim calls Todd Ingram a "cocky-cock" earlier in the film.

The Canadian band Broken Social Scene wrote the two 4 second songs ("we hate you, please die" and "I'm so sad, so very, very, sad") for Crash and the Boys. Metric, another Canadian band wrote the song "Black Sheep" which is performed by Scott's rival band The Clash at Demonhead.

The stunt doubles of Lucas Lee are the actual stunt doubles for actor Chris Evans. Only a quarter of the doubles resemble Evans.

Originally, the film only had a title card at the beginning. It was Quentin Tarantino who suggested to Edgar Wright, late in the stage of post-production, that there should be a pre-title credit sequence. Otherwise the remaining ensemble of characters, yet to be introduced, would have been introduced in a much more rapid succession. The audience might have been overwhelmed with the introduction of characters and plot. With a pre-title sequence the audience is given a chance to relax and have a firmer grasp on the beginning of the film. Wright considered this and agreed, liking the idea that the first scene would now be a prologue.

The film is heavily inspired by and features numerous references to Nintendo, such as the use of names, imagery, sound effects and music from classic Nintendo games, and scenes featuring various Nintendo video game consoles. Ironically, the video game adaptation of the film, Scott Pilgrim vs. the World: The Game (2010), was only released for Playstation 3 and XBOX 360.

Like the graphic novel, Scott Pilgrim is seen wearing a t-shirt with the letters "SP" in a heart. While these are Scott's initials, the design is the logo for the band Smashing Pumpkins, an influence of creator Bryan Lee O'Malley. Scott is also seen wearing a "Zero" t-shirt, an iconic shirt often worn by Smashing Pumpkins lead singer Billy Corgan. Additionally, one of the film's acts is titled "The Infinite Sadness" which is a reference to the Smashing Pumpkins' 1995 album, Mellon Collie and the Infinite Sadness.

When Scott and his friends are walking to Julie's party, there is a building in the background with a lit-up "Flight Center" sign - the L, however, is flickering, so it actually reads "Fight Center".

Keita Saitou and Shôta Saitô, who play Evil Exes number 5 & 6, spoke little to no English, and the director said directing them during their fight scene was a challenge. Edgar Wright had to use hand gestures and other crude means to communicate with the actors.

In the record store, when Knives picks up The Clash at Demonhead, Scott throws the CD onto another rack, and the Beck album 'Odelay' is visible. Beck wrote "Ramona" and composed the music for Sex Bob-Omb.

As a clue to the fights with Evil Exes that Scott will have to endure, there are many "X"s present in the film. Tracks in the snow, shadows on the swing sets all forming the letter "X", as does, ultimately, the X-Men patch on Scott's coat and surrounding "pedestrian crossing" signs.

Kim Pine (Alison Pill) only blinks once during the entire movie. Apart from that, she only breaks her gaze three times - she lowers her eyes twice and has her eyes closed when announcing Sex Bob-Omb for the last time.

In the film Scott Pilgrim is 22 years old and his sister, Stacey Pilgrim, is 18. In real life actor Michael Cera is nearly 3 years younger than actress Anna Kendrick. Likewise, Ellen Wong, who plays 17 year old Knives Chau, is actually 3 years older than Cera.

Envy Adams' band, "The Clash at Demonhead", is named after a lesser known Nintendo Entertainment System game, "Clash at Demonhead", which was released in the US in 1990. The name is also a play on the influential punk band, The Clash.

Michael Cera admitted that whilst filming in the record store he ended up buying a lot of albums.

One of the evil exes is portrayed by Mae Whitman who previously played the girlfriend of Michael Cera's character in Arrested development - Les nouveaux pauvres (2003).

Ramona's hair colours correspond with the colors of the three goddesses from the The Legend of Zelda (1986) series: pink = Din, blue = Nayru, green = Farore.

Kim Pine becomes visibly upset when she finds out that the rival band "Crash and the Boys" has a girl drummer. All drummers in the movie are girls.

Each time Ramona's hair and clothes change color so does Scott's color scheme. When he first meets her at Julie's party her hair is pink and her shirt is pink with blue accent, he's standing next to her wearing pink tee showing beneath a blue outer shirt. The night she shows up at the apartment with blue hair and blue shirt under her coat, shortly after when they go meet Wallace at Lucas Lee's shoot Scott is standing next to her again wearing a blue inner jacket and later when they are walking down the street together with coffee her outer coat is blue and so is his. Then one final time when she's been taken by Gideon her hair and shirt are green, when Scott suits up to rescue her he's wearing a green shirt with green and white wristbands.

When Julie is listing the girls whose hearts Scott has broken, she mentions two named Lisa and Hollie. Lisa and Hollie were two secondary characters in the graphic novels that weren't featured in the movie (Lisa went to school with Scott and Kim; Hollie was Kim's co-worker and roommate).

During the editing process, Edgar Wright showed filmmakers Quentin Tarantino, Jason Reitman, and Kevin Smith a rough cut of the film, to which they responded positively.

There are several subtle digs at aspects of hipster culture and the perceived pretentiousness of the music industry throughout the film (when an individual makes transparent efforts to appear smarter or ahead of everyone else):

  • After just witnessing Clash at Demonhead play on stage, Young Neil casually states that: "...you should see them live. They're much better live."
  • Upon Scott's first entrance into the Chaos Theater, Comeau can be overheard saying: "Their first album, is much better than... their first album."
During Scott's second entrance into the Chaos Theater, Comeau is saying to the same group of people: "...It's just that, the comic book is better than the movie."

Early in the film, when Sex Bob-Omb are practicing in the house, their amps have logos that read "Lame Brand". Near the end, when they are performing at the Chaos Theater (presumably with some big-label money behind them), their nicer outfits are accompanied by amps with logos that read "Sweet Brand".

The movie's title comes from the second volume of the graphic novel series. The movie is, however, an adaptation of all six volumes and not that one particular volume. The first book was titled 'Scott Pilgrim's Precious Little Life' and was the working title of the movie.

During the first fight scene, Young Neil is wearing a Sloan t-shirt. Chris Murphy, vocalist and bassist for the band Sloan, served as the music performance supervisor by making sure the actors knew how to play their own instruments for the camera.

Sex Bob-Omb has two members - Stephen Stills and Young Neil - whose character names recall members of Crosby Stills Nash & Young - Neil Young and Stephen Stills.

The amount that Scott wins after defeating Matthew Patel, plus the extra change Ramona lends him, adds up to the cost of a ride on the Toronto transit system at the time the film was made.

The band battle between Sex Bob-Omb, a Canadian rock band, and the Katayanagi Twins, a Japanese electronic group, was performed by Beck, an American rock musician, and Cornelius Keigo Oyamada, an electronic musician from Japan.

Scotts "extra life" icon and the sprite animation in the ending titles were designed for the movie by Paul Robertson, who also designed the character artwork of Scott Pilgrim vs. the World: The Game (2010) for Ubisoft.

The name of Scott Pilgrim's band, Sex Bob-Omb, is a reference to the Nintendo video game Super Mario Bros. 2 (1988). The game features an enemy character named Bob-omb that looks like a small, round bomb with a lit fuse, legs, and eyes. An image resembling this character is depicted on the band's kick drum. "Sex Bomb" is the name of a song by the punk rock band Flipper, as well as a hit record by singer Tom Jones.

Whenever a picture of The Clash at Demonhead is shown in the record store, you can hear the store alarm going off in the background.

When Scott tells Ramona that "everything is peaches and gravy," he is referencing two of Beck's songs: "Peaches and Cream" and "Nicotine and Gravy," both from the 'Midnite Vultures' album.

In the background of the scene at Pizza Pizza (following Scott and Todd's fight), you can see Honest Ed's across the street. Honest Ed's was a popular Toronto department store that Scott and Todd battled in within the books. The actual store closed in December 2016.

The first draft of the script for the film was completed after only 2 of Bryan Lee O'Malley's 6 "Scott Pilgrim" books were drawn.

Ellen Wong made two homemade Sex-Bob-Omb T-shirts for her character to wear. The one selected by Edgar Wright appears in the movie, the other on the DVD extras.

The band Crash and the Boys is named after an NES/Gameboy game called "Crash 'n the Boys: Street Challenge"

Ramona's idea for fighting Roxanne, the fourth evil ex, was originally Scott's idea in the graphic novels to fight Envy Adams.

During the writing of Hot Fuzz (2007), Edgar Wright thought of casting Michael Cera as the titular character after watching Arrested development - Les nouveaux pauvres (2003).

Ramona's weapon, a giant sledgehammer, may be a nod to the term 'hammer-space'. When a character stores an item too big to fit into a bag, the item is said to be located in the hammer-space within that bag. This is very commonly done in video games. Ramona actually wields a giant hammer from hammer-space in the film.

In 2009 Edgar Wright started a year long photo blog where he would take at least one picture every day and post it on his website. Much of the cast and crew appeared in this daily photo blog while they were shooting, most of the time with no direct credit given and their faces partially obscured in some way.

Every bassist in the movie plays with a pick rather than their fingers.

Not all of the comic panel flash back sequences were taken from the Scott Pilgrim graphic novels. Bryan Lee O'Malley states in a commentary track that another artist was brought in to illustrate certain segments, and remarks that this person emulated his style quite well.

The logo for Lucas Lee's skateboard company, that is tattooed on his chest, resembles an upside down Toronto city flag. It also can be seen as two letter "L"s (one of them backwards,) over a board.

When Scott Pilgrim is talking with 17-year-old Knives Chau during the Katayanagi fight sequence, a Broken Social Scene song called "Anthems for a 17 Year Old Girl" plays in the background.

Casa Loma, the setting for the scene where Lucas Lee is filming his movie, is a popular filming location in Toronto.

The version of the song "Ramona" at the end of the movie is played in the style of David Bowie's song "Space Oddity" as it uses a mellotron, acoustic guitar and the "continue" countdown mimics the space rocket countdown from Bowie's song.

After defeating Roxy, Scott asks Ramona to give him a list of her evil exes and she sarcastically says that she might have it laminated. A few minutes later, when she actually gives him the list, it is in fact laminated.

Ramona's cat "Gideon" from the comic book series is not in the film, but an image of the same cat is seen on the mug Scott is drinking out of in the beginning of the movie.

The film appears to take place over a matter of weeks. Ramona changes her hair colour three times in the film and says in the beginning she changes it every one and a half weeks. In the graphic novel, however, the plot spreads out over an entire year.

According to Knives' cell phone, Young Neil's last name is Nordegraf. This fact is also explained in the graphic novel.

In the record store scenes, you can see a Radiohead poster in the background. The film's composer, Nigel Godrich, has worked extensively with Radiohead.

On the close-up of the magazine cover featuring The Clash at Demonhead, their singles are listed as "You Suck" and "Stop Calling Me".

Film debut of Ellen Wong.

Crash and the Boys are said to hail from Brampton. Brampton, Ontario is a city located outside Toronto, and the home town of Michael Cera.

Scott's bass guitar is a Rickenbacker 4003 in the movie, and a Rickenbacker 4001C64 in the comic series.

The character Lucas Lee's name consists of the middle names of the comic's creator Bryan Lee O'Malley and the comic's editor James Lucas Jones. He also shares characteristics with skater-turned-actor Jason Lee.

A third song by Crash and the Boys was cut from the film. The song was a shorter version of "We Hate You, Please Die"- the version that plays in the film was originally titled "Last Song Kills Audience" (the original version can be seen in the Deleted Scenes).

During the battle with the Katayanagi twins, a split second before Gideon kisses Ramona's right hand, the green ring on her index finger glows, the sound effect is from Flash Gordon (1980). Specifically when Ming the Merciless's ring casts a spell upon Dale Arden, and at the very end's cliff hanger.

During the amp vs amp battle when the the Katayanagi Twins turn up their speakers the volume control goes to 11, a reference to Spinal Tap (1984).

Before going to the after party, text on the screen uses the word "e-x-p-l-o-d-e". This is a reference to the trailer of Akira (1988).

The name "Chaos Theatre" is a reference to a location in the Super Nintendo game Mother 2: Gîgu no gyakushuu (1994). In the game a band called the Runaway Five perform there nightly, though this is due to them being held under a massive debt by the theater owner. In the movie, the comparison is taken even further; Scott's old band Sex Bob-omb , tight for cash, is seen playing there as part of a contract with Gideon. One of the members Kim outright states that they are there to "sell out and make money and stuff".

The scene where Ramona helps Scott fight Roxy Richter by controlling his arms, because he refuses to hit a girl, resembles a scene in the Free Comic Book Day issue of Scott Pilgrim. In that issue Scott refuses to fight a group of clones of pop singer Winifred Hailey.

In the scene where Scott finally breaks up with Knives in the record store, an instrumental version of "Anthems for a 17 Year Old Girl" (by Broken Social Scene) is playing in the background.

The only Edgar Wright movie rated PG-13 in the US.

Immediately following The Clash At Demonheads performance at Lees Palace you can see writer Bryan Lee O'Malley and his wife Hope Larson talking at the bar.

The attire of Sex Bob-omb during their performance at the Chaos Theatre matches what they wear near the end of 'Scott Pilgrim and the Infinite Sadness'. Young Neil dons the suit and tie that is originally worn by Scott in the book.

Matthew Patel (Evil Ex Number#1) sings the song "Slick" to taunt Scott. This differs from the comic book, in which the song is actually a "duel", some parts sung by Scott and Sex Bob-Omb in reply to Patel.

The scene where Scott faces Nega Scott is a reference to a common trope in video games where the main character fights an alter ego or an evil version of himself.

At one point in the movie Scott (Michael Cera) proclaims "double negative" (while he's with Wallace and his lover in bed). Double Negative was the lead visual effects house on this movie.

Lucas Lee's mentioning of letting his stunt double do the wide shots while he gets "blazed" in his winnie is based on the antics caused by Wesley Snipes during the making of Blade: Trinity (2004), which was done in Canada. According to sources, including co-star Patton Oswalt, Snipes frequently held up shooting by staying in his trailer smoking weed. This led to director David S. Goyer having to use stand ins and digital effects to add Snipes into scenes.

Posters of various bands in the movie, such as the Katayanagi Twins and The Clash at Demonhead, can be seen in the record store.

The film cast includes one Oscar winner, Brie Larson, and one Oscar nominee, Anna Kendrick.

When Knives complains that Ramona is probably 25, Knives (Ellen Wong) was actually 25 in real life.

The first time Scott arrives at the Chaos Theatre and Gideon tells Kim to start up the band, she secretly flips him off. When she is announcing the band name, she scratches her nose with her middle finger.

Chris Evans, Brandon Routhand Brie Larson have played patriotic superheroes. Chris Evans playing Captain America in the Marvel Cinematic Universe, Brandon Routh in Superman Returns (2006) and Brie Larson playing Captain Marvel in the self titled movie to be released in March of 2019.

In the bass battle scene, the graphics in the beginning say Scott is playing the note "D". In actuality, he is playing a "B".

An alternate ending was filmed in which Ramona left to explore what she was like without a boyfriend and Scott and Knives ended up back together.

In Ramona's apartment there is a poster for the movie Fargo (1996). It is visible behind her when she first offers Scott tea. Mary Elizabeth Winstead (Ramona) would later appear in the third season of Fargo (2014), the TV series based on the movie.

The beginning Universal logo for the movie was a custom logo, with an 8-bit version of the original Universal fanfare.

At least four actors in the movie have been in superhero movies or TV series. Michael Cera was the voice of Robin in The Lego Batman Movie; Chris Evans plays Captain America in the MCU, Brandon Routh was Superman in Superman Returns and the Atom in the Arrowverse, Brie Larson has been cast as Captain Marvel; Aubrey Plaza played Lenny Busker in Legion TV series; Nelson Franklin played in one episode of Agents of S.H.I.E.L.D; Mae Whitman is the voice of Batgirl in DC Super Hero Girls. Thomas Jane uncredited as Vegan Police played the Punisher in the movie of the same name.

In the scene at Lee's Palace, Wallace Wells and Kim Pine can be seen drinking Molson Canadian beer.

The Katayanagi twins reference their X number coincidentally when they select their respective keys on the keyboard. The first twin hits the white key that is both the 6th key from the top and from the bottom of the screen - while the 2nd twin hits the black key that is 5th from the bottom and the 5th black key from the top since you can see the shadow of the top black key, and finally they hit the keys that are inverse to their hair/clothing color.

This is not the first time Mary Elizabeth Winstead has been involved in a super-hero type movie. She was cast as the evil 'Royal Pain' in the 2005 Disney movie L'école fantastique (2005) about superheroes to go to a high school to learn about their powers.

When we first meet Scott Pilgrim's roommate Wallace he is reading a newspaper-style magazine. Look closely and you can see Lucas Lee, a movie star and Ramona's second evil ex who Wallace "stalks" and Scott fights later in the film, on the back of the paper.

When Ramona says goodbye to Scott and goes with Gideon- "Under My Thumb" from the Rolling Stones is playing in the background.

In the scene where Scott and Knives are about to break up, in the record store before they break up you can faintly hear the song Black Sheep by Metric, also song by Clash at Demonhead before Scott and Todd's fight.

The concert bands singing was not subbed into foreign languages and was left in the original English.

In addition to Lucas Lee, Chris Evans has a long list of comic book related credits including: Captain America, Johnny Storm/Human Torch in Fantastic Four (2005) and Fantastic Four: Rise of the Silver Surfer (2007), Casey Jones in TMNT (2007), Nick Grant in Push (2009), Jake Jensen in The Losers (2010), Curtis Everett in Snowpiercer (2013).

Although Stacy is introduced as Scott's younger sister, Anna Kendrick refers to him as "little brother" when they are on the swing set.

Scott Pilgrim incorrectly calls the first song Sex Bob-Omb plays in the movie as Knives and Young Neil are watching and the opening credits begin "Launchpad McQuack". Stephen Stills even takes a moment to tell Neil and Knives that's not the songs real name before being interrupted by Kim. This is a reference to the comic where Scott also calls a song "Launchpad McQuack" because he does not know the songs actual name. However the song in the movie does have an actual name and is called "We Are Sex Bob-Omb" on the movie soundtrack which is what Kim yells to interrupt Stephen. Because the song in the comics is never given a proper name fans have adopted "Launchpad McQuack" as the unofficial title. As for the origin of the name, Launchpad McQuack is a character from the Disney TV show "Ducktales" which also produced a popular video game.

When Ramona is tells her story about how she dated Matthew Patel, parts of it rhymes. "Matthew was the only non-white, non-jock boy in town So the two of us joined forces and we took em' all down We brawled and scraped and fought for hours Nothing could beat Matthew's mystical powers"

Knives and Scott play Ninja Ninja Revolution twice in the film but the second time they play the "continue" countdown is significant. It's appropriately timed as Scott is considering breaking up with Knives and she asks if he wants to continue (meaning play the game again) but it has a double meaning as Scott tries to decide what he wants to do, continue the relationship with Knives or break it off.

The name sign that Anna kendrick is wearing in the movie when she's working is the actually name sign that Bryan lee o'malley's (Scott pilgrim creator) sister wore on her job

Ramona wears Valo brand inline skates made for aggressive skating.

Michael Bacall: The co-writer of the film can be seen at Julie's party and he's also the guy who asks, "Is he a pirate?" during the Matthew Patel fight.

Throughout the film when Scott faces an evil ex, a number corresponding to them appears:

  • Evil Ex 1 = 1 chevron on his left shoulder
  • Evil Ex 2 = 2 on the trailer. 2 on the car. A small tattoo of 2 on his neck. His belt has two X's, XX.
  • Evil Ex 3 = 3 on his shirt. 3 on the posters on the wall. Also 3 on the trash cans in the alley.
  • Evil Ex 4 = Number 4 on the night club door.
  • Evil Ex 5 & 6 = Amp system goes up to 11 (5+6).
  • Evil Ex 7 = When Scott goes to see Gideon it mentions it is level 7.
When Gideon makes his sword appear, all of the stats read "x7". He also makes a reference to the gum he swallows to being in his digestive tract for 7 years. The final score after Scott defeats Gideon is 7,000,000,000 Scott himself is seen wearing (and drinking) "Zero" a number of times.

Mathew Patel is the only Evil Ex that Scott defeats on his own. Lucas Lee kills himself, the Vegan Police helps to defeat Todd, Ramona helps to defeat Roxie, Stephen Stills and Kim help to defeat the Katayanagi Twins, and Knives helps to defeat Gideon.

Real Canadian coinage was used in all of the sequences where the evil-exes are destroyed. Mark Webber claimed that he pocketed $24.00 from the final scene at the Chaos Theater.

After Scott dies in the first fight against Gideon, an arrow appears and points to Scott with the word "dead" written above it. Bryan Lee O'Malley saw this shot and was inspired to put it in the (then) unwritten final book of the Scott Pilgrim series, "Scott Pilgrim's Finest Hour".

Scott can be briefly be seen wearing a shirt with the Fantastic Four logo on it at band practice. It is the only time in the movie he wears a number other than "zero." The shirt also has a very small '1/2' written into the logo, making him 4.5, which director Edgar Wright stated on the DVD commentary was a reference to Scott reaching the brink of becoming yet another Evil Ex. Scott is seen wearing the shirt after he defeats Roxy, the 4th evil ex, and before he battles the Katayanagi twins, the 5th and 6th evil exes.

With the exception of Gideon, throughout the entire course of the movie there is no blood, broken bones or any kind of injury imposed onto Scott or any Evil Ex.

The "KO" sound effect played when Scott defeats Matthew Patel and Gideon Graves is from SEGA's VirtuaFighter series of fighting games.

Watch Roxy Richter. When the camera is on her face, she never blinks. She only blinks in the fight scenes as she starts losing, and when she is defeated.

When Scott enters the Gideon's Club the second time, you can hear a voice say, "The comic book's better than the movie," referencing the comic that the movie is based on.

The scene where Ramona knees Gideon in the groin saying "Let's both be girls," originally appeared in the graphic novel as Envy kneeing Todd in the groin, after Todd is revealed to have cheated on her with their drummer.

The moment in the second duel where Scott and Gideon take passing swings at each other and Scott asks "How's it going back there?" is the method by which Scott defeats Roxanne in the comic book. In the book Scott cuts Roxanne in two, while in the film he only injures Gideon.

Body count: 46 (if counting that Scott got killed the count is 47, however he got an extra life and was resurrected).

The reason Ramona corrects Scott from saying "ex-boyfriends" to "exes" is because one of the exes is a girl.

Roxie Richter and Gidean are the only evil exes to fight Scott Pilgrim twice. Roxie however is the only one time fight Pilgrim and lose both times and the only one to fight him in the same life as Scott uses and extra life to fight Gidean and second time. Gidean also wins a battle with Scott where Roxie doesn't win.


User reviews

Vishura

Vishura

Scott Pilgrim vs. the World is probably as close as we'll come to having an experimental film released in theaters nationwide. This is one of the most innovative, original movies to come out in years. It's unlike anything I'd seen before. And yes, it is good, very good. I could not stop laughing the whole time.

Onto the plot. Scott is something of a loser. He's socially awkward. He shares a mattress in a bunker-like apartment in Toronto with a sarcastic gossip king. He's in a band called the Sex Bob-Ombs, but they're really not that great. He also has a clinging, hyperactive girlfriend, "Knives" who's only 17- kind of a big deal when he's 22. All this changes when he dreams of a purple haired girl on roller blades. The very next day he finds out that she's real; that her name is Ramona flowers and she's the cool new girl in town. His first attempt to hook up fails miserably. His second attempt, although even more lamed brained, actually works, and they're soon an item. But now comes the bad news; to win her love, Scott must defeat her seven evil ex's. He also has an evil ex of his own. Plus, there's the matter of breaking up with Knives, and the battle of the bands is coming up!

That's the setup, what follows is a hilarious romantic comedy punctuated by a series of completely over-the-top video game style fight scenes. Stylistically, I'd have to call them a cross between Sin City, Street Fighter and Viewtiful Joe. Each of the ex's has their own unique fighting style and their own super powers, such as vegan-powered telekinesis or summoning an army of stunt doubles. Often you hear martial arts movies criticized because the action is obviously computer aided. Here, that's the whole point.

The movie's humor comes not only from the sheer ridiculousness of the situations, but also from the characters' reactions to them. After one of the ex's has flown in through a brick wall and battled Scott in the middle of a concert, everyone is just kind of weirded out. They don't act like nothing has happened, which would make it hard for the audience to suspend their disbelief, nor do they run screaming for the police, which would only complicate matters.

Comedic effect is also generated through the use of deadpan dialog. For instance, when Knives confesses that she's never kissed a boy before, Scott replies, with a straight face "It's okay, neither have I." Or the band's self-introduction, "We're the Sex Bob-Ombs and we're here to make you all sad and depressed and stuff.

The movie also pokes gentle fun at hipster subculture with the way that Ramona has thirty plus flavors of tea, or how Scott's roommate is always texting. There are also quirky touches like one girl who can bleep herself out, much to Scott's amazement, and a scene when the intro from Seinfeld plays after the characters enter the apartment, and canned laughter follows every line.

The editing and structure are highly non-traditional, with heavy use of dreams, daydreams, montages, animated flashbacks and asides, and chapter titles introducing segments. The visuals are impressive and very imaginative, such as the way that flashes of color accompany the playing of any musical instrument, allowing you to see the sound. Speaking of which, the sound is another high point, not only the energetic, rock fueled sound track, but also the sound effects taken from classic games like Mario and Zelda.

Scott Pilgrim vs. the World succeeds in telling an offbeat story, providing interesting characters, and in producing lots of laughs. Other than a couple of too-obvious puns, I honestly can't think of anything wrong with this movie. I would highly recommend it to anyone in their teens or twenties. Four stars.
Unh

Unh

Scott Pilgrim versus the World is a Canadian romantic comedy and musical based on the comic books by Bryan Lee O'Malley. Scott Pilgrim is a 22y.o teen-age-looking insecure guy and guitarist who plays in a rock band called Sex Bom-omb and is going out with a minor high-school Chinese girl, Knives. He seems content until he has a dream about a girl. She happens to appear in his real world in the form of Ramona, the ever-changing-hair-colour American recently moved to Toronto. Scott is over the moon, but he has to face his own personal demons, break up with sweet Knives and fight for Ramona's love against her seven exes.

Scott Pilgrim is one of the most refreshing teen-sophomore movies produced in the last years, and one the best movies of 2010. The movie is cute, funny, entertaining, has great characters, a terrific soundtrack and stunning visuals. The story is presented as in a video-game in which the main characters are the players, and their lives is the game. The issues regarding relationships are masqueraded by the video-game approach, but they have depth. Unlike many other movies focusing on the emotional challenges of very young people, sex is not the focus, although it does not avoid it either. The movie focus on how difficult is to make a relationship work when you fall in love whit people who already have an emotional baggage and you are insecure about yourself. Scott's fights against Ramona's exes are just a metaphoric way of putting it. Moreover, the emotions of the girl are not the focus here, but the emotions of a young man who is not obsessed with sex. How do you get a girl who has an emotional baggage when you are not an over-confident guy, your dream girl is uber-cool, and her exes were brilliant guys? The good thing is that any of this is boringly presented. On the contrary, the movie is lots of fun and does not take itself seriously.

All the actors are great in their roles: Michael Cera as Scott, Mary Elizabeth Winstead as Ramona Flowers, Ellen Wong as Knives Chau; Mark Webber, Johnny Simmons and Alison Pill as the other band members Stephen, Young and Kim. Kieran Culkin is Scott's confident grounded gay Wallace Wells, Anna Kendrick as the know it all Scott's sister Stacey, and Jason Schwartzman as the revolting Gideon Graves. However, Cera really shines in this movie, in part because his physique really portraits the character from the start.

The visuals of the movie are stunning, the camera's movement, the video-game and comic use of the screen adding to the freshness and originality of the film. The fights wit the exes are extremely funny and witty. I specially liked the fight with the Vegan ex-boyfriend, which is hilarious. Also visually stunning is the musical competition between Scott's rock band and the techno Asian twins band.

The music is truly terrific. An extra bonus to a great script.

Scott Pilgrim vs the Wold movie is not only well done but done with passion, a project cherished by the whole team and by director Edgar Wright.

The movie has freshness, soul and a special something that stays with you longer after you've seen it! It is miles away from any other young people romantic comedy lately made.
Burilar

Burilar

The tagline for this film is "An Epic of Epic Epicness" and I couldn't agree more. After waiting in line for 3 hours after last night's Comic-Con and finally being sat in the gorgeous Balboa Theater, I didn't know what to expect. I loved the comics and the previews looked faithful. The moment the movie starts (literally; the Universal logo and theme are 8-bit) you are thrown into a comic book atmosphere with video game references aplenty.

The plot revolves around Scott Pilgrim needing to defeat the 7 Evil Exes of Ramona Flowers in order to date her and it is a harrowing sequence of battles. Each fight is crazier than the last and some are used purely for comedy, not excitement. Almost every other line is a punchline and they all work. References to TV shows, video games and comics (just like a 20-something's life would include) are everywhere and if you accept the concept of the plot, it all feels natural.

While the audience might've been biased (we held a 10-minute standing ovation for Edgar Wright when the movie finished) there's no denying that it's an excellent film. Edgar Wright has an uncanny sense of comic timing with edits and sound cues to make the picture tight and focused when it's looking for laughs.

I can't imagine a mainstream theater erupting in applause and laughter like ours did but make no mistake; this a crowd pleaser and the MOST enjoyable film I've seen in years. Don't hesitate to watch this masterpiece in a theater near you.
Rishason

Rishason

I came to this films with no preconceptions of it as a movie and I have to say I am glad. I guess I was expecting another Michael Cera movie about some dopey kid in love. And thats what it is ... but done in a unusually great way. For anyone under 25 brought up on gaming (I am 30 and not) this will be just brilliant. The style of the movie with its "end of level baddies", game-play set-up and visuals are a welcome and refreshing twist on what could have been a hum-drum movie. The music rocked, the comedy was fast, slick and laugh out loud ... I'd definitely recommend this to my friends looking for something that little bit special.
MisTereO

MisTereO

Very fun film with loads of story lines, adventure and fantasy.

This is one rare creative film that almost has it all.

For something different check this out!
Gelgen

Gelgen

This is truly a brilliant, refreshing movie. I must say that I didn't quite know what to expect but except that I thought this movie was for teenagers and I was terribly wrong.

I am 40 years old and I TRULY enjoyed this movie and it had a clear story line that targeted more than just teenagers. In addition, I saw every age group, race, gender in the screening that I attended which was impressive and we all were jumping and laughing at every scene as if we were all teenagers.

I truly left the movie saying that " I cant wait to see more films put out by "Oni Productions/Closed on Mondays ". Well done !!!!!
mr.Mine

mr.Mine

I was lucky enough too see this film during a test preview to an audience that weren't told what we were about too see. I was honestly expecting some odd film that really needed a lot of help but i was pleasantly surprised with how great this movie was.

The movie had everyone laughing, and i mean everyone, I've been too almost every Wright film and somehow the audience wasn't as amused as i was, but this time everyone loved it. I've never heard so much laughter in one cinema.

The jokes were fast and although silly, they weren't stupid which made for quite an enjoyable film. Wright's trademark quick cuts, and simple comedy made this film, i personally think if it were directed by anyone else it wouldn't have had the same effect.

The characters were well written and performed, every individual character fitted perfectly. The film had many scenes that were quite pointless but still quite funny for example the Seinfeld scene.

Apparently its based on a comic book series? I've never heard of them before but i certainly will look out for them now. If you're a fan of Edgar Wrights films or just good silly humour you will love this film.

Great comedy, definitely the best of 2010 8/10 Morgan
Bele

Bele

Action, beauty, women, comedy, scenery, special effects and hilarious zaniness coupled with imaginative modern and contemporary zeitgeist. What a film
Zainn

Zainn

Teenager problems (find yourself, get real, etc.) might not give anything to people considering themselves mayor adults, but consider this is a movie built on arcade video gaming motifs, I don't think it concerns mayor adults at all in the first place. I for one did not necessarily long for dark moral drama in this particular movie at all, I think the story was just about right for this movie, but you decide, if this is childish watch Haneke.

Now for the rest: Surprisingly, Scott Pilgrim features the best martial arts scenes in years. Every fight is choreographed and executed in the most awesome ways and the fact that it's not Jet Lee pulling off these moves makes it even more fun to watch. And you get the fights absolutely frequently which is really, really satisfying. The editing is incredibly skillful as probably the most crucial element that makes this work. It gives the movie an incredible rhythm, reaching new levels of dynamism and the use of CGI and the visual design is plain fantastic. The amount of creativity put into this part is mind- blowing, resulting genuine and most original style. The cast is cool and I don't think anyone should look for academy material here. I liked these kids and they suit the movie.

So, all together I found Scott Pilgrim being one of the most original, exciting and fun productions I've seen in my life. As a huge fan of things like fighting games, comics, or martial arts anime I felt satisfied to a point of screaming 'awesome' out loud after 30 minutes into the movie. Though people who never played Street Fighter or kept crossing fingers for Goku and friends yelling 'kamehameha' as evil bosses get pulverized by energy beams might not really get what Scott Pilgrim is about, it's very hard to deny the originality featured and the creative and professional qualities of the way it's executed.

Fantastic! 8/10
Sti

Sti

T's a visually stunning and has sarcastic dialogue which is a creative comic adoption of the same name. It's perfection in execution is astounding and awesome. Story telling is very unique.It's funny in a different way and it's a great performance by the stunning cast.Michael Cera in this movie is awesome.

Overall - 3.5/5
Dagdage

Dagdage

I have a feeling that many young people would go ape for "Scott Pilgrim vs. the World". It involves both young people, and its video game elements will be greatly appealing to youths. However, I think older people (like myself) will be somewhat let down by the movie.

Before I get to criticizing the movie, let me say that I did feel the movie had SOME positive elements. The visual effects are top notch, successfully crossing live action with what you might see in a video game. There are also a lot of small touches here and there that are amusing, like defeated opponents transforming into coins.

The visual look of the movie combined with those small touches ALMOST makes up for the flaws in the movie. The source of all the flaws is the same: the script. The script is really inadequate in a number of areas. The biggest flaw is that except for the character of Knives, NONE of the characters are sympathetic or appealing. They come across as thoughtless and kind of dumb, especially the title figure. Another script problem is that much of the movie consists of it repeating several times stuff that has already happened. The movie becomes monotonous after a while. Also, the ending is very frustrating, with Scott (in my opinion) choosing the wrong person to be with.

I have not read the graphic novel series this movie is based on, but my guess is based on its length, a LOT of character development and story was cut out in order to make the movie last a little under two hours. So if you have a choice, I would advise you read the multi-part graphic novel instead of seeing this movie.
Fecage

Fecage

For fans of all things geeky around the world, this film is for YOU! Comedy, action, romance, video games, music; "Scott Pilgrim vs. The World" has everything you could ask for. It very quickly became my favourite film after watching it and I could watch it over and over again without ever getting bored of it; the same way that you could watch the same episode of Friends for the 'nth' time and find it as hilarious as the first.

Though the character feels quite different to his graphic novel counterpart, Michael Cera does an excellent job as the awkward Scott, Kieran Culkin is perfect as Wallace and Mary Elizabeth Winstead plays a much more tragic version of Ramona Flowers but this change still works well.

Scott Pilgrim is a must-see and it deserves more recognition. Go watch it, you'll love it.
Malahelm

Malahelm

Scott Pilgram, a comic series unlike any other, is brought to insane life onto the big screen. When I first heard about this, I dismissed it as some lame movie, but to my surprise it isn't. This is one of the best movies with the word "versus" in the history of cinema. It's so absolutely mind-blowing that I can't tell if the author of the comics was tripping on acid when he made this.

Now on to the plot: Meet Scott Pilgram, a teenage boy who has his own rock band, been in a few relationships, lives in an apartment with a homosexual roommate, and happens to be the best fighter in town. When he meets a mysterious hair-color-changing girl named Ramona, Scott suddenly falls in love. However, to be with Ramona, he has to defeat her seven evil ex's, each with their own skills and powers, in awesome and hilarious video game style brawls to the death.

All I can say is that this film is pure freaking genius. Action-packed and incredibly stupid (in a good way). I wish I had fights like these, then my life would be complete! All the evil ex's are delightfully despicable, each having their own funny little quirks. This is a wonderful movie and I recommend that you check this out.
BeatHoWin

BeatHoWin

It's been a while since I watched it and I forgot how much I love it. If like me you're into comic books and video games, you will absolutely have an amazing time. And even if you don't, you might find it silly but the great cast, original storytelling and top notch special effects should keep you extremely entertained!
Xor

Xor

This is the perfect movie with perfect cast. I don't even like Michael Cera much, although he was fortunate enough to be in one of the most clever TV shows ever. He's become typecast, but this is one movie which breaks the mold. (Or at least it ignores it and does its own thing.) Edgar Wright has also directed the great movies "Shaun of the Dead" and "Hot Fuzz," and he doesn't disappoint with this. I haven't read the anime series this was based on, but I don't really want to, because this is so much better than it could ever be. To be completely honest, the only thing I don't like his how fast Scott's 'pee bar' empties. Nobody can pee that fast, geez.

But yeah, everyone should watch this, especially video game fans.
in waiting

in waiting

Scott Pilgrim (Michael Cera) is in his early twenties and has started dating a girl named Knives Chau (Ellen Wong) who is still in high school. The news circulates around all of his friends including his gay roommate Wallace (Kieran Culkin) and his nosey sister Stacey (Anna Kendrick). At first Scott enjoys the company of Knives. She watches his band play during their practice sessions. At a party though Scott meets who he believes is the girl of his dreams in Ramona (Mary Elizabeth Winstead). He opts to go out with Ramona instead and decides to breakup with Knives. Yet when his band is performing at a gig, Scott is confronted by one of Ramona's seven ex-boyfriends. This leads to a series of video game style fight sequences where Scott must take on each of Ramona's exes, many of which have superhuman powers of their own and defeat them so he can date her properly.

Although Scott Pilgrim vs. the World has been adapted from a 2004 graphic novel series, it is to a fault like a computer game. It's been directed by Edgar Wright, who previously worked on Shaun of the Dead (2004) and Hot Fuzz (2007). He has chosen to shoot the film with an overwhelming number of visual tricks that look to have come straight from the graphic novel source and the arcades machines. When someone knocks on Scott's door the onomatopoeic words appear on the screen. When Scott kisses Ramona tiny hearts trickle out between them. During the fight scenes icons popup to reveal Scott's high scores, like an arcade game. But Wright seems too excited by these gimmicks and they are used too frequently. Rather than being charming little treats for the audience, they quickly become excessive. The film's rapid pacing is also problematic. As the director and one of the film's screenwriters Wright seems highly intent on moving through the film's opening quarter as quickly as possible, with rapid cutting hurling the audience from one scene to another. Given the speed of the first act and the array of video game aesthetics thrown in, the rest of the film desperately lacks urgency. It fires all its shots at once and then there is no momentum to build upon with any of the fight scenes, leaving the movie at a monotone rate. Scott Pilgrim already knows how to fight too so there is no character development or exposition here either. Each fight sequence feels no more significant than the last. It makes for extremely repetitive viewing, with at least three exes too many and just not enough substance.

Michael Cera has potential as a comic actor but the script here does not allow him to develop anything new beyond his trademark dopey persona. Given how engaging he has been in films like Juno (2007), it is surprising how dislikeable he is here. The way that he treats Knives and gets away with it makes him less appealing as a protagonist. It does not help that Cera is forced to deliver dialogue that is entirely self- conscious in its attempts to be hip. No one has anything interesting or funny to say here. When his sister Stacey asks him if he really thought that he had a future with Ramona he replies thickly: "Like with jetpacks?" There is an overdose of style here and not an ounce of sincerity. A lot of the other performers are wasted too. Anna Kendrick, a talented actress from films like Twilight and Up in the Air (2009), is barely seen and no matter how cool and alternative Winstead's hair looks her character is still underwritten. It's disappointing that the exes fail to reveal anything about her past. Jason Schwartzman has only a small role as the film's central baddie and it would have been nice to see more of him in the film because he is a regularly enjoyable talent on-screen.

Despite the efforts of director Edgar Wright to bombard the audience with an array of visual tricks, there is little by way of substance to be found in Scott Pilgrim vs. the World. Its computer game counterpart probably soars on its artistic flair but this film disregards too many of the basics of screen writing. It's pacing runs on a single, exhausting note and does not give enough urgency to the repetitive fight sequences. The lack of a substantial narrative here diminishes any possible depth the performances might have had too. It's so intent on being hipster cool that it forgets about keeping it real. Exit game.
Hasirri

Hasirri

This is a film for 20-something years olds living with their moms who still play Pokemon and drooling over manga. This movie has the intelligence level of the Mighty Morphing Power Rangers and the maturity level of Spongebob Squarepants. It's really only a fifteen minute movie that repeats well over five times for two frikin hours. Sometimes less is more and when a movie is the equivalent to watching someone play Soul Calibur, 112 minutes is 90 minutes too long. It has all the terrible dialog from a Dragonball-Z cartoon with the same over exaggerated fight sequences that have the fighters spending more time screaming at each other as they fly through the air then they do actually fighting. The whole "Video game style" fighting over a girl would have been OK if it just happened once. But re-hashing the same damn fight four more times was just driving an idea into the ground all the way back to Japan.

Michael Cera needs acting lessons. I'm sick of seeing this guy play the same person in every damn movie he does. HE SUCKS! I'm sick of seeing him being a little stuttering, meakling who's afraid of his own shadow again and again. It's so old it's not funny.
DarK-LiGht

DarK-LiGht

Scott Pilgrim vs. The World has made me question just how well I fit in with my generation. According to other members of my generation, it is the movie to end all movies, and the best movie... I'm sorry... most EPIC movie ever. I'm partial to The Godfather myself. Scott Pilgrim is a film that I was looking forward to as Michael Cera has made me laugh numerous times in the past, and Edgar Wright is easily one of the more talented newer directors working today. Combined with the eye-popping visual effects, I couldn't see how these things could add up to anything less than a fun and entertaining film. Fun, to a point. Entertaining? Well...

Scott Pilgrim's first problem is the plot. The plot is self-conscious and repetitive, as well as overly laid back and easygoing. Scott Pilgrim has to defeat his new girlfriend's seven evil ex's. That's the whole plot, and at no point do we get the sense that anything is at stake for these characters. I know that probably shouldn't matter in an effects-driven popcorn movie, but with nothing to root for, or no suspense of any kind, I found the film to get boring after the first thirty minutes. That is approximately when the first evil ex shows up. They fight. He defeats him easily. Too easily. The fight isn't all that exciting as a result. And with six of these to go, the movie became a tedious experience before it was even halfway over.

Not to say the film doesn't have it's good points. Michael Cera, though not as witty as he can be, is still somewhat likable. And while the script lacks structure of any kind, it is jam- packed with hilariously quirky dialogue and brilliant sight gags. The filmmaking is generally good throughout, and as a director Edgar Wright hasn't lost his talent. Unfortunately, the poor storyline ultimately overshadowed these elements for me.

Maybe it's because I don't play video games. Maybe I just need to read the comics. Or maybe I'm just becoming less fun of a person as I mature. I want to like this movie and take the same joy from it that my generation does, but I simply can't. I'll stick to films with stories and social relevance and enjoy being the outcast. Scott Pilgrim Vs. The World gets a generous 5/10 because I feel giving it anything lower would just make me look bitter.
Lamranilv

Lamranilv

Edgar Wright is a creative genius and crafts one of the most delightful pieces of entertainment that unites a set of insanely likable, charismatic characters, a unique visual style, a truly original plot, charming dialogue, nuanced comedy, innovative editing and a soundtrack that kicks ass.

The story follows Scott Pilgrim, a 22-year-old guitarist who plays in a not-so-successful band and who seems to stumble from one social misadventure to the next. He starts off dating a 17-year-old but is soon enraptured by purple haired Ramona Flowers who works in delivery service. However, to be with her, he first needs to defeat her seven evil exes.

This set-up, although seemingly ridiculous, paves the way for a film that captivates the viewer with its colourful set designs, smart dialogue and of course its over-the-top, awesomely choreographed fight scenes with video game aesthetics. Despite the exaggeration, the story never feels forced or contrived. Instead, it flows amazingly naturally and the comedy never falls flat, which is certainly also due to the superb performances of the cast.

I couldn't praise this film enough. "Scott Pilgrim vs. the World" is one of these films that succeeds on every level. You see it once and immediately want to re-watch it. The creators obviously knew what they were doing and the result is a well-paced, highly entertaining film spiked with references to pop culture. It dares to be unconventional and geeky but never gets too absorbed in its references. The film knows when to be quiet and when to be loud but most of all, it doesn't take itself too seriously, granting an out of this world, two hour spectacle that couldn't be more epic.
Umdwyn

Umdwyn

I like / love Edgar Wright's other movies ("Shaun..." is easily one of the 10 best British films ever made and is endlessly quotable, and "Fuzz" so perfectly captures the vein of the genre it affectionately spoofs) as well as his TV show "Spaced" (final scene of first series filmed in my local!), so I was looking forward to this a lot; unfortunately I was really really disappointed.

I found the film flaccid (at least 30 mins too long) the characters unengaging and uninteresting, the drama non-existent (was there ever any doubt how it would turn out?) and most frustratingly of all just not funny enough. It was just boring.

Yes, I can see that all the video game stuff is clever, and the Flash Gordon reference was fun, but being clever is not enough to make a film good and I found it pretty annoying before too long.

I am not familiar with the source material but if this is faithful to it I can only conclude that it wasn't worth being turned into a movie. No-one ever made a good movie from lousy source material.

I am in my mid 30s so possibly older than the target audience, but I'm still astounded this rates so highly and is in the top 250 (at time of writing). It has been widely commented that this will polarize audiences, I'm just slightly sad I didn't find anything to like in it at all.
Honeirsil

Honeirsil

'Scott Pilgrim vs. the World' was executed from a graphic novel to a film very nicely but didn't make it a better film. The movie was great but from comic to movie really didn't make it any better although it probably wasn't intended to make it better. This film exceeded all of my expectations and actually surprised me that a comic like this type could be made into a movie so nicely done. I immediately picked up the graphic novels and it explained a huge amount of references that never got displayed in this movie. I really really liked Michael Cera's performance in this and he continues to be exceptional. The film's tagline "An epic of epic epicness" really defines the film for what it is. It was funny, intense, and serious while it has it's own style of a film itself. 'Scott Pilgrim' had it's own type of humour, the intense fight scenes that were really fun to watch and see the creativity of the authors point of view. This is a fun movie and must see.
White_Nigga

White_Nigga

I have never, ever wrote a review before even though i have watched a insane amount of movies in my time (Roughly a Million). As far as video games are concerned i have won a Nintendo Championship yeah thats right i remember those days. This movie to me stomps the best story lines out there, Crush's action films like "The Matrix". Overall this is where "Film" should be going.

If you remember what it is like to be a kid and your a adult now, you and your kid(s) can watch this together. Trust me it's worth it, We all love a good drama story and thats exactly what this is. Sure they threw a awesome amount of action in there but isn't that needed so men and women can enjoy a film together these days? Oh and lets not forget the awesome way the music was brought into this storyline Kudos! MAD prop's goes out to Michael Cera dude you have brought me over to your fan base. Good call on the 100% flawless cheat code. I PRAY! there is a sequel to this movie and i hope it earns awards.

Peace for now Xavier
Vinainl

Vinainl

The one star rating isn't something to be dispensed lightly; there are very few films that have so little in the way of entertainment value that they deserve such a critical pasting. Most flicks I've seen that fit comfortably into the category of 'awful' have some redeeming feature, even if it's the dreaded 'unintentional comedy' factor. That being said, when the movie in question is already being marketed as a comedy, a person can really find themselves reaching. So it is with SPVTW, a movie that manages to not only be thoroughly unentertaining and an ordeal to sit through, but one that doesn't even have the decency to let you laugh at it. This is that rare beast: a film that actually makes the rational audience member seethe and froth with rage at how shallow and calculating it is, how utterly empty and devoid of any soul or any artistic sensibility.

Of the actual plot, there isn't much to say. Blah, blah, urban ennui, blah, blah, cardboard existential angst, blah, blah, the theme tune from Legend Of Zelda? Blah. Michael Cera once again sleepwalks through a part he seems to be playing via satellite link-up. His philosophy, behaviour, fashion sense and interests are all carefully delineated in order to make him the ultimate hipster composite, an icon for trend-whores everywhere. Will he get the girl of his dreams, whose quirks are equally well chosen to make her his ideal match? Will his tedious garage band make it big? Will this movie try and challenge its audience in any way? Seems to me the mark of a good film is to start from more or less a neutral position, then to actively make you enjoy it via good writing, acting and direction. This is the emo equivalent of one of those dreadful Christian Bible films, where quality is pretty much irrelevant since the faithful will always defend it on the grounds that it's Jesus-friendly. Here the target audience will be so enthralled to see it's own interests acknowledged in 35mm that normal standards won't apply.

Hollywood has always made its money by tailoring genre films to demographic expectations - so it really shouldn't be any surprise that a movie so resolutely targeted at 20-something hipster/slacker/poseurs should be as blandly plastic and artificial as any Disney puke-athon. But for those of us who quite like things like old 8-bit video games and anime, it's hugely irritating to find them hijacked and press-ganged into service as garnish for some smarmy indie manifesto. And it's even more annoying that someone like Edgar Wright, who up to now I rather respected for his subversive take on sitcoms (Spaced), Zombie horror (Shaun of the Dead) and crass action flicks (Hot Fuzz), is basically pandering to a ready made market with something as utterly conventional as this. Because ultimately, though it might seem superficially to be a fresh and original product, this movie is total formulaic sludge, full of low-budget indie tropes, jacked up on a hundred million dollar budget.

Had it been made by a genuine independent company, with a cast of unknowns and utilising the whole retro gaming aesthetic more authentically, it might actually have been a lot better. Because it is kind of cute and fun to see some old Super Mario graphics crop up in-film, and sometimes the use of sound FX is clever enough to justify the exercise. But then it would probably have won a bunch of awards at Sundance and been remade as precisely the film we have now. So Edgar Wright has thoughtfully cut out the middleman. Indie cinema nowadays is generic enough in it's attempt to be the 'anti-Hollywood', but once mainstream studios have finished co-opting its clichés and CGI-ing the crap out of it, this is the result.

Terrible, terrible film.
Ce

Ce

Being quite the fan of director Edgar Wright's previous efforts and being a self confessed gaming nut since 1981 and seeing the rise of the Nintendo generation from the beginning who supposedly this film is directed at. I was really excited and looking forward to spotting all the gaming references that Wright likes to sneak into his films and shows.

It turns out this film is the most shocking example of what passes for entertainment these days. It was terrible, unfunny and extremely annoying.

The film is absolutely tailor made for a generation that has an attention span of about 0.2 seconds. The characters all talk in a similar quickfire style with a camera cut happening almost every half second and the screen is littered with bright coloured, animated fx obviously there to stimulate whatever moronic mind would find this fun.

The characters are horribly accurate examples of today culture with protagonist Scott Pilgrim himself being the archetypal anti hero. Weedy, weak, unsure of himself and sensitive along with the token gay friend and 'rocker' girlfriend.

This is a nerds wet dream. It places a weakling in a world where game rules apply and said weakling proceeds to annihilate 7 rather more burly boyfriends of the pretty girl he is trying to woo. It's what every nerd, outcast and skinny emo boy in the world wishes would happen to them.

I'm insulted that this film wants to the the hero for gamers of the world. I am a massive gamer and absolutely nothing about this film appealed to me at all.

Now to be fair I must give kudos to the visual effects in the film. They are both stylish and impressive and the actual fight choreography itself is excellent. To those that think that this is enough to make a film good, even a comic book action film, must have something seriously wrong with them.

Do yourself a favour, walk out after the 8-bit Universal logo. It's by far the best part of the film!
Musical Aura Island

Musical Aura Island

After seeing the very high rating (8.1 average) on IMDb, I decided to take a girly friend to watch a movie and surprise her with something unique and funny. I saw the trailer and knew the genre.

Anyway, long story short, we left after we couldn't take the uselessness of this movie. Beside a scene or two, the movie is very, very far from being even remotely funny for anyone over 12 years of age. It is noisy, with some occasional nice music with some console game fighting style thats honestly too deja-vu to be entertaining.

I guess its a kids movie... but even those must have a story! take the Lion King or any other decent family movie. it HAS an attaching story.

Lacking a story, the movie gives u no reason at all to stay on ur seat other than cuz u already paid ur ticket.

The cast had potential, or most of em, but who wants to watch to see if he gets the girl after fighting the 7 evil boyfriends??...trust me you will be bored watching even the first two.

I don't understand reviews in IMDb.... list average reviewers age?