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Murder by Death (1976) Online

Murder by Death (1976) Online
Original Title :
Murder by Death
Genre :
Movie / Comedy / Mystery / Thriller / Crime
Year :
1976
Directror :
Robert Moore
Cast :
Peter Falk,Alec Guinness,Peter Sellers
Writer :
Neil Simon
Type :
Movie
Time :
1h 34min
Rating :
7.4/10

Five famous literary detective characters and their sidekicks are invited to a bizarre mansion to solve an even stranger mystery.

Murder by Death (1976) Online

Despite not knowing him, the world's most famous detectives can't pass up the offer of a "dinner and murder" invitation from wealthy Lionel Twain. Each has no idea until their arrival at Two Two Twain who else will be in attendance. Those detectives are: amateur sleuths and New York City socialites Dick and Dora Charleston, accompanied by their pet terrier, Myron; Belgian detective Monsieur Milo Perrier, accompanied by his chauffeur, Marcel; Shanghainese Inspector Sidney Wang, accompanied by his Japanese adopted son, Willie Wang; frumpish Brit Miss Jessica Marbles, accompanied by her invalid nurse, Miss Withers; and San Francisco gumshoe Sam Diamond, accompanied by his femme fatale sidekick, Tess Skeffington. The dinner part of the invitation runs into problems due to the non-communication between Twain's blind butler, Jamesir Bensonmum, and Twain's new deaf-mute and non-Anglophone cook, Yetta. On the murder side, the guests initially believe Twain will try to kill each of them. ...
Complete credited cast:
Eileen Brennan Eileen Brennan - Tess Skeffington
Truman Capote Truman Capote - Lionel Twain
James Coco James Coco - Milo Perrier
Peter Falk Peter Falk - Sam Diamond
Alec Guinness Alec Guinness - Bensonmum
Elsa Lanchester Elsa Lanchester - Jessica Marbles
David Niven David Niven - Dick Charleston
Peter Sellers Peter Sellers - Sidney Wang
Maggie Smith Maggie Smith - Dora Charleston
Nancy Walker Nancy Walker - Maid
Estelle Winwood Estelle Winwood - Nurse
James Cromwell James Cromwell - Marcel
Richard Narita Richard Narita - Willie Wang

The screaming woman sound used as a doorbell is Fay Wray's screams from King Kong (1933).

Immediately after completing this movie, Peter Sellers was so convinced it was going to bomb, he convinced the producers to buy back his percentage share in the movie, thus depriving himself of a cut of the profits with the movie when it went on to be a hit.

Three memorable scenes ended up on the cutting-room floor: 1) The Charlestons narrowly avoid hitting Tess Skeffington; she's hiking back to her and Sam Diamond's car, with gasoline from a station five miles away. "Thank Heaven you saw me when you did", she says. Dick makes sure she's okay, "Keep to the side of the road", he advises her, then simply drives off and leaves her to walk. 2) Willie Wang, upon rejoining the others in the drawing room, after covering up Lionel Twain's corpse in the dining hall, has noticed something that none of the others did: Twain was clutching a note in his hand. Without bothering to read the note first, Willie gloats about how he is a better detective than his own father gives him credit for: "I'm sick and tired of being just your number three adopted son. The one million dollars goes to whomever solves the crime, and that could be me just as well as you!" Then Sam takes the note at gunpoint ("Better stand back, Tess; I don't want you to get hurt when the bullet comes out his other ear") and reads it ("'Please call dairy and stop deliveries of milk; Lionel Twain deceased.' So much for your clue, kid"). Willie sheepishly apologizes to Sidney. 3) Leaving Twain Manor at the end of the movie, the Wangs pass a vintage car en route to the same destination. It's driven by Sherlock Holmes and Doctor Watson. They ask directions, which Sidney gives them despite Willie's efforts to warn them it's a ripoff. Willie asks why his pop didn't tell them the truth. Sidney's reply: "Let idiots find out for themselves."

It was while working on this movie that Sir Alec Guinness received the script for Star Wars: Episode IV - A New Hope (1977). He read it between scenes in his dressing room.

Peter Sellers reportedly played several practical jokes on cast and crew during filming, including once calling Neil Simon up and imitating co-star Sir Alec Guinness and demanding a re-write of a key scene in the middle of the night. Neither Guinness nor Simon was amused.

In the television edit of this movie, which contains footage not released theatrically nor on home video, Keith McConnell and Richard Peel appeared at the end as "Sherlock Holmes" and "Doctor Watson", respectively.

Myrna Loy was originally offered the part of Dora Charleston (a role that was a spoof of the character that she had played in the Thin Man film franchise) but she declined, later stating that "it would have been ridiculous to have Myrna Loy doing Myrna Loy". She also stated that she didn't want her "ass pinched by David Niven".

''We should have taped the first read-through of the script and released it as a comedy album. It was a classic", reported many of the production personnel after first rehearsal session together of the cast and crew. According to Writer Neil Simon, "the first reading is where I see what works and what doesn't. It was the best one I've ever witnessed for any of my plays or films." Simon was on the set of this movie every day.

Originally, Katharine Hepburn was meant to play a character called Dame Abigail Christian (a spin on Dame Agatha Christie). Hepburn dropped out after hearing Myrna Loy would not do this movie. The character was changed to Dame Abigail Christmas, and Estelle Winwood took the role. After numerous re-writes, Estelle became Nurse Withers to a new character, Elsa Lanchester's Miss Jessica Marbles.

All of the detectives in this movie are parodies of the work of three authors: Dashiell Hammett, whose Nick Charles and Sam Spade were the basis for Dick Charleston and Sam Diamond, respectively; Dame Agatha Christie, whose Hercule Poirot and Miss Marple inspired Milo Perrier and Miss Marbles; Earl Derr Biggers, whose Charlie Chan was the basis for Inspector Sidney Wang and his son.

Neil Simon remained on the set to take care of re-writes, as he did with this movie's sequel, The Cheap Detective (1978). Simon took such a shine to Sir Alec Guinness during production that he told him if he did not like anything in the movie, he'd immediately re-write it for him, but Guinness assured him it was great fun for him.

Working with such an accomplished group of professionals made Director Robert Moore's task easier and exhilarating. Moore recalled prior to the movie's release: "At times we had to stop shooting, because there wasn't a dry eye in the house. If the film audiences have half as many laughs as we have shared in making 'Murder By Death', Columbia Pictures will have a smash hit in the theaters."

Although the atmosphere is meant to evoke the 1930s and early 1940s, certain details in the story (contemporary-branded groceries in the kitchen, Twain's age and the price of paperback novels, for two) indicate that the setting is in the 1970s.

One of numerous movies, mostly comedies, released between the mid 1970s and mid 1980s that revived the "Old Dark House" genre. They include The Spiral Staircase (1975), this movie, The Cat and the Canary (1978), The Private Eyes (1980), House of the Long Shadows (1983), Kenny Everett's Bloodbath at the House of Death (1984), Clue (1985), and Haunted Honeymoon (1986).

Peter Sellers also played Jessica Marbles' taxi driver, but the scene was deleted.

An interview with Writer Neil Simon in a DVD extra, Murder by Death: A Conversation with Neil Simon (1999), has him reveal that he and Director Robert Moore at one time wished to replace Truman Capote with a real actor in the part of Lionel Twain, but ultimately this never happened.

The country road was built on Stage 16 of The Burbank Studios. This was contrary to the traditional practice of contemporary moviemaking of using actual locations for exteriors. The reason for creating the set was to give the movie the look of the 1930s and 1940s detective genre movies which have a distinctive style. Instead of process photography, a large rotating drum with cyclorama of painted trees and branches and real shrubbery attached moves around as the cars remain positioned. The autos were jostled in place to simulate movement, and the exterior scenery outside moves by on the leafy carousel. It is a filmic technique used in the 1920s, and which filmmaker Ingmar Bergman continued to use. Eight dozen evergreens, hundreds of shrubs, and assorted foliage, and tons of dirt, were used to create the country road. This was a costly bit of landscaping according to the movie's production notes.

Between takes on the set, Dame Maggie Smith and James Coco played a lot of scrabble together. Estelle Winwood, who had played bridge since she was eighteen, played either gin rummy or solitaire, and Truman Capote did some work on his latest book, "Answered Prayers". Writer Neil Simon, between interviews and takes on the set, was often in his trailer working on a new play and a new screenplay. David Niven was ecstatically watching his book, "Bring On The Empty Horses", climb to the top of the best-seller charts allover the U.S. Elsa Lanchester was busy working with Charles Higham on the biography of her late husband Charles Laughton, which publishing house Doubleday was scheduled to publish in May 1976. Peter Sellers, an accomplished photographer, shot photos of the cast while they were assembled in the dining room set. Sellers gave each fellow player 11 x 14 color prints of his work at the close of production. When Eileen Brennan had a long lunch break, she would dash home to spend it with her two pre-school sons. Sir Alec Guinness spent some of his days off on the movie strolling around Beverly Hills, with much of the remainder of his free time, he used writing a show based on the work of Jonathan Swift. Peter Falk, between scenes paced back and forth in front of his trailer so often, that Producer Ray Stark gifted him with a treadmill. Falk was also involved in the editing and post-production of a movie for television in which he had recently starred, "Phoenix Loves Griffin", which was later retitled as Griffin and Phoenix (1976).

Eileen Brennan starred in another "old Dark House" mystery genre comedy, Clue (1985), an adaptation of the board game Clue, in which she played Mrs. Peacock.

Final theatrical movie of Nancy Walker (Maid).

The character name "Lionel Twain" is wordplay referring to the Lionel company, which made model trains.

In addition to the spoofs of various detective characters such as Miss Marple and Hercule Poirot, this movie gives a nod to Dame Agatha Christie's most famous story, "And Then There Were None". The novel deals with a series of murders that follow a child's nursery rhyme. One of the lines of the rhyme in the Christie story is "Three little Indian boys walking in the Zoo/A big bear hugged one, and then there were two", and the corresponding murder is committed by dropping a bear-shaped marble clock onto the head of one of the victims. In this movie, four stone bear-shaped statues are dropped toward most of the guests in turn, hitting Marcel the chauffeur.

Although Nancy Walker and Estelle Winwood's characters are listed in the final credits as simply "The Maid" and "The Nurse", they are blatantly named during the movie as "Yetta" and "Miss Withers".

In the opening credits sequence, Sam Diamond's and Bensonmum's eyes are the only ones that do not change position. In fact, Sir Alec Guinness' caricature is the only one without pupils to be moved.

Orson Welles was originally considered for the role of Inspector Wang, but was unable to accept because he was appearing in a play in Italy.

David Niven plays Dick Charleston, a role based on Nick Charles, a character originated by William Powell in "The Thin Man" film franchise. This is the second time Niven has played a role originated by Powell, having also played the title role in My Man Godfrey (1957).

(At around forty-nine minutes) When Truman Capote (Lionel Twain) offers one million dollars for the one that solves the murder, he plunks down a small stack of bills. For the stack to be that short, it would have to be ten thousand dollar bills. This denomination was used only for intra-government transactions, and not issued to the public. Also, this series was discontinued in 1940.

Phil Silvers had a small role, but his scenes were deleted in the final release print.

Final theatrical movie of Estelle Winwood (Nurse).

The model for the manor is a mixture of two old English houses, Compton Wyngates in Warwickshire and Knole, which belonged to the Sackville-West family, which had embellishments of French influence. More interest and enthusiasm was shown by the construction crews than usual because of the craftsmanship required in creating the unique set. Plaster casts for woodwork, moldings, mantelpieces and staircases, which hadn't been used in more than twenty years, were resurrected. For the stonework outside the main entrance, the stone was specially mined at Arizona quarries, and cut to specifications. Production Designer Stephen B. Grimes' favorite room in the mansion set was a bathroom re-created from his boyhood memories of English water closets, complete with a custom-built leakwood commode seat.

(At around fifty-nine minutes) When each companion reports hearing gunshots to their respective sleuth, the visual of Miss Skeffington saying "Gunshots, Sam!" was removed from the final print of the movie; only the audio is heard. Both the audio and video of the sequence were included in the trailer for the movie, however (as seen on the DVD release).

From the Automotive Classics firm in Santa Monica, California, Property Master Terry E. Lewis leased five cars for the various sleuths to drive. Sam Diamond (Peter Falk) and his Girl Friday, Tess Skeffington (Eileen Brennan), are in a 1948 Chevrolet. Dick (David Niven) and Dora Charleston (Dame Maggie Smith) and their terrier, Myron, are in a 1937 silver Packard convertible. Sidney Wang (Peter Sellers) and his No. 3 adopted son, Willie (Richard Narita) , are in a 1941 Ford "Woody" station wagon, while Monsieur Perrier (James Coco) and his chauffeur, Marcel (James Cromwell), are in a 1945 Citroen. Jessica Marbles (Elsa Lanchester) and her nurse, Miss Withers (Estelle Winwood), are in a vintage English taxicab.

The setting moves from a dark and rutted country road to an isolated, gloomy, fog-shrouded English-style manor house. Construction on the mansion began in August 1975. While an elaborate and complex edifice, the structure was completed in record time. Although the script described the house as Victorian, Production Designer Stephen B. Grimes took some artistic liberties. In his mind, Grimes pictured the kind of American estates which millionaires, such as the Hearsts or Morgans, used to bring over, stone-by-stone, from Europe.

Furnishings for the mansion, according to Set Decorator Marvin March, were valued at more than twenty-five dollars. Employed were antiques from the Mark Hopkins Estate in San Francisco, other antiques rented from exclusive Los Angeles shops, and some old pieces from The Burbank Studios property department. In addition to the classic furniture pieces, there were authentic suits of armor, period paintings, porcelain, daggers, and old swords, "and many stuffed animal heads. Because of numerous special effects sequences, some copies of paints had to be created. Peep holes are present in the movable eyes of several of the paintings."

The cast features three Oscar winners: Sir Alec Guinness, David Niven, and Dame Maggie Smith; and six Oscar nominees: Peter Sellers, Eileen Brennan, Peter Falk, Elsa Lanchester, James Cromwell, and James Coco.

On the invitations at the beginning, Lionel Twain's address is given as "22 Lola Lane". Lola Lane was an actress in the thirties and forties, and one of the four Lane Sisters.

First of three Neil Simon-written movies featuring James Coco. The others being The Cheap Detective (1978) and Only When I Laugh (1981), the latter being the only one based on one of Simon's plays. Coco also appeared in Simon's Last of the Red Hot Lovers (1972) on Broadway.

(At around four minutes) During the first scene when Sir Alec Guinness licks the stamps for the invitations, the stamps used were the eight cent Dwight D. Eisenhower "No Dot", three-color stamps released in May 1971, and not the more popular six cent stamp released nearly a year earlier. First-class postage stamps were up to thirteen cents by the time the movie was produced.

James Coco's character spoofed Dame Agatha Christie's famous super-sleuth Hercule Poirot. Dame Maggie Smith starred in two Agatha Christie adaptations featuring Poirot (played by Sir Peter Ustinov), Death on the Nile (1978) and Evil Under the Sun (1982).

One of eleven movies made by Writer Neil Simon and Producer Ray Stark. The movies, mostly made at Rastar Pictures with Columbia Pictures, include this movie, The Cheap Detective (1978), California Suite (1978), Chapter Two (1979), The Sunshine Boys (1975), Seems Like Old Times (1980), The Goodbye Girl (1977), The Slugger's Wife (1985), Brighton Beach Memoirs (1986), Biloxi Blues (1988), and Lost in Yonkers (1993).

Principal photography on this movie began on Tuesday, October 14, 1975 after a week of rehearsals, and finished on December 19, 1975.

One of four movies written by Neil Simon that were directed by Robert Moore. The others being Chapter Two (1979), The Sunshine Boys (1977), and The Cheap Detective (1978).

Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies.

Goof, not a point of trivia. (At around one hour and twenty minutes) When Dick and Dora are lying in bed and Dora is applying hand cream, she puts the bottle down on top of the comforter right in front of her. After the scorpion is spotted, the bottle has vanished.

Nurse Withers has the same last name as the character Hildegarde Withers who appeared in several movies including The Penguin Pool Murder (1932).


User reviews

Sironynyr

Sironynyr

Eccentric millionaire Lionel Twain (Truman Capote) invites five of the world's greatest detectives, each allowed one guest, to dinner and a murder. Can the detectives, who turn out to be even more eccentric, stop the murder before it happens, and solve it if it does?

I first saw this film as a kid in 1976 with my parents at the theater. Although I could remember I liked it at the time, I hadn't seen it since, and it was at best a vague memory. I certainly didn't remember it being so hilarious and entertaining. Written by Neil Simon and directed by Robert Moore, Murder By Death is a very funny spoof of some of literature/filmdom's most famous detectives, set in a beautifully designed, creepy mansion, and at times, becoming a fine mystery film in its own right.

The jokes fly by very quickly and range from subtle to over-the-top, so attentiveness is required, and multiple viewings are rewarded. The cast is incredible, as you should expect by combining such luminaries as Peter Sellers, Peter Falk, Alec Guinness, James Coco and David Niven.

A comic masterpiece--10 out of 10 from me.
Ynap

Ynap

An all-star cast, superb dialogue, effective lighting and editing, great production design, and interesting costumes rev up the technical quality of this cinematic spoof of literary whodunits. An eccentric genius named Lionel Twain (Truman Capote) invites the world's five greatest fictional detectives to a dinner party, at which time someone will be murdered. The detective who solves the crime first gets $1 million.

Everything in this film, from the acting to the sound effects to the plot ... is deliciously exaggerated ... hence the humor. For example, mystery readers accept that Hercule Poirot and Charlie Chan are so observant as to spot the most obscure clue, which conveniently points to the solution of the puzzle. In "Murder By Death" writer Neil Simon exaggerates that gambit. A guest detective draws the most outlandish conclusion from the most irrelevant fact, which in turn is shot down by another guest detective who points out the flaws, and then proceeds to do exactly the same thing.

The dialogue is marvelous. In one scene the blind butler serves non-existent soup from an empty bowl, to which Miss Marbles (Elsa Lanchester) protests: "Murder by starvation, maybe that's his game". In another scene, Inspector Perrier (James Coco) reads from a list, and then concludes: "Everything here has been rented for tonight". Miss Marbles responds in a melodramatic voice: "You mean?" "Yes", answers Perrier momentously: "this entire murder has been -- catered".

And then there's the scene wherein Sam Diamond (Peter Falk) ruminates: "I don't get it; first they steal the body and leave the clothes; then they steal the clothes and bring the body back. Who would do a thing like that?" To which Dick Charleston (David Niven) responds in a serious tone: "Possibly some deranged dry cleaner".

The film's casting is wonderful. Truman Capote may not be much of an actor, but he brings to the film a personality that is appropriately eccentric. My only problem is that the amount of screen time for the cast is uneven ... too much for Peter Falk and Peter Sellers, and not enough for Elsa Lanchester, who arrives late.

"Murder By Death" is a wonderful film classic that still holds up thirty years after it was made. The film conveys no heavy-duty political or social "message", no great insight into the human condition. But when you're in the mood for lighthearted, escapist entertainment that provides some laughs, this film is a great choice.
Androwyn

Androwyn

This movie is a wonderful example of what you can achieve when you combine a great script with a fantastic cast. It is one of the great comic ensemble films, ranking up there along with Its a Mad, Mad, Mad World and Clue. I have loved this film since I first saw it back in the 70s and still find it just as funny today. I had hoped for sometime that a special DVD would be released to mark this film and allow us to know more about how it was made and hear comments from the surviving cast. Sadly, the DVD does have a great interview with Neil Simon, but nothing else. I was also disappointed to see absent missing scenes, especially the one showing Sherlock Holmes showing up at the end. Still, it was great to retire my dogeared video tape.
Anayanis

Anayanis

An amazing ensemble cast who must have all had their tongues most firmly planted in their cheeks to produce their performances in this highly amusing murder mystery spoof.

By incorporating plots and characters from your favourite classic crime genres and gently poking fun at them all it is both funny and comfortingly familiar.

So if you want great visual gags (blind butler, deaf maid), superb one liners (especially from Maggie Smith & David Niven) and to escape for 90 minutes back into the gentler, less realistic Golden Age of Crime then you need look no further.

If only there were outtakes.
Chankane

Chankane

I will make myself out to be a lover of films with absolutely no point, i especially love this film. The cast alone should make this a film on everyones watch list, never before has so much quality been brought together on one screen. Peter Sellars, at the height of his comic brilliance. Sir Alec Guiness, brilliant in any role, a credit to English acting, possibly the greatest ever actor. David Niven is a brilliant actor, then there are the other roles filletted out with the likes of Dame Maggie Smith, James Coco, Peter Falk, i could go on but i am running out of superlatives to describe the talent on view.

The film itself is a pastiche of great detectives brought together to prove, who is the greatest? Added to the good script the talent of the actors, i am surprised the IMDb has rated this film so low, but i must accept that there are people on this earth, though inferior to me who are allowed to vote.

Watch it, it is worth it.
Ylal

Ylal

"Murder by Death" is a comic murder-mystery done in absolute lunacy. I mean this is one screwball comedy that made me laugh out loud quite often. And yet, there are so many confusing moments that I didn't know what on earth was going on. It seems that writer Neil Simon was trying to complicate moviegoers with his screenplay to this movie which pays homage to detectives of old classic movies such as Charlie Chan, Miss Marple, Sam Spade, and Hercule Poirot. In "Murder by Death", a mysterious man invites the 5 greatest detectives to his home for "dinner and a murder" as he describes it. An all-star cast is featured here and all of them are very funny. The best: Peter Sellers in the Charlie Chan take-off. Sellers is of course best known for playing the inept Inspector Clouseau in the "Pink Panther" movies, but his role here as Chinese detective Sidney Wang is a hoot. He made me laugh the hardest. Just looking at him made me laugh. The way he talked made me laugh. He's naturally funny everytime he's on screen. Also funny: the great Sir Alec Guinness as a blind butler. I thought he was supposed to be a serious actor! I don't think I've ever seen Guinness in a movie comedy, but he makes the most of his character here. He comes second behind Sellers in the laugh department in "Murder by Death". Two other funny performances are turned in by James Coco and James Cromwell ("Babe" and "L.A. Confidential") as the Hercule Poirot sendoff and his chauffeur. It's funny to watch a younger Cromwell here speaking with a bad European accent. David Niven, Maggie Smith, Peter Falk, Eileen Brennan, Elsa Lanchester, and Nancy Walker also register laughs too. But the most downright goofiest character in "Murder by Death" is the host orchestrating this crazy game, played by Truman Capote. He's very funny too. Another major factor in the film are the sets of the old mansion the movie takes place in. They're marvelous. But at times the story gets real complicated and seems to get parts dislocated. It bothered me a little the first time I saw this. Now I just sit back and let the movie play on. Neil Simon intended on this to be a crazy comedy and in that way he succeeded. "Murder by Death" is all-in-all a very enjoyable movie.

*** (out of four)
Oveley

Oveley

One of the most fun movies I've ever watched but I liked it better 20 years ago, frankly, than today. In a recent viewing, it seemed a bit sleazier than I had remembered. Nonetheless, it still has tons of laughs.

This film has one of my all-time favorite characters: Sidney Wang, played by Peter Sellers. The late English actor did a fabulous job of imitating Charlie Chan. He is the highlight among a very talented cast that includes Peter Falk, David Niven, James Coco, Elsa Lanchester, Alec Guinesses, Maggie Smith, Nancy Walker and Truman Capote.

Today, the character oddest for me to view is a young Cromwell who speaks with a French accent! I've never seen him in any role remotely resembling this. The other actors play roles typical of them, such as Niven and Smith's dapper "Thin Man" couple and Falk's, Columbo/Mike Hammer-style American detective.

This a spoof of all the great detectives and the story has a purposely exaggerated amount of twists, particularly at the end....but, despite some of the typical crude 1970s type sexual innuendos, it provides entertainment start-to-finish with absolutely no lulls. It's a classic!
Dellevar

Dellevar

This is an utterly hilarious parody, spoofing detective stories. Much of the humor is verbal, some of it relies on stereotypes and such related (mainly) to the crime story genre. Some of the humor is a tad dirty, and a bit of it is quite dark. Personally, I loved it, but if you have anything against such humor, you may want to skip this one. It doesn't try too hard to make you laugh. The laughs roll in quite naturally, as it parodies a few of the most well-known fictional detectives; Agatha Christie's Mrs. Marble, among others. The setting is one typical to detective stories, and the atmosphere is simply perfect. The plot is very good, and develops nicely while still remaining interesting. The pacing is mostly flawless, but it seemed to lose momentum some, around the last third. The acting is all good, especially from Alec Guinness, Peter Falk and Peter Sellers. One wouldn't expect particularly good performances in a comedy, but this manages. The film is well thought out and equally well-executed. The only thing I didn't like, was that the ending, or maybe the entire third half of the film seemed a bit anticlimactic. At this point, all the action is done, and we're just waiting to find out who's behind it all. The very end is quite good though, a very funny and entertaining twist to say the least. And everything leading up to it is incredibly funny. The characters, while admittedly based somewhat on stereotypes, are all entertaining and each have their own shtick; among them are Milo Perrier, the perpetually hungry and ridiculously sensitive Frenchman, and the *very* British Dick Charleston, played to perfection by David Niven, and last but most definitely not least, Sam Diamond(Peter Falk, doing his Columbo thing), borrowing from noir and Bogart, complete with nonsensical, lengthy rants. I recommend this to anyone into detective movies and/or spoofs. Do keep the humor I mentioned early in the review in mind when considering whether or not to watch. 8/10
SmEsH

SmEsH

"Murder by Death," is the best and funniest parody of mystery movies ever made. Neil Simon's premise is simple, yet ingenious. The world's greatest detectives – from movies, of course – come together to compete to solve a murder that has yet to occur. The plot has many twists. The cast is exceptional. Major stars of the past and present imitate major stars of the past and present (in 1976). It plays on words in the names of the characters. It has witty dialog and very funny lines throughout. I'll have more on the cast below. The direction is superb. And, the set for this film is marvelous. Columbia built the castle on a huge stage.

Simon threw into the mix of the five super sleuths and their companions, three other characters. Truman Capote plays Lionel Twain, the host for the farce, and he does it quite well. Nancy Walker plays the temporary kitchen maid hired to cook the dinner. She is a deaf-mute. Alec Guinness is a blind butler who has worked for Twain for a time. Watch for all the fun over his name, Jamesir Bensonmum. Simon devised a plot with the butler at the center. And, Guinness provides more laughter than anyone else in this laugh fest.

The opening has Twain writing the invitations to his murder-mystery dinner. No date is given, but it's to be Saturday at 7 p.m. The invitations are addressed to the super sleuths in New York, Catalina, Brussels, San Francisco and Sussex, England. So, in less than a week the five sleuths all receive their mail, book their travel reservations and make it to 22 Lola Lane, wherever that is. The invitations don't give the city and state. And then, the blind butler licks Eisenhower 8-cent stamps to put on all the invites, including those to Belgium and England. But, wait! He misses the envelopes and pounds the stamps on the desktop. Twain says nothing to him as he walks off to post the invites. It just gets better and better from there on.

Outside, the house number is "22 Twain." This is a loaded play on words. First, Samuel Clemens' pen name was Mark Twain (for two). Second, it's a parody of Lionel toy trains -- the host's name is Lionel Twain. Third, when Charlie Wang and his adopted Japanese son pull up in their car, Charlie asks, "What number of house?" His son says "two, two." Charlie says, "Correct. Two-two Twain's house." I laughed so hard as Peter Sellers said the line that resembled a little child saying "choo-choo train." A very funny scene is the arrival of the deaf-mute maid. The Butler can't see her, and she can't hear him or speak. She holds up a note for Guinness to read while he says, "Speak up woman. Oh, a little shy. Well …" and he hands her a menu and tells her to get cooking. Her note gives her name, Yetta, and says she can't read English. So, she sits down at the kitchen table and just waits – to the end of the movie. This will be the source of much more humor when it comes time for Guinness to serve the dinner.

Another great scene has Guinness escorting Dick and Dora to their room. Bensonmum, "Ah, here we are. The late Mrs. Twain's room. She died in here." Dora, "Oh, dear." Dick, "Died of what?" Bensonmum, "She murdered herself in her sleep, sir." Dick, "You mean suicide?" Bensonmum, "Oh, no. It was murder all right. Mrs. Twain hated herself. We keep this room locked." Dick, "Why is that?" Bensonmum, "Mr. Twain loved her very much. He's kept her room just as it was the night she choked herself nine years ago."

Many people today may not know some of the parodied characters. So, here's a brief rundown. Peter Sellers plays Sidney Wang and Richard Narita plays Willie Wang. Wang is a parody of Charlie Chan, a Chinese- American detective created by American novelist Earl Derr Biggers. And, Sidney Toler was one of 13 actors who played Charlie Chan. He had the most roles -- 22 of the 58 films. Charlie Chan held the record for films based on his character until the late 20th century when Agatha Christie's Hercule Poirot overtook him.

Peter Falk plays Sam Diamond, a parody of Sam Spade. (He might have been named Sam Heart or Sam Club.) Dashiell Hammett created him in "The Maltese Falcon." Falk parodies the character that Humphrey Bogart played in the movie. Eileen Brennan plays Sam's sidekick, Tess Skeffington. David Niven and Maggie Smith play the roles that parody the Thin Man series of films in the 1930s and 1940s. William Powell and Myrna Loy starred as Nick and Nora Charles. Here, the sleuths are Dick and Dora Charleston. James Coco plays Milo Perrier, the parody of Hercule Poirot, and his sidekick is James Cromwell as Marcel. The last sleuth is Jessica Marbles, a double parody in hindsight. Jane Marple was another Agatha Christie creation, and Jessica is the name of a later sleuth, Jessica Fletcher. She was the TV character from the 1980s series, "Murder She Wrote.," that starred Angela Lansbury. How could Simon know her name so far in advance? Elsa Lanchester plays Jessica Marbles, and Estelle Winwood plays her nurse Withers. That's a spoof of yet another famous female detective of the early 1930s, Hildegarde Withers. She was created by novelist Stuart Palmer.

This is a wonderful comedy, but it's not for the whole family. Kids – even most teens won't get the witty lines. Most won't recognize or be able to appreciate the parodies. And, some of the language toward the end is unsuitable, including profanity, disrespect, and crudity. Most adults can tolerate the small amount of off-color language for the overall humor of the movie.
Adrierdin

Adrierdin

I remember seeing 'Murder by Death' once as a kid, so I thought I might rent it again. Unlike my numerous viewings of 'Clue', watching 'Murder By Death' seemed a new yet reminiscent experience.

'Murder by Death' is written by Neil Simon and directed by Robert Moore. It stars Alec Guinness, Peter Sellers, Maggie Smith, James Coco, Peter Falk and David Niven. It's about five of the world greatest detectives that are invited to a mansion for dinner and a murder. It's basically a spoof of the on the mystery genre and the great detectives of literature and film. I am not familiar with Neil Simon's written work but the script did have some funny but also repetitive moments. Robert Moore's direction was adequate and the performances were good- most notably from Peter Falk and Peter Sellers.

Made in 1976, it's hard to imagine comedies being produced like this today. The main problem with 'Murder By Death' is that it seems to forget it's visual medium, and most of the gags come from the script. It's safe to assume that anyone could have directed this film, as it was the scriptwriter (Neil Simon) who was credited alongside the title. I felt that the mansion wasn't explored enough and therefore the mystery element was lacking. But then again, it was a comedy/spoof! I particularly liked the blind butler (Alec Guinness) and deaf cook (Nancy Walker) interaction! Peter Seller's Wang was very funny too, but I'm afraid some of today's politically correct audience will have a hard time separating racism from the obvious stereotypes in the portrayal of Wang and the other characters in the film. One must understand that the humour isn't based on race, rather Sellers was portraying a modern (at the time) 70s comic take on depictions of stereotypes within the character displayed in earlier detective, Charlie Chan. It was an obvious spoof on stereotypes already established in the famous detectives of the early era of film and literature.

There is also a really interesting performance by a young James Cromwell in this film, which was pretty funny. 'Murder by Death' is an interesting film, if only for it's cast in an unusual spoof on the unique mystery genre. It's fairly enjoyable to watch but it isn't a laugh-a-minute experience. *** out of *****!
Ranicengi

Ranicengi

This is arguably one of my all time favourite films. A dream cast, a hilarious script and a cracker of an idea make for what is utter comedy gold! When you have Peter Falk, Peter Sellers, Alec Guiness, Maggie Smith, David Niven how could you fail?? Every member of the cast delivers their lines with slick brilliance. Which detective will prevail as the best, and who will solve the crime? It is impossible to pick out the funniest bits as there are so many. Estelle Winwood is sensational as Jessy Marble's Nurse and has some side splitting moments, incredible to think she was nearly 90. Nancy Walker's silent screaming too, brilliance. If I had to pick standout performance it would be Sir Alec Guiness, he is utterly sensational, when he takes on the different persona's at the unravelling of the murderer scene he is a true joy to watch, genius.
Unnis

Unnis

This popular charade deals with a fistful of famed stars incarnating notorious detectives . By the time the world's greatest detectives work out whodunit, you could die laughing! Five famous literary detective characters and their sidekicks are invited to a bizarre mansion full of secret passages and spinning rooms to solve an even stranger mystery , as James Coco as Milo Perrier who looks like Hercules Poirot (by Agatha Christie), as Peter Falk as Sam Diamond who looks like Sam Spade , Elsa Lanchester as Jessica Marbles similarly to Mistress Marple , David Niven as Dick Charleston as Nick Charles (created by Dashiell Hammett, whose Nick Charles and Sam Spade were the basis), Peter Sellers as Sidney Wang or Charlie Chan (written by Earl Derr Biggers). They are received by a blind butler played by Alec Guinness as Bensonmum and the eccentric millionaire Lionel Twain performed by Truman Capote invites them to dinner , offering one million to the one who can resolve the night's killing . As the popular characters must unravel a night of murder at a spooky country house , including a blind butler, a deaf-mute maid (Nancy Walker) . Exactly at midnight, a killing is going to take place.

This rendition of a Neal Simon's novel in an entertaining and fun spoof of Agatha Christie , specially from books titled ¨Ten little Indians¨and ¨And then there were none¨ . Neil Simon remained on the set to take care of re-writes, as he did with this picture's sequel, The Cheap Detective. Simon took such a shine to Alec Guinness during the picture's production that he told him if he did not like anything in the film, he'd immediately rewrite it for him, but Guinness assured him it was great fun for him. The screenplay is funny and high quality in which it's not difficult to work out on which murder-solvers each of them is modeled ; furthermore , stands up Alec Guinnes as a botcher and hyperactive blind butler and a suitable eccentric James Coco as Poirot lookalike and Nancy Walker's last movie , ironic in that she does not utter a single word throughout the entire film. In the opening credits, each character's eyes move except for Peter Falk's (which may be an in-joke reference to his glass eye), and Alec Guinness's blind butler . It is in fact an amusing imitation of Crime Story including enjoyable and sympathetic performances by the entire cast . Well-known actors have the famous sleuths at large in a sinister country mansion , then appears amusement and entertainment , as all of them running around and taking place murders , who's the killer? . The entire cast seems to be subsisting on sugar with wild eyes and frenetic movements the order of the day . You'll enjoy enormously the impersonations of legendary detectives of cinema and fictions . Lively and fun musical score by Dave Grusin . Evocative and colorful cinematography by David Walsh. The motion picture was well directed by Robert Moore . Rating : Better than average . Followed by another hammy spoof titled ¨Clue¨(1985) a pale imitation of the earlier parody , being directed by Jonathan Lynn with Tim Curry , Christopher Lloyd , Lesley Ann Warren and Madeline Khan .
Original

Original

Murder By Death is not a murder mystery. It is barely a spoof. It is, however, an homage to the writers, performers and producers of those trustworthy detective movies of the 40's and 50's. Neil Simon trucks out the gallant cliches of the film noire and presents them in the context of a gathering of the finest detectives from film and literature.

Don't look for realism, rationale thought or logical sleuthing. You won't find it here. You will find one liners, silly scenes and a thoughtful thanks to those early mystery writers who gave us Sam Spade, Nick and Nora, Miss Marple and Charlie Chan. By the way, to truly appreciate this movie, it helps to be familiar with "the Thin Man", "Casablanca", "Murder on the Orient Express" and most of those other glorious films of the 40's.

Let your expectations fly away, sit back and listen to the banter. Murder By Death plays like a radio drama with silly twists, fabulous characters and a little whimsy.
Legionstatic

Legionstatic

Amazingly funny, witty and intriguing throughout. I loved Miss Marbles and the Maid provided the funniest moment in the entire film. I loved the ending, it didn't make sense but it was still awesome!!!

The characters were amazing, especially Milo Perrier and Jessica Marbles but I can't stop laughing about how amazing the character of Inspector Wang was. If you ever see this on TV, WATCH IT because it will leave you feeling so good about everything.

This is probably one of the best movies of the '70s and needs more recognition, because everything about it was funny and clever.

Lionel Twain was good but evil but confusing.....Aggh I don't know what to say about his character, but the butler creeped me out and cracked me up from the moment I saw him.
Oghmaghma

Oghmaghma

This is another wonderful comical whodunnit film. Like other mystery films, you cannot speak much about it to others who have not seen the film - least you ruin the entire movie for them. All I can say is just watch it if you love mystery and/or comedy films.

The good thing about not watching a mystery film in a long time is that you may forget exactly whodunnit. I have done that with a few mystery films and this one is no exception.

This is a great film to watch from time to time - after you forget exactly whodunnit!! Good companion films to this movie would be "Clue", "Deathtrap", "Dead Men Don't Wear Plaid" and "Sleuth".

9/10
Frosha

Frosha

Murder by Death is hilarious! Spoofs have to be very careful because a lot of the time, they don't turn out to be as funny as the people making it think it will be. This one, written by Neil Simon, spoofs the whodunnit genre. Five spoofs of famous literary detectives are invited to dinner by a mysterious host—mirroring Agatha Christie's "U.N. Owens" in And Then There Were None. The characters: Peter Sellars playing Sidney Wang, spoofing Charlie Chan; David Niven and Maggie Smith playing Dick and Dora Charleston, spoofing Nick and Nora Charles; Peter Faulk playing Sam Diamond, spoofing Sam Spade; Elsa Lanchester playing Jessica Marbles, spoofing Miss Marple, and James Coco playing Milo Perrier, spoofing Hercule Poirot.

If you haven't seen or read any of these classic detective stories, you'll pass a few giggles and come out of this thinking it's enormously weird. However, if you know about Hercule Poirot's mustache, Nick and Nora's endless drinking, and have seen Bogart and Bacall movies, you'll be set for a hilarious, laugh-filled evening. From the tiniest details to the largest set-ups, this film will deliver laughs, chuckles, and guffaws at every turn. Joining the large cast are Alec Guiness, Truman Capote, Eileen Brennan, Estelle Winwood, and James Cromwell in his first movie. This is a great movie to watch around Halloween, for those who prefer to laugh rather than scream, or right after you've watched one of the classic it spoofs.
Qucid

Qucid

For a time during the 1970s writer Neil Simon was so hot that his name alone was enough to ensure box office success--and one of the results of that fame was MURDER BY DEATH, a parody of murder mysteries of earlier decades.

The concept is quite clever, bringing together celebrated detectives of fiction and film: Dick and Dora Charleston (based on Nick and Nora Charles of the celebrated THIN MAN films); Milo Perrier and Jessica Marbles (Hercules Poriot and Jane Marple of Agatha Christie's celebrated novels); Sidney Wang and son Willie (Charlie Chan and son of the fondly remembered film series); and Sam Diamond (Sam Spade of THE MALTESE FALCON.) Each has been invited for an overnight party at the home of the eccentric Lionel Twain--but upon arrival their hosts seals the mansion and informs them that a vicious murder will occur at midnight. Can the world's greatest detectives solve their way out of this one? The casting is inspired, particularly so re Lionel Twain, who is played by Truman Capote, an individual every bit as eccentric as the character he plays. David Niven and Maggie Smith do the honors as Dick and Dora; James Coco and the ever-memorable Elsa Lanchester appear as Perrier and Miss Marbles; Peter Sellers dons Asian attire for Inspector Wang; and Peter Faulk runs wild as tough-talking Sam Diamond. Alec Guiness, Nancy Walker, Eileen Brennar, and Estelle Winwood also offer memorable support. The dialogue is quite clever, referencing the various source material of the characters, and is quite often laugh-out-loud funny in its absurdity.

What is not particularly interesting is the plot. After a certain point the film becomes distinctly one-note, and to describe the conclusion as unfortunate would be an understatement; indeed, it would be difficult to say that the film has any conclusion at all. Even so, the performers make it a fun affair, and it will particularly appeal to murder mystery fans who recall the original characters fondly. The DVD offers a choice of pan-and-scan or widescreen, trivial notes, and more interestingly a brief interview with Simon himself. Don't expect too much of it and you'll enjoy it quite a bit.

GFT, Amazon Reviewer
Nten

Nten

This is a hot chocolate and warm blanket movie. It's great fun, with a completely irrelevant plot that makes no sense except to bring together wonderful actors who obviously had a ball in the process.

David Niven is one of my favorite performers, and he is in his element here. He was "to the manor born" and brought class to every part he played, yet could say "Is someone in the kitchen with Dinner?" smoothly, with no hint of a smile. The fact that none of the actors is a comedian (except Peter Sellers) makes it all the funnier. Each character is understated and all the better for it.

Truman Capote often referred to what he considered his poor acting in this film, and publically apologized for previously denigrating the acting profession. Personally, I thought he was perfect for the overall feel of the movie. Since nothing fit, he was excellent. After all, how does one make sense of continuingly falling gargoyles, a wife who "choked herself to death", and the avoiding of decapitation by "being extremely well bred"?

This is a wonderful movie anyone can enjoy.
Tantil

Tantil

Simon is good at barbed exchanges, as in most of "The Odd Couple." But he has a tendency to get serious sometimes and it rarely works, even when the serious ones have some occasional good one-liners in them. His drama tends to be dull, and his comedies funny, especially in domestic contexts and when they're dialog dependent.

This is different from his other familiar works. He really lets go here, forgets all about serious undertones, "meaningfulness," depth of relationships, domesticity, continuity -- everything except the comic effect. He's the Edgar Allan Poe of comedy here. He hasn't written such a funny script since "After the Fox."

The plot itself, after the broth is reduced, is simple enough. Truman Capote invites five of the world's most famous detectives to a weekend at his spooky country mansion, tells them a murder will be committed at midnight, and challenges them to solve it or lose their reputations.

What follows is hilarious. Not just sharply funny exchanges but entire situations that are in themselves outrageous, so that the verbal elements are like icing on the cake. It's the kind of movie in which a line like, "My chauffeur was injured by a falling gargoyle while standing outside in Chinese footprints," makes an idiotic kind of sense. A movie in which a character can offer this as an explanation for his having been found in a gay bar: "I hate them queeries. Lots of dames go in those places anyway. I never kissed nobody. And I never done anything to a man that I wouldn't do with a woman." A movie in which two old ladies are about to fall asleep in bed when one of them sniffs and says, "I smell gas." The second says: "I can't help it. I'm old." The first says, "No, no. Not THAT kind of gas. The other kind. The kind that KILLS." And the second begins a reply with, "Sometimes MY gas . . . ." I could go on with these gags but why spoil it? And anyway there are sight gags and situational discombobulations that are just as funny but would take far too long to describe.

Not all of the gags and situations are equally funny. (How could they be?) Nancy Walker plays a mute maid who's purpose in the movie eludes me. And some of the gags are silly rather than funny. But the weaknesses are minor and more than made up for by the movie's many virtues. Especially good is Peter Falk's Sam Diamond, who does an insane impression of Humphrey Bogart as Sam Spade. The actor played the same character in the later, less-successful "The Cheap Detective." Simon even allows himself to play with the frame at the end. Falk and Eileen Brennan ("my secretary and mistress") are driving away from the mansion and Brennan says, "I guess this means we won't be seeing each other anymore, Sam." Falk: "Well, Angel, you can never tell. I'll be around. And if you need me, all you gotta do is whistle. You know how to whistle, don't you?" Brennan: "Well, of course I know how to whistle, Sam. What a silly question. Everybody knows how to whistle --" Falk looks disgusted, turns away from her to stare into the camera, and says, "Allright, alright. Forget it. You ruined it."

I won't go on any longer about this sometimes extremely amusing film. Anything I would say would ruin it, although I must add that this is one of those movies you can watch and enjoy repeatedly, and without necessarily being in exactly the right mood for it -- unlike, say, Marx Brothers movies or W. C. Fields. It's one of the most laugh-ridden products of its decade. Watch it.
MrCat

MrCat

This very funny murder mystery spoof is a hoot, and the kind of movie you want to own so that you can pop it in whenever you're in the mood for something lighthearted and reliable.

A mad genius millionaire (played by Truman Capote, of all people) gathers the world's five best detectives to his spooky house over a weekend and challenges them with a murder he doesn't believe anyone can solve. An insanely impressive cast provide dead-pan comic caricatures of some of the most iconic characters out of crime/mystery fiction. David Niven and Maggie Smith are Dick and Dora Charleston, stepping in for William Powell and Myrna Loy. Peter Sellers is Sidney Wang, not to be confused with Charlie Chan. James Coco is Milo Perrier, a grumpier and much hungrier version of Hercule Poirot. Elsa Lanchester is Jessica Marbles, a dead ringer for Miss Marple. And, best of all, Peter Falk is Sam Diamond, snatched right out of a 1940s film noir, who sleeps in his trench coat and fedora.

In addition to these crack comedians, the film features Eileen Brennan as Sam Diamond's girl Friday; Estelle Winwood, absolutely hilarious without doing anything as Jessica Marbles' 80-something year-old nurse; James Cromwell, who dons a priceless French accent and at one point mesh pajamas as Perrier's chauffeur; and Nancy Walker, as the deaf and dumb cook who doesn't do any cooking. To top it all off, there's Alec Guinness, as the blind butler, who threatens to steal the show away from everyone, no small feat given who he's up against.

A very silly, very fun, very enjoyable movie.

Grade: A
Aradwyn

Aradwyn

I once read in an Entertainment Weekly magazine article that you can judge how good a comedy is by counting the "yucks" per minute. A clear top choice would be Murder By Death. There are so many jokes you have to watch this movie over and over again (as I have done so many times). Sure the plot makes no sense and there are plot holes the size of Shirley from What's Happening. But the brilliant cast parodying famous fictitious detectives is better than any spoof I've ever seen. Petter Sellers as Inspector Wang ("Treacherous road like fresh mushrooms...) and Peter Falk as Sam Diamond ("Nobody move, I gotta go to the can again...") steal the show. The movie is timeless and is a must see for anyone who needs some serious laughter.
Rigiot

Rigiot

I saw "Murder by Death" recently, in a back-to-back with "The Cheap Detective", both Neil Simon scripts that were written directly for film and both spoofs of particular film genres. "Murder by Death" is the superior of the two, although considering my low opinion of Neil Simon, superior here means watchable on a rainy day.

This is a sendup of the distinctly styled Agatha Christie whodunits, the sort on which the game of Clue was based (Colonel Mustard did it in the kitchen with a revolver). The five greatest detectives in the world (Sam Spade, Charlie Chan, Nick and Nora Charles, Miss Marple and Hercule Poirot) are invited to the home of Lionel Twain (get it?) to solve a murder that has not been committed but will be before midnight. Twain is out to prove that he, and not they, is the greatest detective in the world and tries to stump them all. The price to the winner: one million dollars. But when Twain himself turns up as the victim, the game is really on.

Peter Falk gets to do his Bogart imitation again (although this movie precedes "Cheap Detective") and comes off a lot better. Simon writes Sam Spade with a twist- he is a crude lout, openly rude and insulting to the other guests. ( Twain: "I'm the greatest detective in the world. I'm number one!" Spade: "You look a little like number two to me, if you know what I mean.") It's a subtle shade in characterization that goes a long way in getting laughs. Peter Sellers is terrific as the Charlie Chan character, spouting off absurd proverbs and profundities, David Niven and Maggie Smith are acceptably droll as Nick and Nora, and Alec Guinness does a nice turn as a blind butler. Falk and Sellers absolutely steal the movie, as does Truman Capote, in his one and only film, as the redoubtable Twain, he has one great scene that nearly brings the film to a halt. The weak link in the cast is Jimmy Coco as Poirot, who is just plain ham-acting instead of bringing out a natural humor from within the character. His pathetic comic French makes Inspector Clouseau sound like DeGaulle.

The screenplay has the requisite twists and turns, and then some, until the murderer is finally revealed, or is he? It's an amusing ride, although some great performances beat Neil Simon's jokes by a country mile. And, by the way, why wasn't Clouseau invited? It's not like Peter Sellers hasn't played multiple roles in a film before. 3 *** out of 4
Samutilar

Samutilar

Spoilers herein.

The mystery is like no other narrative device because it challenges the viewer to a duel. You the viewer or reader are invited to outguess the detective character, the crook and even the writer. But since the created world depends on the writer, we count on them to `play fair.'

On the written page, there is nothing so modern, so engaging, so prone to experimentation as the mystery. It is remarkably malleable. But movie mysteries are something else: the eye is relatively unambiguous and that screws many of the basic mechanics of trickery. TeeVee mysteries are even worse, because that viewer is peremptorily lazy -- there can be no engagement.

So it is common in TeeVee and often in film to totally surprise at the end. Sometimes the result is savory (think `The Others,' or `Usual Suspects'), but mostly it is just junk storytelling. Here is a wonderfully self-aware script that uses all the bad habits of film mystery to give us a movie about the writing of film mysteries, those same bad habits.

The performances are comically stereotyped. But here it is intended. There are some funny straight jokes here, but the much funnier ones are the self-referential ones.
Ance

Ance

The world's greatest detectives are invited to a creepy old mansion to a dinner and a murder.

Although not the comic masterpiece I was expecting after reading countless reviews, Murder by Death is still a very entertaining murder/mystery comedy. The cast is simply perfect, there's no way to decide one better than the other, but I personally think Peter Falk steals the show as Sam Diamond, a spoof on Bogard's Sam Spade.

The set design is gorgeous, the atmosphere delightfully "comic/creepy" and the script by Neil Simon is filled with great lines and scenarios. I personally thought the ending was a bit of a letdown but up until then (if the film is viewed as pure campy fun) the film is highly enjoyable for the most part. Maybe some re-viewings will help me to appreciate it even more.
Kaghma

Kaghma

Anyone familiar with Neil Simon knows that he usually strays away from movies and plays that take the Zucker Brothers/Mel Brooks approach and concentrates on finding the hilarity in ordinary people leading everyday lives, usually to hilarious affect, like in the original Odd Couple and the two "Suite" movies. "Murder by Death" is different, however, it is Neil Simon's attempt to poke fun at murder mysteries and broaden his horizons at the same time. It works extremely well in both cases.

Eccentric billionaire Lionel Twain (author Truman Capote, wisely cast considering he was just as eccentric as his character was made out to be) invites the five greatest living detectives to dinner and a murder, the winner's prize money being $1,000,000. These detectives are Sam Diamond (Peter Falk), Sidney Wang (a hilarious Peter Sellers), Inspector Perrier (James Coco), Dick Charleston (David Niven), aided by his wife Dora (Maggie Smith, who often made a good female choice whenever Simon had a British woman character), and Miss Jessica Marbles (The Bride of Frankenstein herself Elsa Lanchester). All of the actors playing these people are brilliant, and Neil Simon successfully conveys the mad genius of Twain, who is as murder mystery bad guys often are. A lot of critics complained that the mystery in the script made little sense, but this is without logic for two reasons: 1. Murder mysteries often make little sense, 2. Neil Simon was obviously fully aware of this and used his own nonsensical mystery as his own way to parody them, which is exactly what critics don't seem to understand, mysteries aren't supposed to make sense.

Find the DVD and check it out. Funny as hell.