L'incroyable Hulk Interview with the Hulk (1978–1982) Online

David (Bixby) is working at a construction site when he's nearly crushed by a container - the Hulk saving the day, but not before the event is witnessed by a nosy neighbour (Sterling) who promptly contacts the newspaper to report her Hulk sighting. Meanwhile, the now laconically lazy former high-profile journalist Emerson Fletcher (Conrad) picks up Sterling's tip meant for Jack MacGee (Colvin) and ends up discovering that David Banner is indeed the Hulk.

While Fletcher initially coerces Banner into giving him an exclusive interview revealing the entire Hulk story, he gradually comes to respect and admire his strength of character, a quality absent in Fletcher's own existence for reasons that are later revealed. Conrad (the original desk sergeant from "Hill Street Blues") is dynamic as the burly, yet sensitive newsman with more underlying integrity than his actions suggest, and it's a great shame that he died prematurely only a couple of years after this episode first aired.

It's one of those vintage episodes where the appearance of the Hulk isn't obligatory (no offence to big Lou); the story and characters provide the stimuli to carry the show to its always poignant, and this case especially, fitting conclusion.

David's finally discovered by a reporter but, as fate would have it, not by McGee but fellow journalist Emerson Fletcher (Michael Conrad). Working for the Register and sharing a desk with McGee, Fletcher accidentally gets a lead meant for McGee on a Hulk sighting and sets out for the story.

As with all the good "Hulk" episodes; this one's steered by a moral compass. Once Fletcher gets David to sign on for an exclusive story (as long as his anonymity is secure) the reporter empathizes with David's plight and sees in him a strong character. Through flashbacks we learn that Fletcher has dealt with a devastating loss that has rendered him a cynic who cares for little in life, least of all his own integrity.

A terrific episode in all respects. As it turns out; David is very relieved at talking about his circumstances after being on the run for so long and keeping this big secret. His story in the end helps Fletcher deal with his own issues and in return the reporter helps David elude McGee for the umpteenth time.

Fans of the show appreciate the serious approach the filmmakers took for the series. Hiding out for so long, running from town to town and keeping his Jekyll and Hyde condition a secret while desperately searching for cure; it's not surprising that David finds solace in talking this out...even if it's with a reporter. On his previous destination ("The First") David came closer than ever to ridding himself of his condition only to have his hopes thrashed yet again. David seems a bit hopeless here and that may explain his (even more than usual) polite attitude to the reporter.

I've always felt that this would have provided the perfect start to begin ending the series. This great episode was followed by the pretty bad "Half Nelson" and David's quest for a cure took a complete backseat to rehashed stories of previous seasons with possibly only two highlights of episodes for fans (Season 5's "The Veteran" and "A Minor Problem - yet those episodes were just stand alone's and didn't involve David looking for a cure). The series was beginning to look a bit aimless and not long after "Interview with the Hulk" the show was canceled.

Previous reviewers seems to regard this as a great episode, and I can see why. It's McGee-heavy, which lends it the illusion of continuing the series plot as well as giving Jack Colvin ample opportunity to strut his underutilized acting chops. The drama is high, and reporter Emerson Fletcher paralleling his life story to the Hulk adds thematic validity. This ep undoubtedly carried far more impact when the series first aired than it ever can now, as a rerun.

But while I understand the popular opinion, I can't agree. I've often said of an episode that I found more to like about it upon second viewing, but in this case, the opposite is true; watching "Interview with the Hulk" again has convinced me that it is not slightly overrated, but grossly overrated. When you get down to it, the plot is simply "McGee finds the Hulk (again). The Hulk eludes McGee (again)." So how do they fill the running time? With Emerson Fletcher, a National Register reporter who gets a few days lead on McGee and interviews David. This provides an excuse for lots of clips of previous eps and flashbacks from Fletcher's trite and contrived story about his dead daughter. Heck, *everything* about Fletcher is contrived; if you're hoping for a satisfying explanation for how a respected scientist became a tabloid journalist, forget it. The premise is that scientific research and newspaper journalism are basically the same thing.

Moreover, the timeline is perplexing. A comment from McGee at the end gives an estimate of the episode's overall time frame, but how long certain events took and why remains a mystery. Then there's Stella, a character so ludicrously cartoonish that she recalls the series's worst bits. Only Bixby's profoundly moving delivery keeps this ep from being a complete waste of time.

At the National Register, Emerson Fletcher(played by Michael Conrad) a colleague of Jack McGee ends up stealing the latest report of the Hulk in order to redeem his career. When Mr. McGee(Jack Colvin) and Mark Roberts(Walter Burke) find out about it, Jack goes in hot pursuit of both him and the lead, which amazingly leads Emerson directly to Dr. David Banner(Bill Bixby) whom he is shocked to find alive, and the Hulk. Fletcher blackmails David into giving him an exclusive interview about his four-year ordeal, which he does, not realizing that he works for the Register... Outstanding episode is among the best and most revealing, as Banner opens up finally about why he ran, and his all-too accurate theories on what motivates the Hulk. Fine performances by Conrad and Bixby highlight this pivotal episode, which would have worked nicely as the series finale...instead ten episodes remain.