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Buck Rogers (1979) Online

Buck Rogers (1979) Online
Original Title :
Buck Rogers in the 25th Century
Genre :
Movie / Action / Adventure / Sci-Fi
Year :
Directror :
Daniel Haller
Cast :
Gil Gerard,Erin Gray,Pamela Hensley
Writer :
Glen A. Larson,Leslie Stevens
Budget :
Type :
Time :
1h 38min
Rating :
Buck Rogers (1979) Online

In 1987, Captain William "Buck" Rogers pilots his space shuttle Ranger 3 on a mission but a meteor storm freezes him into an orbit that returns him to Earth - 500 years later. In 2491, his shuttle is found and captured by the Draconian flagship, under the command of Princess Ardala and her second-in-command Kane. Reviving him, they return him to Earth after secretly planting a homing beacon aboard his shuttle to track a path through Earth's defense barrier. Buck is under arrest and learns that Earth has been rebuilt over the centuries in his absence following a nuclear holocaust. Buck Rogers must adjust to the 25th century, and convince the Terrans that the Draconians are secretly planning to conquer Earth. {locallinks-homepage}
Cast overview, first billed only:
Gil Gerard Gil Gerard - Capt. William 'Buck' Rogers
Pamela Hensley Pamela Hensley - Princess Ardala
Erin Gray Erin Gray - Colonel Wilma Deering
Henry Silva Henry Silva - Kane
Tim O'Connor Tim O'Connor - Dr. Elias Huer
Joseph Wiseman Joseph Wiseman - King Draco
Duke Butler Duke Butler - Tigerman
Felix Silla Felix Silla - Twiki (body)
Caroline Smith Caroline Smith - Delta Section
John Dewey Carter John Dewey Carter - Supervisor (as John Dewey-Carter)
Kevin Coates Kevin Coates - Pilot
David Cadiente David Cadiente - Comtel Officer
Gil Serna Gil Serna - Technician
Larry Duran Larry Duran - Draconian Guard
Kenny Endoso Kenny Endoso - Draconian Guard

The 90 minute theatrical film was the pilot for the television series Buck Rogers (1979), but was shown in theaters several months before the series aired. The film made over $21 million in North America alone.

Originally, Twiki was just going to make unintelligible electronic noises (the "biddi-biddi-biddi" sound) and Dr. Theopolis was to act as his translator. However, this was deemed to be too similar to R2-D2 and C-3PO from Guerre stellari (1977) and so Twiki was given a voice of his own.

To cut costs, some footage and various props were used from Glen A. Larson's series Battaglie nella galassia (1978). Even some of the concept designs from Galactica were used. The Terran starfighters on Buck Rogers were originally designed as the Colonial Vipers for Galactica, but Larson had opted for a design closer the X-Wing fighters from Guerre stellari (1977). Larson then employed the unused designs for Buck Rogers.

The theme song used in the film is entitled "Suspension" and features lyrics sung by Kip Lennon. The theme used in the TV series was an instrumental version of the song.

The space dogfights were choreographed with the aid of a Hewlett-Packard "45" computer

Originally, Buck was to have been put on trial, found guilty and banished to Anarchia, along with Twiki and Theo, until Wilma comes looking for him with an idea that might prove his innocence. In the finished film, after reshoots, the story was restructured so that Buck chooses to explore Anarchia (with Twiki and Theo tagging along), until Wilma arrives to bring him back, then he's put on trial, found guilty and sentenced to be terminated, until Wilma presents him with the opportunity to prove his innocence. Since these changes came late in production, there were several tie-in publications released (including the novelization and comic adaptation) which followed the original sequence of events.

To make Buck appear frozen in his space shuttle, he was sprayed all over with an ordinary dry shampoo. Because of this, he could not open his eyes or move, so while he was waiting for them to shoot the scene, he supposedly fell asleep.

Kane's backstory was that he was a former student of Doctor Huer's who defected to the Draconians and to act as consort/advisor for Princess Ardala, the chief antagonist of the film and subsequent TV series. In the original movie serial Buck Rogers (1939), "Killer Kane" (as he was known) is actually a powerful gangster from Earth and is the chief antagonist of the story. Ardala was not featured in the 1939 movie serial.

Buck's full name is William Anthony Rogers, as revealed on Buck Rogers: Happy Birthday, Buck (1980).

Catherine Bach was considered for the role of Princess Ardala.

The British and French pavilions from Expo '67 in Canada, and the Westin Bonaventure Hotel in downtown Los Angeles were all part of the New Chicago skyline.

The film takes place in the year 2491.

The ruined City of Chicago called Anarchia was shot on the back lot of MGM Studios.

The original script contained a subplot in which Counselor Apol - the chief prosecuting computer at Buck's trial - is discovered to be in league with Princess Ardala.

In the original ending for this film, Buck and Wilma celebrate the victory over Ardala and Kane by dancing to the tune of "Chicago, Chicago, that toddling town". This last scene was entirely cut and the film now ends with Buck and Wilma returning to Earth by starfighter.

Douglas Rain (the voice of HAL in 2001: Odissea nello spazio (1968)) was the first choice to do the voice of Dr. Theopolis.

Buck Rogers is from earth year 1987.

User reviews

just one girl

just one girl

If that phrase puts you in the mind of Gil Gerard, Erin Gray and lots of "Star Wars"-derived FX, you already know where a movie like "Buck Rogers" is coming from.

If not, then let me enlighten you.

Most everyone familiar with sci-fi know Buck's story (frozen astronaut from 20th century is revived in the 25th century, must learn to re-adapt). This was old news as far back as the '40s.

But in the '70s...well.... Let's just say that it looks new. For the '70s.

Gil is game as Buck, shooting laser guns and cracking wise and making a good space-age hero. And Gray's Wilma Deering is both stern and soft as the Earth's military leader. Felix Silla makes a good impression as Twiki (with a more-than-equal assist from Mel Blanc's voice wizardry) and as Princess Ardala, Hensley gives what must be the most sensual performance from an alien up to that point in time.

But the special effects are clearly from the '70s, as is the music (disco music in the 25th century? Someone must have unearthed Studio 54.) and the set design: its glittery, shiny look may have been futuristic then, but now it just looks more '70s than anything else.

Yes, it's a dated future.

But is it entertaining?

Pretty much. No one went into this thinking they were making "2001", but are spots here and there where it looks like everyone was having a good time with the material. Especially Gil, who just plain has fun with his role as the 25th century's loosest guy.

Too bad they cut out Wiseman's work as King Draco. Some of his best stuff since "Dr. No".

Six stars. Here's to futures past.


A long time ago, in a childhood far, far away...

I remember seeing 'Buck Rogers' in the theater in 1978, back when 'Star Wars' was king of the box office, 'Battlestar Galactica' was smashing all ratings records, and science-fiction was experiencing a renaissance of sorts - it was a great time to be a kid.

'Buck Rogers' struck me as an all-right kind of guy: dashing with the ladies, quick with a punch, did a nifty spinning side kick, had a way with a laser pistol, occasionally danced a little disco.

The movie itself was a harmless piece of fluff. Even as an 11-year-old, I found it to be simple, low-key, even charming. I bought the requisite number of toys, talked about it with my friends, and enjoyed the occasional episodes (once the film left the theaters and went to the small screen) with a bowl of Cheerios in my jammies. Life was good.

Looking back now, it's pretty obviously a product of the '70s. Sure, it had chicks in spandex. Sure, it had the gravity-defying hairdos (and bosoms) of some of Hollywood's most buxom beauties - who can forget the 'Volcanic Hot-Tub Room' scene in "Planet of the Slave Girls?", or Jamie Lee Curtis in "Unchained Woman"? Sure, it had the simple, brainless plots typical of '70s television. Sure, it had the unredeemable stupidity of the 'Searcher' episodes...

But, for a time, it was the best thing going for sci-fi on television.

Remember, this is a time before Star Trek: The Next Generation, Star Trek: Deep Space Nine, or Star Trek: Fill-In-The-Blank. Science fiction on television wasn't a sure bet, nor was it always a ratings winner...even with it's target audience. Which, at the time, was me.

But 'Buck Rogers' had something going for it, something none of the other sci-fi shows ('Battlestar Galactica', et al) had going for them.

Erin Gray.

Oh, yeah. Erin Gray.

Let me tell you, one of the dates that stands out in my mind the strongest is January 3, 1980 - the date that the episode "Space Vampire" premiered. The day I became a man. :)

Okay, not really...but you have to understand - Erin Gray, spandex and vampires all combined to give my 11-year-old brain (among other things) something to think about with regard to women. Since then, no woman is truly attractive to me unless she can say in a sultry voice, "I like the taste of fear best." :)

Come on, it's only television! It doesn't have to be smart to be funny, it doesn't have to be expensive-looking to be cool. Just ask David Hasselhoff if he'd be in Baywatch Heaven without a certain Trans-Am, or if Dirk Benedict would have REALLY been as interesting to watch on the A-Team if we'd never seen him battling Cylons.

Erin Gray. Spandex. Vampires.

See, it all makes sense.

'Buck Rogers' appeals on the intellectual level of an 11-year-old, and for most of us, that's saying something.

'Buck Rogers' fueled a lot of my early television viewing entertainment, folks. Watch it, and you'll see why.

Of course, it helps if you watch it from an 11-year-old point of view, but that's more than most of us can muster anyway, yes?


BUCK ROGERS IN THE 25th CENTURY could easily have become dated camp, by now (Rogers' disastrous space tour was supposed to have occurred in 1987...did we miss it?), but there's such a sense of joy and humor to the production that it actually is more fun to watch today than when it was briefly released, theatrically, in 1979.

A large measure of this is due to Gil Gerard, as Capt. William 'Buck' Rogers, who gives an enthusiastic, likable performance. Some of his dialog is ripe with sexual innuendo, particularly in his scenes with Erin Gray, as the beautiful, if a bit wooden, professional soldier, Wilma Deering, but his rakish charm (and an occasional wink!) keeps the one-liners from sliding into bad taste. The other female lead, Pamela Hensley, as a bikini-clad evil Princess, would do Mae West proud with her lusty vampiness. Her scenes with Gerard, as she eyes him as an evening's 'entertainment', are a delight. (And in the "Is this a coincidence?" department...Her character is named Ardala, and wears a horned headpiece...Could George Lucas have been influenced by her when he created Natalie Portman's Princess Amidala in STAR WARS: EPISODE ONE - THE PHANTOM MENACE?) The other major male roles are filled by Henry Silva, as Ardala's superbly evil partner, Kane, and Tim O'Connor, wise and sympathetic, as Earth scientist Dr. Huer. Deserving recognition, as well, is Duke Butler, who, as Ardala's eunuch bodyguard, Tigerman, should find another line of work, considering how he fared against Rogers!

Ignore Twiki, the low-tech R2D2 rip-off (Mel Blanc voices him, with dialog lapsing into disco-era clichés and bad sexual puns), and Dr. Theopoulis (the talking Frisbee...well, that's what he looks like!), and concentrate on the decent FX and Gil Gerard's charismatic performance...and I think you'll find BUCK ROGERS a winner!


I happened to catch a 16mm print of this last weekend at a sci-fi movie marathon, and to my surprise, I really enjoyed it. Granted, I grew up watching the TV show, but hadn't seen it in years and had never seen the film.

Perhaps it's that sense of nostalgia that clouds my thoughts on it. The plot is decent, the sets need a lot of work and the effects are top-notch... for 1979. Still, I guarantee you that you will laugh and smile repeatedly, and find it hard to dislike this honest effort.

If you're in the mood for ridiculously cheesy 70s sci-fi, dancing robots and gorgeous women, then you really can't go wrong with this. If you're like me and trying to relive one's youth, by all means, go find a copy. By the way, would it be so hard for Universal to give this a DVD release? Please?


Great show! It was a great time to be a kid! Neat plots, great action. Awesome futuristic outfits. Buck was always the good guy fighting evil, yet always sad he lost his past. Great guest appearances by Coleman and Shoop. Hot chicks, handsome men, action, comedy, adventure,mystery, it had it all.

Why isn't this show in syndication??? Thumbs up!


Some friends and I rented this movie just for the kicks of making fun of it, but it turned out to be fairly good. Except for the cheesy 70's parts (check out Bucks dance act) which no live human could ever take seriously, this is an excellent movie, which I'll check out again in the near future.



Okay, if I had not grown up with the show then I am sure I would not find it so endearing - and speaking of Deering - Colonel Wilma Deering that is, what adolescent young man would not like seeing her each week? What Erin Gray does to tight green, red, blue, and purple spandex pants should be criminal...but I digress. Buck Rogers in the 25th Century is a lot of fun for me. It has lots of hokey, enjoyable dialog, a zippy story of a guy returning 500 years later and dealing with everything he has missed, lots of familiar faces from my childhood, and the aforementioned Erin Gray who actually is fairly tame in this pilot/movie released for public consumption in theaters(Pamela Hensley as Princess Ardala gets to get the motors running in this one!). Yes, I saw this in the movie theater and didn't feel duped at all. I then watched it on a fairly regular basis and always enjoyed it. Returning to it has brought back fond memories, and unlike some shows that interested me as a child but made an unfavorable impression in middle age - Buck Rogers withstands the test of time and is still fun to watch. Sure, the effects are very dated and the actors are mugging for the camera and really saying dialog that will occasionally make you wince, but when I hear William Conrad's voice and know all systems go - I always seem to be entertained. Gil Gerard is a pretty good Buck. He has the looks and charisma to carry off the role. Sure, he is no Buster Crabbe - that might be a good thing? Other notable performances in this pilot are again Erin Gray(I don't know why but my mind keeps shamelessly drifting to her, Hensley, Tim O'Connor in the thankless role of Dr. Huer, Joseph Wiseman, and Henry Silva as Kane. Twiki the annoying robot is in here, and I am sure I liked him when I was younger but now more than anything I find his role to be unnecessary and a serious detractor from the plot as he seems to be able to understand Buck's language and speaks it with 20th century references to the point of Ad Nauseum. I think his character could have been excised or at least the stature of the role greatly changed. The round computer disc - Dr. Theopolis is a welcomed character and I wished they had used this voice in the latter episodes rather then the one they switched to in the series. One other note is check out that groovy soundtrack of the theme sung to some really far-out words by Kipp Lennon.


It may be set in the 25th Century, but this 1979 version of the old Philip Francis Nowlan story is totally and unconditionally a product from the "Star Wars" era. Gil Gerard is a handsome block of wood playing Captain Buck Rogers, an American astronaut launched 500 years into the future and finding himself in the middle of a space war. Pamela Hensley is the sultry villainess Princess Ardala while Erin Gray is the no-nonsense Colonel trying to get Rogers out of her way (he seems more interested in loosening her up than flirting with the seductive princess). The action sequences were lifted from TV's "Battlestar Galactica", but the low-budget effects aren't really the problem, it's that the movie is so under-populated and blandly comical. This underachiever makes even "Logan's Run" seem like a sci-fi masterpiece. The robot Twiki is a cool creation, far outshining the humans, but even he couldn't save this from the ratings-basement once it became a weekly TV series. *1/2 from ****


Buck Rogers. The name conjures up memories of a by-gone era, two eras in fact. Buck was the hero of one of the earliest and most popular science fiction comic strips. He was also the hero of this post-Star Wars 70's film. In the former, Buck had been trapped in a cave-in, where strange gases put him to sleep, to finally wake in the 25th Century. In the latter, Buck is an astronaut who, due to an accident, is adrift, in suspended animation, to later arrive back on Earth, in the 25th Century. In both, Buck becomes a hero and savior of the Earth.

I first saw this movie in the theater. At the time, my friends and I clamored for anything remotely sci-fi; especially after the success of Star Wars. Unfortunately, that was a pretty mixed bag. For every Alien, there was a Battle Beyond the Stars. Others were a bit uneven; like Star Trek TMP, and this film.

The effects were fine, for the time period, but can't hold a candle to today's CGI, or even ILM's work of the era. The designs were interesting, if a little too pristine. The antiseptic look of Earth was a bit bland; the Draconian ship had far more character. The costumes were typical of a Glen Larson show; disco inspired and not very functional. I never liked the Earth flight suits, although the dress uniform at least looked military. Princess Ardala's costumes, though, were quite interesting (what there was of them, yowza!).

Gil Gerard was likeable as Buck; a cocky, confident hero. He was athletic enough to carry the fight scenes, but not so much that he never seemed in danger. Erin Gray was a tad subdued here; thankfully, her role was expanded in the later series. Pamela Hensley was a very steamy and sultry Ardala. Henry Silva, well, he was a bit stiff. Michael Ansara made a better Kane in the series.

The film has a few slow moments; but, for the most part, it's quite entertaining. The space scenes were good for their time, although marred by the use of stock footage. The disco music sucked even then. As Battlestar Galactica and Star Wars showed, a more classical, symphonic sound far better suited space opera. The only real complaint I had, at the time, was the abrupt change in Tigerman. One moment he is Duke Butler. Suddenly, at the end, it's Hard Boiled Haggarty! Hunh?!? Still, it's a minor quibble.

The film is an entertaining piece of 70's sci-fi and an enjoyable space opera. Compared to other Star Wars knock-offs of the era, it's practically 2001: A Space Odyssey. Now, how about a DVD with a commentary track from the actors?


buck rogers following in the aftermath of failed battlestar galactica was a corny but fun movie,and TV series following.it is a far cry from the classic original with buster Crabbe,who was gearing up for his last flash Gordon serial,you know flash Gordon conquers the universe in 1940.this movie serves as a pilot after a few edits at the end.Gil Gerard plays buck rogers.the special effects were pretty good,before the upcoming computer graphics so popular now.the cast is very good as well beautiful sexy and smart Erin Gray plays col Wilma deering,Tim O'Conner plays Dr.huer,Pamela Hensley as the sexy slinky and villainous princess ardala.with sinister Kane (Henry Silva)at her side.in the series Micheal Ansara assumes the role of Kane.i first saw buck rogers as a feature film at the movies.in like a few weeks later it seems it was on TV as series.about a year after battlestar galactica was canceled.incidentally buck rogers was also produced by Glen Larson.oh yeah there's also the little robot twiki played by Felix Silla.and voiced by the late great Mel Blanc(bugs bunny,Barney rubble,porky pig,etc;etc;)like i said its corny but fun,its not up to Star Wars but its fun to watch.the series lasted for two seasons.the second season was'nt as enjoyable as the first,since it was revamped and they tried to make it like star trek.as a blast from the past buck rogers delivers some good solid camp.I'm giving it 7 out of 10.


"Buck Rogers in the Twenty-Fifth Century" often cannot help betraying its 1970s roots. Buck occasionally strolls around in wide "Saturday Night Fever" collars and many of his night spots look just a step away from disco.

Overall, the series started out likable. Gil Gerard, who in these fatophobic days might be considered a bit chunky in his flight suits, came in with a twinkle in his eye and a grin to show that whatever silliness was on hand, we should swallow it easily.

The first season began with a movie-length story (released in theaters). Beginning in 2491, Earth fliers find Buck frozen in his spaceship from 1987. Buck tries to adjust to changing styles and mores, but he always proves the good, old twentieth century way was better. This is especially true in matters of cuisine. One episode has Gary Coleman (hands up, all who remember Gary Coleman) as a leader of a society who also just happens to be from the twentieth century, and who is on a constant search for cheeseburgers, fries, and milkshakes).

The first season has a few interesting guest stars. Lovely Pamela Hensley, the bad guy in the pilot, returns intermittently to make Buck marry her. One wonders why he doesn't want to marry a beautiful princess until, in one episode, she produces the dog-collar he'll wear.

Another episode features Roddy McDowell and Jack Palance. Ray Walston (Uncle Martin from "My Favorite Martian" appears in the Gary Coleman episode. The biggest surprise was Playmate of the Month for August 1979, Dorothy Stratten, playing a beauty-contest winner, just a few months before she was shot in the face by her estranged husband. There is also a welcome appearance by a very young Markie Post, who must have been sewn into her costume.

The first season got very silly at times but it never ceased to be fun.

The second season was another kettle of fish. Instead of being Earth-based, it was set in a "Star Trek" type of format with Buck and his lovely sidekick (Erin Gray, who was a blonde in the the first series and a brunette in the second) looking for human life in the galaxy.

The second series was more serious and adopted a liberal-preachy tone. Instead of one adventure after another, Buck seems to go from one leftist screed to another. It's no wonder it tanked. Shows like this should be for fun, not forums for political indoctrination.

Also in the second series, the show also committed near heresy by not bringing Mel Blanc back to voice the robot Twiki. In the wake of "Star Wars" cute little droids were in, and Buck Rogers had Twiki. Voiced by Blanc in the first series, Twiki's role was to come out with twentieth century expressions Buck had taught him. While the little guy might have been extremely annoying, Blanc (the voice of Bugs Bunny and most of his friends) was able to make it funny. Apparently there was a scramble to bring Blanc back after viewers quite rightly complained.

The show also changed William Conrad as its opening announcer, but this was a minor, if unsettling at first, point.

The second season also brought in long-time professional ditherer and dodderer Wilfred Hyde-White, who was even more doddering than usual. I suppose he was brought into compensate for the lack of humor in the second series. I've always admired Hyde-White's performances, but he appears out of his element here.

There is also a character who is suppose to be half-hawk but he actually just looks like a man in a feathered hat. The less said about him, the better. And there's a robot who is terminally annoying.

So, thumbs way up for the original pilot. Thumbs mostly up for the first series, though occasionally the thumbs may go a little slack in a few dumb episodes. And finally, middle fingers up for series two, after which "Buck Rogers in the Twenty-Fifth Century" disappeared into a timely oblivion.

Between "Star Trek" and "Far-Out Space Nuts" this show probably flops closer to the latter. Still, it's worth looking if you like faux-space stuff and have a low threshold for the suspension of disbelief. Or if you want to see Erin Gray in extremely tight costumes.


We all did stupid things when we were young, things that we seriously regret as adults. One of my regrets is liking this show as a kid. I knew even then that it wasn't good science fiction, but having seen it recently, I had but one reaction. Oh. My. God. The 70s weren't really this embarrassing, were they?

The plot was nonsensical and often non sequitur. Producer and writer Glen Larson used every cliché in the book, and then some. By the end, there was so little plot left that the movie was reduced to minutes on end of spaceships blowing up (and repetitive stock footage at that) and stuntmen being blown through the air. If James Cameron has been criticized for having a tin ear for dialogue, this makes his ear seem like solid gold.

By tying itself so much to a 1979 man, it dates itself far worse than Battlestar Galactica, also produced by Larson. And what a man Buck was. An arrogant, chauvinistic, hot-headed, perpetually smirking smart aleck with no regard for the rules or for the safety of others yet who somehow still manages to save the day by going with his gut. Oh, and he gets his own robot and all the women swoon over him. It's the fantasy of every pubescent and prepubescent boy, probably including Larson. Of course, by this time, Larson was already in his 40s, and his conception of what was "cool" for 1979 is laughable. But not as laughable as Gil Gerard in the tight, white uniform. All through the first season, my friends and I cracked up whenever "the paunch" would show up onscreen. Somebody should tell "futuristic" costume designers that most people don't wear skintight outfits for very good reasons. Had this been made 20 years later, Bruce Campbell could have done Buck with much less mugging.

Pamela Hensley's Ardala wasn't nearly as hot as she was made out to be. Her only distinction was that she spent most of the movie in her gold lamé string bikini. In today's world, she would pale - both literally and figuratively - beside the silicone wonders that infest Hollywood. On the other hand, Erin Gray's Wilma Deering was quite attractive in a clean, wholesome sort of way. Alas, Deering inexplicably changed from a strong authority figure into a fluttery schoolgirl who all but giggled at the sight of Buck.

Velveeta and Cracker Barrel have nothing on Glen Larson, the king of cheese and high camp.


As I recall, it was reported in the press that Larsen said the "Buck Rogers" and "BattleStar Galactica" series were scripted long before "Star Wars" was released theatrically. The success of "Star Wars" obviously gave network executives the impetus to give these two the "Green Light".

If anything, "Star Wars" began to more resemble "Buck Rogers" in adding the romantic aspects that were obviously missing from the first episode of "Star Wars".

Except for the war in outer space, "Buck Rogers" was a highly original movie that had the guts(though not the first obviously) to tackle the post nuclear holocaust, and the division between the "haves" and "have nots" on earth (its too bad this was not pursued more in the TV series). Princess Ardala added some much needed sexiness that Lucas obviously tried to imitate when he put Princess Leaia in the "slave Girl" costume.

"Buck Rogers" not only followed the trends, rekindled a few in a highly entertaining manner. I laughed all the way through this movie.

The opening credits where all the major females in the movie appear in bikinis is a classic not to be missed.


Great funny sci-fi gem. Bad guys, good guys, lots of laser blasts in space: just everything you crave for, if you like sci-fi in that ueberlife comic and pulp magazine style.

With Gil Gerard as Buck Rogers and Erin Gray as Colonel Wilma Deering we get a charming duo (love is in the air, even if they still don't know it) fighting the bad guys and saving Earth and humanity.

The synopsis tells us everything we need to know: a 20th century astronaut emerges out of 500 years of suspended animation into a future time where Earth is threatened by alien invaders.

What else!? Just watch and be entertained big-time.

p.s. the tv-show (2 seasons) is also not bad, but not every episode is a real killer or convincing, and the not too big budget shows.


Buck Rogers in the 25th Century

The key to deterring space invaders is making the Earth as inhabitable as possible.

Fortunately for the future earthlings in this sci-fi movie, modern man almost succeeded.

Awoken from suspended animation in 2491, Buck Rogers (Gil Gerard) finds his home world a wasteland besieged by space-pirates being held at bay by Earth's defensive shield.

Teaming with a resistance Colonel (Erin Gray), a doctor (Tim O'Connor), a supercomputer and a robot (Mel Blanc), Buck plans to thwart the nefarious plans of an enemy envoy (Pamela Hensley, Henry Silva) headed to New Chicago for a peace treaty.

Based on the operatic outer-space comic strip from the 1920s which inspired Star Wars creator George Lucas, this 1979 feature-film adaptation is hindered by its made-for-TV origins, and its similarity to the aforementioned galaxy far, far away.

However, unlike Star Wars, you can rest assure that all of Buck's droids are out of the closet.

Yellow Light


Originally made as a TV movie pilot, Universal and producer Glen Larson followed the pattern they'd used for 'Battlestar Galactica' and released it theatrically first. It proved to be a modest hit (raking in $21 million), and thus NBC commissioned it to be turned into a weekly series.

It starts off with a rather Bondian opening title sequence, featuring several lovely ladies wriggling and writhing their way around, over and under a sleeping Buck Rogers (Gil Gerard) as a vocalized version of the 'Buck Rogers' theme plays. I found this to be the highlight of the movie.

The rest of the film plays like a discount 'Battlestar Galactica' (even recycling many of its props and sound f/x), keeping logic at arm's length while testing the lactose tolerance of the viewer. The Über masculine Gerard gives a charming performance as Buck and Pamela Hensley deliciously vamps her way through her scenes, but they're the equivalent of two chefs attempting to make a gourmet meal out of store brand ingredients.


It's important to realize there are actually two versions of this film.

The first was the Theatrical Release, which had a few well-placed Hells and Damns, as well as a painful kick in Duke Butler(Tigerman)'s testicles during the obligatory he-man fight scene. There is also a special-effects bonanza near the end of the film, when a hologram from the Draconian Warlord appears to chastise Kane (Henry Silva) for launching the attack (and failing!) before his arrival.

All of these aforementioned scenes were cut out in the TV Release, to make room for commercials, and to appease network censors. Regrettable, but these things happen.

But it was the TV Release which became the commercially-released video-tape! This is a major production goof, and it reveals the studio's utter contempt for the audience! If they didn't care enough to release the better version, or even bother to see which one they had in their hands, then they obviously don't think much of those who would pay to see it! Sadly, such an attitude only hurts the studio's image when looking at the video. From Gil Gerard's obviously doctored speech, to the suddenly paralyzed state of Tigerman, one cannot escape the sense that this was not a work of love, but something created to pad a few pockets and fill a network time-slot. Feeding time for the animals, in the studio's eyes!

What a way to treat "The Original Space Man"!


The 70s certainly produced a lot of cruddy Sci-Fi which was nowhere near as good as what came before...this is yet another case. The only two reasons to watch this are Erin Gray and Pamela Hensley..and only Hensley shows any amount of skin in this one outside the opening credits.

If you want real Buck Rogers adventure, I suggest you look to the excellent serials instead...but if you are a fan of the two ladies mentioned above, you might enjoy this rather innocent adolescent fantasy which fulfils the dreams of many a teenage boy-what with two gorgeous women chasing after you-the dashing swashbuckling adventurer.


Although with this movie I become sentimental, I have to say that this movie is still enjoyable. The actors are not extremely good but because of their looks and the script (with the dialogs) it keeps me watching it again and again. Gil Gerard is very convincing in his role as Buck Rogers. The same I can say about Erin Gray. The Twiki character is extremely funny as well as Dr. Huer. My vote keeps being a 9 simply because of the special effects which are not perfect (although it is very hard to beat Star Wars). I can recommend this movie (and the series) to everybody who likes the late 70s and early 80s, something else than Star Wars and especially something else like Battlestar Galactica.


In the comic strip Buck Rogers got into the future by freezing up in the mine accident. Or that is what I've heard anyway. That would have been a silly start for a film (or then again it could be a perfect beginning for a film).

Now we see how Buck (Gil Gerard) is launched in space on a last deep space probe sent from earth. In space the cosmic forces mess with his ship and he and the ship are frozen for the next 500 years. Buck is then recovered by the Draconian envoy, lead by princess Ardala (Pamela Hensley) and Kane (Henry Silva). When Buck gets back on Earth he meets, among other earthlings of course, colonel Wilma Deering (Erin Gray) and two robots Dr. Theopolis (Howard F. Flynn) and Twiki. Suspicions fly in the air: is Buck a pirate spy? Can he be trusted and most importantly will he teach the future to boogie?

The whole plot is delightfully fun piece of pulp sci-fi. It doesn't take itself too seriously, but it's not through out campy. The atmosphere is very pleasant and I can say that the film is very watchable in the right state of mind. The adventurous feel of the film is almost comparable to Star Wars.

And speaking of Star Wars, a film that came out two years prior to Buck Rogers, we get to the special effects, which are okay, but not Star Wars quality, which were a lot better even in the non touched up new distributions. But as said the effects are okay.

Over all I enjoyed the film very much: it's the kind of an adventure film that appeals to me but I still can't give it bigger score than 7 even though as a kid I must have worn out the tape I had this film on.


I remember going to see buck Rogers in the theater shortly after the release of Star Wars. I didn't know who Buck Rogers was but the movie was likable and the series was interesting and well done despite the era that it was done in. Erin Gray was likable as Col. Dearring. Twikki was great, but the second season was lacking in what most sci-fi shows of the era suffered from. No continuity and no growth for the characters. If it were remade today I think we would have a much better show with the us of CGI and writers who hopefully will create growth and continuity for the show. But it was made back during a time that disco was dying and Rock Music was becoming more predominate as a popular music. by the way for those who have not seen this show it's now available on DVD and this article contains no spoilers


If you like "Battlestar Galactica", you will love this movie, at least if you can sit through the incredibly cheesy and silly title sequence. Based extraordinarily loosely on the classic early 1900's sci-fi novel, this is a story of an American astronaut frozen in crygenic sleep for a deep-space exploration mission in the late 20th Century who returns home and awakens in the post-nuclear 25th century. He finds an Earth ravaged by nuclear war (the scene in bombed-out Chicago is particularly amusing to me, as a life-long Chicago native, even if the sets look NOTHING like State Street)but with survivors carrying on in underground cities.

Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.

What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.

Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.

However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.


This is a good movie. Good coherent story, good sci-fi twist when buck see his parents graves, good acting and a whole lot of fun. Even the special effects, for the period, was acceptable. This is one the the movies i can rewatch, which puts it in a special class of its own.


This is where it all began. Capitalizing on the popularity of Star Wars, with a lower budget than producer Glen Karson's Battlestar Galactica, "Buck Rogers in the 25th Century" is catered to a television audience who loves the combination of sci-fi, action, and babes. Gil Gerard's signature role is Air Force Captain and astronaut of Ranger 3, William "Buck" Rogers, whose space ship is adrift after a cryogenic mishap freezes him, awakening 504 years later, in the 25th century, the Planet Earth is not the way he left it, a Holocaust having wiped out most of mankind, cybernetic beings restoring the world slowly, humans actually answering to them. Because the earth is badly in need of supplies in order to survive during its restoration, they want to negotiate with the Draconian empire in a trading treaty, but Princess Ardala, her second in command, Kane(Henry Silva, reeking of villainy, his character barely able to contain his disdain for Ardala), at the orders of the King of their planet, plan to attack planetary forces, using the guise of peace as a means to gain access under the shield. Buck, at first believed to be a spy for pirates (pirates have been circulating throughout the area), especially after a microtransmitter is found on board the Ranger 3, by Earth, soon wants to help them when he believes that Ardala and her Draconian people are up to no good. Buck, after he is drugged once upon the Draco ship upon being released from cryo-stasis, is sent to Earth so that the microtransmitter can give them coordinates to the planetary shield, with plans to attack the "inner city", the epicenter of the world where the planet's rebuild/restoration starts. Buck is introduced to Dr. Elias Huer (Tim O'Conner, quite pleasant, polite, and informative), who tells him a little about what has happened over 500 years, as well as, how Earth is rebuilding after the Holocaust. Col Deering (the foxy Erin Gray), a female commanding officer, at first, doesn't at all trust Buck, believing he is nothing but an untrustworthy spy, soon becoming attracted to him, more than a little upset when her interest is spurned (not necessarily because Buck isn't attracted to her, but for "outing" Ardala and her true intentions for Earth). A lot going on plot-wise in our introduction to the series, including Buck becoming friends with Twiki, a "midget" robot ("Bidi-bidi-bidi"), and sphere cybernetic robot named Dr. Theopolis (softly voiced by Howard F Flynn); carried around on a necklace by Twiki) , who accompany him on various adventures such as his journey outside the inner city, seeing the remnants of what was Chicago (visiting his parents' gravesite) with radioactively scarred mutant humans who try to hunt them down in a trap and on board the Draconian's finest ship when he attempts to interrupt their plan to attack Earth. Star Wars is an obvious inspiration for the series as Earth's squadron and the masked Draconian attack ships appearing as supposed pirate marauders engage in space battles. This is where Buck thrives, showing his skills as a combat fighter. The show plays off his "relic status", his slang and verbiage. Gerard's charisma and handsome looks are played to the hilt; he is certainly marketed on the show as a James Bond in Space. Anyway, his adaptation to a whole different century really was the hook for the first season—not to mention, his association with the cast, their chemistry together, and the various adventures he (and they) would be a part of as the series continued. The great voice of William Conrad (Jake and The Fatman television series) narratively introduced to us Buck's fate at the beginning of this official entry to the series and the one and only Mel Blanc lent his recognizable voice to Twiki. A revisit to this series over the summer will be quite a hoot; I'm really excited about it. In terms of Buck's initial mission, he certainly explores...just not deep space, but a completely different time. Pamela Hensley is delicious as the corrupt Ardala, scantily clad and eyeing her father's throne (her "galactic bikini" and horned helmet attire is an eyeful).