Operation Amsterdam (1959) Online

Operation Amsterdam is a pleasant surprise. It has both a strong story and some unusual cinematic touches to keep the viewer interested.

The story of the British secret service agents who are sent to Amsterdam to recover industrial diamonds before the German invasion is a familiar one, and their eventual safe escape is predictable enough.

What interested me was the atmosphere of fear and bleakness that the producers manage to convey. The empty streets, in bright sunlight; the columns of fleeing people; the confusion of not knowing who are enemies or friends, makes for a better than average effects.

Added to this a score made only with drums, and some very abrupt editing that is almost painful to watch, makes this a worthwhile watch.

'Operation Amsterdam' is one that had gotten away from me. I thought I'd seen just about every WWII movie that ever was. So when I came across it on DVD, I felt nicely piqued.

And when I watched it, I felt nicely surprised, decently entertained.

The plot isn't terribly exciting, the script could have benefitted from a wee bit of polishing, but the production works well because tension is strung taut and relaxed, and strung taut and relaxed again and again throughout the film.

Peter Finch and Alexander Knox are two Dutch diamond experts who sail in a British destroyer with an English secret agent: destination Amsterdam. Mission: come out, before the Nazis surround or take the city, with the Dutch inventory of industrial diamonds. Object: deprive Nazi war industry of the tool-cutting, metal-shaping worth of those diamonds.

In the haunting desertion of orderly Amsterdam streets, the intrepid trio meets with Dutch diamond merchants, scampers in and out of the clutches of Dutch fifth columnists, mucks in with Dutch resistance fighters, and warily accepts guidance throughout from a Dutchwoman whom they cannot, at first, trust (played with restrained charm by Eva Bartok). Some of the diamond merchants are, as they've always been in Amsterdam, Jews. The point is made about Nazi persecution of Jews and about the dilemmas many Jews faced when the Nazis occupied their countries, but in 'Operation Amsterdam' the points are made unsentimentally - which highlights the stark panic, fear, and despair many Jews felt in that baleful time and circumstance. Indeed, throughout the film characters are beset by choices, choices they must make because time, as the story development lets us know clearly, is running out for everybody in the Netherlands.

It's the storytelling and the actors' understatement - nothing is James Bondish about these ordinary characters finding themselves in extraordinary circumstances - that make the story absorbing, believable. Abetted by the unsettling counterpoint between carnivalesque Dutch pierement (organ grinders) music - happy music playing in a bleak city, over throngs of departing refugees, during the agents' tense search for and gathering of the diamonds - and by terse snare drumming, the story keeps ratcheting up its grip on the viewer, holding tight tempo with the agents' mission and their dedication to accomplishing it.

The only serious flaw in the film's visuals owes to most of the deserted street shots having to be filmed immediately after dawn (else Amsterdam's population would be thronging its thoroughfares). This yields a bit of a crazy quilt mix of shots having long shadows intercut with shots having midday, short shadows - supposedly happening in the same instant. Otherwise, the camerawork and editing jive nicely with the unfolding of the plot.

Also ramping up the tension is the script's bareness: one really must think a lot - sometimes too much - about what's going on, about what's coming next, but the need to think that way lends the viewer a heightened sense of uncertainty, danger, and dread. It also helps that the scriptwriter avoided the worst cliches of the genre: the scenes of Eva Bartok and Peter Finch are treated as bare-bones, wartime heartbreak rather than as apocryphal "we fell in love in battle" nonsense.

Generally, props are first-rate, except for Dutch soldiers and resistance fighters toting German MP-40 machine pistols which were in short enough supply in the 1940 Wehrmacht, and for a few 1950's-era military trucks. The other weaponry is all true to period: Dutch army M1895 Mannlicher rifles, Luger pistols, period revolvers and such. Also, Dutch uniforms and personal gear are precisely from the story's 1940 time-frame. The only other minor quibble is one found in quite a few late-50's and 1960's WWII films: a four-seater Messerschmitt Bf.108 touring aeroplane stands in for the later, design-derivative Bf.109 fighter (See 'Von Ryan's Express', and 'The Longest Day' for more examples of this substitution - which was necessary since there were then no restored, flyable Bf.109E aircraft.).

'Operation Amsterdam' hasn't dated nearly as badly as have so many other WWII films made in the twenty years following the war because it sticks to its story, because it tells its story without frills, excursions into moralizing, or distracting subplots. Though it didn't benefit from a larger budget, as did 'The Counterfeit Traitor' which was filmed in the same era, 'Operation Amsterdam' delivers the goods.

Summed up: Agents voyage to Amsterdam to deprive Nazis of diamonds, return to us with a minor gem of a movie.

The movie makes the best out of a fairly unique story that is probably based on true historical facts. It is about a one day expedition to Amsterdam in May 1940, shortly before the arrival of the invading German troops. In a race against time exiled Dutch jewelers try to get all the industrial diamonds out of the country and bring them to Britain before the Germans can take them. It is a quick in and out operation organised by the British government that has to be accomplished in one day - and no easy task as the jewelers have to be convinced by sheer argument it is the right and sensible thing to do (hard to decide in the Netherlands in May 1940, I am certain).

In a strange way this movie is surrealistic and realistic at the same time. There is a lot of good location shooting, the sun drenched streets of Amsterdam are virtually deserted, the atmosphere is ghostly. At times there is gunfire in the distance. There are some disoriented Dutch soldiers hanging around, or shall I say loitering? The effect is strangely threatening. At one time two groups of soldiers start shooting at each other. In another scene, one of the day trippers steps into a pub in a totally empty square. And there they are, the Dutch! Sitting peacefully behind their pints and discussing the latest news from the front. The transition really took me completely by surprise, it was incongruous but strangely effective and somehow totally believable.

There are harrowing scenes. When the day trippers disembark, the harbour is in chaos and full of refugees – a strong contrast to the mentioned deserted streets in the town center. When they finally succeed in organising a meeting with all of Amsterdam's important jewelers, their Jewish colleagues express the opinion that for them it might be wiser not to make the Germans angry by giving away the jewels. They can be convinced to agree to the evacuation of the stones that are invaluable to the armament industry, although it is made perfectly clear that the day trippers can take no refugees with them. All these issues are treated in a rational and unemotional way which actually strengthens the impact of the tragic situation.

In addition the movie also has some action scenes, a car chase and, as the culmination of the absurd general situation, the heist of a jewel depository by partisans who help the day trippers, with an ensuing fierce shootout with a detachment of Dutch troops. The acting is good, Peter Finch (Network) is cool as usual and gives a convincing performance as the son of an eminent Amsterdam jeweler and leader of the expedition. Eva Bartok is stylishly beautiful and enigmatic as a Dutch woman with uncertain alignments who joins the day trippers after they saved her from a suicide attempt (driving her car over the pier in the harbor, a car, incidentally, that comes in mighty handy). So, a hell of a lot goes on in Operation Amsterdam.

"Operation Amsterdam" from 1959 stars Peter Finch, Alexander Knox, Tony Britton and Eva Bartok in a Rank film based on a true incident. In 1940, there was a British move to get industrial diamonds out of Holland so that the Germans could not make use of them.

A British Major (Britton) travels to England with two diamond experts (Knox and Finch) to persuade diamond merchants in Amsterdam to give over their industrial diamonds, which would be brought to England.

There is danger all around them, with soldiers, shootings, and bombings everywhere. At a harbor, a young woman, Anna (Eva Bartok) tries to drive into the water to commit suicide after her fiancée's parents are killed, as she blames herself for inadvertently causing their death. The men are able to stop her and make use of her car, and her knowledge of Amsterdam, all the while not sure if they can even trust her. No one, in fact, can trust anyone, since German parachuters are disguised as Dutch soldiers.

Jan (Finch's) father, who is a diamond merchant in Amsterdam, appeals to his circle to relinquish their stashes so that the major and the men can bring them to a destroyer on which Churchill is allowing them to travel. The time is short -- will the merchants cooperate? Or have they come a long way for not very much? I found this film very exciting and very moving. The atmosphere was tense throughout. Peter Finch gives a wonderful performance as Jan, and he was so handsome and had good chemistry with the beautiful, mysterious Anna of Bartok. Alexander Knox seemed to be an afterthought, not given much to do.

Knowing what the Dutch suffered during the war made this an emotional experience watching the courage of the people who helped the men along the way. This wasn't the officially formed resistance, but an earlier group who didn't want the Nazis in Holland and probably were the core people when the official Resistance began.

Highly recommended. I think the story is compelling enough to overcome editing criticisms, the time of release criticisms and the like. Powerful stories are timeless.

OPERATION AMSTERDAM is a strong WW2 movie with a great premise: a team including a Brit and two Dutch are sent into Amsterdam just as the Nazis are invading the country. They've been tasked with retrieving a priceless cache of diamonds from the city's jewellers and thus preventing them from falling into German hands. Along the way they must contend with German mines, bombing, Fifth Columnists, and the German soldiers who have already begun arriving in the city.

It's one of the strongest backdrops I can remember seeing in a film and the suspense goes through the roof from the outset. What I liked about OPERATION AMSTERDAM is that, despite the outlandish premise, the whole thing is rooted in realism; there are no gung-ho heroics, just characters struggling through as best they can. The production values are excellent and while there isn't a wealth of needless action in the film, a climactic firefight is expertly choreographed and one of the best filmed ever (eat your heart out, HEAT!).

The cast is very fine and includes Peter Finch in a solid hero-type role. My favourite character was that of the lovely Eva Bartok, who plays a resistance fighter with courage and determination, even more so than the men she helps. The real star of the show, though, is director Michael McCarthy, who had previously only helmed TV fare and low budget B-films. In OPERATION AMSTERDAM he was given a proper budget and ran away with it, although the success was bittersweet; he died in the same year the film was released.

I had never heard of this movie until I stumbled across it on Instant Netflix. I just loved it and found it to be more exciting than I could expect. It was extremely realistic and had many strong aspects.

The B&W photography was perfect. It totally captured the despondent feeling of the day, between the deserted city streets and the road to the harbor packed with refugees -- old & young. The scenes with boats in the water clearly looked like film stages, but the street scenes looked very realistic. One reviewer seemed to imply that they were actual streets.

The editing was extremely tight, perhaps just a little too tight, as some other reviewers have commented, since it wasn't totally clear why there were Dutch soldiers fighting the "good guys". Yes, there was the comment that you couldn't tell who the fifth columnists were, but one does not expect the fifth columnists to be soldiers in Dutch uniforms.

The music fit the film perfectly -- between the street organ and the snare drums. But what especially contributed to the suspense were the times when the film was virtually silent and the camera switched from one face with tension to another. One reviewer commented on how little Alexander Knox had to say, but his expressions, along with his silence, actually added to the tension. Overall, the casting was perfect.

Eva Bartok was superb. I can't recall ever having seen an actress who was so beautiful seem so realistic. (If you read her biography at this site, you can understand why she played her role so convincingly. She had already suffered considerably, being forced to marry a Nazi officer at age 15 who continually raped her.) Nothing was overplayed by her or by anyone. As opposed to all the James Bond type movies these days, this was far more realistic, and the tension was palpable.

I've now started to watch the film a second time (about 20 minutes so far), which I think this movie lends itself to doing. When you watch it the second time, you pick up many clues that become important as the story unfolds, such as the Dutch soldiers who are, indeed, Nazi sympathizers, and the policeman on the dock, in an early scene, who thinks that the spies are additional Germans in disguise, like the parachutists dressed in civilian clothes, whom he had already shot.

The terse dialogue and context for many of these opening scenes may be missed the first time around. Also, when watching it again, one has the opportunity to catch more of the details and verisimilitude of the film.

Unseen Nazi jackboots are marching into Holland in the darkest days of WWII and Churchill's government is worried about all the industrial diamonds lying around in Amsterdam that could be used for the German war effort. Being British, we're obviously not going to rely on Frenchy to nip across and spirit the city's entire stock away before the invading hordes arrive so we send a rather colourless secret agent in the form of Tony Britton, the son of an Amsterdam diamond merchant (Peter Finch) and another chap who just seems to be along for the ride (Alexander Knox, who looks worrying dispensable throughout but somehow manages to emerge from the entire escapade unscathed).

Our unlikely heroes hitch a lift to Amsterdam from a distraught Eva Bartok who has just witnessed her boyfriend's boat being bombed by the Luftwaffe and is about to drive into the harbour waters to look for him. At first they fear she might be a fifth columnist, but she turns out to be a plucky heroine, picking up the machine gun of a fallen resistance fighter to sullenly strafe the enemy at one point.

Operation Amsterdam is one of those films that deserves to be better known because it's really quite good. The location photography of an eerily near-deserted Amsterdam is effective, and the tension is ramped up quite nicely until the whole thing seems to run out of steam in the final reel as our heroes make their getaway. The problem is that nobody is really aware that they are in fact getting away because their exploits haven't yet been uncovered. Anyway, when the film isn't testing our heroes it's commenting on the unenvious position in which the City's diamond merchants – many of whom are Jewish and only too aware of the treatment meted out to their creed by the Nazis. One old chap tries to bargain a place on the boat back to Britain for his sick, elderly wife but is gently rebuffed.

Perhaps the film's main weakness is the suspicion that something wasn't quite right during post-production. Midway through, the film seems to take a disconcerting leap forward, and suddenly there's little Melvyn Hayes sitting in the back of a car with our fellows. Now where did he come from? A neighbour of hero number three's mum, apparently (so that's why he tagged along), although we're never see this mother-and-son reunion – even though you suspect the scenes were filmed.

"Operation Amsterdam" is an excellent movie about a little known espionage mission and rescue raid early in World War II. The movie is based on true events from a novel by David E. Walker. Walker was a war correspondent and was connected with British military intelligence. After the war, he wrote 10 novels. Most were war-related. The most famous of his works was "Adventure in Diamonds," on which this movie is based. It went through 30 printings in four languages from 1955 to 1980.

The story is about a special mission put together hastily to get the industrial diamonds out of Amsterdam after the Germans invaded the Netherlands on May 10, 1940. Amsterdam then was the diamond capital of the world – handling the bulk of the world's uncut diamonds. Today, that distinction goes to nearby Antwerp, Belgium.

One wonders if author Walker had something to do with the operation, or if he just learned of it in his intelligence and journalist functions. Anyway, it's a nice plot with excellent technical production and other values. At least one other reviewer commented about the starkness of the street scenes and reality of the scenes around the harbor. I agree. This movies was made within 14 years after the end of the war, when it was possible to stage such scenes, and when the lay of the land hadn't changed so much form the war years. There were yet no modern buildings, ships and other things that one would see today.

One or two people found it a slow-moving film. Well, if one expects lots of war action, that's true. But that's not what the story was about. I think the director and others did an admirable job in portraying the sense of uneasiness mixed with fear, confusion and worry among the people in Amsterdam as they awaited the German occupation.

The cast are all very good. The leads especially are excellent. Peter Finch is Jan Smit, Eva Bartok is Anna, Tony Britton is Major Dillon Alexander Knox is Walter Keyster, Malcolm Keen is Johan Smit and Christopher Rhodes is Alex. I think the film showed very well what we learned in history – how many of the Jews were conflicted about giving up their wealth which might be used for bargaining chips later on. At that time, the Holocaust was just beginning and there was little knowledge of what would happen. To most people then, it probably seemed so heinous as to be unbelievable. But for our hindsight today, most people living now may have felt and believed as they did then. Even with the warnings of the persecution and oppression of Jews since Kirstallnact of 1933, many people couldn't fathom the depths of depravity to which the human race could fall in the ensuring Nazi pogrom.

One other aspect of this movie is noteworthy. This film, made in 1959, depicts an ugly side of some of the Dutch population at the outbreak of the war. A significant number of people were sympathizers with Germany, if not with the Nazi party. And, there were quite a few collaborators. A couple of other later movies about the Dutch Resistance during the war bring that point home. It was in Amsterdam that a family hid Anne Frank's family, but a suspicious neighbor eventually betrayed the Franks and their protectors. In this film, a sizable number of the Dutch military in Amsterdam seem to have been won over to the German cause. German paratroopers were used to take some key places and foment disorder, but it's not likely that they replaced so many Dutch soldiers in uniform.

While not a film with lots of action, there is considerable suspense and intrigue in "Operation Amsterdam" to keep viewers on the edge of our seats. It's historical value make it an important film to include in any serious World War II film collection.

The 'flaws' noted above are not really that serious. Firstly, yes the sudden appearance of Willem suggested a cut scene, a frequent occurrence in many movies, owing to pacing and duration considerations - could have been better handled, but it was explained briefly. Secondly, the various groups of Dutch soldiers, some fighting each other, was fully explained several times in the dialogue - the city has been infiltrated with German fifth columnists, and nobody is sure who is friend or foe! In the battle scene by the canal the late arrivals have been sent by the man at the government department, to help the 'good guys'. Thirdly, you are correct that the OFFICIAL Dutch resistance was not yet organised, but the resistance fighters in the story are early volunteers who are trying to hamper the German occupation of Amsterdam, and will no doubt form the nucleus of the resistance movement that would soon follow. So, you see, not really serious flaws at all!

Operation Amsterdam is a no frills war thriller about a special mission to the Netherlands. British major Tony Britton is sent there accompanied by a pair of Dutch diamond merchants, Peter Finch and Alexander Knox. Their mission is to clean out as many industrial diamonds as they can from the diamond brokers which the city is known for.

Those industrial black diamonds ain't pretty and don't sparkle. But they are the hardest things on planet earth. Drill bits to shape metal are invaluable in an industrial economy, all the more so on a war footing. The Nazis could really use them and they are hours away from occupying the Low Countries.

This one moves at a nice clip with grainy black and white cinematography to demonstrate the coming darkness to fall on the Netherlands and Europe.

Along the way the men of the mission save Eva Bartok from suicide and she proves invaluable. Her own wartime experiences gave her depth to her role that was unique. No time for romance, but Finch is clearly interested and might be looking her up after the war assuming both survive.

No super heroics, just some men, Dutch and British doing a job that needed to be done in Operation Amsterdam.

I wanted to like Operation Amsterdam, but for some reason I could never get absorbed into it the way you have to to enjoy a movie. It had a good cast, led by the excellent Peter Finch and the beautiful Eva Bartok. Alexander Knox was there, too. His presence is usually an asset, but in this one he was given little to do. I was hoping to see him as a Dutch fifth columnist baddie, since nasty was what he did best, but he played a bland little fellow with few lines. His character was in practically every scene but seemed to have no real function.

The World War II intrigue story showed much promise. Dutch diamond merchants (Finch and Knox) with a British special forces officer (Tony Britton) sneak into the Netherlands at the time Amsterdam is about to fall to invading German forces. Their purpose is to smuggle all of the diamonds they can back to England in order to keep these invaluable industrial items out of German hands. The two main hurdles to overcome will be convincing all of the Dutch diamond dealers to hand over their goods and to keep from being shot by one of the groups of "fifth columnists", Nazi sympathizers in regular Dutch army uniforms, who are roaming the streets. With loyal soldiers around, too, it is hard to tell friend from foe. The diamond commandos are aided by the beautiful Bartok driving her beautiful Mercedes automobile like a bat out of you-know-where and an underground resistance group, strangely well-organized and well-armed considering that the Nazis have not yet taken over their government.

The cinematography was good, though not outstanding. Being a sucker for the black & white widescreen movie, a format which was not popular for a very long period, is one of the reasons I bought the DVD of Operation Amsterdam. The wide screen is used very well, especially in panoramic shots of civilians fleeing down a dike road and in the street fighting scenes. There is lots of action with all of it well staged and some effective suspense.

So why did I not like this movie better. Flabby direction by Michael McCarthy and sloppy editing were two problems. Tony Britton was simply not up to the pivotal role of the tough British secret service officer. He just was not dynamic enough. It is a shame we couldn't have had Trevor Howard or Richard Harris, both of whom excelled at this type of role. Worst for me, was the jazzy score by Philip Green. Rather than enhancing the action and the suspense, it was irritating and inappropriate for the historical period.

Well, maybe it was just me. My grouchy old wife, who is usually more picky about movies than I am, liked it better than I did, and so did most others who have reviewed it and posted on the message board. It was sincere and historically authentic, typically good points of British movies from this era. It was over all pretty good, but should have been much better. With Trevor Howard and a Dimitri Tiomkin score -- who knows?

It shouldn't be forgotten that anti - Semitism was quite widespread in Dutch society prior to the arrival of the Nazis.It is by no means accurate to describe the reception given to the German troops as a heroes' welcome,but there were a significant number of people in Holland willing to adopt a pragmatism that perhaps seems a tad too accommodating in retrospect. You will see little of this in "Operation Amsterdam" set in the first days of the Nazi invasion where most of the population seem to possess a very sensible desire to put as much distance between themselves and the advancing Germans as possible.And who can blame them with the Luftwaffe's penchant for strafing refugee columns all over Europe. In the circumstances it took not a little courage for the Dutch diamond merchants to hand over their stock of industrial diamonds to the British rather than curry favour with the Nazi hordes already pouring across the dykes. Led by a not really up to the job Tony Britton (he makes a right pigs' breakfast of doing away with a Dutch soldier),they are landed by destroyer during an air raid and make their way to Amsterdam in a grand Mercedes convertible driven by Miss Eva Bartok whom they have saved from a watery grave after she has attempted suicide on seeing her fiancé's boat bombed by the Germans.Presumably as part of the grieving process she spends the rest of the day(it seems much longer) driving the boys round the city getting shot at. "Operation Amsterdam" gives every impression of having been fatally mauled in the editing suite.Little master Melvyn Hayes appears as from a hole in the stage,plays a pipe organ,gets shot,smiles bravely and disappears again.Mr Peter Finch's coat collar goes up and down seemingly at random,a wheel change to the Merc whilst under fire from a Messerschmidt goes along at a pace that is almost indecent......... Alexander Knox has a certain rueful charm,Miss Bartok plenty of pluck,Mr Finch looks a little bewildered for most of the movie,possibly wondering why Mr Knox is with them in the first place as he seems to have no point. John le Mesurier is sublimely out of place as a Dutch Colonel with a mysterious smile,but it's nice to see him anyway. Had the picture been made 10 years earlier it might have had a bit more relevance,but a Britain on the cusp on the 60s and with most of Europe moving towards some sort of detente it was not the time to be reminding people of a time when its citizens were at each others' throats. Miss Bartok I believe was a "celebrity" here in the UK for being a close friend of the Marquis of Milford Haven.When we look at her then,we are seeing a proto Victoria Beckham,but I'm not sure that she'd choose to be remembered that way,rather as a mysterious Euro - enigma driving her convertible through the sun - dappled streets of Amsterdam before kissing Peter Finch goodbye and disappearing - mysteriously.

This movie has a premise with a lot of potential: a small group of agents has a just 14 hours to get into Amsterdam and take out all the industrial diamonds there. But the movie is ruined by three gigantic flaws.

First, it is incompetently edited. It is obvious that some key scenes were left out and as a result, the plot is hard to follow. For example, at one point the agents go off to visit the mother of one of them. The next time we see them, they are back from the visit and have a new character, Willem, with them. All we get is a one sentence explanation for who he is and why he is with them.

Second, the motivations of the various Dutch army units are baffling and never explained. Some of them help the agents while others try to kill the agents. At some points, different Dutch army units shoot at each other. We are never told why some of them are trying to kill the agents. Are they disloyal soldiers trying to help the Germans? Or do they believe that the agents are working for the Germans? Or do they think the diamonds should stay in Holland even if it is overrun by the Germans? Or do they think the Germans will fail to capture Amsterdam and, thus, it is unnecessary to take the diamonds out?

Third, a group of about a dozen Dutch civilians help the agents get diamonds out of a bank safe and blow up a oil storage facility. It is never explained who these people are. They are not the Dutch underground. That was formed only after the Germans overran Holland; but this movie is set before they'd captured Amsterdam.

Operation Amsterdam (1959) sounds promising, but the film has a number of irritating defects. True, some of the atmosphere in the imperiled city is conveyed thanks to location lensing in Amsterdam which involved a considerable amount of organizing like removing traffic from the streets, replacing it with contemporary vehicles and making sure all the extras wore the correct wartime clothing. Unfortunately, all this admirable location lensing is somewhat undercut by the continuous and obvious use of studio cut-ins against a process screen. On the other hand, the editing of the action spots is nice and sharp, particularly the sequence in which the car goes over the wharf. This is most effective indeed! I was also thrilled by the sequence in which we wait for the time lock to come off which features shorter and shorter cross- cutting. Elsewhere, however, the editing tends to be rather slack, dragged out and as placidly routine as Michael McCarthy's direction.. There's also far too much padding in the script. At least 30 minutes should have been jettisoned, including all Malcolm Keen's scenes. True, he's a competent actor, but here his delivery is uncomfortably slow. And worse, what he has to say is of little importance and just time- consuming. Alexander Knox is also saddled with some of the script's most pious platitudes. The other players make an effort to overcome their banal dialogue, though Peter Finch also struggles to make an impression. And as for the miscasting of one of my favorite comedians, John LeMesurier, as a colonel in the Dutch War Ministry, the less said the better! Fortunately, the film does gain attention with a brilliant use of musical sound effects. In fact the music score throughout is a major asset.

From a purely historical point of view, "Operation Amsterdam" is a really cool film. That's because most movies about WWII focus on big, loud and obvious topics--like battles. However, "Operation Amsterdam" is instead about an equally serious problem--what to do with all the diamonds (particularly the industrial grade ones) in Amsterdam--the capital of the diamond industry. This is because lots of war-time machinery (such as precision drill bits) depended on these diamonds and the British were scared the Germans would confiscate them when they overran Holland in 1940.

As far as the film itself goes, it is mildly interesting and has some very tense moments. My only reservation is that the film, at times, seems a tad bland. While it stars Peter Finch--a rather distinguished Oscar-winning actor. Here, however, he isn't given a lot to do other than hide from Germans and Nazi sympathizers. This is not a huge complaint, but the overall film is a bit on the sterile side. Worth seeing, yes, but not a rousing adventure, that's for sure.

Not a badly told story of getting much of the world's supply of industrial diamonds out of Amsterdam at the beginning of World War II. Peter Finch and two other men are dropped off by a British destroyer. The team visit Finch's father, one of a dozen or more prominent owners of diamond stashes. He agrees to coax the other owners into giving up their diamonds for safe keeping in England.

It's not an easy job. They have about three days to get it done before the Germans will enter Amsterdam. And there are Fifth Columnists everywhere, including some in Dutch Army uniforms. No one can be trusted.

Further, many of the owners are Jews and are prompted to keep their stashes as some sort of bargaining chips. Others argue reasonably that if they give their diamonds to the British, they ought to be taken out of Holland and brought to England to avoid the labor camps. And to cap the difficulties, many of the diamonds are in vaults with time locks that are not set to open during the window of operating time.

The images are pretty stark. As time passes the team becomes more rumpled and unshaven. An unglamorized and suspect Eva Bartok is swept up in the scheme. And the streets of the populous city are as empty and ominous as those of De Chirico's plazas, except for isolated Dutch Army patrols who may or may not be on the side of the Nazis.

A couple of tense action scenes punctuate the search team's effort. There are shoot outs, a strafing, and some bombs are dropped by German airplanes. And meanwhile, in the background, creeping closer, is the booming of artillery.

Not a masterpiece but it's reasonably well done, exciting, and sustains interest.