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Halloween - Die Nacht des Grauens (1978) Online

Halloween - Die Nacht des Grauens (1978) Online
Original Title :
Genre :
Movie / Horror / Thriller
Year :
Directror :
John Carpenter
Cast :
Donald Pleasence,Jamie Lee Curtis,Tony Moran
Writer :
John Carpenter,Debra Hill
Budget :
Type :
Time :
1h 31min
Rating :

Fifteen years after murdering his sister on Halloween night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.

Halloween - Die Nacht des Grauens (1978) Online

The year is 1963, the night: Halloween. Police are called to 43 Lampkin Ln. only to discover that 15 year old Judith Myers has been stabbed to death, by her 6 year-old brother, Michael. After being institutionalized for 15 years, Myers breaks out on the night before Halloween. No one knows, nor wants to find out, what will happen on October 31st 1978 besides Myers' psychiatrist, Dr. Loomis. He knows Michael is coming back to Haddonfield, but by the time the town realizes it, it'll be too late for many people.
Cast overview, first billed only:
Donald Pleasence Donald Pleasence - Loomis
Jamie Lee Curtis Jamie Lee Curtis - Laurie
Nancy Kyes Nancy Kyes - Annie (as Nancy Loomis)
P.J. Soles P.J. Soles - Lynda
Charles Cyphers Charles Cyphers - Brackett
Kyle Richards Kyle Richards - Lindsey
Brian Andrews Brian Andrews - Tommy
John Michael Graham John Michael Graham - Bob
Nancy Stephens Nancy Stephens - Marion
Arthur Malet Arthur Malet - Graveyard Keeper
Mickey Yablans Mickey Yablans - Richie
Brent Le Page Brent Le Page - Lonnie
Adam Hollander Adam Hollander - Keith
Robert Phalen Robert Phalen - Dr. Wynn
Tony Moran Tony Moran - Michael Myers (age 23)

From a budget of $300,000, the film went on to gross $47 million at the US box office. In 2008, takings that would be the equivalent of $150 million, making 'Halloween' one of the most successful independent films of all time.

The original script, titled "The Babysitter Murders", had the events take place over the space of several days. It was a budgetary decision to change the script to have everything happen on the same day (doing this reduced the number of costume changes and locations required) and it was decided that Halloween, the scariest night of the year, was the perfect night for this to happen.

John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960).

Of the female leads (all the girls are supposed to be in high school), only Jamie Lee Curtis was actually a teenager at the time of shooting.

The Halloween theme is written in the rare 5/4 time signature. John Carpenter learned this rhythm from his father.

John Carpenter and Debra Hill have stated many times over the years that they did not consciously set out to depict virginity as a way of defeating a rampaging killer. The reason why the horny teens all die is simply that they are so preoccupied with getting laid that they don't notice that there is a killer at large. On the other hand, Laurie Strode spends a lot of time on her own and is therefore more alert.

In the documentary short, 'Halloween' Unmasked 2000 (1999), it was revealed that the crew had chosen two masks for Michael Myers to decide on. The first was a Don Post Emmett Kelly smiling clown mask that they put frizzy red hair on. This was an homage to how he killed his sister, Judith, in a clown costume. They tested it out and it appeared very demented and creepy. The other mask was a 1975 Captain James T. Kirk mask that was purchased for around a dollar. It had the eyebrows and sideburns ripped off, the face was painted fish belly white, and the hair was spray painted brown, and the eyes were opened up more. They tested out the Kirk mask and the crew decided that it was much more creepy because it was emotionless. This became the Michael Myers mask.

As the film was shot out of sequence, John Carpenter created a fear meter so that Jamie Lee Curtis would know what level of terror she should be exhibiting.

A young Jamie Lee Curtis was so disappointed with her performance that she became convinced she would be fired after only the first day of filming. When her phone rang that night and it was John Carpenter on the phone, Curtis was certain it was the end of her movie career. Instead, Carpenter called to congratulate her and tell her he was very happy with the way things had gone.

John Carpenter's intent with the character of Michael Myers was that the audience should never be able to relate to him.

The stabbing sound effect is actually a knife stabbing a watermelon.

Halloween was shot in 20 days in the spring of 1978. Made on a budget of $300,000, it became the highest-grossing independent movie ever made at that time.

Half of the $300,000 budget was spent on the Panavision cameras so the film would have a 2.35:1 scope. Donald Pleasence was paid $20,000 for five days work.

John Carpenter was quite intimidated by Donald Pleasence, of whom he was a huge fan and who was easily the oldest and most experienced person on set. Although Pleasence asked Carpenter difficult questions about his character, Pleasence turned out to be a good-humored, big-hearted individual and the two became great friends. Pleasence went on to appear in two other Carpenter films.

The story is based on an experience John Carpenter had in college touring a psychiatric hospital. Carpenter met a child who stared at him "with a look of evil, and it terrified me."

As the movie was actually shot in early spring in southern California (as opposed to Illinois in late October), the crew had to buy paper leaves from a decorator and paint them in the desired autumn colors, then scatter them in the filming locations. To save money, after a scene was filmed, the leaves were collected and reused. However, as Jamie Lee Curtis and John Carpenter note on the DVD audio commentary, the trees are quite full and green and even some palm trees can be seen, despite that in Illinois in October, the leaves would probably be mostly gone and there would be no palm trees due to Illinois' cold climate - the state is mostly full of deciduous trees.

John Carpenter approached Peter Cushing and Christopher Lee to play the role of Dr. Sam Loomis (that was eventually played by Donald Pleasence), but both turned him down due to the low pay. Lee later said it was the biggest mistake he had ever made in his career.

John Carpenter wrote the role of Lynda van der Klok for P.J. Soles after seeing her performance in Brian De Palma's Carrie (1976).

Prior to the movie, a book was written by Curtis Richards, and reveals more of the story behind Michael Myers' rage, thoughts and motives. However, the book is very rare.

In an interview, Moustapha Akkad said that John Carpenter had envisioned making the movie for around $300,000. Coincidentally, Akkad said he was producing and filming a major motion picture at the same time starring Laurence Olivier which was costing his company roughly around $300,000 a day. When Carpenter told him the fixed price of his movie, he immediately funded it.

P.J. Soles went to a screening of the movie after it was released, sitting in the fourth row of a regular audience. She was very amused when during her nude scene and line of "see anything you like?", a male audience member in front shouted out "Hell yes I do!", unaware she was right behind him. Dennis Quaid, who Soles was dating at the time, asked her if she wanted him to confront the man, but she declined, too amused from the experience. Quaid was originally supposed to play Lynda's boyfriend, Bob Simms, but scheduling conflicts prevented this.

All of the actors wore their own clothes, since there was no money for a costume department. Jamie Lee Curtis went to J.C. Penney for Laurie Strode's wardrobe. She spent less than one hundred dollars for the entire set. She shot the film while on hiatus from the sitcom Operation Petticoat (1977).

The opening POV sequence took two days to film.

Debra Hill wrote most of the dialog for the female characters, while John Carpenter concentrated on Dr. Loomis' speeches.

Inside Laurie Strode's bedroom there is a poster of a painting by James Ensor (1860-1949). Ensor was a Belgian expressionist painter who used to portray human figures wearing grotesque masks.

Jamie Lee Curtis' first feature film. She was paid a reported $8,000 for her efforts.

John Carpenter composed the score in four days.

The scene where The Shape seems to appear out of the darkness behind Laurie was accomplished by using a simple dimmer switch on the light that slowly illuminated the mask.

The Myers house was a locale found in South Pasadena that was largely the decrepit, abandoned place seen in the majority of the film. However, as the house had to look ordinary (and furnished) for the early scenes with the young Michael Myers, almost the whole cast and crew worked together to clean the place, move in furniture, put up wallpaper, and set up running water and electricity, and then take it all out when they were through.

For its first airing on television, extra scenes had to be added to make it fit the desired time slot. John Carpenter filmed these during the production of Halloween II (1981) against his better judgment.

The character Michael Myers was named after the European distributor of Carpenter's previous film, Assault on Precinct 13 (1976) as a kind of weird "thank you" for the film's overseas success.

The dark lighting comes from necessity: the crew didn't have enough money for more lights.

When they were shooting the scenes for the start of the film (all the ones seen from Michael's point of view) they couldn't get the six-year old child actor until the last day, so the movie's producer, Debra Hill, volunteered to be Michael for any scenes where his hands come into view. This is why the nails on young Michael's hands look so well manicured and varnished.

Originally, Nick Castle was on set just to watch the movie be filmed. It was at the suggestion of John Carpenter that he took up the role of Michael Myers.

In a 2010 documentary, it was revealed that five different people dressed as The Shape: Nick Castle (throughout the movie), Tony Moran (during the unmasking by Laurie Strode), stuntman James Winburn, production designer Tommy Lee Wallace (due to his knowledge of how much force would be needed to break props during action shots in a single take), and co-writer/co-producer Debra Hill (in the external wide shot when Tommy sees The Shape for the first time). Tony stated that no one told him until he arrived on set that he would be wearing a mask; Debra explained that she happened to bring the costume with her that day and no one else was available for the shot.

As the film was made in spring, the crew had huge difficulty in procuring pumpkins.

Jamie Lee Curtis admits she made up the "Just the two of us" song she sang to herself at the movie's beginning when she was walking home from school.

The opening shot appears to be a single, tracking, point of view shot, but there are actually three cuts. The first when the mask goes on, and the second and third after the murder has taken place and the shape is exiting the room. This was done to make the point of view appear to move faster.

Donald Pleasence did all of his scenes in only five days of shooting. The total duration of his scenes is just over 18 minutes.

Was selected in 2006 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Dr. Sam Loomis is Michael Myers' psychiatrist. Sam Loomis is also the name of Marion Crane's secret lover in Psycho (1960). Coincidentally, Marion Crane was played by Jamie Lee Curtis's mother, Janet Leigh, and Annie is played by actress Nancy Kyes, who was credited as Nancy Loomis. The name Loomis was also used in Scream (1996).

Donald Pleasence confessed to John Carpenter that the main reason why he took the role of Dr. Sam Loomis was because his daughter Lucy (who was a musician) had loved Carpenter's musical score for his previous movie Assault on Precinct 13 (1976).

That Michael Myers could drive a car despite having been committed to an asylum at the age of six inspired many guffaws. The first movie novelization came up with a simple but effective explanation: when Doctor Loomis drove Michael to sanity hearings over the years, Michael simply watched very closely and carefully as Doctor Loomis operated the car. Remember, even if Michael sat in the back seat and there was a screen of bulletproof glass partition, Michael could still look over the Doctor's shoulder without Loomis realizing the significance. Alternatively Halloween: The Curse of Michael Myers (1995) provides a retroactive explanation to this question.

Jamie Lee Curtis has played Laurie Strode in films released in five different decades from the 1970s to the 2010s: This film, Halloween II (1981), Halloween H20 - 20 aastat hiljem (1998), Halloween: Resurrection (2002) and Halloween (2018).

This was voted the fifth scariest film of all time by Entertainment Weekly.

John Carpenter told production designer Tommy Lee Wallace to go out and find a "government-looking" car to be used by Dr. Loomis and Marion in the opening scenes, which Michael Myers ultimately steals and uses throughout the film. Wallace went to the nearest car-rental agency and a 1976 Ford LTD station wagon was the only car there that looked the part. Wallace hired it for two weeks, installing a wire-mesh divider between the front and rear seats, and slapping Illinois state decals on the front doors. Carpenter loved it, and the car-rental agency had no idea of the LTD's use in the film.

Originally, Dr. Loomis was supposed to have a phone conversation with his wife. Donald Pleasence didn't do it, saying he thought the character shouldn't have a family or a past.

The wealthy film producer Moustapha Akkad had admittedly little interest in this film and helped make it primarily due to the enthusiasm of John Carpenter and Irwin Yablans. However, when the film turned out to be a huge box-office smash, Akkad saw an opportunity and facilitated every 'Halloween' sequel. This does not include the two remakes, which were produced after his death in 2005.

The writers' goal was to write the film like a radio play, with scares every ten minutes.

As has been noted, the killer is referred to as The Shape in the script and credits for this film. The word "shape" was used by the Salem Witch Trials judges to describe specters (or spirits) of the accused doing mischief or harming another person.

John Carpenter was a huge fan of the original Canadian slasher film Black Christmas (1974) and asked Bob Clark if he could write a sequel to the film and received his permission. The script eventually evolved into a separate project inspired by the film.

Ironically, Jamie Lee Curtis admitted, "I loathe horror movies. I don't like to be surprised."

John Carpenter's direction for Nick Castle in his role as Myers was minimal. For example, when Castle asked what Myers' motivation was for a particular scene, Carpenter replied that his motivation was to walk from one set marker to another. Carpenter also instructed Castle to tilt his head a couple of times as if he was observing the corpse, particularly in the scene when Myers impaled one of his victims against a wall.

According to screenwriter/producer Debra Hill, the character Laurie Strode was named after John Carpenter's first girlfriend.

The movie that Tommy and Laurie are watching is The Thing from Another World (1951). John Carpenter went on to direct The Thing (1982).

When Laurie Strode and Annie Brackett are driving in the car, they are listening to "Don't Fear the Reaper" by Blue Öyster Cult. This is on while Michael Myers is driving behind them...

The film takes place primarily in the fictitious town of Haddonfield, Illinois. Haddonfield, New Jersey is the hometown of screenwriter Debra Hill.

None of the comic books ("Neutron Man", "Tarantula Man", etc.) in Tommy's collection are real. Copies of Howard the Duck comics stood-in for the fictional titles.

To ensure Michael Myers would break the window of the station wagon as Dr. Loomis approaches the insane asylum, a wrench was adhered to his forearm and hand. It was then painted flesh colored to hide from the camera.

Much credit for the concept must go to its producer Irwin Yablans, who had the concept originally for a horror film called "The Babysitter Murders". Upon further research, Yablans discovered to his surprise that no previous film had been titled "Halloween" and thought it would be a great concept to set these "babysitter murders" on the holiday. With these ideas, Yablans convinced an excited John Carpenter to write and direct a film around them.

P.J. Soles was dating Dennis Quaid at the time of filming, so John Carpenter and Debra Hill wanted to cast him in the role of Bob Simms. Unfortunately, Quaid was busy working on another project and John Michael Graham was cast in the role instead.

Will Sandin (Young Michael Myers) became a police officer in Los Angeles.

At 3 minutes and 54 seconds into the film, the lights go off upstairs where Michael's sister and her boyfriend are. The boyfriend is heard saying goodnight to her from the stairs at the 5 minute mark, leaving only 1 minute and 6 seconds for them to have slept together.

Laurie Strode remarks that she would rather go out with unseen character Ben Tramer. The name came from Bennett Tramer, an old college friend of director John Carpenter.

On the 25th anniversary disc, John Carpenter states that the original title sequence was to show a long shot of a sidewalk ending with a Halloween mask on the floor. The idea was dropped and the more iconic title sequence of the Jack O'Lantern was used.

John Carpenter purposely took a more restrained, suggestive approach with the gore in this movie. He learned his lesson with his last movie Assault on Precinct 13 (1976) when he killed off Kim Richards' character and the audience wound up hating him. Because of this he purposely took a more discreet approach to the bloodshed, ala Psycho (1960), as opposed to an over-the-top gorefest ala Ecologia del delitto (1971).

According to Don Post Jr., President of Don Post Studios, the famous California mask making company, the filmmakers originally approached his firm about custom making an original mask for use in the film. The filmmakers explained that they could not afford the numerous costs involved in creating a mask from scratch, but would offer Post points in the movie as payment for his services. Post declined their offer, as he received many such proposals from numerous unknown filmmakers all the time.

When Terry Gross interviewed Roger Ebert and Gene Siskel live in front of an audience for a fundraiser for radio station WBEZ in Chicago in 1996, Terry asked them about the scariest movie they have seen. Roger mentioned how the first "Halloween" movie was extremely scary and then recounted how when Gene saw it at a local movie theater, he was so scared, he took a cab home, even though he only lived two blocks from the movie theater. Gene then recounted how when he got home, he went to the shower and pulled the curtain back to see if anyone was in there.

When Dr. Loomis is fuming at Dr. Wynn about Michael Myers' escape from the sanitarium the night before, there is a glimpse of the real-life place that stood in for Smith's Grove: La Viña Hospital and Sanitarium in Altadena, California. The institution name is prominently displayed on the welcome mat as they exit the facility.

Morgan Strode's black Fleetwood (seen in the driveway when he is talking to Laurie early in the movie) belonged to John Carpenter, while the Phelps Garage truck was owned by the company that catered for the film.

Features groundbreaking use of Panavision's recent panaglide camera system as operated by Raymond Stella.

John Carpenter himself dismisses the notion that Halloween is a morality play, regarding it as merely a horror movie. According to Carpenter, critics "completely missed the point there". He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out. She uses all those phallic symbols on the guy."

Before shooting the film, John Carpenter cinematographer Dean Cundey viewed Chinatown (1974). They were so impressed by the movie's cinematography that they decided to duplicate the color palette (burnt orange for the day shots coupled with blue back-lighting for the night shots) and use of lighting for the fictitious town of Haddonfield and the over-all look of the film.

Before Captain Kirk was chosen for the mask, other masks considered include Richard Nixon, Spock and Emmett Kelly.

Tommy Lee Wallace had worked second unit for John Carpenter on this film and was originally chosen by Carpenter and the producers to direct Halloween II (1981). His approach was more of a Halloween H20 - 20 aastat hiljem (1998) approach, where it's five years later and Laurie was in graduate school when Michael resurfaces. But Carpenter insisted this had to be a very next day kind of sequel, and the studio and producers were insisting on a lot more blood due to the success of Friday the 13th (1980). Because of all this, Wallace decided he wasn't comfortable with the sequel, and he declined. However, he did direct Halloween III: Season of the Witch (1982).

The Myers house is actually an abandoned building the filmmakers found in South Pasadena, California. It became a chiropractor's office.

The audio of the bullies telling Tommy, "He's gonna get you! The Boogieman is coming!" is sampled in the beginning of White Zombie's cover of "I'm Your Boogie Man" sung by Rob Zombie who would later go on to direct Halloween (2007) and Halloween II (2009).

In an interview, Tony Moran claimed that the reason why Michael Myers was played by more than one actor, was because they could only use those who were available on each day of filming. He also added that Michael Myers was actually played by six actors in total (including himself, Nick Castle and John Carpenter).

John Carpenter told broadcaster Fox 5 DC during promotion for Halloween (2018) that the opening shot of the original film had only five takes. The eye holes of the mask were added in post-production by MGM's optical department.

Michael Myers never runs nor speaks.

A rare slasher movie where we see the killer driving.

The film takes place on October 31, 1963 and from October 30 to October 31, 1978. They also spell it Oktober instead of October

Both Carpenter and Hill felt that Loomis should be played by a "classy" British actor with star power. Both Peter Cushing and Christopher Lee were approached but both declined due to the low salary of 25K. According to Carpenter, in a phone conversation with Debra Hill, Cushing's agent told her that since the success of Star wars: Osa IV - Uus lootus (1977) any film that included Cushing should feature him as the star, even though Cushing's career had been in steady decline for years and he was only a featured character in Star Wars. Donald Pleasance nearly declined as well but was talked into taking the role by his daughter.

None of the big studios at the time were interested in distributing the movie, so executive producer Irwin Yablans decided to distribute the film via his own company (Compass International). MCA/Universal produced and distributed the next two sequels in the early 1980s.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

The first showing of the film during its theatrical run was on October 25, 1978 in Kansas City, Missouri.

Peter O'Toole, Mel Brooks, Steven Hill, Walter Matthau, Jerry Van Dyke, Lawrence Tierney, Kirk Douglas, John Belushi, Lloyd Bridges, Abe Vigoda, Kris Kristofferson, Sterling Hayden, David Carradine, Dennis Hopper, Charles Napier, Yul Brynner and Edward Bunker were considered for the role of Dr. Sam Loomis.

In the scene where Laurie and Annie smoke a joint on the way to their destination, "Don't Fear the Reaper" by Blue Öyster Cult can be heard on Annie's car radio. A cover version of the song plays in Scream (1996), a horror film that features teens watching and referencing this film as well as other horror classics.

Anne Lockhart was John Carpenter's first choice for the role of Laurie Strode.

'Halloween' wasn't the first script that John Carpenter wrote which had a mysterious killer stalking and killing specific group of people. Around 1977, Carpenter wrote the script called Meltdown which was about a group of scientists exploring a nuclear plant when one night all of the workers in it disappear. Later in the script, it's revealed that they were killed by some psychopath who sneaked into the plant long time ago and who believes that he is sent by God to destroy the plant. Most of the script was just this killer stalking and killing all the scientists in various ways, using traps and weapons such as a flamethrower and a circular saw. The ending of this script was very dark, with only two people surviving and escaping from the plant before it explodes and creates a huge disaster which leaves most of the California infected with so much radiation that nothing will live there for half a million years. And just like Halloween had the song "Don't Fear the Reaper" as sort of a foreboding sign that something bad will happen, Carpenter's Meltdown script had the song "A Whiter Shade of Pale" by Procol Harum playing at one part when the bodies of the plant workers are found by the main characters and they realize the killer's plans, and also at the ending after the plant explodes.

Meltdown was later rewritten in the mid-1990s and turned into a "Visa hing (1988) in a nuclear plant" type of thriller which was going to star Dolph Lundgren in a very dark role, but eventually production of that film was cancelled.

Robert Englund of the A Nightmare on Elm Street (1984) film series revealed in an interview that John Carpenter had him throw bags of dead leaves on set for one day.

Although Don Post Studios turned down an offer by the filmmakers to receive points in the movie in exchange for an original mask it was the company's own 1975 Star Trek (1966) Captain Kirk mask of actor William Shatner, after alteration, that epitomized the face of Michael Myers. However, they would agree four years later to provide the Silver Shamrock masks for Halloween III: Season of the Witch (1982).

Kyle Richards, who plays Lindsey Wallace, is the sister of Kim Richards, who appeared in John Carpenter's previous film, Assault on Precinct 13 (1976). Both of these women would go on to star in The Real Housewives of Beverly Hills (2010).

Nick Castle admitted that the only reason he accepted the opportunity was for a chance to witness what goes into directing a film. "My only reason for being on the set was to kind of demystify the directing experience for me, because [director] John [Carpenter] was a pal, they were shooting the majority of this near my house, really, and he said, 'Well, why don't you just be the guy walking around in the mask and you'll be here the whole time?'"

The Wallaces' German Shepherd, Lester, was "killed" by his animal trainer.

The first of two films in the series where anyone refers to Michael Myers as the boogeyman. The second is Halloween 4: The Return of Michael Myers (1988).

Throughout the film, the 1951 film The Thing from Another World (1951) plays on the TV. "Halloween" director John Carpenter would go on to direct an adaptation of this film in 1982 called The Thing (1982). Coincidentally, Carpenter was approached to direct "The Thing" after the studio was unhappy with the concept provided by Tobe Hooper, director of 1974's The Texas Chainsaw Massacre (1974), which also launched a series of Horror/Slasher films with an iconic villain (Leatherface).

The name of the character Sheriff Leigh Brackett, played by Charles Cyphers, is a direct reference to the screenwriter of Rio Bravo (1959), Leigh Brackett. One of John Carpenter's favorite movies. He used the name in Assault on Precinct 13 (1976) and Someone's Watching Me! (1978).

The initial budget of $300,000 was increased to $325,000. The added $25,000 was Donald Pleasence's salary for only five days of shooting.

Producer Irwin Yablans suggested the title "Halloween". John Carpenter admits that's when the story started taking shape for him.

John Carpenter has mentioned in the past that he based Michael Myers on Yul Brynners robotic assassin character from Westworld (1973), written and directed by best-selling author Michael Crichton. Interestingly, Carpenter would work with the late author's now-fourth ex-wife, actress Anne Marie Martin, in Halloween II (1981). She is uncredited as Nurse Karen's friend, Darcy Essmont.

Dr. Sam Loomis' revolver is a Smith & Wesson model 15 combat masterpiece .38.

Was released theatrically with the short Mark Macready and the Archangel Murders (2009) in some theaters during Halloween 2009.

Though the film credits The Bowling Green Philharmonic Orchestra for performing the soundtrack, in reality most of the score was simply performed by director John Carpenter using a piano he had at his home, with Dan Wyman later making some additions to Carpenter's music with a primitive synthesizer.

The scene where Laurie and Annie are discussing who should Laura take to the prom. Annie suggests that Laurie should go with Dick Baxter. Dick Baxter is the name of the first three victims who killed by the ghosts in The Fog (1980) Nancy Kyes who plays Annie is also in that film. Both movies are directed by John Carpenter.

Dr. Sam Loomis' automobile is a 1977 BMW 320i [E21].

Aside from the trick-or-treaters and pumpkins the only other indication of Fall in the movie are the painted and recycled leaves created for use in the film. They are featured in many scenes - the Myers house intro at night 1963, Haddonfield/Halloween 1978 intro, Laurie leaves for school, "speed kills" street , Michael behind the hedge, Laurie arrives home from school, Laurie sits on corner with pumpkin, Tommy sees Michael standing in Lindsey's yard, Annie walks to laundry building, Annie walks to garage "no keys, but please", Michael carries Annie into house as leaves blow down the street, leaves blow over stolen car roof when Loomis locates it, leaves blow down street as Laurie crosses to Lindsey's house, Laurie falls as she tries to get help from neighbor's house "can't you hear me?!", leaves blow by as Michael crosses street after Laurie, Loomis walks up street looking for Michael and Brackett pulls up behind him, etc.

Nancy Kyes would go on to play Linda Challis in Halloween III: Season of the Witch (1982). At the time she was married to that film's director, Tommy Lee Wallace, whom she met when he served as the production designer on this film.

Seven different people portrayed Michael Myers in this film: Debra Hill played his hands, reaching for various objects in the prologue; Will Sandin played 6-year-old Michael unmasked immediately after killing his sister; Nick Castle played 21-year-old Michael for the bulk of the film; Tommy Lee Wallace played Michael speeding the station wagon past the trio of girls and breaking into the closet to attack Laurie Strode; a key grip played Michael skulking behind a hedge; Tony Moran played the 21-year-old Michael unmasked by Laurie Strode near the film's ending; and James Winburn was the stuntman who played Michael getting shot by Dr. Sam Loomis and falling over the balcony at the film's ending.

Early in the film when Dr. Loomis and Nurse Chambers are driving in a car together, there is a close-up of the nurse's Parliment cigarettes with a matchbook on top that reads 'Rabbit in Red Lounge'. In the Rob Zombie remake Deborah Myers, mother of Michael, works at a strip club named the Rabbit in Red Lounge.

The automobile which Michael Myers stole at the beginning which he drives through the movie is a 1978 Ford LTD wagon.

It introduced the feast of Halloween to Spain, totally unknown at those times.

As Annie and Laurie are frantically trying to put out the joint in the car and they drive up to Sheriff Brackett and the burglarised hardware store, the sign on the light pole says Mission Street. The street exists both in South Pasadena, California (where the movie was filmed) and in Carol Stream, Illinois - the latter being the state the movie setting was taking place.

The pro wrestler Eddie Gilbert competed for the Japanese hardcore wrestling promotion Wrestling International New Generation (W*ING) in 1993 under a mask using the name/gimmick Michael Myers. His brother Doug Gilbert was there as Freddy Krueger (from A Nightmare on Elm Street (1984)), a gimmick first used in Memphis by their father, Tommy Gilbert.

The mask Michael Myers wears in the movie was modeled after actor William Shatner.

During the walking through Haddonfield scene, cover images from the teen romance novels Tender Longings by Barbara Lynn and One Love Forever by Christine King can be seen in Lynda's bag.

When Dr. Loomis is talking to the doctors in the empty classroom, Dr. Loomis is sitting in seat #37.

As seen during Dr. Loomis's telephone call in the phone booth, the license plate number to his car is B4J 207.

Nurse Chambers was smoking Parliament cigarettes during the drive with Dr. Loomis to retrieve Michael Myers on the day before Halloween.

On TV Tropes, Dr. Loomis' "what was living behind that boy's eyes was purely and simply...evil" speech is the page quote for Complete Monster.

Laurie's father is played by Peter Griffith. He is also the father of a famous actress, Melanie Griffith, and the ex-husband of another Hitchcock veteran, Tippi Hedren.

John Carpenter: the voice of Annie's boyfriend, Paul, whom we hear on the phone talking to Lindsey and, a minute later, to Annie.

John Carpenter: [Bowling Green] There are numerous references to Carpenter's childhood hometown of Bowling Green, Kentucky. The performance of the film's musical score is credited to "The Bowling Green Philharmonic". There is no Philharmonic in Bowling Green. The "orchestra" is actually Carpenter and assorted musical friends. In one scene the subtitle depicts the location as "Smiths Grove, Illinois". Smiths Grove is actually a small town of about 600 people located 15 miles north of Bowling Green on I-65. There are also numerous references in Halloween to street names that are major roads in the greater Bowling Green area.

For years after 'Halloween' was released, people would tell writer/director John Carpenter how horrified they were by Michael Myers grotesquely disfigured face, glimpsed when Laurie pulls his mask off for a moment towards the end of the film. But actually all they saw was the ordinary face of the actor Tony Moran playing the role, perfectly normal except for the small knife wound inflicted by Laurie during their struggle in the closet which was created using Special Effects makeup. Carpenter cites this as evidence of the power of suggestion in cinema, that the audience saw a monster on-screen so assumed that he must look like a monster underneath the mask.

The adult Michael Myers was portrayed by Nick Castle in almost every scene, except for some pick-up shots and the unmasking scene, where he was replaced by Tony Moran. Castle was a school-buddy of John Carpenter, and was on set just to watch the movie be filmed. It was at the suggestion of John Carpenter that he took up the role of Michael Myers, as he was tall and had what Carpenter considered an interesting walk. Castle admitted he was disappointed to not be the face shown, but understood that Carpenter wanted a more "angelic" face to juxtapose with Myers' ghastly deeds. Castle has gone on to become a successful director.

Originally, the script had Dr. Loomis having a surprised reaction to the disappearance of Michael Myers' body from the lawn at the film's ending. Donald Pleasence suggested his character's reaction should instead be an "I knew this would happen" look on his face. They shot it both ways and ended up using Pleasance's idea.

Aside from dialogue, the script cites Michael Myers by name only twice. In the opening scene, he is called a POV until he is revealed at age six. From the rest of the script on out, he is referred to as a "shape" until Laurie rips his mask off in the final scene (which he never reapplies in the script). "The Shape", as credited in the film, refers to when his face is masked or obscured.

Body Count: 6 - Judith Myers, unnamed truck driver, the dog, Lynda van der Klok, Bob Simms and Annie Brackett.

Michael Myers' full name is mentioned in the television version of the film. In the scene where Dr. Loomis asks to have him moved to a maximum security hospital, the doctors he is speaking to say his full name as Michael Audrey Myers.

Because P.J. Soles' shirt was open for the scene where she is strangled with the telephone cord, an alternate version was shot for the trailer and publicity shots where she is wearing a bathrobe.

The only blood seen in the movie is when Judith Myers is killed, when Laurie discovers the dangling body of Bob Simms and laid out body of Annie Brackett whose slit throat with its blood is visible, body of the man Michael killed for his clothes after Loomis makes the phone call along the railroad tracks. It is also see on Laurie's hand and arm after escaping from Michael.

User reviews



I have just recently been through a stage where I wanted to see why it is that horror films of the 90's can't hold a candle to 70's and 80's horror films. I have been very public in this forum about the vileness of films like The Haunting and Urban Legend and such. I feel that they (and others like them) don't know what true horror is. And it bothered me to the point where it made me go to my local video store and rent some of the classic horror films. I already own all the Friday's so I rented The Texas Chainsaw Massacre, the original Nightmare On Elm Street, Jaws, The Exorcist, Angel Heart, The Exorcist and Halloween. Now the other films are classics in their own right but it is here that I want to tell you about Halloween. Because what Halloween does is perhaps something no other film in the history of horror film can do, and that is it uses subtle techniques, techniques that don't rely on blood and gore, and it uses these to scare the living daylights out of you. I was in a room by myself with the lights off and as silly as I knew it was, I wanted to look behind me to see if Michael Myers was there. No movie that I have seen in the last ten years has done that to me. No movie.

John Carpenter took a low budget film and he scared a generation of movie goers. He showed that you don't need budgets in the 8 or 9 figures to evoke fear on an audience. Because sometimes the best element of fear is not what actually happens, but what is about to happen. What was that shadow? What was that noise upstairs? He knows that these are the ways to scare someone and he uses every element of textbook horror that I think you can use. I even think he made up some of his own ideas and these should be ideas that people use today. But they don't. No one uses lighting and detail to provoke scares, they use special effects and rivers of blood. And it is just not the same. You can't be scared by a giant special effect that makes loud noises and jumps out of a wall. It's the moments when the killer is lurking, somewhere, you just don't know where, that scare you. And Halloween succeeds like no other film in this endeavor.

In 1963 a young Micael Myers kills his sister with a large butcher knife and then spends the next 15 years of his life, silently locked up in an institute. As Loomis ( his doctor) says to Sheriff Brackett, " I spent eight years trying to reach him and then another seven making sure that he never gets out, because what I saw behind those eyes was pure e-vil. " That sets up the manic and relentless idea of a killer that will stop at nothing to get what he wants. And all he wants here is to kill Laurie. No one know why he wants to kill her, but he does.( Halloween II continues the story quite well )

What Carpenter has done here is taken a haunting score, mendacious lighting techniques and wrote and directed a tightly paced masterpiece of horror. There is one scene that has to be described. And that is the scene where Annie is on her way to pick up Paul. She goes to the car and tries to open it. Only then does she realize that she has left her keys in the house. She gets them, comes back out and inadvertently opens the car door without using the keys. The audience picks up on this but she doesn't. She is too busy thinking about Paul. When she sits down, she notices that the windows are fogged up. She is puzzled and starts to wipe away the mist, and then Myers strikes, from the back seat. This is such a great scene because it pays attention to detail. We know what is happening and Annie doesn't. But it's astute observations that Carpenter made that scared the hell out of movie goers in 1978 and beyond.

Halloween uses blurry images of a killer standing in the background, it has shadows ominously gliding across a wall, dark rooms, creepy and haunting music, a sinister story told hauntingly by Donald Pleasance and a menacing, relentless killer. My advice to film makers in our day and age is to study Halloween. It should be the blue print for what scary movies are all about. After all, Carpenter followed in Hitchcock's steps, maybe director's should follow in his.

Halloween personifies everything that scares us. If you are tired of all the mindless horror films that don't know the difference between evil and cuteness, then Halloween is a film that should be seen. It won't let you down. I enjoy being scared, I don't know why, but I do. But nothing has scared me in the 90's, except maybe one film ( Wes Craven's final Nightmare ). If you enjoy beings scared, then Halloween is one that you should see. And if you have already seen it a hundred times, go and watch it again, back to back with a film like Urban Legend. Urban Legend will have you enticed at all the pretty faces in the movie. Halloween will have you frozen with fear, stuck in your seat, not wanting to move. Now tell me, what horror film would you rather watch?

And just to follow up after seeing Zombie's version, it makes you appreciate this that much more. This is a classic by definition. Zombie bastardized his version, but it doesn't take away from the brilliance of this one.


I was 20 back in 1978, and saw this on opening weekend. I knew nothing of it, and after growing up on the old Hammer films, followed by a period of almost nothing, this was quite a nice surprise. It really worked! Had me checking the back seat in cars, gave me a sinking feeling when I lost my keys, etc. The low death toll and relative lack of blood, as compared to subsequent slasher films, has me really admiring how effectively it created the atmosphere & suspense that kept me on edge, and made me jump at the right places. I certainly don't jump any more at it, but I do have fun remembering what it was like watching it when the now-cliches were fresh & new. I laugh at the 'horror' flicks of the 30s & 40s, but when they were new, I bet they were something. And I bet in another 20 years, today's toddlers will find Scream/IKWYDLS, et al, to be tame and passe too, at least compared to what they'll (& I'll) be watching then!

I'm surprised at the number of people half my age who wish they could've been around to see this film when it was brand new!

Looking back, Halloween probably scared me more when it was new, than other horror movies have,when they were new. Horror films are indebted to Halloween for breaking some new ground, and I can't wait for the next horror film that will do something on a similar scale.


Halloween is not only the godfather of all slasher movies but the greatest horror movie ever! John Carpenter and Debra Hill created the most suspenseful, creepy, and terrifying movie of all time with this classic chiller. Michael Myers is such a phenomenal monster in this movie that he inspired scores of imitators, such as Jason Vorhees (Friday the 13th), The Miner (My Bloody Valentine), and Charlie Puckett (The Night Brings Charlie). Okay, so I got a little obscure there, but it just goes to show you the impact that this movie had on the entire horror genre. No longer did a monster have to come from King Tut's tomb or from Dr. Frankenstein's lab. He could be created in the cozy little neighborhoods of suburbia. And on The Night He Came Home...Haddonfield, Illinois and the viewers would never be the same. There are many aspects of this movie that make it the crowning jewel of horror movies. First is the setting...it takes place in what appears to be a normal suburban neighborhood. Many of us who grew up in an area such as this can easily identify with the characters. This is the type of neighborhood where you feel safe, but if trouble starts to brew, nobody wants to lift a finger to get involved (especially when a heavy-breathing madman is trying to skewer our young heroine.) Along with the setting, the movie takes place on Halloween!! The scariest night of the year! While most people are carving jack-o-lanterns, Michael Myers is looking to carve up some teenie-boppers. Besides the setting, there is some great acting. Jamie Lee Curtis does a serviceable job as our heroine, Laurie Strode, a goody-two-shoes high-schooler who can never seem to find a date. However, it is Donald Pleasance, as Dr. Sam Loomis, who really steals the show. His portrayal of the good doctor, who knows just what type of evil hides behind the black eyes of Michael Myers and feels compelled to send him to Hell once and for all, is the stuff of horror legend. However, it is the synthesizer score that really drives this picture as it seems to almost put the viewer into the film. Once you hear it, you will never forget it. I also enjoy the grainy feel to this picture. Nowadays, they seem to sharpen up the image of every movie, giving us every possible detail of the monster we are supposed to be afraid of. In Halloween, John Carpenter never really lets us get a complete look at Michael Myers. He always seems like he is a part of the shadows, and, I think that is what makes him so terrifying. There are many scenes where Michael is partly visible as he spies on the young teens (unbeknownst to them), which adds to his creepiness. If you think about, some wacko could be watching you right now and you wouldn't even know it. Unfortunately for our teenagers (and fortunately for us horror fans), when they find Michael, he's not looking for candy on this Halloween night..he's looking for blood. Finally, Michael Myers, himself, is a key element to this movie's effectiveness. His relentless pursuit of Laurie Strode makes him seem like the killer who will never stop. He is the bogeyman that will haunt you for the rest of your life. So,if you have not seen this movie (if there are still some of you out there who haven't, or even if you have), grab some popcorn, turn off every light, pop this into the old DVD and watch in fright. Trick or Treat!


My personal favorite horror film. From the lengthy first tracking shot to the final story twist, this is Carpenter's masterpiece.

Halloween night 1963, little Michael Meyers murders his older sister. All-hallows-eve 1978, Michael escapes from Smith's Grove sanitarium. Halloween night, Michael has come home to murder again.

The story is perfectly simple, Michael stalks and kills babysitters. No bells or whistles, just the basics. It's Carpenter's almost over-powering atmosphere of dread that generates the tension. Like any great horror film, events are telegraphed long in advance, yet they still seem to occur at random, never allowing the audience to the chance to second guess the film.

The dark lighting, the long steady-cam shots, and (most importantly) that damn eerie music create the most claustrophobic and uncomfortable scenes I have yet to see in film. There is a body count, but compared to the slew of slashers after this it's fairly small. That and most of the murders are nearly bloodless. The fear is not in death, but in not knowing.

The acting is roundelay good. PJ Soles provides much of the films limited humor (and one of the best deaths), Nancy Loomis turns in a decent performance and then there is the young (at the time) Jamie Leigh-Curtis. Her performance at first seems shy and un-assured, yet you quickly realize that it is perfect for the character, who is herself shy and un-assured and not at all prepared for what she is to face. And of course there is the perfectly cast Donald Pleasence as the determined (perhaps a little unstable) Dr. Sam Loomis. Rest in peace Mr. Pleasence.

If the film has a detrimental flaw, it would be the passage of time. Since the release of this film so many years ago nearly countless clones, copies, rip-offs, and imitators have come along and stolen (usually badly) the films best bits until nearly everything about it has become familiar. Combined with the changes for audience expectations and appetites, one finds much of the films raw power diluted. To truly appreciate it in this day and age, it must be viewed as it once was, as something unique.

Never the less, I have no reservation with highly recommending this film to anyone looking for a good, scary time. Highest Reguards.



John Carpenter's Halloween is quite frankly a horror masterpiece. It tells the immortal story of escaped mental patient Michael Myers, who returns to his hometown on Halloween night to stalk and kill a group of babysitters.

This was the first and without doubt the best in the Halloween franchise. Carpenter shows great restraint in pacing the story very slowly and building likable characters; unusual for a horror picture.

Even more unusual is the non-existence of blood and gore, and yet it remains the scariest Halloween to date.

Halloween marked the film debut of Jamie Lee Curtis and a defining point in the late great Donald Pleasence's career. A true classic.


To begin, this is a twenty year old film. Few films remain as suspenseful today as they did when it came out. (see: Night of the Living Dead -- had people running from the theatres when released but is very tame today). Clearly a movie fan brought up on the standards of today's movies will fail to find enjoyment of such 'classic' films. But when watching Halloween today perhaps it helps to consider a few things: Halloween was a low budget film (read: bad acting, poor special effects) made for only $300,000. It was not a product of Hollywood but a bunch of 20 year olds. This was the first film to feature the Boogeyman that Wouldn't Die which has been ripped off time and time again in the Friday the 13th, Elm Street, Scream, etc. You're used to it now, but Halloween did it first. Even Scream ripped off the look of the villian in Halloween. The theme of teenagers being stalked by a madman has been ripped of numerous times as well (again, Halloween did it first) but what seperates Halloween from the imitators is that it plays on traditional fears: The Thing that Wouldn't Die; the Boogeyman coming to get you; being followed and stalked; the boyfriend returning to the room under a bedsheet -- and it's not really him; someone hiding in the car... all things that have made our skin crawl in real life at one time or another. Watching Halloween tonight again for the first time in years I found myself again on the edge of my seat. Classic? Hell, yes. Maybe not to a generation who feels Scream was a 'good' horror movie but a classic none the less.


That mask. Wow, is that mask scary. The same can be said about the music. Even 40 years later it completely holds up in every way-it's iconic, it sounds great, it's scary and it's instantly recognizable. Amazingly, John Carpenter wrote and performed the music despite claiming that he cannot write a single note.

Before we see any part of the movie, we hear the music. Instantly, we feel unsettled. Then, watching through first-person stalker cam perspective and through the eyes of a Halloween mask, we observe a young boy peep on his sister then murder her.

Fast forward 15 years and this young boy, Michael Myers, has grown into a man while living in a mental hospital, never once speaking a word. As if summoned by some evil power, he breaks out and travels to his home town of Haddonfield on Halloween.

After breaking out and encountering people in the outside world, Michael still never says a word. It's another inspired filmmaking choice. Hearing his voice would humanize him in some way, instead all we hear is his heavy breathing.

Why Michael returned to his hometown is unclear, as is everything about Michael. That's brilliance of this movie-we never find out why Michael killed his sister, we never find out why he escaped the hospital and we never find out why he continues to kill.

We don't need to learn his reasons. No motive is scarier.

Also scary, he's human. He's not some monster with superpowers (if you ignore the sequels, like you should), he's just a severely disturbed person. Think about that. That means this story is something that could actually happen in any American small town. His victims were seemingly random, so they could be anyone. No one is safe.

Although, as I just mentioned, his killings are random, he does seem to take issue with people having sex. This started the now famous horror trope that characters who have sex are as good as dead.

This movie also popularizes the horror staple of victims who consistently make dumb decisions. Stop dropping the knife! Stop assuming he's dead! It's maddening.

Another aspect of the movie that stood out to me is its surprising lack of violence. There's virtually no blood or gore. Michael mostly strangles his victims. He uses his knife too, of course, but the killings aren't terribly graphic. It's refreshing change of pace from the excessive violence in modern slashers.

While Michael may seem invincible since he survives two stabbings and multiple gun shot wounds, he is not flawless. Upon my latest re-watch, I noticed how much he struggles with walking. Michael Myers is a hall of fame level killer, but he's a below average walker.

This likely a deliberate choice by director John Carpenter. Not only does Michael's slow walk build suspense, it also lends itself perfectly to the first-person camera shots. The patient, measured movements give him an eerie feel. He's lurking.

We see his lurking figure in many forms, each equally brilliant in its execution. Sometimes we see his outline as a shadow. Sometimes we see him ease into the corner of the frame behind a victim. Other times we see a distant shot of a house of character, then Michael partially steps in frame near the camera. Carpenter expertly mixes foreground and background in his shots to make Michael just far enough away that the characters don't see him but the audience does.

The movie builds and builds and builds. It's definitely scary from the opening scene, but it grows continuously scarier as we see the extent of Michael's killing spree. All the while, jump scares are sparsely used and are never fake. What I mean by that is when the music jars viewers, it's because Michael appears. The music never blares for fake scares, like when a cat runs across screen or a friend knocks on a door, which is annoying trend in recent horror films.

The only scary part of this film is Michael. Fortunately, he's plenty scary to carry the load.

'Halloween' is considered an ageless horror masterpiece. After re-watching it recently, I can clearly see why that is the case.


Halloween(1978)stars a very young Jamie Lee Curtis, the late Donald Pleasance, and, among others, P.J. Soles(the cap-brat from Carrie). The story centers around the demented/catatonic-schizophrenic Michael Myers and the brutal, cold-blooded murder of his oldest sister in 1963(done by him). Now it is fifteen years later and Michael has escaped the sanitarium and is headed for Haddonfield, Illinois, home of Laurie Strode(Curtis), his sister who was adopted shortly after the 1963 murder. Laurie has no idea about her past and wanders around with her friends, seemingly free of worry, and unaware that her every step is under careful watch from hiding eyes.

In the long run I am at a loss for words. Everything is here. And it's even terrifying...and a slasher movie, what a combination. Slasher movies, to me, usually aren't scary. But Halloween is. Seriously, if you haven't seen it yet you are really missing out. It's a rare achievement in film history and is one of the best horror movies ever made. It's a perfect 10/10 all the way!!!


So much has been said about John Carpenter's 'Halloween' that adding anything to it will be like adding a few drops of water to the ocean. People have their own opinions when they review 'Halloween', but I am going to share my own experiences that I had with 'Halloween'.

As the opening credits begin, we are introduced to a sinister looking pumpkin (Jack-O-Lantern) that looks spooky yet funny and harmless with its eyes, nose and jagged mouth lit by the candle inside. Looking at it for a few seconds, the viewers then begin reading the cast and crew names....Donald Pleasance in John Carpenter's 'Halloween', Jamie Lee Curtis as Laurie.....P.J. Soles as Lynda...Nancy Kyes as Annie Brackett....then Featuring: Kyle Richards, Brian Andrews...and by the time you reach 'Irwin Yablans' and 'Debra Hill' part.....You are just shocked to see that the 'sinister looking pumpkin' you almost forgot is now so close to you that you have no chance to escape its evil eye! That's what Michael Myers is for me! That's the beauty of Halloween.....The evil sneaks close to you and the worst thing is YOU ARE NOT PREPARED TO FACE IT!!!!

Michael Myers is faceless, but being faceless makes him more menacing and scary. The 'fear of unknown' is more bone-chilling than the 'fear of known'. Michael Myers is unpredictable. We know he is evil.....and he only wants to do evil for sure......but how would he do it? We never know this. He uses his silence as a cloak to hide his deadly yet unknown agendas.

Moving ahead in our lives, we always think it will be like that forever. Same old routine, going to college, working part time, chit-chatting with friends, teasing and gossiping. Life seems so easy, safe and enjoyable....Isn't it? But then a violent faceless 'shape' (Guess who 'The Shape' is!), whom we never thought of, shows up suddenly out of nowhere. His path of life, his point of view, his aim and his everything is entirely different from the common definitions and stuffs of life! You never noticed him (just like the sinister looking pumpkin) and remained busy in your daily chores, and eventually when he came very close....you realize that it's too late to escape death!

Halloween needs to be preserved for eternity. It's an amazing combination of horror, mystery, nostalgia and music and fortunately each of its aspects work so well that together they give us this towering masterpiece. John Carpenter taught me to believe in boogeyman. He taught me that they do exist. He taught me to keep an eye on the dangers that may be hiding in vicinity and finally he taught me to keep the lights on while watching 'Halloween'.

I really thank John Carpenter for making it way better than it was expected to be and for making something that has been scaring us for the last 37 years and I bet it will continue to do so till 'Horror' genre is alive.


Halloween is one of those movies that gets you skin deep! It is in my opinion, the scariest movie of all time. Michael Myers is the best boogeyman ever! He was just so terrifying! What makes Halloween so special is that there was no special effects where you can tell how computer animated it is, this was on a low budget and had a one note score, yet managed to scare the Hell out of people. 25 years and this movie still has the same effect as it did in '78.

It's about a boy Michael Myers, he kills his sister at the age of 6 and so many years later escapes the mental institution. Dr. Sam Loomis is after him and will do anything to get him back, since he describes Michael as "...pure evil. The blackest eyes, the Devil's eyes". Michael is on a mission though, to kill his other sister, Laurie, played by a new Jamie Lee Curtis. She has to babysit on Halloween, while her friends are out partying and of course, we know the rules, they get it! But Laurie may stand a chance since she's the virgin. ;D

Halloween pays many homages to Psycho, we have another character named Sam Loomis and Jamie Lee Curis, the daughter of Janet Leigh. Halloween is an absolute terrific movie that breaks boundaries and makes you lock the doors, bolt your windows, and turn off the lights! "They're gonna get you! They're gonna get you!". Halloween, the ultimate horror film!

Very Old Chap

Very Old Chap

I must admit, this is one of my favorite horror films of all time. The unique way that John Carpenter has directed this picture, opening the door to so many mock-genres, it will chill you to the bone whether it is your first time watching it or your fiftieth. The sound, the menacing horror of Michael Meyers and the infamous scream of Jamie Lee Curtis gives this film instant cult status and a great start for the independent era. I love the music, I love the characters, the familiar yet spooky setting, the simplistic nature of the villain, and the random chaos of it all. There is no really rhyme or reason to the killing in this first film, giving us a taste of Michael's true nature. Is he insane, or in some way just a very brilliant beast? That question may never be truly answered, but Carpenter gives us his 100% and more devotion to this amazing masterpiece.

John Carpenter is the master of horror. While lately his films have not been the caliber that they once were (see Ghosts of Mars), Halloween began his powerhouse of a career. This is his ultimate film. While he did release other greats, I will always remember this one as the film that caused me to turn on all the lights, beware when babysitting, and check behind closed doors, because you never knew where the evil would appear next. Carpenter has this amazing ability to bring you into the world in which he weaves. With the power of his camera, he places these images of Meyers in places you least expected while giving you the perception as if the murderer is right next to you. I loved every scene in which we panned back and there was Michael, watching from the distance, without anyone the wiser. That was scary, yet utterly brilliant. I loved the scenes in which Carpenter pulled your fright from nearly thin air. There you would be, minding your own business, when suddenly that horrid mask would appear out of nowhere. Like the characters, you too thought it was just a trick of the eye, but that is where Carpenter gets you, it isn't. Michael isn't a ghost, he is a human being (or at least we think), yet he has a stronger mental ability than most of the main characters. This leads into some really dark themes and unexplored symbolism, but even without that, this is a spooky film.

Then, if you just didn't have enough of Michael just vaporizing in the windows of your house, Carpenter adds that chilling theme music. I still have that tapping of the piano keys in my mind, constantly wondering if Meyers is looking at me through the window. Carpenter has found the perfect combination of visual frights and chilling sounds to foreshadow what may happen to our unsuspecting victims next. It is lethal, and it is done with refreshing originality and more unique thrills than anything released by today's Horror Hollywood could muster. Carpenter's Halloween is a breath of fresh air in the midst of what could be a rough horror year, with actual scares being replaced by Paris Hilton, you know that the quality isn't quite the same.

Finally, I would like to say that even the simplistic nature of the opening murder in this film is terrifying and chilling. The use of the "clown" mask sent shivers up my spine. The way that it was filmed with that elongated one shot using the child's mask as if it were our own eyes is still one of the best horror openings ever! It completely sets the tone for the remainder of that film. You have the babysitter theme, you have the childish behavior which carries with Michael throughout the film, and you have the art talent of Carpenter all rolled into one. I could literally speak for hours upon hours about this film, but instead I would rather go watch it again. It is worth the repeat visit many times!

Overall, I think this is one of the most outstanding films in cinematic history. Skip all those foreign films that think that they are going to chance the face of movies leave it to a budget tight Carpenter and the slasher film genre. This singular movie redefined a whole generation of horror films, and still continues to be an influence on modern-day horror treats. The lethal combination of a genuinely spooky murderer, the powerful cinematography of the events (which normally doesn't amount to much in horror films), and the beauty of Jamie Lee Curtis is exactly what makes Halloween that film above the rest. Sure, Freddy is cool and you feel sympathetic for Jason, but Michael is real, he is troubled, and he is on the loose lusting for the blood of babysitters. What can be better?

Grade: ***** out of *****
Sermak Light

Sermak Light

31 Days Of Horror: Day 31

Here it is, kids. The third corner of the slasher triangle that's essential viewing for any horror fan. John Carpenter made a no budget, streamlined little horror flick back in 1978, one that would start an eight film legacy of mania and legendary prolofic culture in the horror genre. The eternally relentless boogeyman Michael Myers has become an iconic movie monster, and my personal favourite of the slasher stable. From the moment that Carpenter's nerve jangling, haunting synth score kicks in, framing a half lit jack o lantern as the main credits start, we're lulled into a hypnotic, ambient atmosphere of sometimes unbearable tension and razor sharp sound design. The film opens as young Michael Myers snaps, grabs a kitchen knife and murders his teenage sister upstairs. Flash to fifteen years later, mute adult Mikey escapes from the sanitarium he's spent the last decade and a half in, much to the frantic dismay of his bug eyed psychiatrist Dr. Loomis (Donald Pleasence). Pleasence took the role and ran with it, and is at times even crazier than Michael himself, and just as iconic. Jamie Lee Curtis plays sheltered Laurie Strode, living in Michael's sleepy hometown of Haddonfield, Illinois and a prime target of the boogeyman. Carpenter wisely saves the chases and violence for the latter third of the film, and choosing to make Michael an almost unseen presence, lurking in shadowy corners of the unassuming suburbia he makes his playground out of, a vaguely threatening gust of unease in the fringes of the character's awareness. When the chases and kills do come later on, we're so wound up from the tenuous waiting, watching and wondering that the shock hits us harder at its sheer arrival. It's that mounting tension and reverence paid to the sickening anticipation of the horror as opposed to the horror itself that makes the film so special, influential and timeless. It's like a bad dream where something is inevitably, slowly waiting to get you. A horror classic, (hell a classic in itself), the king of slasher flicks and one of the most atmospheric movies ever crafted.


The first time I saw this movie, I fell in love with it. The atmosphere was what caught my attention first and foremost. I expected a gore fest, but instead got to watch a highly intelligent killer mess with my head to a chilling soundtrack (it's actually my ringer at the moment :P). The fact that I couldn't predict when he'd kill and when he'd disappear was a major plus in my book. Predictable horror movies bore me. Now, I know the storyline had some discrepancies, but, if you're like me, you don't even notice them until long after the movie's over and you're laying in bed mauling over the fact that you just witnessed a masterpiece in motion. Finally, as I mentioned, the soundtrack is timeless. It's one of my all time favorite theatrical scores, so I was very happy to hear that Rob Zombie is leaving it untouched in his remake. Speaking of the remake, I read a very comprehensive article on it and, now that I know that Mr. Zombie reveres John Carpenter, I have high hopes for his take on this classic. This movie is great for any time you have a craving for a spine tingling, but it's the perfect addition, opener, finale, you name it for an All Hallow's Eve movie marathon. :)


This was a movie that I had heard about all my life growing up, but had never seen it until a few years ago. It's reputation truly proceeded it. I knew of Michael Myers, had seen the mask, saw commercials for all of the crummy sequels that followed. But I was growing up during the decade where Jason and Freddy had a deadly grip on the horror game, and never thought much of the Halloween franchise. Boy, how I was being cheated with cheap knock offs.

Halloween is a genuinely terrifying movie. Now, by today's standards, it isn't as graphic and visceral, but this film delivers on all the other levels most horror movies fail to achieve today. The atmosphere that John Carpenter creates is so creepy, and the fact that it is set in a quaint, mid-west town is a testament to his ability. The lighting effects are down right horrifying, with "The Shape" seemingly appearing and disappearing into the shadows at will. The simple yet brutally effective music score only adds to the suspense.

The performances by all the players are well done, with specific nods to Jamie Lee Curtis and Donald Pleasance. Ms. Curtis is such a good Laurie Strode because she is so likable and vulnerable. It is all the more frightening when she is being stalked by Michael Myers because the director and viewer have invested so much into her, we want her to survive and get away.

Donald Pleasance plays Dr. Loomis like a man on a mission, and it works well. He adds a sense of urgency to the predicament the town finds itself in because he knows what evil stalks their streets.

Overall, not only is Halloween a great horror movie, but also a great film. It works on many levels and draws the audience in and never lets up. This should be standard viewing for anyone wanting to experience a truly scary movie. And for an even more frightful time, try watching it alone with the lights off. Don't be surprised if you think you see "The Shape" lurking around in the shadows!


I must have watched this movie a hundred times or more, apart from being possibly the greatest horror movie of all time, it's a damn good movie in its own right. Fantastic story, really well acted, plus it has one of the best musical scores I have ever heard. How many films can boast a soundtrack that can evoke such feelings as Halloween? not many. 37 years later and it's as watchable today as it was back then.

Talk about getting the acting balance spot on, Jamie Lee Curtis made the perfect victim, brilliantly set against Michael Myers, the perfect bad guy, and Donald Pleasance was utterly flawless as Doctor Loomis. I hadn't realised just how good Donald Pleasence was in this film, the speech he made was almost iconic.

It plays on so many of our fears, the young Michael in a clown mask, still as shocking today as it was back then. The thought of the bogeyman following you home, waiting on a street corner for you etc, the list is endless.

I cannot believe having just watched it the lack of blood and gore, goes to show it simply didn't need it, it's the suspense and fear that creates the horror.

There have been so many rip offs and 'homages' to Halloween, but there will only ever be one King of the Horror films, and that's Halloween! Thank you John Carpenter. 10/10


Halloween is one of the best examples of independent film. It's very well made and has more psychological elements to it than you might realize at first glance. It is a simple movie told very well. The music is perfect and is one of the most haunting scores... If you haven't seen this movie yet, you must check it out. The cast is all terrific. I wish they had never made sequel after sequel. The first one was by far the best and should have ended like it did without having a sequel. It was fun to see Jamie Lee Curtis in the movie. She hasn't seemed to age (she's just as gorgeous today, without the hairdo and seventies clothes). The scenes through the mask are one of the scariest things ever!
Hidden Winter

Hidden Winter

Halloween directed by John Carpenter, the movie that started the decade trend of slasher films.

Halloween tells the story of Michael Myers( Nick Castle ), who stabbed his 15-year old sister on Halloween night when he was 6-years old. After being locked up in a mental institution for 15 years, he escapes and begins to stalk a group of high school babysitters. The only character who knows of Michael's capabilities is his psychiatrist, Dr. Sam Loomis.

Loomis (Donald Pleasance) believes that Michael is not a human, but an incarnation of evil that will perform acts of murder of eternity. Loomis knows Michael better than anyone else. No one else understands Michael's true capabilities and thinks that Loomis is just being paranoid. Even though Loomis searches for Michael, he is unsuccessful in stopping Michael for most of the film and has little effect on story until the end. Loomis only exist to provide exposition and insight into Michael's actions.

Michael Myers is less of a man and more of a force of nature in physical form. Michael is shown to know how to drive or disable the power to a house, even though he has been sitting in a chair staring at a wall for 15 years. Michael moves in a mechanical fashion, every move Michael makes is done deliberately and efficiently. An injury only temporarily stops Michael, and he is shown to appear and disappear without reason. The original does not give a motive for his killings, giving Michael a kind of mystique. The mask he wears in a white Captain Kirk mask, a neutral face. Michael's victims are forced to die seeing a blank face that is indifferent about killing them.

The main character Laurie Strode (Jaime Lee Curtis) is different from her friends as she is shown to be caring and selfless. Laurie chooses to babysit on Halloween with her friend Annie who drops off the child she herself should have be watching, so that she can go out and have a good time with her boyfriend. Laurie was different though, she watched the child was supposed to and one she did not have to. Laurie even provides some Halloween activities for the kids she babysits. Laurie is a good friend and a good babysitter, so because of these traits in her character, Michael is unable to kill her.

Halloween isn't an isolated horror film. It does not take place in a far-off hotel or the middle of the woods, but in a far more relatable setting of a pair of neighborhood houses. Cries for help are ignored by neighbors who do not want to get involved. Halloween makes good use of the dark nighttime setting. Michael appears to dissolve and appear in the shadows.

The soundtrack by John Carpenter is a haunting, atmospheric soundtrack. It makes the ordinarily seem ominous and unsettling. The sound is what really makes the movie scary and sets the tone.

The film uses certain techniques to hide Michael. Most of time Michael is just a shape in the background, just watching. The opening is a seamless sequence of Michael's P.O.V as he enters the house and kills his sister. This opening leaves the impression that anyone is capable of murder, especially a young child.

The movie ends with Loomis preventing the death of Laurie Strode by shooting Michael out of a 2nd story window. When Loomis goes to check the body, it is revealed that Michael has disappeared. The closing statement is that evil never dies and that it is out there and can be anywhere.

Highly Recommended



This film is one of the best of all time, certainly in the horror genre. The claustrophobic atmosphere is outstanding, the music is just as good as the film and the killer is as creepy as can be! Actors are fantastic, RIP Donald Pleasance you were fantastic as Dr Loomis, he made the film even better. Without him the film would be missing a vital ingredient. Jamie Lee Curtis is also superb as our beloved scream queen! Her innocence makes her unaware of the real evil that is after her until she finds her friends grossly murdered in the house, which of course is one of the films best scenes. She gives a tremendous performance. I loved this film since it scared me like hell back when I seen it in the very early 80's and I still watch it to this day as it is a marvellous movie that just brings you in to this world were you could be gutted like a fish at every turn! The fact that it is a simple format of a mad man in a mask whom has escaped from a mental asylum and ready to kill everyone in sight without them having any idea that he is there, is just shockingly terrifying and indulges you even more into the movie as the events though fiction could easily be come true. We all know that unfortunately evil does exist in this world and a mad man with a knife is certainly not uncommon, a very disturbing an deep fear for all of this. Death at any turn. Halloween of course shows this in it's most terrifying way. Horror should be believable, and that is what makes the film enjoyable. It's just a simple story that is made into an excellent and terrifying atmosphere. As well as Psycho's superb storyline, both of which I adore, I believe there formats are the best horror has to offer. To me Halloween and Psycho are the best films I have ever seen and I will watch them all my life and never grow tired of them. Halloween is undoubtedly one of the best movies of all time.


Halloween is a hands down classic horror film. John Carpenter made a film that was often imaited but never duplicated. The camera angles are one of the many things that make the film scary. Carpetner allows the viewer to see through the eyes of the killer with the subjective camera and then there's the classic music score. Jamie Lee Curtis had a star making role in this movie and if you've never seen the film you should.


One of the best horror movies ever made. The acting is nothing short of amazing. Jamie Lee Curtis gives one of her best performances ever. This film revolutionized the horror genre with its portrayal of the terrifying Michael Myers. As other films from the horror genre strive for perfection, the one movie that all of them look up to is this, the original badass Halloween. None of the sequels have topped the original, but Halloween H20 and Halloween: Resurrection have been the closest by far. The cinematography, music, and atmosphere are creepy and intense, and the whole movie is an insane thrill ride. Donald Pleasance fits right into the role of Doctor Loomis so perfectly that it is even more of a tragedy that he died before he could reprise his role in H20. I recommend this movie to fans of the genre, no matter what age. This terrifying film transcends all genders and ages (appropriate ages, of course). This is one of the scariest and most disturbing tales ever told, and the directing from John Carpenter proves why he has become such a horror movie icon. I absolutely love this movie, and if you haven't already been a witness to the wonder of the Halloween experience, I really recommend you go seek this movie out immediately--I promise you that it will blow all of your preconceptions about horror films out the window.


Halloween is the story of a boy who was misunderstood as a child. He takes out his problems on his older sister, whom he murders at the beginning of the film. This is just the start of things to come from Michael Myers.

Donald Pleasance plays the doctor who's been studying Myers for years. He knows that something is different about him, something mysteriously evil. This evil will not be contained, and it cannot be stopped.

After an escape from an institution, Myers tracks down his younger sister. If he kills her, there may be an end to the troubles of this misunderstood boy. But he seems to have problems in finishing his sister off as other people get in the way. He manages to take them out while still looking for that one girl he needs.

There have been a lot of those horror movies involving teenagers getting hacked to pieces by a masked or gruesome killer. But this one started it all, sort of. If you think about it, most of those horror movies we all remember are the ones that have Freddy Kruger or Jason chasing around half naked girls. Well, if it wasn't for Halloween, those characters wouldn't have haunted our dreams when we were children.

Halloween's director, John Carpenter, got a lot out of the horror movies of the '50s and combined everything he knew into one film that scared the hell out of a lot of people back in the late '70s. This films solidified him as a director to watch and also jump started the career of Jamie Lee Curtis, who plays the girl being stalked by the masked killer.

This film may seem cliché today, but back then there wasn't much out there like this. It's been copied from and ripped off of, but Halloween will always remain the quintessential teenage horror movie. It still gives you chills listening to Carpenter's thrilling music while we see another victim get chased by that shadowy Michael Myers.


Classic, highly influential low budget thriller that gave birth to a horror icon and launched the careers of both director Carpenter and star Curtis.

Seemingly unstoppable murderer escapes from mental institution and returns to his hometown where he begins to stalk a local babysitter on Halloween.

Halloween is a film that never fails to live up to its reputation as a horror masterpiece! Carpenter's frightening story and clever direction give this film such chillingly good life that it must be seen to really be felt! The direction often consists of such simple elements, shadows, dark streets, creaking doors, that it makes even the everyday setting of a small town neighborhood truly creepy. Carpenter well-times his suspense and his jolting shocks to make them the most effectively startling, that in itself is a feat few horror filmmakers ever manage! Plus, he is wise enough to give us some truly likable young characters and a very scary villain to keep the tension all the more strong. Highest kudos also go to Carpenter's simple, yet frighteningly unnerving music score. In a sense, Halloween is a fine example of a perfect horror film!

The cast is excellent. Young Jamie Lee Curtis does a very nice turn as lovable babysitter Laurie Strode, she's so good that she would go on to be in a number of other horror films before breaking into bigger films. The great Donald Pleasants does a perfect performance as a Myer's doctor, who's desperate to capture him again. Supporting cast Loomis, Soles, Castle, and others are good too.

So like its own villain, Halloween is an unstoppable force that never fails to thrill and chill. It is a MUST for all genre fans!

**** out of ****


I have only managed to see this classic for the first time a few weeks ago. Being made almost 30 years ago I thought the scary moments would be rather tame. Boy was I wrong. There are some great moments that sent shivers down my spine. Even the acting was great, Jamie Lee Curtis was fantastic and Donald Pleasance was superb.

On the downside it can be rather slow to start but once it gets going there is no stopping it. It makes all the copycats, e.g. Nightmare on Elm Street, Scream look very tame. I can't really say it is Carpenter's best because I have not seen many of his, the only one I can remember of his is Starman (I think he made it). Halloween is the crowning achievement of the horror genre.


halloween is a film that is intelligent in its suspense, its scary. The plot is simplistic yet great the music suits the film so well it sets every scene you can hear it in. michaels mask is great the way it is so drawn and neutral looking you know its hiding some dreaded horror underneath.

the plot is on halloween night a six year old michael is across the road from his house, he walks around the side of his home to a window where he watches his sister and her boyfriend go upstairs where he then goes in and gets a butcher knife from the kitchen drawer and goes upstairs and murders her. the mother and father comes to their horror to find what their son done. he then gets sent to a mental institute.

fiftheen years later he then escapes to haddonfield to reapeat what he done fiftheen years earlier to three teenagers.

what halloween does it does so well and what it does really is keep you the audience guessing for example, is he gonna go into the shed already and kill her, what was that noise upstairs, why is it so dark in here, why is he turning the lights on and off. one of my favouite scenesis the one where jamie lee is walking across the street to the house. i think that is why they call john carpenter the master of suspense


I only first watched Halloween on October 31, 2004, and it sure frightened me that Halloween night! John Carpenter directs a low budget shocker detailing the horrific night Michael Myers 'came home'. What a memorable night indeed!

Cue frightening horror moments, equally harrowing background music, and credible performances from all concerned, and you've got yourself one of the best horror movies of all time! Halloween doesn't actually contain many stomach-churning or gory scenes, instead any murderous happenings are done with both quickly and straight to the point, and there's always that last bit for the viewer to fill in, which makes the film even more captivating. Great ominous dark settings too.

Halloween is not a movie that simply deals with murder: we can actually feel some compassion for the main characters, and you sometimes can't help but scream at the TV screen, where a dangerous game of cat-and-mouse is in full swing, and nothing can be done to stop it.

Donald Pleasance suited the role of Dr. Sam Loomis extremely well, despite turning down the role to start with, while Jamie Lee Curtis proved herself a versatile actress with her portrayal of vulnerable and simply ordinary Laurie Strode.

Halloween sure has a nail-biting ending, and is simply a terrific horror movie, remaining far superior when compared to the countless sequels that followed it.