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Slither (2006) Online

Slither (2006) Online
Original Title :
Slither
Genre :
Movie / Comedy / Horror / Sci-Fi
Year :
2006
Directror :
James Gunn
Cast :
Nathan Fillion,Elizabeth Banks,Michael Rooker
Writer :
James Gunn
Budget :
$15,500,000
Type :
Movie
Time :
1h 35min
Rating :
6.5/10

A small town is taken over by an alien plague, turning residents into zombies and all forms of mutant monsters.

Slither (2006) Online

In this blend of the B movie classic The Blob (1958), and some Romero's zombies film, a meteorite collides in a small town. Grant finds it, and is infected by a parasite worm, which installs in his brain and causes him a creepy transformation into a monster. Starla, his wife, and Bill, a policeman, will try to stop him and the plague of worms generated by the creature.
Cast overview, first billed only:
Don Thompson Don Thompson - Wally
Nathan Fillion Nathan Fillion - Bill Pardy
Gregg Henry Gregg Henry - Jack MacReady
Xantha Radley Xantha Radley - Uptight Mom
Elizabeth Banks Elizabeth Banks - Starla Grant
Tania Saulnier Tania Saulnier - Kylie Strutemyer
Dustin Milligan Dustin Milligan - Drawing Boy
Michael Rooker Michael Rooker - Grant Grant
Haig Sutherland Haig Sutherland - Trevor
Jennifer Copping Jennifer Copping - Margaret
Zak Ludwig Zak Ludwig - Gina Kid
Kathryn Kirkpatrick Kathryn Kirkpatrick - Karaoke Woman
Brenda James Brenda James - Brenda Gutierrez
Lorena Gale Lorena Gale - Janene
Bart Anderson Bart Anderson - Butcher

In the opening scene as they pan down the street, you can see "R.J. McCready's Funeral Home". R.J. McCready was Kurt Russell's character in Das Ding aus einer anderen Welt (1982), Russell ended up working with James Gunn 11 years later on Guardians of the Galaxy Vol. 2 (2017).

In the script, Brenda is the niece of Randy Flagg. Randall Flagg is the bad guy in several Stephen King novels, including Stephen Kings 'The Stand' - Das letzte Gefecht (1994).

Brenda is watching Atomic Hero (1984) with her baby, when Grant comes to her house.

Haig Sutherland was the first person to be cast. Elizabeth Banks was the second. Gregg Henry was the last actor to be seen for the part (out of more than one hundred actors from Los Angeles and Vancouver) and nailed his audition. Nathan Fillion was the last actor to be cast, about a week before shooting began. Shooting lasted forty-seven days.

The name of the High School is "Earl Bassat High", after a character in Im Land der Raketen-Würmer (1990).

People, places, and buildings, throughout the film, allude to various late twentieth century monster movies. See Movie Connections for specifics.

Dangled above the street at the beginning of the film, and on stage later at the Deer Cheer celebration, you can see a "Henenlotter's Saddle Lodge presents Deer Cheer" sign, a reference to cult horror Writer and Director Frank Henenlotter, famed Creator of Basket Case - Der unheimliche Zwilling (1982) and Elmer (1988).

(At around forty-eight minutes) When the mother tells her two daughters to go to bed, the one on the right is reading a "Goosebumps" story by R.L. Stine titled, "The Girl Who Cried Monster".

Jenna and Emily Strutemyer were named after Jenna Fischer, Director James Gunn's wife, and her sister.

Gregg Henry also appeared with Nathan Fillion and Michael Rooker in Guardians of the Galaxy.

James Gunn's intention with the character of Starla was essentially, "the Hitchcock blond," and found it in Elizabeth Banks, he saw other actresses, "they had the sort of WB good looks but Elizabeth really had that old time grace."

Nathan Fillion (Bill Pardy) and Michael Rooker (Grant Grant) were in Super - Shut Up, Crime! (2010) and Guardians of the Galaxy (2014).

A couple different studios wanted to produce the film, but Gunn went with Gold Circle and Universal because they wanted to start production immediately and offered him real freedom.

The first thing Fillion thinks of when he sees himself on screen is his big nose.

"When you make a movie in Canada you have to have a certain amount of Canadian actors," says Gunn. "You're really only allowed to have American actors if they're stars." Fillion got in as a Canadian, obviously.

"We had many, many vendors on this film," Gunn says, "and some of them were great and some of them were not so great." Digital Dimension and Image Engine get a shout out from him as two of the best.

The scene with Grant visiting Brenda and her baby was filmed in a house in British Columbia that smelled of cat piss and other odors. Gunn recalls being stuck in there, gagging, while the rest of the crew were thankful to be outside. "But still thank you very much to the family for letting us use your house," added Fillion.

Inspiration for the film according to, James Gunn the first image that hit his mind was of a young woman with an alien-like worm flapping and burrowing into her mouth. The story and title came later as he decided to bring back the feel of the films he loved from the '80s. Specifically, he mentions wanting to honor The Fly, The Thing, Basket Case, Return of the Living Dead and more.

Air Supply's "Every Woman in the World" was written into the script as Mr. and Mrs. Grant's love song. Fillion asks why, and Gunn says "Frankly I find it creepy." He explains why but then backpedals a bit saying "I like the song, I'm not saying I don't like the song, it's not my time of music necessarily but I really do like the song."

Several of the character names are nods to talents in the horror genre, and Gunn was originally planning on pointing them all out during the commentary. He decides though that it will be be more entertaining for viewers if he doesn't. But then he does.

Gunn admits to casting the actor to play Hank (played by himself) when he was drunk. "I'm just wondering why you cast such a homely man," asked Fillion.

Michael Rooker accidentally broke his glasses off camera, while doing kung-fu kicks by himself.

Fillion recalled Gunn telling him that "We are making a funny movie, but we're not making a comedy." From that point forward Fillion better understood the tonal balance he needed to aim for.

Gunn and Fillion both agree that the most horrifying scene in the movie is the bit with Grant having sex with his wife. "Elizabeth did not have to act much in this scene," says Gunn, "as Rooker was groping her. There he flicks her nipple." Apparently one of the producers fought hard to have Gunn cut the nipple flick.

The shot of Brendas baby in the crib teething on a tomato was originally accompanied by a bit of dialogue explaining why, Brenda says that tomatoes are cheaper than toys, and the infant actually softens them up thereby making them better for cooking. It was a good call cutting the explanation.

Don Thompson loves the horror genre and grew up on Universal's classics, and on the last day of shooting he approached Gunn with tears in his eyes to thank him for the experience of working on this one. His favorite scene to film was when Wally returns from the dead and speaks with Starla.

Gunn points out that while he's hardened on gore effects and such the dog corpse that Starla finds in her basement made him "really sick."

Rooker dislocated his shoulder while filming the scene where he attacks Starla and grows a floppy arm. It was a long shooting day with multiple setups, and he didn't tell anyone until the shot was in the can.

When the monstrous Grant slithers across the field unaware that he's surrounded by cops, was created practically and manipulated by multiple puppeteers who were then digitally erased.

The barn is on property owned by Buddhist monks, who love The Matrix (1999).

Brenda James suffers from claustrophobia and a meat-phobia. This made her scenes with the meat products and the ones trapped in the bloated body fairly traumatic for her.

Gunn is no fan of the shot where the worms cover Pardy (Fillion) and Starla. "I think the worms look really bad."

Gunn had originally scripted the infection of the two little Strutemyer girls to appear partially onscreen, but he decided against showing it. "It was one of the things the producers really didn't want me to show, especially in Europe they're very touchy about children being killed." I would actually disagree with that statement as there seem to be far more genre films from Europe offing kids on screen than we've ever gotten here ‐ The Children, Cub, Who Can Kill a Child ‐ but his next point makes a lot more sense. "I'm really glad that I didn't do it, because the experience of these worms entering people's mouths is quite sexual in certain ways, and it's difficult to watch. To do it with a child would have been too much."

"Kylie's mom has to vomit on her," says Gunn, "but we only had three of those jackets." It took three takes, the first two of which resulted in minor dribbles from the actress' mouth. They rehearsed and "Iris [Quinn] learned that she really had to cough to get the stuff to spurt out in the way I wanted, and then she was able to vomit appropriately on her daughter's face."

Jenna Fischer, who was married to Gunn at the time, was not originally part of the cast. The actor in her role begged to be released from his contract because he had an offer to shoot a pilot, so Gunn let him go rather than have a performer on set who didn't want to be there. Gunn swapped the character's gender and gave her a few more lines. By the time the movie was released Fischer had become immensely popular from The Office, so she was the one who went on The Tonight Show the night before the film opened.

The post-car crash scene was filmed on a night that was below zero and at the mercy of a Hells Angels party across the street. One of the bikers got a ticket for crossing a barricade into the production area, and he subsequently became very angry. He began setting off fireworks to interrupt he filming because bikers can be petty people too apparently.

Gunn recalls that during the film's premiere screening he spent more time watching Fillion's mother than watching the movie. She was jumping from scares, flailing from worry and "I don't want to put down your mother, but I think there was some urine trickling down around my feet."

Gunn absolutely hated the scene where the "silly Muppet deer," attacks Bill.

The question about the film that Gunn gets most is people inquiring as to who sings the song at the very end. It's called "Baby I Love You" by The Yayhoos.

Fillion had wanted to work with Gunn since seeing the Dawn of the Dead remake which Gunn had written. He actually auditioned for the film but was passed over. "They said they wanted someone to be more of a young, blond woman," explains Fillion.

One thing that was difficult Gunn stated, "is getting little girls to walk like zombies."

Gunn found it necessary to explain what "bukkake" means as no one seems to get the reference. I'm not sure what it says about me that I already knew the definition.

Rob Zombie: Voice of Dr. Karl, talking to Starla on the phone.

James Gunn: Hank, teacher at school.

The post-credits coda shows a cat getting possessed by the last surviving creature. In an early draft, this was meant to happen to Bill (Nathan Fillion), after the Grant-creature is destroyed. Starla (Elizabeth Banks) sees the resulting wound later, prompting her to shoot Bill to death.

Jenna Fischer disclosed on a television talk show that she got the role of Shelby as a "birthday present" from her spouse, James Gunn, after another actress dropped out of the movie. Being a big fan of zombie films, she always wanted to play a zombie. Upon hearing the news, she screamed with joy.

For the scenes of pregnant Brenda a suit of 3 meters long was created where the actress had to get inside the suit and rest her head in a hole.

Lloyd Kaufman appears as the Sad Drunk in the police station.

that Brenda consumed large quantities of meat during her pregnancy was proposed by one of the film's producers who said "If brenda gestates thousands of baby slugs inside her as she fed them".


User reviews

Lost Python

Lost Python

James Gunn wrote Slither as an homage to the horror movies he loved. Every single one of them. From the Deadly Swarm, to The Fly, to the Toxic Avenger, to Basket Case, to some films most people wouldn't know much about.

The film is about a loving husband (though noticeably not the best. His love for his wife is one of his better sides) who is stung by an alien insect. He starts mutating into a squid beast while slug like monsters Terrorize a small town where cell phones don't exist.

It's obvious from the previews that this is a bit of a comedy. You'll be surprised at just how suspenseful it really is. The horror ranges from cheap pop-outs, hilarious gore, and heart pounding action in a genre bending film that is like Tremors for adults.

The movie is well acted, and all the actors have such great chemistry together. While the movie isn't an excellent film, those looking for a good time have nothing to complain about. It keeps the audiences entertained like few other movies can.
Xwnaydan

Xwnaydan

Today, I am a happy gorehound. I've just seen "Slither," and it was a truly good time! OK, let's face it... this one isn't going to win any awards for originality. The story here is "Invasion of the Body Snatchers" meets "Night of the Living Dead" with hints of "The Blob," David Cronenburg's "Shivers," and a more-than-passing special effects nod to Brian Yuzna's "Society." But it WORKS here.

James Gunn, a veteran of Troma Studios, has made a horror fan's horror flick. Laced with homages to everything from 1950's drive in cinema to R.L. Stine's "Goosebumps" books (not to mention a clip from a Troma movie on a TV in one scene). Gunn clearly knows his audience, because he IS his audience. He delivers up a movie that might be formulaic, but its over-the-top gore, it's black humor (this is one horror show that never takes itself too seriously), and it's general gung-ho, pull-no-punches attitude turn what could have been yet another plodding bit of cinematic flotsam into what could well be an instant horror classic on par with "Re-Animator." If you know what I'm blathering about here, if the names and the titles of these films are familiar, then see "Slither." You're going to love it.
Daigami

Daigami

It is absolute fun, plain and simple. It gets in, does it scares and it's laughs, and gets out quick. As what it was meant to be, it was absolutely brilliant. It does its own thing, and it does it perfectly, and the result is pure entertainment, nothing more. So, if you like movies like Shaun of the Dead, Army of Darkness, Dead Alive, Gremlins, Tremors, or anything in that vein, you will like this movie.

Or if you just wanna see Captain Mal Reynolds (Nathan Fillion) again on the big screen and wistfully wipe a tear or two away, you can go see this movie too.

It's creepy, it's gleefully gross, it's HILARIOUS, and I don't think I wasted a single minute watching it. Great movie.
energy breath

energy breath

First off, I'm a horror nut and no matter what anybody else says, this is NOT a rip-off of "Night of the Creeps" or "The Deadly Spawn". James Gunn himself said at a recent Fangoria Weekend of Horrors in Chicago that the only film that played a part in "Slither" was David Cronenberg's "They Came from Within" (AKA - "Shivers"). There's a blatant homage to it that fans of the Cronenberg film will spot right away, and that's cool. That what James Gunn is about. You forget, this is a guy from the house that Kaufman built - Troma. Nods and inside jokes abound in "Slither". It's a horror movie for real horror movie fans. Slimy, not gory. Funny, not insipid. "Slither" is the next logical step from the guy who wrote the remake of "Dawn of the Dead". It's a little more fun, a lot less serious, and features a great cast that makes this movie what it should be - hugely entertaining. Perfect, no. But it sure is fun and makes you look forward to what he'll do next.
Cildorais

Cildorais

(Synopsis) The movie opens with a meteorite landing in the backwoods of the small town of Wheelsy. The bad news is that our atmosphere did not burn up everything inside the meteorite. One of Wheelsy's rich business men, Grant Grant (Michael Rooker), who is married to the young and beautiful high school biology teacher, Starla (Elizabeth Banks), finds a slow moving slimy thing behind the town bar. The slug stops moving as Grant moves closer, he becomes infected by the slug. Grant begins to change and evolve into a bloodthirsty meat-eating squid creature with a need to kill to maintain his life. Sheriff Bill Pardy (Nathan Fillion) and Starla must defeat this creature or the entire earth will be consumed.

(My Comment) Slither is a 1950's type B-grade horror/comedy movie scenario that has everything. A billion-year-old alien parasite from outer space with penetrating tentacles that sucks the life out of you, fast moving slugs that want to get inside your mouth, dogs and cows being eaten by human and deer zombies, an enormous mother glob, and the small town being terrorized by a monster. This is your classic B-grade movie that is a lot of fun watching. You will laugh from beginning to end. For budget reasons, it looks like they used the old standby, tomato ketchup, for blood. There are some scary moments, but most of the scenes are hilarious. If you want an enjoyable night and a good laugh, this is the movie to see. (Universal Pictures, Run time 1:36, Rated R)(8/10)
Ielonere

Ielonere

I got to see this movie at the special screening of it at the Fangoria weekend of Horror. I had seen the trailer for this 2 months back play before a movie two months back but forgot all about it until I was at the con and saw there was going be a special screening. Me and my wife had to see it. We love horror and this was our first time being at a special screening. So we were both jazzed.

We were not disappointed.

This film is a homage to a bunch of horror classics and James Gunn is from the Troma school of horror so there are of lot of sly winks to them and a lot of out there dead pan humor to the movie. This isn't a rip off of Night of the Creeps.

Before the movie started the director James Gunn said a lot of heart went into the movie by everyone involved and you can definitely tell. The crowd that was there for the screening were laughing at the jokes and the humor and ohhh at the gross out parts. This is the best crowd I've been in for a movie in a long time since the 40 year-old Virgin. Those type of crowds seem to be diminishing for some reason. But not that night. From what I can tell everyone either liked or loved the movie. I'm kicking myself that I missed the panel for the movie. I did get to ask Mr Gunn a question as we were leaving and my wife got to get a picture of em along with Jenna Fischer and Micheal Rooker(who was giving him bunny ears lol).

I will definitely go to see this again when it comes out on March 31. We need to support more film like this so studios can get it in there head to give money to Directors like Mr Gunn, and not hacks like Uwe Boll.

I just saw the TV spot for the movie the other night. It doesn't do it justice. Ignore the TV spot and go see this film.
Hap

Hap

I got to see this movie at it's LA premiere on a fluke -- I was interested in the star, Nathan Fillion, and got in when someone had extra tickets -- and I have to say, from the previews I wasn't that impressed. They just didn't appeal to me.

Despite all that, I absolutely loved the movie. It was funny and gross and scary and such a good time. It managed to be all those things at once and hit all the right notes.

In many ways it is like the movie Shawn of the Dead -- real people's reactions to classic horror movie scenarios; funny, self-referential mocking of the horror genre, etc. -- but somehow it is new and fresh and highly enjoyable.

The writing is superb and there are some genuinely surprising moments (both of the funny and scary varieties). All the actors do a fabulous job. I highly recommend seeing this movie.
felt boot

felt boot

Surprisingly funny black comedy is a sharp witted throw-back to old school horror films.

Alien creatures inhabit the bodies of some small-town rednecks and reek some bloody havoc!

While it's easy to see the influences of every horror movie from Night of the Living Dead (1968) to Tremors (1989), Slither is itself a gutsy horror ride that firmly stands on its own. Writer/Director James Gunn delivers a story thats equally gripping and comical. There's plenty of action, suspense, and steely chills to be had as well. The special FX are nicely well-done and provides for some unforgettably wild scenes.

Cast-wise the movie isn't half bad either, although it's really Gregg Henry who steals the show as the town's foul-mouthed mayor.

All around Slither is an enjoyable creature show for those that like their horror films gooey! It's also a heck of dark comedy, yall.

*** out of ****
Dagdardana

Dagdardana

In case you're a loyal fan of horror movies, I'm pretty sure you've already heard (and probably even USED) the cliché saying in this comment's subject line. We sometimes get the impression that the only horror films Hollywood serves us nowadays are uninspired slashers and colorless remakes, all staring untalented bimbos and washed up hip hop stars that urgently need to boost up their careers by playing a film role. For all these reasons (and many more), James Gunn's "Slither" is an immensely joyful movie to observe, as it's a genuine homage to the cheesy, gooey and especially GORY old-school horror days! Gunn's fluently written script catapults us straight back to the 1980's, with its typical little town setting, witty redneck characters and – above all – make up effects that don't rely on advanced computer techniques. The story opens when an evil alien monster crash-lands his "eggshell" in the woods and literally invades the body of local town figure Grant Grant (Michael Rooker). Grant then impregnates a slutty townsgirl and she "gives birth" to thousands of eerie slugs that go on infecting the rest of the villagers. Grant's loving wife Starla teams up with the Sheriff, who's also her biggest admirer, to battle the slugs and prevent total elimination of the hunting town's population. Judging by James Gunn's age and background, he grew up during one of the golden eras of horror and this is clearly noticeable by the amount of tributes and references he put into his own film! Little aspects and gimmicky ideas from "Basket Case" over "The Blob" onto "Tremors" all feature in "Slither" and yet never at one point the film becomes overly hectic or stupid. It doesn't contain much tension or originality, but that largely gets compensated by the imaginative splatter. Grant gradually turns into a large-sized pile of slimy smut (similar to Brian Yuzna's "Society") that sucks innocent villagers into his stomach...or something like that. Other people get their head blown to pieces by a shotgun, or entirely eaten by the slugs and one poor sucker is even cut in half by Grant's tentacles. The dialogues are often hilarious, particularly the mayor is quite a character, and the cast members all seem very happy to be a part of this production.
Jia

Jia

Wow! What a fun and engaging movie. This film packs more punch and originality in its presentation that any comedy horror since "Dead Alive". If you are a horror fan like me YOU WILL NOT BE DISAPPOINTED. The acting is well-done and the comedy is blended perfectly. If you like body piercing alien tentacles, and slimy slugs crawling down your throat and controlling your brain, this movie's for you. Every scene is a homage to great cult classics and hits its target audience in the head with a 50 pound bag of fun dropped from the Empire State Building. Granted, I'm no film expert but I am an avid moviegoer and I give this one a very anti-ebert 2 thumbs up (16 tentacles and 100,000 slugs). The reason this movie isn't rated higher is simply it's not a great or a classic by any means. It is just a no-holds-barred good time, and sometimes thats the best time you can have in the confines of a movie theater with a fat red haired woman sitting next to you chomping her week-size tub of extra buttered popcorn and screaming every time she sees the firefly guy in danger. ....sigh....7/10
Punind

Punind

I would highly recommend this to anybody who thinks 'Sci-Fi Horror Comedy' is good fun. This movie contained elements from some of my favorite movies: The Blob, Invasion of the Body Snatchers, Night of the Living Dead, and a little bit of The Thing. The plot has a slow build but never fails to lose your interest. Every time you think you know what's going on the script moves in a new direction until you arrive at the truly bizarre climax. The acting is a little weak from the star (Elizabeth Banks) but the rest of the cast is pretty solid and any Joss Whedon fans will recognize the Firefly captain Reynolds in a great role as the sheriff. The special effects work well without being flashy or huge-budget and some of the gross-out scenes are as stomach-churning as you could hope for. Throw in gratuitous profanity, one-liners, and redneck hicks, and you've got the perfect recipe for an alien-zombie-romance-comedy classic. A bit of the bonus for the guys-- there is a chance your girlfriends will like this one too thanks to a well-executed underlying theme of love conquering all. But they better not mind some horrific violence along the way. As a general fan of any kind of horror-comedy, I can't help but give Slither an A+.
Kazracage

Kazracage

The movie begins when a meteorite collides in a rural community. Grant(Michael Rooker), married to Starla(Elizabeth Banks) encounters the meteorite and is infected by a parasite and originate him a horrible turning into a creepy monster with tentacles over his chest. People are dying gruesomely ad mysteriously, the body count starts to rise and anybody has a clue what the cause is. A foul-mouthed Mayor named Jack(Gregg Henry),and the local patrolman named Bill(Nathan Fillion) are investigating the weird events.

The picture packs mystery, shocks, grisly horror, but also tongue in check and black humor. The movie displays hair rising and horrifying images with lots of blood and graphical gore. This is an entertaining juvenile , quite remarkable for recreation of the carnivorous and ferocious worms developing a spooky and bloodthirsty hunger. Delivers a sympathetic homage about fifties movies and a B-film tribute. For that reason, the picture take parts from ¨Dawn of the dead(George A Romero)¨, Slugs(Juan Piquer),Society(Brian Yuzna), and The Blob(Chuck Russell), among others. Besides special appearance uncredited by Rob Zombie and Lloyd Kauffman, the famous producer and director of Troma productions, usual artificers of this type movies. The motion picture is professionally directed by James Gunn, he's usually writer(Dawn of the dead, Scooby Doo,1 and 2) and occasionally director for Troma productions . No for small kids by violent, realistic and gory attack scenes.
Nidora

Nidora

No spoilers in here.

I also posted this on the Slither board! Last night I saw a special screening of Slither at the Chicago Horror convention. I'm a huge Firefly/Serenity fan so of course I heard about the movie because of Nathan Fillion being in it, but with the way the preview looked it looked not so good. Well when I heard that Nathan was going to be in Chicago for the Horror convention of course I went, I live in Chicago. So first was the panel with writer/director James (DAWN OF THE DEAD) Gunn, Nathan (FIREFLY) Fillion, Michael (HENRY) Rooker, Gregg (BODY DOUBLE) Henry, Jenna (The Office) Fischer and Elizabeth (SPIDER-MAN) Banks, plus producers Paul (WHITE NOISE) Brooks and Eric (DAWN OF THE DEAD) Newman. They were all really nice especially Nathan and James. Later I was able to get their autographs and I got my picture with Nathan which let me tell you that man is so gorgeous in person.

Well after that panel I was thinking OK so maybe the movie seems a bit better then I thought it would be. So after getting the autographs I stood in line for the preview showing of the movie. Felt like we waited forever. Once we finally got to the movie threatre we still had to wait but James Gunn, Jenna Fischer, Michael Rooker, Gregg Henry plus Lloyd Kaufman were all in the audience with us. James said a few words before the movie starting. Once the movie started it was filled with so much. The audience kept on laughing and cheering at certain parts. The movie sucked you in like you wouldn't believe it to. It was filled with so much humor and some horror and of course a lot of gore and thinking ewww that's gross. BUt all in all I was very surprised at how much I enjoyed this movie. This movie truly is probably my favorite horror movie ever, which OK I wasn't scared at all during it so on the scary factor it's not scary just creepy but usually movies like this are pretty stupid but not this one. I'd suggest everyone to see this movie! And even if you don't think it looks good (which I didn't) see it anyways, and see it to support the actors and those behind the movie because they truly are great people. The whole time during their panel they kept on making the audience laugh and cracking jokes. Truly amazing people!
Uickabrod

Uickabrod

I think I might enjoy the comedy/horror genre more than the actual horror films they parody. James Gunn, (yes, the man who brought us what I can only imagine are fantastic scripts for Scooby Doo 1 & 2—not sure since I would never watch them), has broken into the mix with his film Slither. It appears he understands the appeal these films have and jam-packs it with gore, camp, and humor. The audience can never wonder if what transpires is unintentionally funny because they are too busy thinking about the parts that are unintentionally scary. A comedy, through and through, Gunn gathers a nice group of actors to play up the cheese yet still make us believe they are smack in the middle of the otherworldly situation they are in.

The basic premise here is that an alien life form—not Martians as they are from Mars of course—has come to Earth to make it its next world for consumption. Our villain inhabits a local and makes him go out to either infect, impregnate, or devour all other forms of meat, human or otherwise, along his journey. This host just happens to be involved in a somewhat loveless marriage with the resident good-looking teacher, who or course is the object of our hero's affection, the chief of police. Once the creature's first mate unleashes his spawn of collective-consciousness worms, the town comes under attack and only the chief, the host's wife, and the obnoxious mayor can save the day.

Amidst all the zombie-turning and the blood, acid spit, and limb jellying, we are treated with some great laughs and one-liners from people who truly know how to deliver the script deadpan for added effectiveness. The great Michael Rooker plays the host body to campy perfection. What role of his hasn't oozed tongue-in-cheek outbursts and over-the-top facial expressions? Gregg Henry takes the unpolished politician to new heights and everything he says gets a laugh as result. Even his introduction in the film, swearing in the midst of his constituents and their children, is a tired gimmick, but still effectively funny. As for our real heroes, we are treated to some good forbidden chemistry between Nathan Fillion and Elizabeth Banks. Fillion is king of sarcasm and always stays in a realistic mode unfazed by the horrors happening around him. Someone else could have allowed the film to become unhinged if they didn't take this role seriously; the comedy relies on this character not seeing the humor around him. With Banks, a favorite of mine who is underused in movies, I was not a big fan of the fake accent, but I guess it does fit the aesthetic of what is going on. And as the mayor says, she is hardcore—when she kills her first infected assailant, it's priceless.

Definitely more entertaining than expected, I can still understand the lack of love at the box office. The trailers showed that there would be some subversion to the horror with humor, but didn't quite go all the way with it. I'm sure people were confused in what to expect and those who wanted scares were disappointed as were those that wanted pure laughs. To me, Gunn masterfully mixes the two just right for an enjoyable ride in Hicksville, USA during an interstellar battle for supremacy. He gets all the little moments right, the grenade folly, the corny love scene music, and even the extras looking like they are from a backwoods/ incestuous town. The look was right and the delivery just as effective as I laughed pretty much straight through.
Dolid

Dolid

A comic homage to sci-fi films of the 1950s updated with extreme violence. A small Southern town of Wheeley is infested by some disgusting alien slugs. The main slug infects Grant Grant (Michael Rooker) to the confusion of his young, blond-haired beautiful wife (Elizabeth Banks) who is secretly loved by the towns sheriff (Nathan Fillion). Soon the slugs are infecting everybody and its up to the sheriff, Grant's wife and a plucky teenager (Tania Saulnier) to save the town.

Horror comedies are hard to pull off--they can become either too gross or too funny. Only a few have pulled this off--"Evil Dead II", "Re-Animator", "Night of the Creeps" and "Dead Alive". Unfortunately this isn't as good as those. The cast does play it straight (wisely) and it's well-made with some great (if disgusting) special effects. But the humor and horror never mesh comfortably. I DID laugh out loud a few times and was impressed by the gross out effects--but the movie was always wavering uncomfortably between the two. It never found even footing. It's not terrible and the cast is good--but I still wasn't entertained. LOTS of plot holes too. I can only give this a 6.
Kefrannan

Kefrannan

Slither is a horror comedy that doesn't really have enough horror or comedy to qualify as one or the other. It has one scene that is exceptionally good, any number of zingers that work, but very few real scares and not enough humor to maintain the movie. In addition, the script does not focus on the hero and heroine, and goes off kilter in several places.

A major failing of this film is that it introduces and then leaves its hero (Fillion) to follow Grant Grant (Michael Rooker) as he is first introduced and then becomes the monster. This whole part of the film drags - Michael Rooker's character isn't that interesting to us as a person, and watching as he goes through a series of motions while acting in the monster's interest might be interesting if this was Grant - Portrait of a Man Turning Into A Monster rather than a horror-comedy alien invasion movie. In the final analysis this movie's problems are in the script - it isn't that important to the audience how the monster acts or propagates. The purpose of a horror-comedy is to get the heroes backed up in a corner with shotguns and then throw bugs at them, with them cracking wise every time something frightening or disgusting happens. Instead we get an exploration of the alien's habits and tactics that just makes this part of the movie drag. The ostensible heroine (Elizabeth Banks as Starla Grant) is more central to this part, but nonetheless I felt the movie had left its narrative track, unless it planned on following Grant Grant all the way to the end.

When Fillion and his posse finally confront the alien the movie does begin to cook, but once again the problem is in the script. By this point that audience knows - and the characters should know - that Grant is not just suffering from some disease, and act accordingly (shotguns) - instead they continuously parley in the face of increasing evidence that this is not something that "let us get you to a hospital" is going to help. Although their reactions might have been human and real, these are characters in an action movie and simply should have done what the movie promised - delivered action. A lack of action scenes in a movie with as few ideas as this is a great failing.

*** SPOILERS AHEAD *** After the first confrontation and the bursting of the alien larval sack (a minor character and perhaps the best scene in the movie) the script once again betrays the movie. At this point one of the characters is almost taken over by the alien and develops an insight into the alien. The writer-director (Gunn) chooses as this character a completely new character, rather than one of already developed minor characters. Why? Why did he need to introduce a completely new character more than an hour into the movie that becomes central to the plot? By the time this character is attacked, we know hardly anything about her and could care less about her, even though she is a winsome teenage girl in her bath. Had Gunn decided not to use this character and just used one of the established minor characters, he could have completely avoided introducing her family, and saved time and money. Furthermore, the hero and heroine would have been filled in on the alien's plans without all the additional characters, and could have gotten around to blowing away aliens sooner and with more vigor.

My last criticism is based on the movie's look. Gunn is primarily a writer, or maybe it was budgetary constraints, but this movie looked ugly and uninteresting. Most of the action takes place at night in woods or on a field, and the screen simply looks drab. The sets in Wheelsy (the fictional town where the action takes place) look cheap. The whole movie looks cheap. Box Office Mojo states the films' budget was $15 million, newspapers say $29 million, and considering they didn't use any name talent, I would say the money did not show up on screen. The monster is just repulsive, and rarely looks deadly.

The last criticism is primarily based on the reality of the character's actions. By the time Fillion and Co have begun hunting Grant/the alien, one woman has disappeared and Grant is known to have been mutilating animals. At this point I was expecting the FBI or at least the State Police to show up and take over from the hick Sheriff. A woman has disappeared and likely been murdered, and a local has been acting psychotic. Time to call the authorities. But basically I was hoping that would happen because I just wanted some characters who would show up and ACT.

Although this movie is ostensibly a horror-comedy, the movie it bears the most resemblance to is Dreamcatcher in terms of monstrous invasion and the type of monster and its intentions. Whereas Dreamcatcher had much bigger problems with story (especially the entire Morgan Freeman subplot) and particularly the ending, in many ways it was stronger, primarily because the main characters were stronger, but more importantly because it looked beautiful. Although that may be anathema - preferring the movie that is weaker in general plot and structural spine because of production values - that just shows you how uninteresting I found the look of Slither.
HeonIc

HeonIc

Grant Grant, a wealthy man from a small town, married to the beautiful Starla, becomes infected by an alien and unknown plague,after walking in the forest one night. The alien thing, makes everyone who is it's host into kind of zombie disfigured creatures. And in Grant's case, his physical changes don't take much time to show. With time passing, Grant becomes more violent, disfigured and bizarre. The murderers and missed people starts to increase. How much time will take to people notice he changed?

''Slither'' is considered to be a ''horror-comedy '', but I found that is more of a B horror movie then anything else. The movie remembers in many aspects movies like ''The Blob'' ( where there is an alien) and ''The Fly', where both characters become disfigured and a non- human thing. It is not the type of movie who makes you scared, it's more to feel disgusted of how the main character becomes grotesque and repugnant. If you are a David Cronenberg fan, I guess you will enjoy the movie pretty much.
Fearlessdweller

Fearlessdweller

(only minor spoilers though!)

I cannot believe how good this movie is. Every other "comedy horror" movie I've ever seen in the end is really just a twisted comedy. While that isn't necessarily bad, it's really astonishing to me that Slither can pull off being funny and truly scary in many instances.

This movie doesn't drag much at all. Every scene has you curious what will happen next. It has literally all of the elements that I feel make for a great B movie - action, suspense, humor, attractive women, scares, and heart. And as a bonus, the acting is actually surprisingly competent. The main idea of the movie's plot is that a crater from outer space comes down (obvious tribute to "The Blob") and turns a man into a disgusting slimy alien-esque creature who procreates, resulting these disgusting slimy worms. Cool, huh?

One thing about this movie that seems to never be mentioned is that it has a very southern feel to it. It takes place in the south, the characters have southern accents, a tavern is briefly shown with confederate flags flying, and as the cherry on top the antagonist's name is "Grant Grant" (he has the same first name as last name). I don't know why no critic ever mentions this as I feel it is a BIG part of the film, and I love it. If the makers of movie did this to give to make the film more lovable, they succeeded big time. Although filming actually took place in Canada, they sure did an outstanding job of making the set feel like the American Southeast.

Now having stated my love for Slither, I will admit that it isn't for everyone. If you are more drawn to meaningful dramas, romantic comedies, or documentaries, or are just easily grossed-out, you may well not enjoy this movie at all. But if you love films about zombies, alien invasions and creatures, you'll love Slither.

Lastly, if you are new to the horror genre, I recommend watching some other movies before this because part of the entertainment value in Slither is that it's a tribute. Try seeing The Blob (1958), one or two of Romero's zombie films, and maybe Invasion of the Body Snatchers (doesn't matter if it's the original or the 1978 remake) or any films similar to these first. You'll be glad you did.
Dog_Uoll

Dog_Uoll

(apologies to Joe Bob Briggs) What do you get when you give a guy who makes Troma movies a bigger budget? A Troma movie with good special effects. What I don't understand is why they didn't give this B-movie a title that fits a B-movie, like, "Invasion of the Brain-Eating Slugs from Outer Space." If you've seen "Resident Evil," "Dead Alive," or "Night of the Creeps," you've seen this movie; the only difference is that SLITHER plays it up for comedy (and succeeds). With Nathan Fillion as the Chief of Police ("Bring your guns; we don't want any Lyme Disease popping out at us"), Michael "Why am *I* never the main character?" Rooker as Grant Grant, The Man with Two First Names ("MEAT!"), Gregg Henry as the Mayor ("I've never seen stuff like this! And I watch Animal Planet ALL THE ****ING TIME!"), and Elizabeth Banks as a woman who talks about the sanctity of marriage vows with a mutated alien squid-blob thing. Over 100 dead bodies. Acid-spitting zombies. Zombie deer. Shotgun to the head. Curling Iron Fu. Propane Fu. Hairbrush Fu. Fingernails Fu. Signpost Fu. Tentacle Fu. Loveseat Fu. Fire Extinguisher Fu. Acid-spit Fu. Exploding head. Exploding swimming pool. Exploding alien slug. Exploding alien blob-monster. Gratuitous flesh-eating. Gratuitous dead animals. Gratuitous severed dog head. Cael says check it out.
Maximilianishe

Maximilianishe

Welcome to Wheelsy, population: probably about a sixteenth of the people you'd find in Brooklyn, if that many. It's located due south of Twin Peaks, its main street at the intersection of Evening Shade and Northern Exposure. Its industry? HUNTIN' SEASON. Cultural events: drinkin', line dancin' and more drinkin'. The mayor, Jack MacReady (Gregg Henry) swears with a trucker's mouth at the traffic jam blocking his way in town, which consists of exactly one SUV. The crime rate? So nonexistent, that the leading lights of Wheelsy's police force have nothing better to do than nap and check the flying speed of a whippoorwill with their radar gun, exactly in that order.

Nice place for an alien invasion to drop in, isn't it? And since that is the whole point of SLITHER, it's where the movie really takes off. The Town Rich Guy, Grant Grant, (yes, that IS his name and he's played by Michael Rooker, from HENRY: PORTRAIT OF A SERIAL KILLER no less), can't get no "lovin' from the oven" of his comely blond trophy wife, Starla (THE 40-YEAR-OLD VIRGIN's Elizabeth Banks,) so off the aging stud-wannabe stomps to the local watering hole where he runs into Brenda Gutierrez (Brenda James), a fresh young thing who's been crushing on him since she was ten. (Eeewww, TMI, but never mind.)

In the woods outside Wheelsy, the two are in the midst of a drunken tryst when Grant is distracted by two things: guilt because of Starla, and something that looks like it could've crawled out of a stray meteorite that fell in the woods...probably because it did. A cross between a loaf of bread gone VERY wrong and a demented Man'O'War jellyfish, when Grant sees it moving, he does what any genius would...he pokes it with a stick. (Uhm, Grant...didn't you ever see THE BLOB when you were a kid?)

The alien parasite responds to this form of stimulation as any alien parasite would, leaving poor Grant feeling kinda...wait for it...SLUGGISH. (Bah-DUM-bum). Then, infested with a whole new lease on Wheelsy life, Grant returns to his beloved Starla a truly changed man. She knows this by the way he makes love, (TMI a-GAIN,) and also by the way he starts buying and storing insane amounts of raw meat in the basement, in a nearby barn, and also begins to incorporate animal carcasses into his new hobby...

I want to get into more details, but why spoil the fun? Welcome to the dream "Monster Mash" that every fanboy has ever lusted after when he saw Carpenter's THE THING for the eight-thousandth time. Writer/director James Gunn (who penned the DAWN OF THE DEAD remake) just happens to be one of those guys. He pays homage to while wickedly delivering "purple-nurples" to every monster movie convention we've come to know and love, since the first time we saw Kevin McCarthy running down the middle of the street hollering "YOU'RE NEXT!" And because we all know monster/alien invasion/zombie movies so well, by rights none of SLITHER should really work. But it does for a couple of reasons: Gunn knows how to walk that tightrope between not enough and way too much, be it humor or horror, and because he got himself one of the best casts to help him out since that other outstanding cult classic that shares a similar pedigree, TREMORS.

Besides Henry, Rooker, Banks and James, there's the outstanding Nathan Fillion (FIREFLY and SERENITY's stalwart Captain Mal Reynolds) as Sheriff-turned-Police Chief Bill Pardy, whom up until now only had to deal with deer infestations and Grant Grant stealing the girl of his dreams by marrying her. Each cast member gets their own "special" moment to shine (and/or slime), and do it with tongue firmly in oozing cheek. And bravo to Tania Saulnier as the petrified-but-plucky Kylie, a teen who's favorite hero clearly must be Jamie Lee Curtis from the old days.

This is a movie that clearly won't be everyone's cup of cellulose slop, but if you are reading this review in the first place, what more do you need, an invitation? Get your NIGHT OF THE CREEPS-THING-PREDATOR-DAWN OF THE DEAD-BODY SNATCHERS-FROM BEYOND-RE ANIMATOR-EVIL DEAD-DEAD ALIVE-ALIEN franchise-SPECIES-THEY CAME FROM WITHIN-lovin' butt to the nearest multiplex RIGHT NOW, and see this the way that G*d and Gunn intended: on a big, honkin' screen with a huge, overpriced bucket of popcorn shared out with your sweetie or your best friend(s).

And if for no other reason, see it for the way that Jim Gunn takes a piece of dreadful Eighties schmaltz like Air Supply's "Every Woman In The World", and does to it what no one else could...actually make it funny, sad AND unrelentingly, sarcastically COOL.
Valawye

Valawye

I'm a huge fan of horror movies and was really psyched about seeing this one. I was expecting the typical zombie romp with lots of aliens, gore and silliness, but it just failed to deliver.

The first half of the movie was really slow. I believe in some character development and all, but that's not really what was happening. I stuck through it, though, and was a little hopeful when the alien leech things I saw in the preview started running around the town.

Unfortunately, that was about the climax of everything. Saving the day just wasn't as difficult as it should've been when they were up against an army of zombies with a hive-mind, and I was disappointed. I was happy with the fact that nearly the entire population of the town died... but why couldn't I watch? The humor made it watchable, and I admit that it might appeal to people who would be more interested in the story and less in the zombies. I didn't feel ripped off, but it certainly didn't live up to my expectations. It's worth a watch, but I would wait for the DVD.
sobolica

sobolica

One critic even had the audacity to compare this movie to Tremors. Whoever said that either never saw Tremors or should never be allowed to write a review again. This movie jumps from place to place with no apparent idea. Is it a comedy or a horror? truth is the creator probably doesn't know. The only times it makes you laugh are when it is so stupid that it is funny, and then your not even sure that you are supposed to be laughing. Besides that it is disturbing and graphic. I think that the person who made this movie should make another movie, "How to fail at movie-making" or "what not to do" -1000 stars.

-sidenote, the opening that they stole from the movie. The Blob made in the 50's without fancy special effects and was way better. If you have any urge to watch slither go rent The Blob.
Cemav

Cemav

Movie is an insult to the Jimmy Caan 70s flick of the same name; and to the audience. Gunn makes great play of it being a homage to just about EVERY horror movie (read 'rip-off'), even down to referencing characters and directors - big deal - Brundle's Meat - so what? And thinks he is making something neat and smart and knowing - but the flick just deteriorates into a dull ZOMBIE movie. Like we need another one of those. He wastes Rooker's superlative talents by turning him into a motionless blob; and offs the sorely underused Greg Henry. Leaving us with what? Nathan Fillion and staggering zombies. If Gunn could have spent some time being less pleased with himself, maybe he could have ironed out the glaring plot holes - for example, why do one horde of zombies become 'Grant' - talk like him, think like him; but the gal's entire family DON'T. Stupid. Also, check this - less is more. I found ONE slug in my kitchen the other day. It freaked me out. Gunn's gazillions of the critters didn't one iota. Lame. Limp. Not funny. Not scary. He's put the good cause of horror back twenty years. Oh, and Gunn 'F**k you fat-ass' is not good dialogue, neither is 'this is some f**ked up sh*t'. Stick with Troma and Scooby Doo, it's about your level.
Vizuru

Vizuru

I had high hopes for this movie, bearing in mind the way it was publicised in the same bracket as the hilarious Shaun of The Dead. Sadly, this film is NOTHING like this - nowhere near as good or funny or anything like it.

I literally did not laugh ONCE during this film - and surely a comedy should make people actually chuckle?! This did not - this just, quite simply is not funny.

I would have to say that, alongside Open Water, this is the worst film I've ever seen. Fans of Shaun of The Dead should be very wary, as this film is nowhere near the high level of Shaun...it's must be embarrassing for the Shaun of The Dead makers that such an awful film as Slither is even mentioned in the same breath as Shaun.

Slither should be consigned to the bin - not the cinema.

In short - this film is cr*p. I wouldn't bother going to see it if you haven't.
Stonewing

Stonewing

I don't know what I missed here, but I can't believe all these positive comments by so many people on this film. I thought it was silly, and a bit over the top. I did like the performances of Gregg Henry and Michael Rooker, however the others were just... boring.

Now I like B movies, I really do, but this was a bit further down the alphabet for me. I saw someone compare the humor and horror in this to "Army Of Darkness" and "Shaun of the Dead", as well as "On par with The Re-Animator". You must be joking. I didn't find this film funny, it tried, it did make an effort, (possibly too much of an effort), but it failed in my opinion. By the time I was hit with the 3rd or 4th one-liner I was rolling my eyes and checking my watch.

There were definitely homages made to several other films, which is always cool, kind of like an inside joke for us horror fans. But here it may have just been a lack of original thought. Admittedly there were some nice special effects, good gore, but that can't carry an entire movie. The mutated Grant looked like a cross between Jabba the Hut, and in the early stages of mutation- Chet from "Weird Science" (after he was turned into the monster) and one of the alien creature/children from "The Explorers". It just didn't work. I thought it looked like something some kid from Grade 5 art class could have designed. Then there was Brenda, the woman that Grant impregnated and chained up in the barn. When help finally arrived she looked like a giant tick waiting to be popped. The design once again was totally unimaginative. A round flesh colored balloon with a face in the middle. *yawn*

Now about the zombies- The more movies I see with zombies in them these days the more I wish George A. Romero had a patent on them and was the only writer/director allowed to make movies about them. He's the only person so far to do it right, with the exception of Edgar Wright and Simon Pegg (but that was a comedy). Oh, and Danny Boyle, but they were a different style of Zombie. Maybe Mr. Romero has ruined any zombie film for me due to his ingenious ability to get his actors to moan, groan and shamble about as if their joints are dried up and lacking even a drop of synovial fluid, and their muscles are fighting the effects caused by rigor mortis that had started to set in right before they were re-animated. The people of "Wheelsy" just didn't have the proper motivation... they were horrible zombies.

So in the end I give "Slither" a 3, for a couple of laughs and a few nice gore scenes.