Tonka (1958) Online

I too have seen this movie when I was a child around 6 or 7 years old. I have recently been fortunate to receive it as a gift since it is my favorite movie of all time. It was a "Disney" movie. The color of the mane was something I truly did not pay attention to even on my most recent view of the movie. Looking back, I still did not expect to see history accurately portrayed with the history of Hollywood. To me it was a movie about a horse a brave and the love and respect between them. It was also a store of a Native American and a step to become a man in his culture. It was for entertainment. It is a movie I look forward to sharing with my granddaughter when she is 5 or 7 years. I hope and believe it will deliver to her what it did to me. A movie for the young of a horse and one who is blessed by its present in his life. I can not help still seeing some parts in my own child's eyes.

I saw this movie as a kid and loved it. I now own horses and watched it with my equestrian daughter recently. It still holds up pretty well, but the thing that blew my mind was that Tonka's natural blaze is apparently painted over and the color does not match. Look at the picture on the cover of the Disney release - It's amazing that they thought they would pull that off.

I agree with the other person's comment about the subject matter for a Disney kid's film. Of course, the Custer last stand part is only the big final scene. Most of the movie deals with the young Indian brave and Tonka as they sort their way through the harsh realities of those times. It seems a bit of a stretch (but perfect ending for Disney) that in the end Sal becomes a scout for the army with Tonka as his horse.

Originally, this was to have been called "Comanche," the title of the novel it is based on. Just before the Disney company was about to release their latest western, though, a B oater starring Dana Andrews with that name hit theatres. That one dealt with Comanche Indians. This one, with Comanche, a horse owned by a member of the seventh cavalry that survived the Little Big Horn and led to the tradition of the riderless horse still in existence today. Disney changed the name to Tonka, which is what a young Sioux boy, White Bull (Sal Mineo) calls the horse after catching it - short for Tonka Wakon, or the Great One. The change of titles actually works to the film's benefit, for Disney and company placed more emphasis on the Indian side of the story than the cavalry's, making this the first movie ever made to tell the story of Custer's Last Stand from the Indian point of view, at least up to Little Big Man (1970) - and in truth that was from the point of view of a what man raised by the Indians. Mineo, who would again play an Indian youth in a much bigger film, John Ford's Cheyenne Autumn (1964), is believable, and the film is sympathetic to Native Americans, without being patronizing or condescending, in a way that we expect today, but which no Hollywood filmmaker but Disney did back in the fifties - he was P.C. before P.C. existed, and may just have created the climate of tolerance that we strive for today. Philip Carey plays the sympathetic cavalryman Miles Keogh, and it's worth noting that this was the first Disney western NOT to star Fess Parker, who had been their headliner since Davy Crockett four years earlier. Very accurate staging of the Little Big Horn battle, as this is one of the only films ever made to reveal that Custer (Britt Lomond, the villainous Monastario on Disney's ZORRO TV show) had his hair trimmed short just before the battle, and that he did not carry a sword to the battle - and neither did any of his men. Those who expect Disney films to be sanitized ought to catch this one, as the Last Stand is quite bloody considering the time period in which it was made, forcing child viewers to deal with the unromantic truth of warfare on the plains, circa 1876. A little gem worth rediscovering.

A really amazing film to come from the Disney studio at a time ( 1958 ) when they were making tough films for family audiences. First viewed in 1965 aged 7 when my father hired the 16mm print for private home use to family and friends. I think he projected it twice and then the film remained in the memory for many years as an early favourite. Those were the days when you saw a film once or twice and there was no way of seeing it again until a reissue or TV. Having just seen the film again 43 years later, I have to say that it really is superb entertainment with a useful message about racial tolerance yet never needing to compromise it's swiftly told, exciting story. A passionate, memorable performance from a very fit, believably cast young Sal Mineo. Beautiful Technicolor photography from the great Loyal Griggs (Shane) and not forgetting the various horses used for the lead role of 'Tonka wakan - The Great One', of course several had to be used and one has to suspend disbelief occasionally as the animals don't always look similar but all in all Disney did a very commendable job. Top Direction from Lewis R.Foster with the battle at the Little Big Horn impressively staged. A very underrated film and long overdue for a DVD restoration, in fact some filmmakers do admire it as the whole story was recently reworked in animated form for a Spielberg production 'Spirit: Stallion of the Cimarron'.

Sal Mineo eschewed the urban areas which most of his films had him in for the Old West as he plays a young Sioux brave who captures and tames a wild horse he names Tonka. This is a fine film that still holds up well today and gave Mineo one of the best parts he ever had.

Sal and his peer Rafael Campos are warriors in training and Sal after trying to capture a brown stallion he admires loses the rope and a bow and quiver of arrows and gets the riot act read him by Sitting Bull. Still he goes out and actually finds and tames Tonka. But a warrior cousin H.M. Wynant claims the horse by seniority. Mineo would rather see the horse anywhere else but with Wynant and he frees him.

Through a chain of circumstances the horse gets captured and sold to the cavalry where he's renamed Comanche and he becomes the property of Captain Myles Keogh played by Philip Carey. And that is the background of the story of Mineo and the horse, the Battle of the Little Big Horn where the only survivor on the cavalry side was the horse Comanche.

All the players including Custer and Keogh are real people and the Battle of the Little Big Horn is well staged by Disney Studios. And next to Mineo the most notable performance in the film is that of Britt Lomond as General George Armstrong Custer.

If you are used to the image of Custer as portrayed by Errol Flynn in They Died With Their Boots On then what Britt Lomond did with the role will be a revelation. For those of you who think that Custer was glory hunting Indian hating fanatic than you will love to hate Britt Lomond. Lomond is best known as Captain Monasterio in the first episode of the Disney Zorro TV series. He was pretty hateful as Monasterio and just as hateful as Custer.

Tonka is a nice coming age story told from the American Indian point of view. Kids will universally identify with both Mineo and Campos. Tonka is also one of Disney Studios best films of the Fifties and one of its best ever.

This rare title from 1958 features the amazing and charismatic Sal Mineo as a young Indian brave, who captures and trains a horse that will become his friend, and later his ally in one of the bloodiest battles in American history. Tough subject for a Disney production, but the famed "Battle of Little Big Horn" led by General Armstrong Custer, against a surprisingly well-armed and well-prepared Indian tribe, is handled very effectively, and impressively, without downplaying the violence. The first segment of this gem of a film focuses entirely on the bond that develops between White Bull (Sal Mineo) and his wild horse, as the Indian brave trains Tonka to trust him. The way in which White Bull is always trying to win the respect of his mother, and of his tribe, and to prove his manhood, is done in a most believable way. And when Tonka falls into the hands of the White troops, the story switches gears and becomes a bit more of an adult Western. The final battle is swift and bloody, but there is a happy resolution for the Indian boy and his horse. It is a nice change of pace to see the Indians portrayed, not as savages, but as people with hearts and pride in their land, and love for their kin. And whoever thought of General Armstrong Custer as some kind of "hero" will be surprised to see that he is portrayed as anything but a hero. Seen as a blue-eyed racist, a rabid hater of the Indians, a people who were having their land and their heritage savagely ripped apart by the new arrivals.

After 30 years, Disney has finally issued a legitimate DVD for the title "Tonka." The picture quality is pristine, taken from a master that is in fine shape. Colors are bold and images are sharp. Wonderful, especially considering the age and rarity of the title. Almost none of Sal Mineo's films have had legit video releases, so this makes this one even more important. "Tonka" is a superb example of a certain era and style of film-making that is gone, but not forgotten. A true classic, available again to a new generation.

I remember this movie being shot on location on the Warm Springs Indian Reservation in Central Oregon about 100 miles southeast of Portland,OR.. I was 13 at the time. It was during the summer when school was out. Some footage was shot just west of the BIA Agency compound behind the Boarding school and other locations as well. Some of the residents were used as extras and of course all the girls went crazy meeting him.

He made us all feel very special while he was there. As I remember, other scenes were shot around Bend Oregon.

Thanks Sal for being so gracious.

It,s one of those Disney family movies from the fifties, that gives you a good feeling, like many others from the same cataloging. Disney was outstanding in those days. Nostalgia, of course, but they don't make them like this anymore. Tonka, was one of the frontier movies that went a bit deeper into the Indian nation, and also portrayed Custer as the mean man he was. One of the first times from Hollywood actually. At the same time told the story of the sole survivor from The Battle of Little Big Horn in 1876. Excellent photography, and Sal Mineo's part as White Bull and his companionship with Tonka, was indeed heartwarming. Disney ought to put this out on DVD, with historical bonus etc. Jørn Back, Norway

Walt Disney is the reason I now live in Tenn. He is also responsible for my interest in early American history. I seen the 'Davy Crockett' series when it was shown on TV in the 1950's. I have never gotten over it. I have over 350 books on this subject. And, all the movies made about Davy Crockett and The Alamo. Some are better than others, BUT, they are all great!

I loved the story of Tonka. I read the book in school and I have many, many books and movies about 'Custer's Last Stand'.

I moved to Tenn and was at the 'Crockett Tavern Museum for about 9 years..

I am thankful to Walt Disney for the many historic themes he turned into movies.

This was one of my absolute favourite movies as a kid. It seems strange to me now that they could make a family movie about a battle where one side was entirely wiped out (except the horse of course). Not that there was any blood and gore in the film. It just seems a strange topic for a kids movie.

A real wholesome movie, especially from the perspective of the American-Indian. If not mistaken, back when this was released it was meant to be a Sal Mineo vehicle. Mineo plays White Bull, a young boy coming to grips with becoming a man. Others of note in this scenic drama are Joy Page, Rafael Campos, Slim Pickens and John War Eagle. Doubtful you would watch this more than once.

This movie, followed by a young reader's book two years later, started me on a study of the Battle of the Little Bighorn that has now lasted for over 50 years. Before watching it this evening, I had not seen the movie since it was released in theaters in 1958. I was pleasantly surprised to find some accurate historical details stuck into the fictional story, such as a bullet hitting Keogh in the knee and going on into Comanche--they clearly did some research, since that is an odd detail most people wouldn't know. The terrain at the battle looked very much like reality, as well. The Indians were another matter--I could swear I saw the stitching down the center of Sal Mineo's wig in an early close-up--but it wasn't bad for 1958, and the use of the Indians as central characters was both good and unusual.

They also got the names of Custer's horses right, but for some reason called Keogh's other horse Pokey. It was actually Paddy. And as for Tonka Wakan--it is my understanding that that is roughly equivalent to naming your horse Jesus Christ. It may translate to "The Great One," but I believe it is usually used to refer to the Great Spirit.

The characterization of Custer as a nasty, Indian-hating bad guy is totally not true. Custer actually liked Indians--it was simply his job to be at war with them, just as he had previously been at war with his West Point classmates who had joined the Confederacy. I am currently reading a very fine book on the Cheyenne War of 1864-69, and it is clear that there was a lot of killing and nastiness on both sides. By the time of Custer's demise, many tribal groups had surrendered and gone to live on reservations--but not Sitting Bull or Crazy Horse. They probably would have preferred to be left alone by white people, but the discovery of gold in the sacred Black Hills had made that impossible. So they had one final victory before it was all over, and that is the story told in this movie.

Sitting Bull did have a nephew named White Bull, and other characters, such as General Terry, Lt. Nowlan, and Trooper Korn were also real. To the best of my knowledge, Yellow Bull was fictional, and I am not sure the representation of Lakota tribal culture was very accurate. The horse-breaking methods shown were common to cowboys, but not Indians--gentle training was more the norm.

The details of other errors are too numerous to go into--the bit Keogh describes as "simple" seems to me to be a curb, rather than a snaffle; the uniforms are not right; the Indian clothing is weird--etc., etc., etc.

But generally speaking, the movie is much more accurate than I remembered, and it is certainly a classic example of a Disney family movie. Thanks, Walt, for helping to change my life.