Varsity Show (1937) Online

VARSITY SHOW (Warner Brothers, 1937), directed by William Keighley, is a college campus musical, in fact, Warners' only contribution to the college musical of the 1930s. Originally distributed in theaters at two hours in length, circulating prints are from the 1940s reissue at 79 minutes, with 40 minutes of material clipped from the original negative and lost since then. Considering this edition happened to be the only known print in existence today, this review is taken on the basis from the edited version.

The story begins with Ernie Mason (Fred Waring) and his fellow students of Winfield College rehearsing for the upcoming annual varsity show. Ernie, assistant to Professor Sylvester Biddle (Walter Catlett), the faculty adviser, finds he and the students aren't being given the freedom they need to put on a successful show. Biddle insists the show be done his way or none at all, in spite that his ideas are out-of-date and his refusal to allow swing music as part of the score. Janitors Buck and Bubbles come up with an idea in hiring Charles "Chuck" Daly (Dick Powell), a former alumnus now a successful Broadway producer, to help direct the show. Betty Bradley (Priscilla Lane), Buzz Bolton (Johnnie Davis), Johnny "Rubberlegs" Stevens (Lee Dixon) and Trout (Sterling Holloway) volunteer in coming to New York City to locate Daly. At first Daly refuses, but because Daly has just closed his latest Broadway flop (his third in a row), he and his assistant, William W. Williams (Ted Healy) decide to return to Winfield College where they not only agree to help direct the varsity show, but become part of the fraternity by staying in the dormitory run by Mrs. Smith (Emma Dunn), as well as finding themselves suitable love partners, Daly with Barbara Steward (Rosemary Lane) and gravel voice Williams with Cuddles (Mabel Todd), a buck-tooth, bespectacled blonde with a very peculiar laugh.

With the music and lyrics by Johnny Mercer and Richard Whiting, the good selection of songs from the 79 minute print includes: "The Varsity Show's Rehearsing Today at Three O'Clock" (sung by cast); "Old King Cole" (sung by Johnnie Davis); "We're Working Our Way Through College" (sung by Dick Powell); "I'm Dependable" (sung by Priscilla Lane and Fred Waring/ written by Tom Waring and Don Raye); "On With the Dance" (sung by Rosemary Lane); "You Got Something There" (sung by Dick Powell and Rosemary Lane); Tap dance solo act performed by Buck and Bubbles; "Have You Got Any Castles, Baby?" (sung by Priscilla Lane); "Love Is on the Air Tonight" (sung by Buck and Bubbles); "Have You Got Any Castles, Baby?" (tap dance by Buck and Bubbles); "On With the Dance" (sung by Buck and Bubbles); "Old King Cole" (sung by Johnnie Davis); "On With the Dance" (reprise); "You Got Something There" and "Love Is On the Air Tonight." If one looks very closely to the opening credits and to the list of songs, one tune, "Little Fraternity Pin," is listed but not heard in VARSITY SHOW.

As much the story may be as predictable as any college musical of that time, the majority of the songs for this production were quite standard. Forgotten today, VARSITY SHOW contains the most entertaining college finale ever presented. Choreographed by Busby Berkeley, it did get nominated for an Academy Award in the best dance direction category. Though it didn't win, VARSITY SHOW still demonstrates Berkeley's true ability in his creative staging techniques. With Fred Waring and his Pennsylvanians orchestrating the finale, the real show stopper centers upon an individual co-ed throwing a football on numerous occasions across the stage over to a group of students to form themselves into spelled-out letters of well known universities as Yale, Wisconsin, Notre Dame and Stanford. All these letters are used with color tiles with the underscoring to just about every familiar college song imaginable. It's an excellent production that makes up for whatever flaws the film itself contains. Buck and Bubbles shouldn't go unnoticed. They, too, contribute to several good dance routines. Not quite as effective and faster style of the Nicholas Brothers over at 20th Century-Fox, but a routinely style all their own.

The supporting cast includes: Halliwell Hobbes as Dean J.M. Meredith; Edward Brophy as Mike "Curly" Barclay; Ben Weldon, Robert Homans and Tom Kennedy. Lee Dixon, who was becoming a familiar face in the Warners musical starting with GOLD DIGGERS OF 1937 (1936), followed by taking second billing opposite Ruby Keeler in READY, WILLING AND ABLE (1937), and co-starring opposite Dick Powell in THE SINGING MARINE (1937), makes his final bow in VARSITY SHOW. In the edited version, he not only limited in his contribution to the story (though possibly had extensive scenes from the two hour edition), but had his name placed thirteenth in the closing cast credits. He later scored successfully in the Broadway musical, OKLAHOMA (1943), and appeared one more time on screen in the western drama, ANGEL AND THE BAD MAN (Republic, 1946), starring John Wayne, before his death in 1953.

VARSITY SHOW in present form is a pleasing musical with a bright score. (One can hope the missing footage will someday suffice and take the place of the chopped-up copy on TCM). As for the cast, Dick Powell, Ted Healy, Rosemary Lane, Johnnie Davis and Mabel Todd appeared together again in another large scale Warners musical, "Hollywood Hotel" (1937), that introduced the popular theme song, "Hooray for Hollywood." Directed entirely by Busby Berkeley, it lacked the great musical finish that highlights VARSITY SHOW so well. Rah! Rah! Rah! (***1/2)

I was looking forward to seeing Varsity Show because of the fact that I owned the four Dick Powell Decca recordings that were made from songs in this film. The Tony Thomas book, the Films of Dick Powell also said that it was a 2 hour film.

In the abbreviated 80 minute version I saw of it, I'm thinking there was a lot of material that was left out and may in fact now be lost. Two of those songs Powell did not sing on the screen, Have You Got Any Castles Baby and Love Is On The Air Tonight. He did do a very nice version of You've Got Something There with Rosemary Lane and the song Moonlight On The Campus seems to have been edited out all together.

Still even in the shortened version Varsity Show is an entertaining bit of nonsense about a Broadway producer played by Powell who's had a run of bad luck, but answers the call of the student body of his alma mater to produce their Varsity Show. It was the kind of light weight material that Powell was desperately trying to get out of doing at Warner Brothers, but Jack Warner wouldn't see him in anything else.

Jack did give him a good cast to work with however with a lot of very familiar character actors going through their paces. Standing out are Ted Healy on loan from MGM playing Powell's assistant, Edward Brophy as the theater manager who's about to have a stroke because he can't get an advance for rent from the college kids, and Walter Catlett who is very funny as the faculty adviser for the show who knows as much about putting on a show as Ginger Rogers running the Brooklyn Dodgers to quote another Dick Powell song from another film.

Fred Waring and his Pennsylvanians are here to supply the music and chorus and Rosemary's sister Priscilla Lane is another student. The dancing talent is tops with Lee Dixon who had co-starred with Powell in Golddiggers of 1937 and the great team of Buck and Bubbles who I still remember from the Ed Sullivan Show as a lad. Richard Whiting and Johnny Mercer wrote the original songs that I liked so much.

Varsity Show got an Academy Award nomination for Busby Berkeley in the category of Dance Direction which was discarded in the Forties. Berkeley did one of his patented extravaganzas for a finale using the theme songs from several colleges and it's quite an eyeful and most entertaining.

I hope one day we can get a restored version of Varsity Show. I'm betting a lot of good material might be lost as it stands right now. I have a feeling I'd rate Varsity Show higher if we saw the director's cut.

This is not "Gold diggers of 1933" or "Footlight Parade," but it is a competent and fun musical. While not an "A" picture, it is a solid "B." There may not be anything great here, but everything is loud, energetic and good. There are many small delights for people willing to look

This was directed by William Keighley between two excellent Errol Flynn movies that he directed: "The Prince and the Pauper" and "Adventures of Robin Hood". He also did directed two fine James Cagney movies, "G Men" and "Each Dawn I Die". He also did the classic comedy, "The Man Who Came to Dinner" The movie has a bunch of fine second bananas, Walter Catlett, Sterling Holloway and Ted Healey. Catlett had bit parts in many classic comedies, for example, "Bringing up Baby" and "Mr. Deeds Goes to Town" He was a much in demand actor doing 50 films between 1940 and 1944, getting 6th-10th billing in almost all of them. Adorable Sterling Holloway adds his nice spaecy bits. Even Ted Healey, who is associated with the Three Stooges comes off well. He played the leader of the Three Stooges, a part that the Moe Fine took over when they split up. In the movie, he is referred to as a stooge and he plays the part convincingly.

This is the first movie for Priscilla and Rosemary Lane. There older sister, Lola, had been a star for eight years by this. All three sisters would continue to make movies for about ten more years. While I'm unfamiliar with Rosemary Lane's films, Priscilla was in at least three classics, "Arsenic and Old Lace" "The Roaring Twenties" and Alfred Hitchcock's "Saboteur. Both sisters are delightful here.

George Washington Lee and William Sublett as Buck and Bubbles do a couple of wonderful dance routines.

The finale is by Busby Berkeley. While people are right to point out that this football number is not one of his best, even average Busby Berkeley is better than most musical numbers by anybody else.

Overall, the movie doesn't dazzle, but it zips along, brightens the day and puts a smile on your face. I would love to see the missing 40 minutes.

Why watch Varsity Show? Two words: John Bubbles, the man Fred Astaire said was the greatest tap dancer of his generation. John Sublette (John Bubbles was his stage name) and his partner, Ford Washington Lee, were Buck and Bubbles, with Buck primarily at the piano and Bubbles dancing and singing. They were major stars in vaudeville. I can't explain dancing any more than an infant can explain milk, but I know the good stuff when I see it. John Bubbles combined tap, a sort of fast shuffle and ingenious rhythm into something I wouldn't argue with Astaire about. He has a couple of short numbers in this inane college musical and one Buck and Bubbles short production number to "Have You Got Any Castles, Baby?" They make watching the movie something special.

Among the aged aspects of Varsity Show that you have to get past to enjoy the tap artistry of John Bubbles are...the jokes are so corny even Iowa wouldn't take credit for them...the pacing is just about as matter-of-fact as that bland title...several of the students have long since past their college years...ironically, Dick Powell seems too young for the part...and Fred Waring as the drama teacher is so sincere, so constantly smiling and so solicitous of the students as to be creepy.

Still, the Richard Whiting and Johnny Mercer songs aren't bad. "We're working Our Way Through College," sung by Powell and the students as they stride through the campus, is bouncy and funny.

"We're working our way through college / To get a lot of knowledge / That we'll probably never ever use again.

It's swell to tell what parallel and parallax is, / But after graduation will it pay our taxes?"

For those fond of choral music there's Waring and his Pennsylvanians (they're in the movie as college students) doing some fine singing. Aficionados of college pep songs will hear a bunch of them at the big smash close. And for those with a morbid fondness for stories about alcoholics, there's Ted Healy in a major role and Lee Dixon in a minor one. Healy, who's the reason there was a Three Stooges, wound up in Hollywood as one of the highest paid comedy actors. His specialty was the big grump. Let me tell you, he was good. He also was a big-time alcoholic. He got into a drunken fight the night his first child was born (the year Varsity Show was released) and died several hours later. He was 41. Lee Dixon was big and blond, an eccentric dancer in the early Buddy Ebsen style. He was handsome enough with an open, quizzical kind of face. He towered over everyone else. He was 23 when he made Varsity Show and played one of the students, had a few lines and a couple of brief dance steps. By the early Forties he was drinking so heavily no one wanted to take a chance on him. Rodgers and Hammerstein offered him the part of Will Smith in Oklahoma! after extracting the promise he wouldn't hit the bottle. He received great reviews with his two numbers, "Kansas City" and "All Er Nuthin'" (with Celeste Holm as Ado Annie). All was well for a year or so, then he started sneaking drinks, then more and more. That was that. He faded fast and died at 39 in 1954. What's the moral to Healy and Dixon? You've got me.

The story? The kids at Winfield College are putting on the annual varsity show but their professor adviser insists that there'll be nothing "swinging" or "modern." A group of them decide to go to New York and ask Chuck Daly (Dick Powell), famous Broadway producer and Winfield graduate, to take over the show. They've got a lot of great songs and ideas. They don't know that Daly has had three flops in a row and is broke. We can skip the next hour. The show is a smash, on Broadway no less, with a Busby Berkeley finale. Chuck wins a co- ed's love with Rosemary Lane the co-ed. She's second billed after Powell. Her sister, Priscilla, is third billed and gets a song to sing and a few dance steps to share with Dixon. Priscilla Lane has never done much for me, but here, at 22 and in her first movie, she's a cutie pie.

College musicals always seem to give off that indulgent condescension that so many adults reserve, usually to their regret, for the young. Still, some can be a lot of fun. There are three I like a lot. Too Many Girls has a book as inane as Varsity Show, but it has a great Rodgers and Hart score and a terrific Lucille Ball performance. Best Foot Forward has a fine Hugh Martin and Ralph Blane score, including that rouser, "Buckle Down, Winsocki," plus Ball again, and a great cast that includes June Allyson and Nancy Walker. Good News is a lot of fun, just as corny as the rest, but June Allyson is appealing, Peter Lawford avoids being appalling, and best of all there's Joan McCracken and Ray McDonald dancing. "Pass that Peace Pipe" is a showcase for both of them, especially McCracken.

I don't usually rate films from this era as low as a 5, and I more often rate 21st century movies a 5 or lower. I am not saying all 21st century stuff is bad. Movies that have come out in the 21st century that I loved and thought were great included "Black swan", "Eternal sunshine of the spotless mind", "The pianist", "Girl with a dragon tattoo", "The Aviator", and "The curious case of Benjamin Buttons". I also thought the Harry Potter films were great.

Generally speaking though in my opinion, old times were better, in films and in real life. My list of great films I love from The Golden Age of Hollywood is pages long. I am not saying old times were perfect, nothing is. "Varsity show" was definitely not perfect. It was one of Busby's "slump films", which were three films he made during a bad spot during his life (the bad spot was Busby having accidentally killed someone in a car wreck and he was initially tried for murder). His three slump films were "Hollywood hotel", "Varsity show", and "Gold diggers Paris". Those three films lacked the magic of his usual wonder and had some characters in them which were more weird and stupid acting than what was in Busby's normal greatness.

The opening scenes I saw a familiar face in the late 1930s college crowd. A funny looking long toothed man who I had seen an older version of as a weird TV repair man in 1962 Twilight zone episode "Whats in the box". The man who voiced Whinny the pooh in the 1960s cartoon Whinny the pooh. He was about 19 here and was one of the students among others such as Johnnie Davis and pretty Rosemary Lane. Rosemary was pretty and nice, and was joined by Dick Powell who is been in almost every 1930s Busby Berkeley film. But Powell lost his touch a little here compared to his earlier stuff. "Gold diggers 37" was the first film where Powell wasn't as great as before (his first number of that film "speakin of the weather. Lighning flash!" did not have the same magic that his songs from "Gold diggers 33", "Gold diggers 35", "Dames", etc. had), although "Gold diggers 37" did have one wonderful song with the magic like in the previous films, which was the song at the party "Let's get our heads together" (even that song had one bad little spot that didn't fit with the magic of the rest of the song, and that was when two weird guys at the bar sung a line of the song in weird voices. That one tiny moment was unfortunately a preview of what was gonna happen a bit more during Busby's slump films which included "Varsity show"). "Lets get our heads together" in "Gold diggers 37" was the last wonderful piece of Busby magic until he bounced back again (due to his murder trials being acquitted) and made the wonderful Judy Garland films, starting with "Babes in arms" in 1939.

Powell here in "Varsity show" was eloped with Rosemary. She was cute and nice, but she wasn't as totally amazing and heavenly wonderful like Powell's earlier partners Ruby Keeler and Gloria Stewart. Ruby was an angel, especially "I only have eyes for you", "Like a waterfall", "Pettin in the park", etc., and Gloria was an angel in "Gold diggers 35's" "The words are in my heart".

"Varsity show" wasn't absolutely terrible. It was just a slump film which lacked the magic from Busby's better times, which fortunately was the higher percentage of his career. There one really miserable guy, who was a slump film style character. First, he yelled at all the kids to get out of the theater and then they just sat down and laughed. And then he got the police, but when they got there they just sat down and enjoyed the show. Then the miserable guy got the swat team, but they only joined the police to watch. Then he got the military armed forces, then the governor. They all did the same while this miserable guy's mounting frustration grew while no one else shared it. Most people knew that shows in the 1930s were nice to watch. This film was, I will call it mediocre.

For die-hard Berkeley fans only--this collegiate musical is certainly more a mirror of it's time than most, with lots of college men over 30 clad in beanies swooning in song over long-skirted coeds; simple plot--all the students want to present the hot new rhythms of the New Varsity Show, but the fuddy-duddy professor (Walter Catlett in usual sputtering mode) won't let them. Enter former alum and Broadway Star Dick Powell, all dimples and smiles, intent on Saving The Day With Music! The whole enterprise is a build up to the sensational Busby Berkeley finale with hundreds of dancing coeds in astounding geometrical designs; unfortunately, the less-than-memorable music is not by Al Dubin and Harry Warren (who composed the Gold Diggers series).

According to Tony Thomas's Busby Berkeley book, and reliable film historian Leslie Halliwell (and numerous other sources), this should be a 120 minute film; why has Turner, usually the standard for accuracy, released an 80 minute print--40 minutes shorter? Some collector, somewhere, must be sitting on an old studio print and, if anybody is able, the intrepid folks at Turner will track it down and we can see what will probably make this the dynamic vintage musical it should be.

This movie probably won't appeal to anyone under the age of 50 - the generation gap is too great. College boys in shirts and ties, girls in saddle shoes and calf-length skirts, and riding around in 'jalopies' with topical slogans on them - not today. And the cast of this picture contains some of the oldest college kids ever seen on campus. But, if you are of a certain age, it all works.

There is a great deal of energy in each scene, which is how it would be on a college campus, and there are some very tuneful songs to be found, although most of them forgotten. The most durable is probably "She's Working Her Way Through College", but several others were written by Richard Whiting and Johnny Mercer. In addition, here is a chance to see Buck and Bubbles, a legendary song and dance team. They differed from the Nicholas Brothers, who were strictly dancers. Buck and Bubbles both sang, both danced and both played the piano, hence a more talented team.

The story is unimportant, about Dick Powell returning to his alma mater to help put on a show, but the cast is good and the pace is brisk. Two of the Lane sisters are the female leads opposite Powell and comic relief is done in heavy-handed fashion by Ted Healy. There is also lots of able support, and there is a great finale provided by none other than Busby Berkeley. There is lots to like in "Varsity Show", a better-than-average musical of its kind.

The screenplay is rather like a poor man's precursor to MGM's "Babes on Broadway", that would be released a few years later. That's not to say this film is bad. Universal also filmed their version of a school group trying to take their annual musical play to Broadway, in "Mr. Big", starring Don O'Connor.

It's about time to put on the annual varsity Show at Winfield College. But stodgy old Professor Biddle, as the producer, resists suggestions that the show be modernized. At the suggestion of the 2 janitors, the student leaders go to NYC to see alumnus Chuck Daly(Dick Powell), who has been producing Broadway shows. At first, he's not interested, as he has an offer from Hollywood. Eventually, he gives in, hoping that his Hollywood offer will still be intact a few weeks later. However, the faculty refuse to let him take over from Prof. Biddle as the producer/director. Now, his Hollywood offer has been withdrawn, and he's broke, so he and his manager, Mr. Williams(Ted Healy), head back to their home base in NYC, telling the kids they're going to Hollywood. The kids eventually figure out this deception, so pack up and head for NYC, where they take over a theater apparently owned or rented by Mr. Williams. They refuse to leave until their show is seen, but Mr. Williams insists they need to fork over $4500. before. He calls the police to force them out, but the police are transfixed by the first part of their show and settle down in seats to watch the rest. More police are called, with the same result. Finally, the national guard is called. As they storm in, Fred Waring has his orchestra play "Pack Up Your Troubles......", which helps calm them down, as they too become interested in the progressing play. The show continues to completion, with a major musical production at the end, ending with an embrace between Daly(Powell), and co-ed Babs( Rosemary Lane).

The screenplay is energized throughout with the natural enthusiasm of a mass of college-aged(actually mostly older)adults.... Ted Healy(Mr. Williams), provides some laughs periodically, especially relating to the defense of his theater against the horde of thespians who have taken it over....Walter Catlett is also amusing as the stodgy Pro. Biddle. He reminds me of a cross between Ed Wynn and silent film comedy star Harold Lloyd. ...Mabel Todd, in her first Hollywood film, plays a goofy dumb blond, who takes a liking to Mr. Williams. She would return to play a similar character in "Hollywood Hotel" and "Gold Diggers of 1937", also released in 1937. Some find her attempts at humor more irritating than funny. She had a relatively brief Hollywood career, never rising above a supporting player.

Most of the new songs were composed by the team of Richard Whiting and Johnny Mercer. They were well dispersed throughout the screen play. None would now be considered "keepers", although most were pleasantly serviceable. Half a dozen songs are listed at this site that apparently were included in a 120 min, version, rather than the 80 min. version I saw. Probably, it was decided 120 min. was too long. We have the African American team of Ford Lee and John Sublett in a piano and tap dance performance, the first to "You've Got Something There", later to "Love is On the Air Tonight" Singers included sisters Priscilla and Rosemary Lane, who performed separately, in this, their Hollywood debut. Rosemary would again serve as the leading lady in the subsequent "Hollywood Hotel", and "Gold Diggers of 1937", also released in 1937.

The visually rather spectacular finale musical production includes a variety of songs, both reprisals of new songs, and traditional college football fight songs. The marching around, while making various patterns, is classic Busby Berkeley choreography. Quite lengthy, but not quite in the same league as some of Busby's most interesting dance productions. The dancers began as a triangle, moving forward. They would end the show as a triangle moving backwards, away from the audience.

Presently available as part of the Busby Berkeley Collection.

Dick Powell is a down-on-his-luck Broadway producer who's invited to go back to his alma mater of Winfield to help produce the title program because the old man of the faculty (Walter Catlett) doesn't like the "vulgar" music and dance styles being done there. I'll stop there and just say this was quite an enjoyable musical comedy in the 80-minute version I just watched on DVD. I can't imagine this film being longer but according to this site, it's at least maybe 40 minutes more. Probably extraneous stuff not really necessary. Busby Berkeley, as always, puts the stops in the final number with all those formations of various college insignias that could only be done in film. So on that note, I highly recommend Varsity Show. P.S. It's interesting seeing Ted Healy-the former leader of what became known as The Three Stooges-have a couple of scenes with Edward Brophy-who would appear with Moe, Larry, and Curly in Swing Parade of 1946. Also that Brophy's character's nickname is "Curly". And I watched this just now because Leonard Maltin & Richard W. Bann-in their book "The Little Rascals: The Life and Times of Our Gang"-mentioned in Spanky's bio that he appeared in this under his real name-George McFarland. That name does appear in the closing cast list as playing someone named Hap but the Little Rascal is nowhere in it so obviously it's a different MacFarland.

Mindless fluff, but a lot of fun all the way through. Busby Berkeley sure knew a thing or two about troop formations. This 1930s Warner Bros. musical/comedy features a fresh cast, including Priscilla Lane, Sterling Holloway, Johnnie "Scat" Davis, Mabel Todd, and Rosemary Lane as college kids. Dick Powell is an alumnus enlisted to help stage the school show, with Ted Healy along for the ride. Lots of 1930s-era college silliness, with freshman caps, fraternity pins, sorority houses, school pride and all that. Berkeley choreographs the rah-rah finale, while the "plot" is never entirely resolved. Priscilla Lane is very cute as an enthusiastic coed and older sister Rosemary Lane is very pretty as the romantic lead.

I'm really surprised that the students of Winfield College don't all of a sudden break into a chorus of Richard Rodgers and Lorenz Hart's "Babes in Arms" which was on Broadway the same year this came out. That's what they are, and as the group of students gather together to protest professor Walter Catlett's involvement in their campus varsity show over alumnus and troubled Broadway director Dick Powell, you expect them to start a marching song. There's the irony of Powell recalling a student he remembers being there as a junior when he was a freshman which is the writer's way of indicating that they know there are a few 30-somethings there. Real-life sisters Rosemary and Priscilla Lane who played rivals in "Hollywood Hotel" and then sisters in "Four Daughters" and its two sequels, are among the students who appear to be more ready for the New York nightclub scene than a small town college classroom.

Johnnie Davis, the comic singer who introduced "Horray For Hollywood", actually passes for college age, singing "Old King Cole" with energetic aplomb as if he stepped off the stages of the Cotton Club as their only Caucasian performer. Buck and Bubbles give the much-needed energy to their dancing numbers, fast-moving legwork that is quite impressive. Ever-ageless Sterling Holloway provides much humor, his sly wisecracks indicating he's a bit worldly beyond his supposed college aged years. Ted Healy gives a Lionel Stander like cynicism to his performance as Powell's manager. Powell doesn't sing much here, and other than the lavish finale, there aren't any other big production numbers. When the students march into a vacant Broadway theater and start rehearsing against the ranting wishes of theater manager Edward Brophy, the eyes will start to roll. Even in 1937, it doesn't seem at all believable that a Broadway house would be as available to do something like that.

Then, there's the BIG, BIG, BIG finale, a lavish spectacle that is far taller than it is wide. The camera keeps scrolling down to the various acts which start with a great bit by Buck and Bubbles before moving to the ensemble of the students. Then, nasal voiced Mabel Todd begins tossing a football to the chorus to open them up to indicate various Ivy League colleges as they create the various logos and sing the campus theme songs. It's all hokey yet undeniably fun. The film lacks in romantic subplot, and at times, seems more like a musical revue than a musical comedy.

I wonder what happened with the missing 40 minutes from "Varsity Show". IMDb lists its original running time as 120 minutes but the Turner DVD is only 80--meaning a third of the film is missing. Perhaps this is just a mistake and the film was always 80 minutes but I wonder if the studio thought 120 minutes made the film incredibly sluggish and they decided to re-edit it--though cutting out THAT much seems very unlikely. Can anyone shed any light on this for me?

Dick Powell as well as Fred Waring and his orchestra star in this light-hearted college musical. Apparently the folks at Winfield College are going to put on another VERY boring show--thanks to the very dull Professor Biddle who insists they do it his way. The students want to breath energy into the program and invite Mr. Daly (Powell) to 'spice it up'. But the faculty is adamant--so what are these co-eds to do? Why SING of course! And, in the end, instead of Mr. Daly saving the college show, the students (much like in "Babes on Broadway") put on a show to save the career of swell 'ol Mr. Daly.

Overall, this is pure escapist fun. While the songs aren't particularly memorable, they are enjoyable. And the final BIG production number (choreographed by Busby Berkeley) is also quite amazing--and better than most of his efforts. While I am not a huge fan of this sort of film, for what this is, it's amazingly well done. Proof that it wasn't just MGM that could make a nice musical, as Warner had a long string of big production number musicals in the 30s. Worth seeing.

By the way, I liked Dick Powell's line "Get back to your rooms and crack a book...". That's because in practically every college film of the 30s and 40s, you almost NEVER see these folks studying or attending classes! Seeing them in the next scene actually studying was a shocker! Although, not surprisingly, the studying session didn't last very long!

No need to repeat details exhaustively provided by other reviewers. I caught the 80-minute truncated version on TCM and it's a shame despite the lively cast and Berkeley's big production number. Comparing the playlist with what's on screen, most of the musical numbers that survived the edit appear condensed into the closing medley of songs—hardly a fair representation. And what's left intact is musically pleasant but hardly memorable. Generally, the same can be said of the truncated movie as a whole.

(In passing—note the rebellious college students impatient with the stodgy musical tastes of their elders. Seems like musical rebellion among the young extends further back than the 1950's and Elvis. More obscurely-- note how the kids at one juncture perform a brief sit-down strike to make their point. The year is 1937, the same period as the historic General Motors Sitdown Strike of 1936-37. Looks to me like a topical reference even in a movie piece of fluff.)

. . . sing America's school kids exactly 22 minutes, 21 seconds into VARSITY SHOW, as Warner Bros. anticipates Betsy DeVos' amazing feat in surpassing even Kellyanne Conway for the title of "The Most Deplorable Woman in America" 80 years before the fact. "How do you handle a problem like DeVorhea?" these Warner warning singers might as well paraphrase the Mother Superior from THE SOUND OF MUSIC. Warner Bros. suggests that squatting in mass sit-ins will be the best way. When the kids take over the Fat Cat's "Stuyvesant Theatre" toward the end of VARSITY SHOW, no one can dislodge them. The regular NYPD cops fail. The Riot Squad fails. Even the rifle-toting New York National Guard fails. These scores of men ALL remember their High School Civics Classes (which Betsy DeVour, of course, would eliminate and outlaw) which taught them that their Oath to Uphold America's Constitution AGAINST DOMESTIC ENEMIES such as Pathologically Lying Fake News-Inventing Job-Killing Election-Rigging Depression-Causing Murderous Greedhead Republicans Trumps any of these Red Commie KGB Usurpers' allegedly legal orders. It's okay to Begin the Resistance with Nonviolent Sit-ins, Warner advises us here, but at the FIRST DROP of Blue Collar or Student Blood it's a case of All Hands on Deck to TAKE BACK America by Any Means Necessary!

the thing about Varsity Show is that it's good enough for not being bad, but bad enough for being good. yes, there are a lot of songs in it and the story is differently than the other Busby Berkeley films, but there isn't one song that really is performed well, the story is a bit stupid and it seems as if Busby Berkeley was out of inspiration. the dance performances are seen in other Berkeley films, but now they are shown to us in a worse version. still, I could quite enjoy the college humor, even more than in Buster Keaton's College and so many other movies about (art) schools (like Fame). it's not that I don't have taste for good movies, and that's exactly why I say Varsity Show is a nice relaxation but nothing more.