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Maciste contra los monstruos (1962) Online

Maciste contra los monstruos (1962) Online
Original Title :
Maciste contro i mostri
Genre :
Movie / Action / Adventure / Fantasy / Romance
Year :
1962
Directror :
Guido Malatesta
Cast :
Reg Lewis,Margaret Lee,Luciano Marin
Writer :
Arpad DeRiso,Guido Malatesta
Type :
Movie
Time :
1h 22min
Rating :
4.3/10
Maciste contra los monstruos (1962) Online

Wandering strongman Maxxus comes upon two warring tribes, the Sun worshipers and the Moon worshipers. He saves the leader of the Sun tribe from a sea monster, then later on when the Moon tribe attacks and kidnaps the Sun tribe's women, they call upon Maxxus for help.
Complete credited cast:
Reg Lewis Reg Lewis - Maciste / Maxus / Germanicus
Margaret Lee Margaret Lee - Moah
Luciano Marin Luciano Marin - Aydar of the Sun People
Andrea Aureli Andrea Aureli - Rhia
Birgit Bergen Birgit Bergen - Agmir - Nude Blonde
Nello Pazzafini Nello Pazzafini - Chief of the Cave People
Maria Kent Maria Kent - Agmin - Nab's Girlfriend
Fulvia Gasser Fulvia Gasser - Girl of the Sun People
Rocco Spataro Rocco Spataro - Dorak
Domenico Maggio Domenico Maggio - Man of the Sun People (as Mimmo Maggio)
Nando Angelini Nando Angelini - Man of the Cave People
Nino Milano Nino Milano - Man of the Sun People
Ivan Pengow Ivan Pengow - Agur
Tanja Snidersic Tanja Snidersic - Girl of the Sun People
Demeter Bitenc Demeter Bitenc - Dorak, Father of Aydar (as Dander Bitenc)

Italian censorship visa #37356 issued April 17, 1962.

The film was originally released in the UK in 1964 under the title "Colossus Of The Stone Age" and re-released 11 years later in 1975 as "Land Of The Monsters".


User reviews

Risky Strong Dromedary

Risky Strong Dromedary

Forget the papier mache monsters and the terrible costumes of the cast. Feast your eyes on Mae West's favorite muscle hunk--Reg Lewis--in his only foray into the explosion of muscle men movies made in Italy during the early 60s. Lewis had a glorious, muscled body that was full and sensuous. Beautifully portioned, there was nothing lean or overly chiseled on this Adonis. With his hair bleached blonde, this enhanced his sexy personae and his mouth was both cynical and humorous. I loved the brief, hip-baring loincloth he wore since nearly all the musclemen from that area kept their loin clothes securely wrapped around their waists. Lewis exuded a raw masculinity, especially when he's with his heroine, who wastes no time climbing into those brawney arms for a deep kiss. No wonder Mae West was nuts about him. My only complaint is there's not enough of Lewis since so much of the film is devoted between the battles of two warring tribes, neither of whom boasts any hot looking hunks. In fact, I think they were chosen for their flat chested looks so that Lewis would appear heroic in comparison and that he does in spades. Perhaps Lewis was dismayed by the very low budget of this movie and the rubber hydra they devised for his mighty battle underwater. We can only wish Italian producers had found something worthy to showcase his sexy torso like they did with Steve Reeves in "Giant of Marathon" in which he appears nearly naked in most of this vastly entertaining swords and sandals epic.
Faegal

Faegal

"A hydra is threatening the countryside and the people are terrified for their lives. The people's only hope of survival rests with Maxus, a powerful man who has the strength of many men. Before Maxus can battle the multi-headed monster, he must face other challenges in order to prove himself worthy and to prepare for the fateful battle," according to the DVD sleeve's synopsis.

Actually, the story mainly involves a struggle between two pre-historic tribes: the "Good" or "Sun" worshipers, and the "Bad" or "Moon" worshipers. The "Sun" tribe of Nomads has decided to settle and live in peace; but, they pick land claimed by nearby "Moon" worshiping Cavemen. Bodybuilder Reg Lewis (as Maciste, or Maxus in English) does not belong to any tribe; however, he bonds with "Sun" leader Luciano Marin (as Idar), after saving him (and his woman) from a sea monster. The plot thickens when Mr. Lewis and "Moon" tribe woman Margaret Lee (as Moah) fall in love.

In English, misleadingly reproduced as "Fire Monsters Against the Son of Hercules". The English dubbing is dreadful; in a couple of scenes, two completely different voices dub Lewis. The bleached-blond muscleman throws cavemen around, and poses. Mr. Marin essays his part better than others; but, considering the shoddiness of the production, it's a wasted effort. The best part of the movie is the added-on TV theme song, "The (Mighty) Sons of Hercules".

*** Maciste contro i mostri (4/25/62) Guido Malatesta ~ Reg Lewis, Margaret Lee, Luciano Marin
Stick

Stick

Can't get the theme song out of my mind! The monster in the lake was pretty good, probably took up most of the budget, and if it had been featured more, say wreaking havoc among the two ice age tribes and having an apocalyptic fight with the toothy hero amid exploding volcanoes, hurtling moons and collapsing ice cliffs, it would have been a decent club-and-sandal flick. But it got killed after just a few minutes, spear thrown through the eye from almost the next county...ouch! The other monsters would have seemed more lame had it not been for the human actors...made even paper mache look good.

But it's set in the Ice Age, which makes it pretty unique for these types of movies, so a little more interesting than it would have been otherwise. It would make a nice Friday night double feature with "Goliath and the Dragon" if you had some pizza and beer.
Westened

Westened

Fire Monsters Against the Son of Hercules (1962)

** (out of 4)

Maciste (Reg Lewis), the son of Hercules, is wondering around when he runs into two members of a tribe that worships the Sun. They are being attacked by large fire breathing monster so Maciste kills it. Flash forward and the Moon worshipers are starting to kidnap the women from the Sun tribe so they go to Maciste for help.

FIRE MONSTERS AGAINST THE SON OF HERCULES, the American title of this Italian movie, isn't a film that is meant to be taken serious. Outside of the Mario Bava film HERCULES IN A HAUNTED WORLD, this is the first in the series that I've seen and from the start I couldn't help but think of the Toho Godzilla series with the poor dubbing and rather silly special effects. Of course, I'm sure many people would say the only way to fully enjoy this or even judge it is by watching the original Italian cut but I don't have that available.

As far as this American edit goes, I thought it was actually entertaining as long as you don't expect too much from it. The performances are pretty much what they are and it's certainly hard to judge them with the atrocious accents and dubbing. Poor Maciste appears to be dubbed by someone simply holding their breathe. The film does contain quite a bit of action, which helps keep it move at a nice pace and it's certainly never boring.

As for the title monster, it's a real doozy and appears to have been made from supplied bought at a dollar store. Yes, it looks incredibly cheap and silly but it somewhat adds to the charm.
Zehaffy

Zehaffy

Another one of the erstwhile "Sons of Hercules" films by Embassy Pictures. This time the American dub turns Maciste into "Maxus," Son of Hercules. We get the usual super cool theme song tacked on by Embassy and a really goofy dub for Reg Lewis, who sounds like two different guys depending on the scene. And (owing to the crappy print quality) his ridiculous pompadour looks orange! All in all, a bizarre beefcake lead for this prehistoric adventure. This is old school cavemen stuff, with a papier mache volcano, foam boulders, and four, count 'em FOUR monsters - a lake monster, a multi headed hydra, one forced perspective monitor lizard, and a cave dragon! Not a bad haul! I love the dragons in peplum films. No fancy special effects processes, just a giant, immobile wood frame draped in canvas. Maybe the head(s) moves, and a little fire comes out, and then Hercules throws a stick at it and it falls over in all its inarticulate glory and some blood pours out the mouth.

This is one of those mythic peplum entries where the strongman ignores the boundaries of space and time to just go wherever the hell he wants in order to fight for what is right. In this case, Maxus defends a tribe of peaceful prehistoric sun worshipers from their aggressive, subterranean, moon worshiping neighbors. The peaceful tribe are basically a bunch of naive innocents, and Maxus runs around saving these dopey people from themselves. The action is spiked with the occasional monster highlight, and a third act volcanic eruption that plays as a low budget version of the climax to ONE MILLION YEARS BC, still four years to come.

You just can't go wrong with a fun film like this. It's cheap, it's cheerful, and Margaret Lee makes for one saucy cave dweller. By the time the theme song swells for THE END, you'll be blissfully humming along, awaiting the next adventure of THE SONS OF HERCULES!

Heed the words of Maxus: "Don't forget to defend yourselves from wild animals!"
Mushicage

Mushicage

This particular peplum is a prehistoric item as Maciste goes back to the caveman era and helps out one tribe which has been dislocated by the Ice Age to settle on some new lands. It seems as though the other tribe that was there before isn't happy about these late arrivals hunting in their forests and want them removed.

Bodybuilder Reg Lewis of Mae West's review plays the legendary Maciste here. He's got to deal with all kinds of prehistoric beasts including a multi-headed hydra. One thing I swear I can't understand is how Maciste avoids pneumonia when he insists on going in his usual loincloth while everyone else is bundled up in animal skins. But his body is what the movie-going public is paying to see.

Nothing here you haven't seen in One Million BC and a few hundred other successors.
Mariwyn

Mariwyn

Reg Lewis is back as Maxus/Germanicus (Maciste). Maxus happens upon a two primitive tribes: the good sun-worshipers and the evil moon-worshipers. The two tribes are battling it out because the evil moon people want it that way and end up capturing some of the sun people. Luckily for the sun people there are monsters that destroy the cave they are held in and Maxus is there to save them. OH and there is hydra in the film.

Barely entertaining film. It has it's moments of being okay but those moments aren't that grand. You'd think I would like this one with all the big monsters in it but I find it only barely tolerable to skim though.

2/10
Sardleem

Sardleem

The monster barely puts in a cameo in this half gladiator/half cave man film where the good guys are all blondes and the villains all brunettes. What does exist of the Hydra (Fire Monster) is one of the silliest looking creatures in cinema history that looks like a monster face painted on somebody's index finger with the camera up real close to try and fool its audience. The rest of the film (following a "Blob" like theme song obviously added to the American release print) mainly surrounds the alleged son of Hercules (named Maciste) stepping in to save the day as he battles the dark-haired villains to free the light haired captured slaves after they've been conquered. While some of the action sequences are actually pretty intense, this is as forgettable as gladiator movies can get.
Boraston

Boraston

This movie is chronologically challenged. First off, it takes place in the Ice Age and stars the Son of Hercules,Maxus. Hercules himself, however, wasn't born until several thousand years later in Ancient Greece. How could his son appear in a movie that takes place thousands of years before he was born? The movie never answers that question and frankly, has bigger chronological fish to fry, namely, Reg Lewis' haircut. It's an old b-movie axiom, that while technology changes in these movies from that which we experience in the present, hairstyles will always remain constant to the time period in which the movie was made. In other words, the Son of Hercules sports and Elvis haircut, or what my mom would call a "Duck's @ss". And it works, for this type of film. It's just the type of anomaly that makes these movies amusing. And Reg himself makes an interesting hero.He is a rather easy going avenger, and with that hair I kept expecting him to break out into a rambling, rockin' rockabilly tune all the time. He plays Maxus a little like you think Elvis would have, and if he would have pushed the Elvis bit a little harder, we'd have a bona fide classic on our hands. Mr. Lewis is sufficiently beefy to make a convincing if low-key Hercules.

Basically there are two tribes in this part of the world, the good Sun tribe and the rotten Moon tribe.Maxus befriends the good tribe by saving their crown prince from a water dragon. He hurtles a spear about 200 yards and nails it right in the eye. He then waves and quickly departs, because he never knows where he'll be needed next. This leaves our prince Idar, to romance his harpy of a girl friend, a babe that looks a bit like Ann Margaret. I couldn't really make out her name, but I think it was Brian(?) Brian pesters Idar, who just wants to spear fish, until he marries her in a ceremony where she promises to raise his children and skin his catch. Furthermore, if she fails to obey him, Idar can have her put to death. Both seem content with this arrangement. Ah the good old days. As soon as (And I mean this literally) they finish the vows, the evil moon tribe attacks! There is some pretty good fighting and the bad guys make off with the good guys women.

After this it's pretty by the numbers. The good guys find Maxus wandering around the woods and recruit him to their cause. There are some good fights, Maxus gets buried up to his neck in the earth and is then freed by an earthquake, and a few more papier mache monstrosities are ferociously dispatched by the hero. Somewhere along the way another hottie named Moa or Mona joins Maxus' team and of course the two eventually ride off together. And yes, Maxus has the shiniest pecs I've ever seen. They are shiny on mountaintops,in caves, even underwater. Not a bad Herc movie at all, and the theme song is kinda catchy and fun. I wonder if there's a way I can make a ring tone out of it.
Tenius

Tenius

Here's a high-spirited Italian adventure film which doesn't let a low budget stop it having a wealth of action and adversaries for Maciste to fight again. In a typical marketing ploy, the main thrust of this film concerns the story of two warring tribes with the actual monsters themselves only being incidental to the plot of the film. Anybody who has seen any other peplum movies from the period will know what to expect, and there's not much in the way of surprise here. However, all of the attributes that we have come to love and expect (Maciste proving himself through strongman tasks, violent battle scenes, cheesy dialogue) are present and correct and as a whole the movie is a lot of fun. It's also pretty bizarrely plotted; for the first half of the film, the lead character is one of the tribesmen in the film, but later on it's Maciste who we follow through the countryside as he performs various feats of strength!

Amongst the film's many ingredients, we have cave-dwelling women wearing plentiful eye-liner, lots of unnecessary padded dancing scenes which grate on the senses, some small-scale battles which are well-shot and pretty exciting to watch, Maciste getting buried up to his neck in sand, a cheap and cheerful volcano explosion (which was apparently ripped off for the opening of COLOSSUS VS THE HEAD HUNTERS), some romance, and a fearsome cannibal tribe who still end up getting beaten up by Maciste. Our muscular strongman is played by the red-haired Reg Lewis this time around, and he proves to be a solid enough leading hero, with an ounce more charisma than others of his ilk. Supporting Italian faces like those of Margaret Lee and Luicano Marin will be familiar to those who have seen other Italian movies of the period, but they fail to leave much of an impression. Watch out for Bruno Mattei's name appearing in the credits!

Now, I was expecting a serious lack of monster action after reading a negative review of this movie, but I was pleasantly surprised. There are exactly four monsters in total. The first is an exceptionally cheesy and lovable sea serpent which rises from a lake on strings to terrorise some passers-by; it's not long before this unfortunate creature gets speared (through the eye!) by Maciste, so it didn't cause much of a threat. A sadistic shot shows blood frothing in the water as the monster dies, and I couldn't help but feel a pang of regret. This is definitely one of the weirdest-looking monsters I've seen in an Italian movie.

The second creature is pretty disappointing, a very-fake looking underwater serpent whom Maciste has an underwater knife battle with. It's pretty hard to see what's going on here and the sterile effects are less than convincing. A scene later in the movie has Maciste and his girlfriend coming upon a woodland clearing where they are menaced by a blown-up lizard! Hmm, I thought they only used these kind of back-projected effects in American movies, but I must have been mistaken. The shot is brief but it was a nice try anyway. The final monster is the biggest, and perhaps the least convincing! It's a giant papier-mache dragon which Maciste fights in a cave and brutalises before escaping. Great fun.

Maciste and the Monsters is not a film for all tastes. Many have come away disappointed. However, I think it's a brilliant film which offers up almost continuous action and perilous situations in a really old-fashioned way which is able to rival the best big-budget adventure movies there are. Sure, it's done on a smaller scale because of the budget, but it's just as impressive, if not more so, because of the limitations. A well-meaning and highly entertaining slice of sword-and-sandal adventure.