» » Doctor Who The Idiot's Lantern (2005– )

Doctor Who The Idiot's Lantern (2005– ) Online

Doctor Who The Idiot's Lantern (2005– ) Online
Original Title :
The Idiotu0027s Lantern
Genre :
TV Episode / Adventure / Drama / Family / Mystery / Sci-Fi
Year :
2005–
Directror :
Euros Lyn
Cast :
David Tennant,Billie Piper,Maureen Lipman
Writer :
Mark Gatiss
Type :
TV Episode
Time :
45min
Rating :
6.9/10
Doctor Who The Idiot's Lantern (2005– ) Online

It's 1953, the Coronation year of HM Queen Elizabeth II, and the people of Great Britain huddle round their television sets to witness the great event. But behind the celebrations there are rumors of monsters on the streets, and the tormented Mr Magpie is hiding a strange and alien secret.
Episode complete credited cast:
David Tennant David Tennant - The Doctor
Billie Piper Billie Piper - Rose Tyler
Maureen Lipman Maureen Lipman - The Wire
Ron Cook Ron Cook - Magpie
Jamie Foreman Jamie Foreman - Eddie Connolly
Debra Gillett Debra Gillett - Rita Connolly
Rory Jennings Rory Jennings - Tommy Connolly
Margaret John Margaret John - Grandma Connolly
Sam Cox Sam Cox - Detective Inspector Bishop
Ieuan Rhys Ieuan Rhys - Crabtree
Jean Challis Jean Challis - Aunty Betty
Christopher Driscoll Christopher Driscoll - Security Guard
Marie Lewis Marie Lewis - Mrs. Gallagher

In the script there are a lot of references to the strange activity happening around Florizel Street. Florizel Street was the original name for Coronation Street (1960).

The line spoken by The Wire: "Are you sitting comfortably? Then I'll begin" was the opening for the BBC radio program "Listen with Mother", which ran from 1950 until 1982.

The Doctor makes a reference to the song "Never Too Late" by Kylie Minogue. Incidentally, Minogue herself later made a starring role in the episode Doctor Who: Voyage of the Damned (2007).

Torchwood Reference: Although you can barely hear it, Detective Inspector Bishop says to his colleague that "Torchwood will be all over us", behind The Doctor after Rose is brought in to the office.

Tommy, the one clever person in the episode (other than Rose and the Doctor) wears an outfit that almost perfectly matches David Tennant's - brown jacket, blue shirt and white undershirt. A subtle hint about how important his character is to the plot.

Almost every scene is filmed at a Dutch angle.

Mark Gatiss originally wrote the script with the Ninth Doctor in mind.

Maureen Lipman shot her role in half a day at Alexandra Place.

This was originally to have been the ninth episode of Series 2.

Magpie Electricals apparently continues to exist beyond the death of Mr Magpie; Martha Jones had a Magpie brand television in Doctor Who: The Sound of Drums (2007), and a Magpie brand microphone can be seen in Doctor Who: Voyage of the Damned (2007). The new TARDIS interior, after it repaired itself following the events of Doctor Who: The End of Time: Part Two (2010), has some parts made by Magpie Electricals. Magpie apparently continues to thrive into the future, as a large sign with the company's logo can be seen aboard Starship UK in Doctor Who: The Beast Below (2010). A Magpie Electricals shop can be seen in Doctor Who: The Lie of the Land (2017).

This story had working titles of: 'Mr Sandman', 'Sonic Doom' and 'The One-Eyed Monster'.

Originally, the Doctor was supposed to have a line about having trouble with radio transmitters, which was supposed to be a reference to Doctor Who: Logopolis: Part Four (1981), where the Fourth Doctor fell from the Pharos Project transmitter to his death.

All the television aerials seem to resemble Nazi swastikas. On the DVD commentary, one of the set designers mentions that this was done to evoke the post-war era.

The chase scene was originally much longer and included action in the London Underground.

According to Mark Gatiss, Tommy was gay in the original script and fancied the Doctor.

Mark Gatiss wanted to include references to The Quatermass Experiment (1953), but ultimately only the clenching hands of the faceless victims survived.

This episode was watched by 6.758 million viewers on its original transmission.

The street party in the last scene was intended to be set at night, complete with fireworks. This was altered as it was felt to be too similar to the conclusion of Doctor Who: Fear Her (2006) later in the season.

Margaret John (Grandma Connelly), also played Megan Jones in the Second Doctor serial "Fury from the Deep" (1968). She thereby held the record for greatest span of time between guest appearances.

The story was originally set during the dawn of the rock 'n roll era of the late Fifties. However, it was eventually agreed that the idea of a living song did not translate sufficiently well to television.

Rose corrects Mr. Connolly who calls the British flag a "Union Jack" Rose says it's a Union Jack only when it's flown at sea and called the Union Flag otherwise. However in an earlier episode (Doctor Who: The Empty Child (2005)) Rose refers to the Union Flag on her shirt as a "Union Jack" without correction

A line cut from the script had the Doctor mention his fear of radio towers, a reference to the Fourth Doctor's death in Doctor Who: Logopolis: Part Four (1981).

The story originally took place on Powell Street, intended to be the same location where Rose Tyler's apartment block, the Powell Estate, would later be built. However, since Rose's home had already been established as being situated in the south of London, this would make setting the climax at Alexandra Palace a more cumbersome plot element.

A subplot in which Rose visits her aunt, who works on a game show for the BBC was deleted because Russell T. Davies feared that having the Corporation be too involved in the plot would make the episode difficult to take seriously.

Magpie was originally a more malevolent figure. His villainous nature was toned down at Russell T. Davies' suggestion.

Includes the scenes from the actual coronation ceremony of Queen Elizabeth II back in 1953.

The Wire's repeated demand, "Feed me!", is reminiscent of a similar demand made, to comic effect, by the killer plant Audrey II in Little Shop of Horrors (1986). When the faces are shown on the screens in the TVs, it is also similar in the original film when Audrey II finally bloomed showing the faces of all its victims.

The Doctor gels his hair back 1950s style for this episode.

The title of the episode was suggested by writer Gareth Roberts, who recalled the term being used by his father to refer to television.

The entrance to Bishop's headquarters was originally concealed by a newspaper vendor rather than a market stall.

Tommy's grandfather was removed from the script. At one point, he appeared in place of the grandmother.

The climax originally featured the television sets in Magpie's shop exploding after the defeat of the Wire.

Nicholas Hoult auditioned for Tommy Connelly, but was deemed too young for the role.

The grandma character played by Margaret John is credited as Grandma Connolly. However it is stated explicitly that she is Rita Connolly's mother not that of Rita's husband Eddie Connolly. It is therefore not plausible that Grandma's name is Connolly as her surname would instead be Rita's unspoken maiden name.

This is the first episode of the second season where the interior of the Tardis is not seen.

This episode takes place from June 1 to June 2, 1953.


User reviews

Broadcaster

Broadcaster

I somewhat enjoyed Gatiss' "The Unquiet Dead" from last series. The production values were good, the acting was good, and the writing wasn't bad either. In "The Idiot's Lantern," that is not the case. While Tennant and Piper were good, the Wire was a horrible villain and her constant repetition of "Hungry! Hungryy!" makes the viewer uncomfortable. Coupled with the disorienting camera angles, The Idiot's Lantern becomes something that's just hard to sit through. I really don't have much to say about this episode other than it was something I'd rather not watch again and an episode that I would never show to a non-Who fan. Mark Gatiss has penned some nice scripts: The Unquiet Dead, Robot of Sherwood, and Cold War were all pretty good, but The Idiot's Lantern was just hard to watch. I'm not sure if that's more on the director or the writer, but I do not recommend this episode at all. 5/10
Zadora

Zadora

I remember looking forward to this since it was written by THE LEAGUE OF GENTLEMEN'S Mark Gatiss who wrote the previous years story featuring Charles Dickens and gas zombies . But after seeing the episode I felt rather disappointed and it's down to one very simple reason . The entire plot is summed up in the pre title sequence . After this - which I do agree is effective enough - we still have to endure a story which we know will end up with the Doctor defeating the alien and it's just a question of how . There's little surprise involved and this week's obligatory dysfunctional family subplot is more irritating than usual .

There is one other aspect conspicuous by its absence and that is Gatiss is a big fan of the QUATERMASS serials . For some reason the story is set at the Queen's coronation which was no doubt a big national event at the time but surely 1950s television was the decade where Nigel Kneale as a household name . Imagine if the audience had been watching an episode of QUATERMASS ? Wouldn't that have been a brilliant post modernist tour de force ?
Snowseeker

Snowseeker

Most people will tell you that a director on a television show cannot really make an impact, since all they do is run on set, take charge of the crew, and finish up the episode in less than a week. Due to this rushed process, television directors, supposedly, are restricted in terms of creativity, but "The Idiot's Lantern" is proof that this isn't necessarily true. Director Euros Lyn, also responsible for great episodes like "The Unquiet Dead" and "Tooth and Claw", makes this episode extremely entertaining with his visual style. "The Idiot's Lantern" might have been a fairly boring episode otherwise, disregarding the witty dialogue, the script wasn't exactly perfect. Inventive, zany cinematography make this episode a pleasure to look at. An inspired portrayal of the Doctor from Tennant and some witty dialogue make up for a pretty weak story and make this episode quite enjoyable. It's hardly the greatest episode, but it's good enough.

Letter Grade: B-
Moronydit

Moronydit

The Doctor and Rose hoping to arrive in New York to see Elvis perform instead find themselves in London circa 1953, where they stumble on a plot to take the faces off of various Londoners. It's not as nearly as grotesque as the previous sentence implies, as the aforementioned faces are just kind of erased off via television sets. It all makes sense upon watching the show, I promise. Well if the last 2 episodes reminded me a bit of "Sliders", this one definitely had the feel of "Shapphire and Rose". Of course, enjoying that late, lamented show, I was definitely tickled by this one. Good acting by all (save for a few bit actors), splendid costume and set design, witty banter, and an intriguing plot all combine to make an amusing and highly watchable episode. Even if the bit of social commentary is a bit daft and it's full of plot holes.

My Grade: B-
Felolune

Felolune

Remember the Dickens episode in the first season? Well, The Idiot's Lantern marks the return of writer Mark Gatiss to the series with another quirky, inventive tale, one that has a bit of social critique to it: it's all about the negative influence of television.

Back on normal Earth, the Doctor and Rose head for what they think is 1958 Las Vegas, only to realize they're in good old England a few years before that. The Queen's imminent coronation is shaping up to be a big event, followed all around the country via television. Only something seems to be out of the ordinary: as Rose points out, there are a few too many TV sets available for the time period, and police officers hiding under blankets who drag away random people is a strange sight. And what if the old story of TV sucking your brain out were true? Yep, it's an ordinary day for the Doctor...

Hitting the right balance between funny and creepy, Gatiss' script is everything a good Doctor Who story should be: entertaining, suspenseful, magical and quintessentially British. The villainous Wire, played by Maureen Lipman, is a memorable creation that is bound to give viewers of a certain age bad dreams related to television, and the inventive way the plot works around an established historic event is wonderfully mad and brilliant. The best bit, however, has to be at the beginning of the episode, when Rose and the Doctor step out of the TARDIS in perfect American '50s attire. Who would have thought David Tennant could make a good Fonz?
Quphagie

Quphagie

As David Tennant starts to get to grips with the role of the Doctor, he seems to have created the character anew in the same way as Patrick Troughton did following William Hartnell. All fans have to accept now that this shares a name and concept with the old series but nothing more, and that is a great strength.

The Doctor and Rose arrive in London in 1953 dressed for their expected visit to Las Vegas in 1958! It is a great visual joke with Rose looking like an extra from Grease and The Doctor sporting a superb DA hairstyle as he exits the TARDIS on a scooter! It turns out that someone is tampering with history. As Rose realises, there are just too many televisions for the following day's coronation. There are also people being dragged out of their homes by the police hidden under blankets. It turns out that the old tale of television sucking your brains out is all too true!! The Wire, played by a splendidly over the top Maureen Lipman, lives off of the mental energy of other lifeforms and intends to use the Coronation to feast enough to bring about the return of her corporeal form. The adventure is a typically odd Mark Gatiss story that plays like a restrained version of his own 'League of Gentlemen'. With humour and an ending with a definite nod to the Fourth Doctor this is great fun. This series just maintains its high standards. The supporting cast is uniformly good with Jamie Foreman giving an excellent performance as a typical 1950's father.
Dead Samurai

Dead Samurai

I've been a little disappointed with the last couple of weeks of Doctor Who, the Cybermen story just didn't seem to cut it for me, especially after The Girl in the Fireplace, but The Idiot's Lantern just completely redeemed the series for me. I thought the way that this episode was put together was absolutely amazing, I'm a bit of an obsessive when it comes to 50s culture and music and stuff, and this managed to pull it off brilliantly. Maureen Lipman was fantastically cast as The Wire, she actually seemed to be like a genuine 1950s style television announcer. Mark Gatiss of "League of Gentleman" fame did an absolutely fantastic job of writing this episode, it was brilliantly done, enough to terrify millions of small kids into not watching TV for fear of having their faces sucked off!!! I thought David Tennant was amazing in this episode, as ever. He just seems to get better for me the further this series progresses, and The Idiots Lantern was no exception. His emotional range in this episode was superb, especially in the scene where he starts shouting and bawling at Eddie. Billie Piper was also great last night, I'm not particularly a big fan of hers but she excelled herself last night. Brilliant episode, lets just hope the rest of the series is at the same standard!!!
SkroN

SkroN

This is one of the most demented episodes ever in my opinion.

It all starts in Magpie's electronics shop, and there's lightening outside, but this is red. It then hits his T.V aerial, and the T.V starts talking to him. He finds it weird but then the same coloured electric clasps to his face and starts sucking it.

The Doctor and Rose travelling the the 1950s to see Elvis in a T.V station, but end up in London during the coronation of Queen Elizabeth II. They both look around to see lots of T.V aerials on the houses.

They start to investigate, and they see a man being dragged away under a black cloth into a black car, so they follow them, but they get away.

The episode also sees the going ons in the house of an ex army man, his wife, her mum and their son. They get a new T.V, but a few days later they have locked the Gran in her bedroom.

I won't say the rest, for your enjoyment, but if you enjoy complete weirdness and strange happenings, this is down your street.
Xanzay

Xanzay

Just in the beginning of the episode, the clothes and the actitude of Rose and The Doctor are ridiculous, acting so exaggerated that it makes me laugh. And this would not be bad at all... if this had not been repeated through the rest of the episode. The personality of every character is so improbable that i wanted to end the episode fast and pass to the next one hopping to forget what i had just seen. And "The Wire" is one of the most boring and nitwit antagonist i had ever seen. Is not that it had the apperence of a TV announcer Lady, or even because was a Lightning-type alien in a TV. It is because the only thing you will remember about this "thing" it's the phrase "Feed me!" because it repeats that EVERY TIME AND NEVER STOPS.

The development of the story is extremly poor. The start weren't bad, but the rest of the episode was like run as a headless chicken in the middle of nowhere with a clock pump in the back. We never truly understand how is possible that this thing can pull the face out of the body of a person, how can be so many TV's if there's only one person that's made them, were did he gets all the materials, how the faceless people were capable of noticing The Doctor's precense if they has almost null cognitive abilities, how did they got back their faces... And a lot of more blank spaces that have no sense in the argument.

The ending was poor, but not bad enough to say it was horrible, and the scenes of "AND I'M NOT LISTENING!" and "Get out of my house" weren't bad, and i would say the first one is very good.

At the end, this episode is very, very bad, both individualy and camparating it with the rest of the episode of the serie, with just one good memorable scene and a antagonist that is boring and deplorable.
Nalaylewe

Nalaylewe

Bit of a mess, this one. It sees the 10th Doctor and Rose Tyler land the TARDIS in 1953 in time for the coronation of Queen Elizabeth II (who cameos via archive footage) and everyone buys a TV to watch the occasion. It turns out that an entity known as The Wire (disguised as the BBC continuity announcer) is working with TV salesman Mr Magpie to steal people's minds that it might get enough electrical activity so that it can return to a physical form. If it sounds a little bit too daft to be taken seriously then that's because it is.

There's also an uninteresting subplot about the Connelly family with a father who is stuck in his ways and an annoying son that does nothing throughout but be annoying. I've said about child actors being irritating and rubbish and sadly this is another child that only serves to enforce this stereotype. And then at the end he gets given some advice from Rose regarding how to respond to parents... Of all the characters out there why would any sane person go to Rose for this kind of advice?! I don't get that, I just cannot comprehend of why someone would trust Rose, of all people, on these issues. It only highlights further just how irritating Rose is.

This episode has a very loud but not menacing (read: Boring) villain, poor effects for the faceless people, poor writing... If it were a movie then it would clean up at the Razzies, with two exceptions: The lead actor and director, David Tennant and Euros Lyn respectively. These two save the production from being an utter garbage heap of rotten manure. Mark Gatiss is consistently a bad writer for this show. He should stop writing Doctor Who and just focus on Sherlock. Please Mr Gatiss, if you're reading this, do what I've suggested! 2/10
Pedora

Pedora

Now I tend to be very generous when it comes to my reviews, pains me to say it but I really don't like the Idiot's Lantern. When I read it had Margaret John and Maureen Lipman I thought 'here we go.' Wrong! this is the first nu Who let down.

The positives to start with, the imagery is really good, it looks impressive, the sets and attention to detail excellent, the backdrop of the Coronation is a goody, I love the idea of the celebrations and those gorgeous Street parties. I like the re-styling of Rose and the Doctor, and the Connolly's house looks fantastic. Jamie Foreman is actually good playing Eddie 'the bully' Connolly, Rory Jennings 'Tommy' is possibly the best one in it.

The downsides, it is just so dull, it is so slow and uninteresting. Maureen Lipman, technically a British institution is criminally underused, what a waste of her talents. It's pretty hard to concentrate on because it's just so flat.

4/10 it's a shambles.

The story of the
Kirizan

Kirizan

Somewhat ironic - an episode about bad tv (literally evil alien in the tv) turns out to be a bad episode of television. I know Doctor Who tends to stretch the limits of credulity at times, but the idea of an alien in the tv signal that sucks people's faces off to gorge on the electrical impulses in the brain, is just far too ridiculous. Maybe in a cartoon or something but..just...no. I mostly just felt bad for the tv salesman who was doing the alien's bidding just to finally get some peace. Seemed the kind of character the Doctor would have shown more compassion toward but both him and Rose seemed slightly out of character this episode, though David Tennant still manages to play his role with quirky charm. In fact, most of the characters were a bit irritating in this episode (not even gonna go into the kid and is family) and Rose was just so annoying throughout the episode I was honestly glad when her face was taken. Special effects weren't too bad but weren't great either. But it was the lame villain, lame characters, and lame story that sealed this episode's fate. 5/10
Levion

Levion

I have no idea why this episode is so unpopular. I found it really fun, well acted and with some spooky elements to enjoy. It is not the greatest story and is not necessarily the most convincing idea if you analyse it but it is internally logical and entertaining. I thought the boy was very well acted and an endearing character and the 1950s setting was a nice aspect. The humour is excellent and there are nice touches to the script. Overall a good, very solid episode.

My rating: 8/10
Soustil

Soustil

Maureen Lipman is one of the most exciting actresses in Great Britain. When Mark Gatiss wrote the character of The Wire, I cannot imagine any other names going through his head for the perfect actress to play her other than Maureen Lipman. Her performance in this really put the likes of David Tennant, Billie Piper and Jamie Foreham to shame. She really did show all of them up. Jamie's lackluster contribution to such a good episode left me cold. His on screen son was better in a more complex role. Mark really did go into the old classics to bring us this script and I imagine he has been dying to go in this direction for a while, thank Heaven's Doctor Who has enabled him to do so. However, in this case, The Idiot's Lantern, it is who delivers the good dialogue rather than who wrote it and once again, I return to the magnificent Maureen Lipman. Every line she delivered was sheer perfection.