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Masks and Faces (1917) Online

Masks and Faces (1917) Online
Original Title :
Masks and Faces
Genre :
Movie / Comedy
Year :
1917
Directror :
Fred Paul
Cast :
Johnston Forbes-Robertson,Irene Vanbrugh,Henry S. Irving
Writer :
Benedict James,Charles Reade
Type :
Movie
Rating :
5.8/10
Masks and Faces (1917) Online

An actress cures an aged flirt by posing as his wife.
Cast overview, first billed only:
Johnston Forbes-Robertson Johnston Forbes-Robertson - Triplet (as Sir Johnston Forbes-Robertson)
Irene Vanbrugh Irene Vanbrugh - Peg Woffington
Henry S. Irving Henry S. Irving - Colander
Gerald du Maurier Gerald du Maurier - Hunsdon
Dennis Neilson-Terry Dennis Neilson-Terry - Ernest Vane
Gladys Cooper Gladys Cooper - Mabel Vane
Ben Webster Ben Webster - Sir Charles Pomander
C.M. Lowne C.M. Lowne - Quinn
Nigel Playfair Nigel Playfair - Rich
Lillah McCarthy Lillah McCarthy - Kitty Clive
Dion Boucicault Jr. Dion Boucicault Jr. - Colley Cibber
Henry Vibart Henry Vibart - Burdock
Donald Calthrop Donald Calthrop - Lovell
J. Fisher White J. Fisher White - Snarl
Lyall Swete Lyall Swete - Soper

First film of Helen Haye

The film was made to raise money for the building of the Royal Academy of Dramatic Arts.

First film of Fabia Drake's seventy year career.


User reviews

Andromajurus

Andromajurus

This movie is based on the old play by Charles Reade and Tom Taylor. It concerns itself with Irene Vanbrugh as Peg Wolfington, her amours and good heart and her championing of Johnston Forbes-Robertson, a painter and would-be playwright, and succoring of Gladys Cooper, the wife of Dennis Neilson-Terry, with whom she had been carrying on an affair and whom she did not know (in the show, anyway) was married.

It was made for the movies to finance the building fund of the Royal Academy of Dramatic Arts, and there is a pleasing prologue in which distinguished playwrights of the era appear to discuss its production. As a result, it has a tremendously distinguished cast of stage actors, many of whom rarely appeared in the silent movies. Its interest -- and it is considerable -- lies in seeing these actors at this age: not only Miss Vanburgh and Miss Cooper (who was quite a sweet-faced young dish at this age, not at all the stern woman I know from the 1940s), but Henry Irving, Matheson Lang (in a bit part) and Helen Haye in her screen premiere.

Because of this cast and the wordiness of the play's script, there are an enormous number of titles, and the compositions are stagey, despite some careful camera work. As a movie, it is rather forgettable. It is worth watching for the faces... and for the RADA facilities it helped underwrite.